I love it! I'm totally doing this look for Halloween. It's very Janelle
Monae

On Sun, Aug 29, 2010 at 8:57 PM, Mr. Worf <hellomahog...@gmail.com> wrote:

>
>
> Steampunks: The New 
> Goth?<http://lalablahblah.wordpress.com/2008/05/12/steampunks-the-new-goth/> 
> May
> 12, 2008
>
>  <http://lalablahblah.files.wordpress.com/2008/05/steampunks.jpg>
>
> So maybe im late on this one but just found out about this
> trend/movement/identity called Steampunks. They basically look super*Gangs
> of New York, *dressing in antique clothes, buying antique objects and for
> hardcore Steampunks– they redesign new technology like iPhones (wrapped in
> burnished brass) or Mac computers (modify keyboards with old cash register
> buttons and such), etc.
>
> I love the aesthetic and revival of old technology, but these peops claim
> they are the “new goth”. Let me tell you something Steampunkers, no one
> should ever want to be the new goth! Goth kids suck… if you’re still in
> Highschool and think its super OG, roll with it, but the day you graduate
> you better burn up your Wednesday Adams’ wardrobe because there’s nothing
> more un-original or stylish than turning in your personal identity for some
> non-mainstream outfit subscription (pent-up goth anger since 96′).
>
> Steampunk Moves Between 2 Worlds
>  Robert Wright for The New York Times
>
> From left, Deacon Boondini, the Great Gatsby and Giovanni James of the
> James Gang share a vision with the designer Alexander McQueen. More Photos
> > <http://www.nytimes.com/slideshow/2008/05/07/style/0508-PUNK_index.html>
>
>    - 
> FACEBOOK<http://www.nytimes.com/2008/05/08/fashion/08PUNK.html?_r=2&ref=fashion&oref=slogin#>
>    - TWITTER
>    - RECOMMEND
>    - SIGN IN TO E-MAIL OR SAVE 
> THIS<http://www.nytimes.com/2008/05/08/fashion/08PUNK.html?_r=2&ref=fashion&oref=slogin>
>    - 
> PRINT<http://www.nytimes.com/2008/05/08/fashion/08PUNK.html?_r=2&oref=slogin&ref=fashion&pagewanted=print>
>    
> <http://www.nytimes.com/2008/05/08/fashion/08PUNK.html?_r=2&oref=slogin&ref=fashion&pagewanted=all>
>    - 
> REPRINTS<http://www.nytimes.com/2008/05/08/fashion/08PUNK.html?_r=2&ref=fashion&oref=slogin#>
>    - 
> SHARE<http://www.nytimes.com/2008/05/08/fashion/08PUNK.html?_r=2&ref=fashion&oref=slogin#>
>
>
> <http://www.nytimes.com/adx/bin/adx_click.html?type=goto&opzn&page=www.nytimes.com/yr/mo/day/fashion&pos=Frame4A&sn2=c740a924/e0616715&sn1=6f0360e9/dedb69d1&camp=foxsearch2010_emailtools_1225559c_nyt5&ad=BlackSwan_120x60_08.18.10&goto=http%3A%2F%2Fwww%2Efoxsearchlight%2Ecom%2Fblackswan>
> By RUTH LA 
> FERLA<http://topics.nytimes.com/top/reference/timestopics/people/l/ruth_la_ferla/index.html?inline=nyt-per>
> Published: May 8, 2008
>
> “MEET Showtime,” said Giovanni James, a musician, magician and inventor of
> sorts, introducing his prized dove, who occupies a spacious cage in Mr.
> James’s apartment in Midtown Manhattan. Showtime is integral to Mr. James’s
> magic act and to his décor, a sepia-tone universe straight out of the
> gaslight era.
>  Multimedia
> [image: Steampunk]Slide 
> Show<http://www.nytimes.com/slideshow/2008/05/07/style/0508-PUNK_index.html>
> Steampunk<http://www.nytimes.com/slideshow/2008/05/07/style/0508-PUNK_index.html>
> Enlarge This 
> Image<http://www.nytimes.com/2008/05/08/fashion/08PUNK.html?_r=2&ref=fashion&oref=slogin>
> <http://www.nytimes.com/2008/05/08/fashion/08PUNK.html?_r=2&ref=fashion&oref=slogin>
> Robert Wright for The New York Times
>
> The structured clothing of the steampunk movement. More Photos 
> »<http://www.nytimes.com/slideshow/2008/05/07/style/0508-PUNK_index.html>
>
> The lead singer of a neovaudevillian performance troupe called the James
> Gang, Mr. James has assembled his universe from oddly assorted props and
> castoffs: a gramophone with a crank and velvet turntable, an old wooden
> icebox and a wardrobe rack made from brass pipes that were ballet bars in a
> previous incarnation.
