>simply out of tune [temporarily emerging from real life to comment] Although I have great respect for Alexander MacDonald's considerable knowledge of Scottish/Cape Breton fiddle music and physics of sound production, I think that "out of tune" tones have their place in music. I sometimes witness my husband making use of notes which are slightly "off" to produce an emotional impact. (I use David for an example because he is recognized as a good musician, whereas I often could be justly accused of playing out of tune, I'm sure.) Alexander must be right in concluding that the absence of beats and the presence of resonating harmonics are pleasing to the ear, however, other more strident sounds also touch us by piquing our interest and emotions. Surely this is one reason why traditional musicians don't always "correct" their intonation. Nevertheless, Alexander makes a good point about the particular notes which tend to be played out of tune on the fiddle. Whereas I always looked at thirds and sevenths etc., Alexander noticed that the "offending" notes sometimes have more to do with the fingering on the fiddle and how difficult it is to play them. Therefore, it is not necessarily the same intervals which offend in each key. This I can see because for instance, I have a terrible time playing in tune in E major. It drives me crazy. Another point to think about is David Greenberg's idea of a hierarchy of importance for each musical tradition. In classical music, it may be considered by many to be more important to play in tune than to play with feeling (you can disagree with this, but most people won't pay money to go hear out-of-tune classical music and they'll flinch over any deviation from what's accepted). In Cape Breton fiddle music, playing with drive and good timing is more important than playing in tune. A fiddler could be so good that a few off notes don't really matter. In conclusion, although Alexander would like to see the issue of tuning as a purely scientific one, I believe that much about it comes down to a matter of opinion. - Kate D. -- Kate Dunlay & David Greenberg Halifax, Nova Scotia, Canada http://www.total.net/~dungreen Posted to Scots-L - The Traditional Scottish Music & Culture List - To subscribe/unsubscribe, point your browser to: http://www.tullochgorm.com/lists.html
Re: [scots-l] What makes a style "Scottish?"
Kate Dunlay or David Greenberg Wed, 18 Jul 2001 10:37:58 -0700
- Re: [scots-l] What makes a style "Scot... SUZANNE MACDONALD
- Re: [scots-l] What makes a style "Scot... David Kilpatrick
- Re: [scots-l] What makes a style "Scot... Jack Campin
- Re: [scots-l] What makes a style "Scot... David Kilpatrick
- Re: [scots-l] What makes a style "Scot... John Chambers
- Re: [scots-l] What makes a style "Scot... Jack Campin
- Re: [scots-l] What makes a style "Scot... SUZANNE MACDONALD
- Re: [scots-l] What makes a style "Scot... Anselm Lingnau
- Re: [scots-l] What makes a style "Scot... Toby Rider
- Re: [scots-l] What makes a style "Scot... SUZANNE MACDONALD
- Re: [scots-l] What makes a style "Scot... Kate Dunlay or David Greenberg
- Re: [scots-l] What makes a style "Scot... Kate Dunlay or David Greenberg
- Re: [scots-l] What makes a style "Scot... David Kilpatrick
- Re: [scots-l] What makes a style "Scot... Toby Rider
- Re: [scots-l] What makes a style "Scot... Jack Campin
- Re: [scots-l] What makes a style "Scot... Jack Campin
- Re: [scots-l] What makes a style "Scot... SUZANNE MACDONALD
- Re: [scots-l] What makes a style "Scot... Jack Campin
- Re: [scots-l] What makes a style "Scot... SUZANNE MACDONALD
- Re: [scots-l] What makes a style "Scot... John Chambers
- Re: [scots-l] What makes a style "Scot... Toby Rider
