Hi Wendy, Nigel,

> On Wednesday 06 February 2002 06:06, Nigel Gatherer wrote:
> >
> > STRATHSPEYS
> > Jeffrey Friedman says they dance Strathspeys at 60. I'm not a dancer,
> > but musically that seems VERY slow to me [3]. JMM states the limits as
> > between 160 and 188. That upper limit seems fast to me, but nothing
> > compared to the 202 reached in some Cape Breton recordings [2]. Now to
> > Jimmy Shand and his Band; listening to a few Shand Strathspeys gives
> > measurements of 130, 133 139, 139, 141 and 142; this seems right to me
> > as a musician, but I can't speak for a dancer. Alastair Hardie's count
> > of 126-138 seems to concur.
> <snip>
> > [1] Flowers of Scottish Melody, 1935
> > [2] ...as notated in 'Traditional Celtic Violin Music of Cape Breton'
> > Kate Dunlay and David Greenberg
> > [3] Jeffrey - are you sure it's not half-note measurements you mean?
> 
> Nigel - Jeff was referring to Scottish Country Dance strathspeys, not Cape

> Breton. For SCD aren't the strathspeys supposed to be counted two to the
bar, 
> rather than four to the bar as in Cape Breton? I *can* tell you that if
you 
> tap your foot for four downbeats the SCD teacher is almost certain to tell

> you you're playing it "wrong" because it's not what they need. Ian,
Anselm?? 

Hmm.  I can't really speak from a musician's point of view here.  As a
dancer, the beats are "1, 2, 3, and", which corresponds to step, close,
step,
pull through.  The first and third beats are definitely the key ones in the
step, and I can see how counting in minims might help get the emphasis
right.
RSCDS recommendations for strathspeys (sudden memories returning) are
112-116;
[1] I suspect if I was to dance to music played at 126-138 I'd feel like I
was running (though 112 and below is probably starting to get laboured and
wobbly...depending on the band, of course...)

Ian

[1] The Manual of Scottish Country Dancing, RSCDS
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