(313) Tristan Watkins - 8118 Mix
I did a new mix. Feels like a mix tape to me somehow. I purposefully kept it under 80 minutes to fit it on CD anyway. I think everything but the Plastikman track is pre-'97. Grab it here: http://www.phonopsia.co.uk/?p=550 Seefeel - Through You [Too Pure] Jam Spoon - I Saw the Future [Apollo] Le Gooster - Voyage Sur Hypnose [Shadow Records] The Mighty Bop - Abstract Fever [Quango Records] Sun Electric - O'locco (Orbital Therapy Part 2) [RS] The Orb - Outland (Fountains Of Elisha Mix) [Big Life] The Black Dog - Nommo [Warp] Async Sense - Fa [Interference Records Berlin] Larry Heard - The Dance of Planet X [Black Market International] Sweet Exorcist - African [Touch] Link E621 - Antacid (Jedi Knights Remix) [Warp] Plastikman - In Side [NovaMute] Sysex - Goodbye [Plus 8] Placid Angels - Now and Always [Peacefrog] Irresistible Force - Snowstorm [Rising High] Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk
Re: (313) Waxpoetics vs In The Basement magazines
kent williams [EMAIL PROTECTED] wrote on 11/09/2008 10:26:46 PM: I don't say this to start a debate, because 'disco only lasted 10-15 years at best' is nominally correct. But I can't really pinpoint the death of Disco, especially since deep house has been plowing the same row since ... forever. Disco as a mass phenomenon in the United States was really brief, coming into the pop consciousness around 1974 and going way out by 1979. Actually, I'd say that disco came into pop consciousness around '76 and if you weren't aware of it by then, you were definitely made aware of it by '77 when Saturday Night Fever came out. a minor detail MEK
Re: (313) Waxpoetics vs In The Basement magazines
It's not a music history, but it's a book featuring the compositional methods of detroit techno artists. Seems like a pretty serious academic effort at capturing much of what compositional structures define founding techno, and some cultural comment. It was on the Indiana U press, which I gather is where a lot of the academic work that actually exists on the matter is centered. On Mon, Nov 10, 2008 at 9:48 AM, [EMAIL PROTECTED] wrote: Haven't read it - what about it? Michael Kuszynski [EMAIL PROTECTED] wrote on 11/09/2008 09:20:22 PM: How about that book Unlocking the Groove? On Sun, Nov 9, 2008 at 4:31 PM, [EMAIL PROTECTED] wrote: I have to agree with you. The forward thinking innovation that was present in techno/house at their beginnings has moved on - it doesn't exist in the music that is sticking to the original blueprint. What is sort of funny in all of this, for me, is now I'm listening and buying mostly 60s 70s funk, jazz-funk, soul, etc. and I find more of that urgency and immediacy in music from 30+ years ago. Most techno from the last three or so years leaves me cold. There's a lot of let's do another Basic Channel/Maurizo tune going on... MEK [EMAIL PROTECTED] wrote on 11/07/2008 09:55:53 PM: Most genre's do not last very long before becoming ec=xtinct. I mean disco only lasted 10-15 years at best. House and techno have been around over twenty years. whats left to say? I can't remember the last time i dj'd and only played house and techno. hasn't happend in 4-5 years maybe. A On Sat, November 8, 2008 2:40 am, /0 wrote: techno is dead. - Original Message - From: Denise Dalphond [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: 313 313@hyperreal.org Sent: Friday, November 07, 2008 4:29 PM Subject: Re: (313) Waxpoetics vs In The Basement magazines Ethnomusicology!! I think a full on, comprehensive article about major well known Detroit artists and lots of the lesser known artists from the 1970s to the present would be great to see - I know, crazy high expectations. Maybe that's why I'm writing my dissertation on this... Denise On Fri, Nov 7, 2008 at 3:49 PM, [EMAIL PROTECTED] wrote: I totally have been wanting to see or write myself an article that isnt a summary of whats out there, thats got new interviews with key players of the early 313, and that almost looks at it from an ethnomusiclogical perspective as well as one that goes through records, records broken by mojo, radio shows, and the like.. The glaring omission of a realdeal article about 313 has much in my opinion to do with the fact that its still undercover...i mean, a 313 dj will get booked in nyc and i dont see any of the people from the other techno parties there. also, many of the people who read waxpoetics intently for the other kinds of articles, at least in nyc, partially think that those early 313 names play mostly ibiza stuff, imho, even if they have, you know, c2 remix x or dmay or cybotron record y. and the vast majority of those people havent seen any of the first wave 313ers kill it. maybe i'm off, but i dont think so. Alex -- Denise Dalphond Ph.D. Candidate Department of Folklore Ethnomusicology Indiana University www.denisedjsdetroit.blogspot.com -- --- Michael Kuszynski [EMAIL PROTECTED] [EMAIL PROTECTED] http://www.planerecordings.com New York, NY -- --- Michael Kuszynski [EMAIL PROTECTED] [EMAIL PROTECTED] http://www.planerecordings.com New York, NY
