On Sun, 2003-01-19 at 15:50, Jack Campin wrote:

> BTW, anyone who hasn't heard it should try to listen to Cynthia's
> recording.  There are some rough edges but it's honest traditional
> stuff that doesn't try to dilute the music with other genres to make
> it market-friendly, as too many harpists in Scotland are doing at
> the moment - mixing up Nashville idiom with Scottish music is like
> stretching sausage with GM soya.


 Yes, I have a copy of her recording.. It's excellent. I'm going to have
to put my thinking cap on here soon and come up with some more accurate
description what makes it excellent.
 That recording is definately the real deal. Pretty entertaining for a
solo-type recording. Very often solo-type recordings are dull and hard
to listen to over and over. Especially some solo fiddle recordings! So
many of us fiddlers are wanting to impress people with a barrage of
notes, or playing with three flats. 
  Most of what I hear of harp recordings is sort of quasi-"new age"
stuff. I don't know better how to describe them, but they're neither
traditional or an exciting amalgamation of old & new influences.  
  It would be interesting to hear a genuinely inspired "fusion" sort of
harp-playing. After all I really love the Pogues, and they've been
described as "a hybrid between the Sex Pistols and the Chieftans". I
even forgive them for having a piano accordion :-) I liked the Easy Club
as well.. I thought they were pretty interesting. 

Toby
 



 

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