>
> Yes, he owns a flat-screen television, but he has modified it with a burlap
> frame. He uses an 
> iPhone<http://topics.nytimes.com/top/reference/timestopics/subjects/i/iphone/index.html?inline=nyt-classifier>,
> but it is encased in burnished brass. Even his clothing — an unlikely fusion
> of current and neo-Edwardian pieces (polo shirt, gentleman’s waistcoat,
> paisley bow tie), not unlike those he plans to sell this summer at his own
> Manhattan haberdashery — is an expression of his keenly romantic worldview.
>
> It is also the vision of steampunk, a subculture that is the aesthetic
> expression of a time-traveling fantasy world, one that embraces music, film,
> design and now fashion, all inspired by the extravagantly inventive age of
> dirigibles and steam locomotives, brass diving bells and jar-shaped
> protosubmarines. First appearing in the late 1980s and early ’90s, steampunk
> has picked up momentum in recent months, making a transition from what used
> to be mainly a literary taste to a Web-propagated way of life.
>
> To some, “steampunk” is a catchall term, a concept in search of a visual
> identity. “To me, it’s essentially the intersection of technology and
> romance,” said Jake von Slatt, a designer in Boston and the proprietor of
> the Steampunk Workshop (steampunkworkshop.com), where he exhibits such
> curiosities as a computer furnished with a brass-frame monitor and vintage
> typewriter keys.
>
> That definition is loose enough to accommodate a stew of influences,
> including the streamlined retro-futurism of Flash Gordon and Japanese
> animation with its goggle-wearing hackers, the postapocalyptic scavenger
> style of “Mad Max,” and vaudeville, burlesque and the structured gentility
> of the Victorian age. In aggregate, steampunk is a trend that is rapidly
> outgrowing niche status.
>
> “There seems to be this sort of perfect storm of interest in steampunk
> right now,” Mr. von Slatt said. “If you go to Google Trends and track the
> number of times it is mentioned, the curve is almost algorithmic from a year
> and a half ago.” (At this writing, Google cites 1.9 million references.)
>
> “Part of the reason it seems so popular is the very difficulty of pinning
> down what it is,” Mr. von Slatt added. “That’s a marketer’s dream.”
>
> Devotees of the culture read Jules 
> Verne<http://topics.nytimes.com/top/reference/timestopics/people/v/jules_verne/index.html?inline=nyt-per>
>  and
> H. G. Wells, as well as more recent speculative fiction by William Gibson,
> James P. Blaylock and Paul Di Filippo, the author of “The Steampunk
> Trilogy,” the historical science fiction novellas that lent the culture its
> name. They watch films like “The City of Lost Children” (with costumes
> designed by Jean Paul 
> Gaultier<http://topics.nytimes.com/top/reference/timestopics/people/g/jean_paul_gaultier/index.html?inline=nyt-per>),
> “The League of Extraordinary Gentlemen” and “Brazil,” Terry 
> Gilliam<http://topics.nytimes.com/top/reference/timestopics/people/g/terry_gilliam/index.html?inline=nyt-per>’s
> dystopian fantasy satirizing the modern industrial age; and they listen to
> melodeons and Gypsy strings mixed with industrial goth.
>
> They build lumbering contraptions like the steampunk treehouse, a
> rusted-out 40-foot sculpture assembled last year at the Burning Man festival
> in Nevada and unveiled last month at the 
> Coachella<http://topics.nytimes.com/top/reference/timestopics/subjects/c/coachella_valley_music_and_arts_festival/index.html?inline=nyt-classifier>
>  music
> festival in Southern California. They trawl eBay for saw-tooth cogs and
> watch parts to dress up their Macs and headsets, then show off their
> inventions to kindred spirits on the Web.
>
> And, in keeping with the make-it-yourself ethos of punk, they assemble
> their own fashions, an adventurous pastiche of neo-Victorian, Edwardian and
> military style accented with sometimes crudely mechanized accouterments like
> brass goggles and wings made from pulleys, harnesses and clockwork pendants,
> to say nothing of the odd ray gun dangling at the hip. Steampunk style is
> corseted, built on a scaffolding of bustles, crinolines and parasols and
> high-arced sleeves not unlike those favored by the movement’s designer
> idols: Nicolas 
> Ghesquiere<http://topics.nytimes.com/top/reference/timestopics/people/g/nicolas_ghesquiere/index.html?inline=nyt-per>
>  of
> Balenciaga, Alexander 
> McQueen<http://topics.nytimes.com/top/reference/timestopics/people/m/alexander_mcqueen/index.html?inline=nyt-per>
>  and,
> yes, even Ralph 
> Lauren<http://topics.nytimes.com/top/reference/timestopics/people/l/ralph_lauren/index.html?inline=nyt-per>
> .
>
> Quaint to some eyes, or outright bizarre, steampunk fashion is compelling
> all the same. It is that rarity, a phenomenon with the potential to capture
> a wider audience, offering a genteel and disciplined alternative to both the
> slack look of hip-hop and the menacing spirit of goth.
