(313) 313-related night in london this week
hi all, just wanted to solicit london club night recommendations on behalf of the significant other, who'll be in town for thursdays the 14th and friday the 15th (but wishes it was a week or so longer after hearing about the mills and hawtin gigs) and is looking for a decent techno/electro/tech-y house event or two to check out. if anybody has any suggestions feel free to hit me back privately. glyn
Re: (313) What are the essential Metro Area releases??
Also check Balihu if you're up for a Metro Area education. I picked up Balihu 012 Daniel Wang - Deutsch-Chinesische Hemmungslosigkeit EP (12) at the weekend - found by chance in Spain! (I don't think it's that hard to find). probably not-- i think balihu re-pressed a whole bunch of their back-catalog relatively recently. glyn
Re: [313] bell vs wink / forcefield
Grammenos, Peter wrote: That is a blatant rip off, period! Tracks feel the same, sound the same, and probably use the use the same production techniques ! [ one can never be certain ]. How lame, especially for a producer like wink who has been in the business for this long. But then again, he isn't the first producer to do this... you know, i didn't see the similarity between the other bell mp3 that was posted a couple of weeks ago, but thought i would give him the benefit of the doubt until i heard this current that was posted on forcefield. having checked now it out, i think it's fairly evident that the tracks have different drum sounds and programming, different main monosynth lines, and really different-sounding vocal samples/effects treatments of freak (in all honesty, i think wink does a lot more with the latter than bell). sure it sounds and feels like bell (and also like robert hood-- especially the monosynth line), but a *lot* of techno tracks sound and feel like other techno tracks. if wink owes bell anything over this then samuel l. sessions and every second hard techno producer after about 1998 or so should be making monthly payments to jeff mills, the deepchord guys should have already sold their firstborns to the hardwax crew, and every halfwit who ever lays hand on a tb-303 with the intent of making squelchy noises should write a cheque to dj pierre spanky, etc. etc. etc. the argument here seems to me to stem more from a dislike for wink and his previous trashy rave anthems more than it does from any real musical analysis. glyn - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Drexciya and the DEMF
marsel wrote: who's james? hetfield, of drexciyallica fame. glyn - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] - Forced Exposure...
On Fri, 5 Apr 2002, Mark S Flintoft wrote: Anyone have any experience dealing with these folks?? They have something I REALLY want but I don't wanna get jerked around... Any feed back would be greatly appreciated:) Thanks in advance... a friend of mine seems to order from them on a relatively regular basis without any problem. i just placed an order last week, so i guess i'll find out either way. ;) glyn - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Bliss
On Mon, 18 Mar 2002, Trevor Wilkes wrote: Does anyone remember a Dj who went by the name Bliss, a Canadian guy, put out a mix CD on Switch records...I think his name was Matthew Johnson. Would anyone have any clue as to where he is now...and more specifically a contact number/email there's a victoria-based mathew johnson who is affiliated with itiswhatitis recordings (he did their inaugural release) and is part of the (great) cobblestone jazz outfit-- maybe that's the guy you're looking for? i think you can probably get contact info through www.itiswhatitis.com glyn - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] the kings of pitch slides
At 28-2-2002 -0700 15:06, you wrote: I've got a major soft spot for pitch slides. in the neverending story of top fives.. 1. Eddie Fowlkes 2. Carl Craig 3. Lee Norris 4. .. derrick may? claude young on impolite to refuse? glyn - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fade in techn0
This is somewhat discourteous on the artist's part, unless the only people you want as fans are people so die-hard that they'll take any shit you throw at them and suck it back grinning with glee. My j'accuse is pointed straight at Mills' If. the funny thing about this record is that, if my memory serves me correctly, the way the side with the three versions of if is pressed makes the gaps between the tracks in sync with the tempo of the tracks. i serendipitously discovered this when i was doing a set for targetcircuitry.com, when i dropped the first or second track, brought in some other record, got distracted by something or other, then looked back at the mills record to discover that i had managed to play through the first track and into the next without noticing. I mean, I don't need much, and this is really just nit-picking, but a quiet snare, hi-hat, or even a muted kick right at the very beginning (even a good 30 seconds before the rest of the track actually becomes audible) is a little thing that goes a long way when I have less than 45 seconds left to mix and I have several tracks to choose from. Sure, it might sound like I'm creating a brand new kunt-sept-ual way of mixing or something. Then again, it might sound like I'm a fool. In a pinch, I'll pick a less discourteous track. But that's just me. :) i just figured it was a subtle trick to make us all go out and buy doubles ;P. i wouldn't really object to the practice if it weren't for the fact that those tracks are so damn short as well as having the fade-ins (i won't even get started about that amazing 1:45 song on drexciya's neptune's lair). generally speaking, we shouldn't complain too much about having to beatmatch stuff that's computer controlled/arranged/synched-- as anybody who's ever tried to mix old disco/funk records can attest. glyn - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fade In Techno (how deep do you want this rut?)