Re: (313) Waxpoetics vs In The Basement magazines
Unlocking the Groove is an excellent book by Mark Butler. It does not focus entirely on Detroit music, rather Butler includes Detroit techno within a larger frame of electronic dance music in general. His analysis of the music and compositional methods is really fascinating and, at least for me, one read through has not been enough to fully grasp his analysis. I plan to sit down with it again soon. On Mon, Nov 10, 2008 at 11:21 AM, Michael Kuszynski [EMAIL PROTECTED] wrote: It's not a music history, but it's a book featuring the compositional methods of detroit techno artists. Seems like a pretty serious academic effort at capturing much of what compositional structures define founding techno, and some cultural comment. It was on the Indiana U press, which I gather is where a lot of the academic work that actually exists on the matter is centered. -- Denise Dalphond Ph.D. Candidate Department of Folklore Ethnomusicology Indiana University www.denisedjsdetroit.blogspot.com
Re: (313) Waxpoetics vs In The Basement magazines
Haven't read it - what about it? Michael Kuszynski [EMAIL PROTECTED] wrote on 11/09/2008 09:20:22 PM: How about that book Unlocking the Groove? On Sun, Nov 9, 2008 at 4:31 PM, [EMAIL PROTECTED] wrote: I have to agree with you. The forward thinking innovation that was present in techno/house at their beginnings has moved on - it doesn't exist in the music that is sticking to the original blueprint. What is sort of funny in all of this, for me, is now I'm listening and buying mostly 60s 70s funk, jazz-funk, soul, etc. and I find more of that urgency and immediacy in music from 30+ years ago. Most techno from the last three or so years leaves me cold. There's a lot of let's do another Basic Channel/Maurizo tune going on... MEK [EMAIL PROTECTED] wrote on 11/07/2008 09:55:53 PM: Most genre's do not last very long before becoming ec=xtinct. I mean disco only lasted 10-15 years at best. House and techno have been around over twenty years. whats left to say? I can't remember the last time i dj'd and only played house and techno. hasn't happend in 4-5 years maybe. A On Sat, November 8, 2008 2:40 am, /0 wrote: techno is dead. - Original Message - From: Denise Dalphond [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: 313 313@hyperreal.org Sent: Friday, November 07, 2008 4:29 PM Subject: Re: (313) Waxpoetics vs In The Basement magazines Ethnomusicology!! I think a full on, comprehensive article about major well known Detroit artists and lots of the lesser known artists from the 1970s to the present would be great to see - I know, crazy high expectations. Maybe that's why I'm writing my dissertation on this... Denise On Fri, Nov 7, 2008 at 3:49 PM, [EMAIL PROTECTED] wrote: I totally have been wanting to see or write myself an article that isnt a summary of whats out there, thats got new interviews with key players of the early 313, and that almost looks at it from an ethnomusiclogical perspective as well as one that goes through records, records broken by mojo, radio shows, and the like.. The glaring omission of a realdeal article about 313 has much in my opinion to do with the fact that its still undercover...i mean, a 313 dj will get booked in nyc and i dont see any of the people from the other techno parties there. also, many of the people who read waxpoetics intently for the other kinds of articles, at least in nyc, partially think that those early 313 names play mostly ibiza stuff, imho, even if they have, you know, c2 remix x or dmay or cybotron record y. and the vast majority of those people havent seen any of the first wave 313ers kill it. maybe i'm off, but i dont think so. Alex -- Denise Dalphond Ph.D. Candidate Department of Folklore Ethnomusicology Indiana University www.denisedjsdetroit.blogspot.com -- --- Michael Kuszynski [EMAIL PROTECTED] [EMAIL PROTECTED] http://www.planerecordings.com New York, NY
(313) Semi 313 related
Check out Dabrye's remix of King Midas Sound OneTing, it's got a whole slathering of Derrick May in this track... very tasty indeed! http://www.boomkat.com/item.cfm?id=140180 P. -- -- Southern Outpost Sydney - San Francisco - Berlin http://www.southernoutpost.com --
Re: (313) Semi 313 related
ah..yeah spotted that last week..funny ting is reviews don't even pick up on it tasty track..flying lotus mix is cool aswell On Tue, Nov 11, 2008 at 8:02 AM, Southern Outpost [EMAIL PROTECTED] wrote: Check out Dabrye's remix of King Midas Sound OneTing, it's got a whole slathering of Derrick May in this track... very tasty indeed! http://www.boomkat.com/item.cfm?id=140180 P. -- -- Southern Outpost Sydney - San Francisco - Berlin http://www.southernoutpost.com --