>
> The elaborate mourning dresses, waistcoats, hacking jackets and high-button
> shoes are goth’s stepchildren, for sure, but the overall look is “not so
> much eyeliner and fishnets,” said Evelyn Kriete, who sells advertising space
> for magazines like Steampunk, The Willows and Weird Tales, and who manages
> Jaborwhalky Productions (jaborwhalky.com), a steampunk Web site.
>
> Ms. Kriete and her eccentrically outfitted cohort of teachers, designers,
> writers and medical students, drew stares last week at a picnic at the
> Cloisters in Manhattan, but provoked no shudders or discernible hostility.
>
> “As a subculture, we are not the spawn of Satan,” Ms. Kriete said. “People
> smile when they see us. They want to take our picture.”
>
> Robert Brown, the lead singer for Abney Park, a goth band that has
> reinvented itself as steampunk, echoed her sentiments. “Steampunk is not
> dark and spooky,” he said. “It’s elegant and beautiful.”
>
> Even heroic, if you like. The movement may have a postapocalyptic strain,
> but proponents tend to cast themselves as spirited survivors. Molly
> Friedrich, an artist and a jewelry designer in Seattle, approaches
> steampunk, she said, “from a perspective of 1,000 years into the future,
> after society has crumbled but people have chosen to live in Victorian
> fashion, wearing scavenged clothes.” In keeping with her vision, Ms.
> Friedrich has devised an alternate identity composed of petticoats, old
> military storm coats, goggles and aviator caps with an Amelia 
> Earhart<http://topics.nytimes.com/top/reference/timestopics/people/e/amelia_earhart/index.html?inline=nyt-per>
>  flair.
>
> She takes her emotional cues from scientists and inventors like Nikola
> Tesla, magicians like Harry 
> Houdini<http://topics.nytimes.com/top/reference/timestopics/people/h/harry_houdini/index.html?inline=nyt-per>
>  and
> soulful spies like Mata Hari, each of whom injected a spirit of enterprise,
> intrigue and discovery into their age. Contemporary fictional parallels in
> film include the wildly ingenious scientist played by Robert Downey 
> Jr.<http://topics.nytimes.com/top/reference/timestopics/people/d/robert_jr_downey/index.html?inline=nyt-per>
>  in
> “Iron Man,” who hopes to save the world by retooling himself as a
> flame-throwing robot made of unwieldy scrap metal parts.
>
> If steampunk has a mission, it is, in part, to restore a sense of wonder to
> a technology-jaded world. “Today satellite photos make the planet seem so
> small,” Mr. Brown lamented. “Where is the adventure it that?” In contrast,
> steampunk, with its airships, test tubes and time machines, is, he said,
> “sort of a dream , the way we used to daydream. It’s like part of your
> childhood’s just bursting forward again.”
>
> For some of its adherents, steampunk also offers a metaphoric coping
> device. “It has an intellectual tie to the artists and artisans dealing with
> a world in turmoil at the time of the industrial revolution,” said Crispen
> Smith, a Web designer and photographer in Toronto, and a partner in a
> steampunk fashion business.
>
> Now, as in the late 19th century, “we have to find a way to deal with new
> ethical quandaries,” Mr. Smith said, alluding to issues like cloning, the
> dissemination of information and intellectual property rights on the Web.
>
> Steampunk style is also an expression of a desire to return to ritual and
> formality. “Steampunk has its tea parties and its time-travelers balls,”
> said Deborah Castellano, who presides over salonconvention.com, which
> organizes neo-Victorian conventions. “It offers an element of glamour that
> some of us would otherwise never experience.”
>
> And an enticing marketing hook. The Bombay Company is selling
> steampunk-style brass home accessories, instruments like astrolabes and
> sextants. A steampunk fantasy game, Edge of Twilight, will be introduced by
> Xbox 360 and PlayStation next year.
>
> And steampunk fashion, which until now has been a mainstay of craft fairs
> and destinations like eBay and Etsy, the online market for handmade clothing
> designs and artifacts, is finding its way into the brick and mortar world.
>
> Gypsymoon.com <http://gypsymoon.com/> has begun offering its cream and
> umber petticoats, an Air Pirate ruched tunic and Time Machine bloomers at
> boutiques. Abney Park is selling swallowtail tuxedos, antiqued flight
> helmets and airship pirate T-shirts, like those it wears on stage, at
> abneypark.com and at concerts across the country.
>
> Mr. James, who performs with his troupe at the Box, the music-hall hideaway
> on the Lower East Side, has just leased space for a steampunk shop in
> NoLIta. He plans to offer brass Rubik’s cubes, riding boots,
> early-20th-century-style motorbikes, handmade leather mailbags and brass or
> wooden iPhone cases, all under the label TJG Engineering.
>
> There will, of course, be a clothing line with vintage and new looks
> modeled on Mr. James’s own neo-Edwardian sartorial signature. “I’m so sick
> of baggy pants hanging off your bottom,” he said. “This is more refined. It
> goes back to a time when people had some dignity.
>
> “It’s a new day.”
>
>  
>



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