This whole discussion is very distressing, and I will not be drawn into it except       to say the following, and then I am done.

        As with many organizations, SHSA (Scottish Harp Society of America) is having some differences of opinion about the comp requirements. I urge anyone interested and concerned to go to the SHSA website <www.shsa.org> and check it out before forming an opinion.      This is not the place where the rules should be discussed, as we have a committee that has been hashing out and updating the rules for the last five years, and I don't appreciate the attempts to gain sympathy from the list. Please believe me that we have looked far beyond the fiddle requirements in our discussions. My main concern as an American harper playing Scottish music is to reflect what is being played in Scotland today, as well as 50 or 100 or 300 years ago.
        
        As to the "elitism" slur, there is that pesky word again. We on the committee are trying to bring the harp comps out of the airy-fairy land that it has been in for 15 years, where one only had to play an air and 1-2-or 3 "contrasting" tunes, depending on the level. For many that meant three waltzes in 3 different keys. We were not taken seriously, and harpers didn't learn any challenging music, and strathspeys, the distinctive music of Scotland, were pretty rare. I don't know why strathspeys were not played on the harp 200 years ago. They sound great. But they are now, all over Scotland. 

        As to your request for a time line of harping in Scotland, your/our friend Holly Callahan has written a ground-breaking history thesis on exactly that. I suggest that you start there.

        Sue Richards

At 11:12 AM 1/17/03 -0500, you wrote:

The sad thing is that to be a master harper according to the Scottish Harp Society one must be able to play a March/Strathspey/Reel set and not much else.

(snip)


Toby suggested that there is elitism with competitions, and there may be some truth in his observation.

(snip)


Anyway. Here's a question to start a different thread. I'm working up a "Time Line" of the harp

(snip)

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