i'm not a dj, but i think anyone who complains because a track fades in is an arrogant ass. what makes you think that producers should be concerned with your needs as a dj. if you don't like it, producer your own tracks. one could make the argument that because they're selling records on 12 they're largely catering to a dj market, and that by putting fade-ins in their tracks they're making them less likely to be bought and played out-- something i can relate to to some degree, as i sometimes find myself neglecting certain records in my crate when i'm playing because they're trickier to work in. arrogant-assedly yours, glyn - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] titonton dj-set online ++ amsterdam
rsel wrote: just added a mix set from the man duvante, titonton http://www.rushhour.nl/broad.html anybody know if there are any more/better quality encoded sets of titonton's floating around? his sets always know my proverbial socks off. glyn - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] chris gray / deep4life; brett dancer
listening to chris's emotional distortion LP this morning, wondering what has he been up to, and deep4life, have there been any exceptional releases i should look out for? i'm a big fan of chris gray's tried to be good mini lp on deep4life-- it's on a less busy/noodle-y and more deep, moody tip than emotional distortion. the long cut on the trippy fingers 12 he did for trackmode is quite nice as well. glyn - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fw: Hall Oates
I've seen TP drop Hall Oates a few times (to try and make this somewhat 313 topical). [hides head in shame] I was watching their VH1 Behing the Music the other day, which was heavilly focused on their breadth, rooted in 50s and 60s soul. As the show would have it, the pinnacle of their carreer was playing with the Temptations at the Apollo (???) in Harlem in '85 (???), after which they split up for a while - having fulfilled their greatest dreams [cue sappy music]. :) At any rate, there have been a few apparently unauthorized Hall Oates remixes over the years. I have one that samples I can't go for that, taking mostly the bassline, and heavilly filtering the vocal. Disco Dubs Volume 1 was the name of the record, with a green label in a clear plastic sleeve. Not the best track on the record IMO, but worth checking out if you can track down. I imagine it's hard to find these days. Frankly, I think their tracks are pretty mixable as is. If you can find any of TPs mixes with Hall Oates - that would definitely be the best example IMO. Then again, in TPs hands almost anything can become 313 topical. Rod Stewart anyone? :) wasn't there that we are love house track from 4 years or so ago that sampled them as well? glyn - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Track ID
on the topic of i-f id's: can anybody spot that track that comes in around 38:00 or so in that same mix? totally bitchin'. glyn - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] micro house
Gwendal Cobert wrote: I thought it was a trio...Loderbauer, Thiel and Fehlmann. jeff funny, I think I remember a record cover with just two faces ? not sure... anyway, it's fun to learn that these guys from the early days of European techno are still around doing some micro house stuff... fehlmann did a pretty nice ambientish remake of one of anthony rother's tracks quite recently, on the psi performer remix 12. glyn - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] micro house
Gwendal Cobert wrote: I thought it was a trio...Loderbauer, Thiel and Fehlmann. jeff funny, I think I remember a record cover with just two faces ? not sure... anyway, it's fun to learn that these guys from the early days of European techno are still around doing some micro house stuff... fehlmann did a pretty nice ambientish remake of one of anthony rother's tracks quite recently, on the psi performer remix 12. glyn - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] kraftwerk question
hey all, just wondering whether kraftwerk's computer word and electric cafe have been recently repressed and/or are easy to get. i've found most of their other stuff relatively easily, but haven't seen these around for some reason. glyn - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] last chance track ID
Peter Leidy wrote: Don't know who's the re-maker/re-mixer, but it's based on Munich Machine's Get On The Funk Train (Moroder track). is the original worth tracking down? glyn - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] test. please ignore
Sean Deason wrote: shit shit shit! fuck fuck fuck! bitch slut bitch! wow! we *can* curse on 313 now! would the real dj assault please stand up? glyn
Re: [313] All Your Base Are Belong To Us (?)
Mike Taylor wrote: it sounds leik Jeffk has joined the 313 list. anybody else think that if jeffk was a techno producer, he'd be oliver chestler/the horrorist? we were ona mishun ... FRO ECSXSTACSCY !!!111 glyn
Re: [313] Gene Farris Song ID
Joel Fernandez wrote: Greetings, I'm sure all of you have heard Miss Janet's latest hit song All For You. Apparently Gene Farris used that same sample about five years ago for one of his songs. Can anyone tell me the name of that song and what EP or LP it came from? i was wondering about that too. i've had a huge affinity for that same piano/bass loop after hearing it in digital boogie's afterglow (on funknose 001 i believe, from 3 or so years back), and was curious about its origins. glyn
Re: [313] Adam Beyer (RE: [313] numerous threads at once (swedes, t-1000, top 10, st germain))
Gwendal Cobert wrote: talking about surprising stuff from Beyer... that's how I would qualify his excellent Protechtion album, for example, some of the tracks there are much more complex than what he is best known for ! also, code red 9 and at least one of the earlier drumcode singles are both quite melodic, string-filled, and-- dare i say--detroit-sounding. glyn
Re: [313] jazzanova - kings of west london sound?
