Re: (313) Richie hawtin in louisville (and iowa!)
If anyone is heading to Iowa from the So Illinois/Kentucky/St Louis area, we would highly recommend getting a ticket. You may purchase them over the phone (w/credit card) on a will call basis up till Friday night. Tickets are $15 non-student, $7 student. Dial 800-346-4401 before 9:30 pm. Room capacity is 900 people... For more info please see the event web page: http://www.nodal.com/from0to1 Sponsored by the University of Iowa Union Programming Board. See you Saturday, From 0 to 1 Crew - Original Message - From: MikeD [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, February 15, 2000 9:28 AM Subject: (313) Richie hawtin in louisville (and iowa!) the sounds of hawtin in louisville: This is the policego home now or you will be arrested anyone headed to iowa? seeya there kent -mike
Re: (313) new kraftwerk
I heard about a particular someone doing a boot of Expo 2000... I don't really think they'd like me to say much more... You can look for it on 12 in a couple of weeks. Happy hunting :) Vince - Original Message - From: Cyclone Wehner [EMAIL PROTECTED] To: 313 Detroit 313@hyperreal.org Sent: Tuesday, February 15, 2000 9:00 PM Subject: Re: (313) new kraftwerk Surprisingly enough, I haven't seen anything mentioned about the new kraftwerk release to celebrate the opening of some expo in Germany. It's an airy sounding funky track with all the kraftwerk ingredients (high Q snare, vocoder voices). I've heard someone mention that there's a whole new album coming out. Has it been released yet ? I think it's come up a few times about a month ago? They were reportedly in the studio doing stuff but there is no definite word of an album. But there was a rumour about them doing a 'Kraftwerk presents' where they hook up with US rappers like Foxy Brown, Juvenile, Kid Rock and some names I forgot, kinda re-doing the classics for the US. Just kidding.
(313) dan bell
does anyone wana give up a copy of Dan Bells Subterranean on Elevate? email me directly PLEASE! -burns __ Get Your Private, Free Email at http://www.hotmail.com
Re: (313) Detroit House
From: [EMAIL PROTECTED] also check out HAPPY records at Submerge 2030grandriver Intangible (Terrance Parkers label) Don't forget Upstart and Soul City! __ Get Your Private, Free Email at http://www.hotmail.com
Re: (313) new kraftwerk
I can't believe I fell for this one! I almost didn't see the just kidding at the end of the message... LOL Matt E-mail: [EMAIL PROTECTED] Homepage: http://magicmattkelly.tripod.com They were reportedly in the studio doing stuff but there is no definite word of an album. But there was a rumour about them doing a 'Kraftwerk presents' where they hook up with US rappers like Foxy Brown, Juvenile, Kid Rock and some names I forgot, kinda re-doing the classics for the US. Just kidding.
Re: (313) Cognition's March 2000 Electronics Report/Chart now online
Well, 14. Vladislav Delay-Entain (DM Mille Plateaux) ... that's all well and good, but what can you tell me about the Multila offering on Chain Reaction? ... were'nt it you who suggested this super Burnt Friedman The Nu Dub Players Just Landed I gots playing right now..?, J. E. v. F-B. B.
Re: (313) track ids/back from london
-Original Message- From: Brian Dillard [EMAIL PROTECTED] b) anybody ever heard of a richie hawtin track called xxx that featured on a vinyl comp called something like brand x vol. 1? (i don't have the record in front of me). it's not listed on his official discography at m-nus.com and i've never heard of it before. the cartridge on my lone 1200 is broken so I haven't even listened to it yet. brandx was dj Moneypenny from NY,very important dj in the early days of techno,brandx was kind of a newsletter acompanied by tape she used to do back in the late 90's,and was kind of a real important thing to have ,back in the day were very few ppl were getting promos and stuff .That was nearly the only way of getting to hear new trax b4 they came out,i think she also ran the Experimental Vortex labels out of NY,and she gave Damon Wild his first break on her Chapter1- unleash the groove,rekid on stricly,also had something to do with Blackdog as she getts thanked on the Blackdog ep(bd003),also from memory i think she said something in an inreview about not liking 313 music ;) and being in love with FDW(v old early Frontpage magazine). the record you bought came out straight after Ritchie did the FU Substance Abuse rekids and is very similer in style unfortunatly that was the only good track there unles you like the early trance stuff by FDW,sven van Hees etc , i think that was the first track he did esp for a compilation!(btw the first remix he did was for Ian Pooley's space Cube- Pure tendency which was the first Force Inc record(tni 001) and borrowed in style from FU as well) e,r
(313) ortofon
Hi, Sorry for the cross-post and non-content (this will be the last for a while) but I'm looking for a store online to get a pair of Ortofon cartridges for cheap... I've seen the silvers go for as low as $89.99 + 1 spare stylus, but I'm sure I can get cheaper. Also, would anyone with experience recommend any particular ortofon model over another? Thanks for your help, Aaron
Re: [Fwd: Betr.: (313) Retroactive discog...]
