Hey,

2012/3/9 David Baelde <[email protected]>:
> I'd like to clarify one thing: there is never any (clock) problem with
> switch-based transitions. It's only cross-transitions (between tracks
> of the same source) that you should avoid with real time sources (we
> decided against this so far, but strict clock annotations would
> prevent such uses).
>
> Regarding the initial problem, I'm not sure what it was, maybe bad
> remaining time estimations. I'm more puzzled by the intermediate
> report of liquidsoap going into a loop with a sequence transitions.

It would be nice to investigate on those too indeed.

> Finally, the override parameter did not make sense in
> fade.initial/final(), only in fade.in/out(). It is there to change the
> fading duration from one track to the next. This is useless for
> track.initial/final() because they fade only once, not for every
> track. (Strictly speaking, it could still be nice to use a duration
> extracted from the track, and technically there may be a way that even
> initial/final extract it before starting their work, but I'm not
> sure.) Your use of references for setting fading durations seems like
> the right approach to me.

Thanks. It makes sense to not have metadata override for
fade.intial/fade.final. However, I think that the problem here is that
those fade operators actually are overriden by those metadata..

Romain

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