| John Chambers wrote:
|
| > ...it's on page 37.  Here it is...
|
| Without intending to be aggressive or confrontational, I'm curious
| about your stance on this, John. It's a modern tune composed by a
| someone who has been dead well short of 70 years; it can be found in a
| currently available printed collection. Do you feel that it's OK to
| publish it?

Hmmm ...  Good question.  I'd think there are possibly two answers in
this case, which may or may not be similar.  From what I know of Tom,
having only met him a couple of times at musical events and not being
anything more than a casual acquaintance, I'd say it's pretty obvious
that he would have approved.  It was always clear that he was  mainly
motivated  by  a desire to get as many people involved with the music
as possible.

Thus, in Ringing Strings  he  says  about  the  tunes  "I  hope  that
fiddlers  find something interesting in some of them, and if they get
as much enjoyment from playing the tunes as I have had from composing
them  then  I  will be very happy." Then he adds "Tune up, let's play
and dance." This does seem to be consistent with everything  else  he
ever said or wrote.

On the other hand, since Tom is gone, his works are now presumably in
the hand of various others who may or may not have this generous sort
of attitude.  In particular, publishers often take a less  than  open
view of people sharing the contents of their publications.  There are
many cases of publishers taking a radically different  attitude  than
their  authors.  So maybe it would be worthwhile to inquire about who
now owns Tom's tunes, and whether they view the tunes as a source  of
income or as Tom's gift to the world.

A bit of checking on the net didn't quickly turn up information about
who  now owns the tunes or publications.  As near as I can tell, Hand
me Doon the Fiddle is out of print.  Ringing Strings is for sale by a
few outlets, and is probably in print, but it's not in the catalog of
the Shetland Times, the publisher of my copy.  They do  list  a  book
called  "The Tom Anderson Collection" which I'm tempted to order even
without seeing what's in it.  I wonder who might have it?  Or maybe I
should just order it from the Shetland Times.

One curiosity is that I found a number of references to the  Shetland
Musical  Heritage Trust, including a comment that they're the current
publishers of Tom's music, but their web site doesn't seem to mention
him anywhere.

I also tried to locate some of the names in Ringing Strings, such  as
Robert  Innes  and Ian Holland, without much luck.  Robert was at the
University of Stirling, but  they  don't  list  him  anywhere,  so  I
suppose he's moved on.

Anyway, I've sent off a few email  messages  about  Tom's  books  and
tunes, and maybe I'll get some responses.  I've thought for some time
that I'd like to  see  his  tunes,  both  his  compositions  and  his
collections  of  trad tunes, online.  The latter we could just do, of
course, but we'd want to get permission for the former.

Now that the world's archives are rapidly moving online, a  good  way
to  memorialize  Tom's  contributions  to  the  music of Shetland and
Scotland would be to make a Tom Anderson site.  If  his  conservators
agree ...

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