In a message dated 2/15/00 5:55:22 PM Eastern Standard Time, [EMAIL PROTECTED] writes: Equinox/the Beginning/Nite Da - A Retroactive Compilation Buzz BZZCD 106102 1992. Urban Tribe - Covert Action Carl Craig - Wrap Me In His Arms Carl Craig with Sarah Gregory - As Time Goes By (Sitting Under A Tree) Never On Sunday The Journey Carl Craig - No More Words Carl Craig - Suspiria As Time Goes By (Sitting Under A Tree) - Aquatic By the way, this track listing isn't exactly correct. It is lifted from the Mixmaster Morris site (whoever posted it) and the formatting on that site is poor. The tracks are right, but The Journey and Never on Sunday should be credited to MK and Aquatic is by Open House featuring Placid Angels. One of the best comps out there. BTW: someone clued me in to the fact that The Climax appeared on the last Paperclip People CD single. They said tinny mastering but just the fact that I can find hear this track is getting me very excited! Matt
(313) new kraftwerk
Surprisingly enough, I haven't seen anything mentioned about the new
kraftwerk release to celebrate the opening of some expo in Germany. It's
an airy sounding funky track with all the kraftwerk ingredients (high Q
snare, vocoder voices). I've heard someone mention that there's a whole
new album coming out. Has it been released yet ?
Speaking of Kraftwerk... Karl Bartos has just remixed 'Little Computer
People' (the track that Anthony Rother re-made). It's out now on PSI49NET
004.
But there was a rumour about them doing a 'Kraftwerk presents' where they
hook up with US rappers like Foxy Brown, Juvenile, Kid Rock and some names
I forgot, kinda re-doing the classics for the US.
Just got this on white label from HardWax in Germany. It's the shit! The Kid
Rock track ('Pocket Calculator') has nice MC505 drums, and a cool Bon Jovi
guitar loop.
:)~ Askew
__
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Re: (313) Choons
Anand Patel wrote: Can anybody out there tell me what techno tunes are out at the moment cos I haven't got a clue, I have only recently just got into the 4/4 thing. I have heard old things on Shockwave(Acid Rain EP), old UR stuff, and old Reese stuff(Direct me rmx, and old old 88/89 stuff). A great place to start would be www.submerge.com plenty of RA samples of the latest in Detroit techno. If you like UR be sure to check out Jaguar DJ Rolando a.k.a. The Aztec Mystic. I was wondering if there are new things on Metroplex, www.submerge.com has RA samples of the last 5 Metroplex releases, Metroplex seems to be releasing a wide variety of genre these days. and also if there are new things by Drexciya, I heard the Lp on Tresor and thought it was Bad. I agree, I thought it was bad too. take it easy, stephen.
(313) UR Z label
Occasionally I hear something about the Z-tracks that Rolando is doing for UR. Z is supposed to be even rarer than UR's SID releases. Has anyone more info on this? W
Re: (313) new kraftwerk
Boot? why would that be necessary? I just saw a stack of them (the legit release) at Recordtime this past weekend on the Electra label. I didnt get around to listening to it though, so I have no idea what the record sounds like. But with current major label releases why on earth would any think a boot leg was needed? Boots are generally reserved for rare/hard to get/out of print classics, or so I thought. Vince Woolums wrote: I heard about a particular someone doing a boot of Expo 2000... I don't really think they'd like me to say much more... You can look for it on 12 in a couple of weeks. Happy hunting :) Vince - Original Message - From: Cyclone Wehner [EMAIL PROTECTED] To: 313 Detroit 313@hyperreal.org Sent: Tuesday, February 15, 2000 9:00 PM Subject: Re: (313) new kraftwerk Surprisingly enough, I haven't seen anything mentioned about the new kraftwerk release to celebrate the opening of some expo in Germany. It's an airy sounding funky track with all the kraftwerk ingredients (high Q snare, vocoder voices). I've heard someone mention that there's a whole new album coming out. Has it been released yet ? I think it's come up a few times about a month ago? They were reportedly in the studio doing stuff but there is no definite word of an album. But there was a rumour about them doing a 'Kraftwerk presents' where they hook up with US rappers like Foxy Brown, Juvenile, Kid Rock and some names I forgot, kinda re-doing the classics for the US. Just kidding.
Re: (313) Choons
and also if there are new things by Drexciya, I heard the Lp on Tresor and thought it was Bad. I agree, I thought it was bad too. What do other people think? I quite liked most of the stuff on there, particularly the first few songs. Metroplex's release by Gerald Mitchell, 'Celestial Highways' should be held in the same high regard as Knights of the Jaguar. Classic melodic detroit sound, both would easily make my top ten for the last century. Dave __ Do You Yahoo!? Talk to your friends online with Yahoo! Messenger. http://im.yahoo.com
Sv: (313) Drexiya (Was: Choons)
What do other people think? I quite liked most of the stuff on there, particularly the first few songs. I luuv it - especially 'Draining Of The Tanks' (this must be the how it sounds in the Drexciyan kingdom) and 'Universal Element' (I just love the way this track is structured rhythmically - very innovative (and bangin' as f**k)). - rasmus
RE: Sv: (313) FW: booty ghetto whadever
What the hell is Lavelle smoking anyway? Is he even at Mo' Wax anymore? I'm pretty sure he was on his way out, but maybe some of the releases he supervised are still trickling out. I think he went to XL Recordings or to a new label, leaving Mo' Wax basically a corporate shill... .John.
(313) Ritchie Hawtin tickets for tonight's San Diego Show
I've got 2 extra tickets for tonight's Decks EFX 909 show (at E-Street alley in Downtown San Diego) If anybody needs a pair gimme a mail today and we'll get in touch. I can hardly wait for the show! --- Tyler Hanel --- [EMAIL PROTECTED] --- http://members.home.com/tylero/music.htm --- San Diego, California
(313) Clone/DUB news
Some news from Joep Vermaat who has been designing the website for clone.nl electronic recordshop in Rotterdam and distribution company for labels like Murdercapital, Viewlexx, DUB, Clone, Acid Planet. The domain is now: http://clone.nl There's a special page made for the Djak-Up-Bitch (no relation to Djax-Up-Beats, apparently ;) label: http://clone.nl/dub.html More background information on the Djak-Up-Bitch label can be found in the article on Joep's site: http://pjoe.net/dub.html --- e. rautio, also known as pHinn * the webmaster of pHinnWeb - the old skool, the nu skool * * and the pHuture skool of Finnish electronic music * * [EMAIL PROTECTED] | http://www.sci.fi/~phinnweb * 020300-030300 - http://www.sci.fi/~phinnweb/flyers/telex/kvy/
(313) new kraftwerk
sean wrote: Boot? why would that be necessary? I just saw a stack of them (the legit release) at Recordtime this past weekend on the Electra label. I didnt get around to listening to it though, so I have no idea what the record sounds like. But with current major label releases why on earth would any think a boot leg was needed? Boots are generally reserved for rare/hard to get/out of print classics, or so I thought. In 2000 bootlegs are reserved for new-release/hard to buy-off/still in print classics... so you don't have to pay, or give any credit to, the original artist label... and if your bootleg reaches the right ears... you get yourself a pack of lawyers... and then sit back and take the pay-off. Sony... the one and only. ~Askew __ Get Your Private, Free Email at http://www.hotmail.com
Re: (313) UR Z label
I know one of them is dr. blowfin's experiment... only god knows how long i've been trying to track down a copy of that track. peace mike
(313) detroit science #
i need the number for Detroit Science or Linda G...please any help? thanks diana __ Get Your Private, Free Email at http://www.hotmail.com
Re: (313) OT- Syntax
you can get all of that information @ http://www.syntax-music.com/
Re: (313) UR Z label
What i've heard is that they are one off acetates/vinyl pressings used for special projects/mixes/live gigs. Peace, Patrick. - Southern Outpost http://www.southernoutpost.com http://www.darkenergy.southernoutpost.com -=D E M A N D I N N O V A T I O N=- On Wed, 16 Feb 2000, Wibo Lammerts wrote: Occasionally I hear something about the Z-tracks that Rolando is doing for UR. Z is supposed to be even rarer than UR's SID releases. Has anyone more info on this? W
Re: (313) new kraftwerk; not another sony; syntax
SEAN The Kraftwerk track Expo 2000 is dubby electronic - not quite the same electro-proto-techno of old. In this case, the bootlegger (read: remixer) is simply putting a techno/dancefloor face on the new track. This doesn't mean it's any good tho! (BTW - How are things Sean? Interested in coming back to IC sometime? Where's that new album?!?) ASKEW The remixer has ties to many artists in Germany and New York, and furthermore, it is my understanding that the boot is in a *small* run by people respectful of artists' rights. There will be one source worldwide to find this particular record. This is not another Sony/UR situation. Although I do not know the remixer personally, I am familiar with his work. And since I haven't heard the remix yet I can't vouch for it being any good. We'll see in a couple of weeks when it come back from the plant. SYNTAX Speaking of Sony/UR/Jaguar, please write to Syntax Distribution and encourage them to remove Type - Jaguar from their stock. I speak for (at least!) a few listmembers who were disappointed to see Syntax first send out a long mail detailing the copyright situation, only to find the Sony record in question added to their stock list 3 weeks later!! Surprisingly, Watts has not picked the cover up - in fact they are distributing Rolondo's Jaguar this week. Cheers to that, at least. Vince http://www.nodal.com/from0to1 http://jump.to/iowacityunderground - Original Message - From: *** ASKEW [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, February 16, 2000 11:10 AM Subject: (313) new kraftwerk sean wrote: Boot? why would that be necessary? I just saw a stack of them (the legit release) at Recordtime this past weekend on the Electra label. I didnt get around to listening to it though, so I have no idea what the record sounds like. But with current major label releases why on earth would any think a boot leg was needed? Boots are generally reserved for rare/hard to get/out of print classics, or so I thought. In 2000 bootlegs are reserved for new-release/hard to buy-off/still in print classics... so you don't have to pay, or give any credit to, the original artist label... and if your bootleg reaches the right ears... you get yourself a pack of lawyers... and then sit back and take the pay-off. Sony... the one and only. ~Askew __ Get Your Private, Free Email at http://www.hotmail.com
Re: (313) detroit-techno (fwd)
Erkki Rautio wrote: Hello, for those list members who can read German, here's what I just got... maybe it's of interest to someone? And for those who can't, here's the entertaining Babelfish version: -- fwd -- gold and booking loves andré kerres tel: (0049)-(0)251-9873180 fax: (0049)-(0)251-9873181 sophienstr.31 mobile: (0049)-(0)177-7876776 of 48145 cathedrals e-May: gold and [EMAIL PROTECTED] cooperative bank ochtrup kto.no. 7402600 blz. 40164618 measure Yetti (gold and tone carrier/Berlin loves) * * justement by the readers / - inside the raveline to the best Djane 1999 one selected and captivates by its grooving driving, underground techno style Alan Oldham aka DJ T-1000 (Detroit/pure sonik records) * former underground resistance member and radio moderator of detroit's WDET-FM transmission almost forward . with hammer album (progress) on safe deposit record... pure DJ ESP aka WOODY MCBRIDE (communique records/minneapolis) * barrier OF bass icon, communique record owner and man first grants about 50 publications speak a clear language... CULT! Paul Edge (more twister rec./outerlimits/london/uk) * the label boss of Twister record and cult-resident of more londoner present underground the club Outerlimits also a few Germany DATES to the absolute schnupperkurs... debt wer's does not make. Mike Dearborn (majesty rec./Chicago) * finds accomodation on Europe route in June, around its new mixes album to promoten TIP ** worldwide exclusive * Germany exclusively further, detailed information: 0251-987318-0 / - 1 for, detailed information call: 0049-251-98731-0 / - 1 - andré Kerr it -- end fwd -- What was the name of that show on WDET? AO?
(313)KMS location
just wondering what happened after KMS moved from Gratoit Avenue--anybody know where KMS is now located. At least what are of the city they are in. james
(313) no subject
Hello everyone, Just wanted to remind everyone of tonights airing of DETROIT INFLUENCE, you can log on at www.flyfm.net the show will kick off at 18:00-20:00 est.,( 6-8pm est.) Tonight we'll be airing about 30 min. of the new DJ di'jital mix cd on Direct Beat called Techno Bass 2, also some new Munchman on 430 west, new Black Nation releases, and some classic Detroit house. hope you can join us, Dave Manic