not wanting to start some contoversy herebut IMHO meat beat manifesto kikked dnb off...radio babylon saw them merging big fat dub basslines and speeded up breaks...they were ripped off by the hardcore breakbeat crowd and that developed into dnb i remember reading somewhere that ltj bukem et al. were inspired by bug in the bassbin, played on 45. anybody who heard bukem's set on radio one last year could probably attest to his interest in all things 313, although i know he's made various disparaging remarks about detroit's recent output (which seems surprising, given the fact that he dropped octave one's art and soul ep ...) glyn
Re: [313] tune id
alex wrote: its on a mark farina mix i have has moody strings and a male vocal 'i dreamed of you' 'i dreamed of you' 'i dreamed of you' kevin yost i dream of you (i think), on i! records (sleep dep make brain maybe work not properly) glyn
Re: [313] Pandamonium Discography?
ani wrote: sorry, i'm useless on this one. although we did get a very tasty promo from the pandamonium people (cover your ears everyone, this may be--spam!!): norma jean bell - come into my room kdj remixes anybody know if this has anything to do with the sandy rivera/kings of tomorrow track of the same name on distance? glyn
Re: [313] eddie fowlkes + track id
Kevin Lewandowski wrote: That track was a bootleg about a year ago but I think it was officially released on Paper. i think you're thinking different gear vs. the police when the world is running down (pagan #39) glyn
Re: [313] sharivari
Daniel E wrote: is sharivari available on vinyl ? I saw it on the Juan Atkins MM vinyl ed. but it was mixed ... where do I begin? the other vinyl release of that mix has a bunch of the individual tracks on 3 records, including sharivari. i forget the label that put it out, but it's the same thing minus juan's (allegedly) abominable mixing. glyn
Re: [313] Detour/mixes?
dj revolver wrote: excuse the non 313 related question but i don't know of a booty mailing list: does anyone have any disco d mixes to trade or to sell? feel free to email me privately. also, does anyone have any suggestions on any other ghetto tech or booty mixes? i just enjoy those crazy, funky tracks. thanks. there is (or was) a disco d mix up on http://www.gtirecordings.com glyn
Re: [313] Ring ring ring ha ha hey!
Jongsma, K.J. wrote: I called you - lil louis Calling you/bagdad Cafe - Abacus Telephone Call - Kraftwerk how about dopplereffekt's cellularphone? (sorry, couldn't help myself) glyn
Re: [313] Schatrax, Perlon, UR - questions, tips, review
Todd Smith wrote: Perlon 9 as well has a nice remix done by one half of Maus Stolle The Spirit (innervision mix) which any half hearted deep house DJ should have in their crate at all times. it also has that keith dennis co-produced track with the monologue about the weather in seattle, which will likely strike a chord if you've ever spent much time in the pacific north-wet. :) glyn
Re: [313] Dave
Dave Clark wrote: Sounds like it could be Dave Krasserman. Dave has had a few releases, some of which are on Raum music from Germany. Very lush deep house / techhouse. The Raum record I have (Sightseeing I think it's called) has DAVE written in big letters so I think that's where the tape is coming from. I know lots of other 313ers will have Dave Krasserman records - anyone? i have some of his Raum stuff. he's also put out records on Advance, i think. glyn
Re: [313] RE: Tone shifting, phantom sound, etc...
Also, out of repetition the mind has a need to create variance. John Lilly performed an experiment with a tape loop of the word cogitate being played to a room full of psychologists for about 15 minutes. They were instructed to record the various word changes every time the tape changed. None of them knew that the tape was a static loop. About 90 percent of the group came back with a list of at least ten changes. This was an official psychological experiment using other psychologists as the lab rats. this kind of finding seems consistent with various other sensory deprivation experiment results and parallels a lot of the visual illusion research, which suggests that toneshifting is most likely tied in with perceptual processing. vision tends to get a lot more attention in this kind of area, but i'm sure there's a substantive body of academic writing out there on this sort of thing if you really feel like digging for it. personally, i don't see how styles of music that generate these kind of auditory effects hold any more artistic merit than others, but that's just me. Quick comment on the DE9 reference. I agree completely that Rich's use of the effects on the tracks brings to light through expression a kind of transitional state between two things (w/ reference to the use of delay). This transitional state is quite possibly the result of years of listening to mixes. Mixes falling off, exposing the difference between the two records, and then realigning. But the over use of this effect CAN become overly manifest, overly static, and a little boring. No diss to Rich. Trust me, he's one of my utmost favorite DJs of all time. But I remember hearing him a couple of times when the delays seemed to be used so often, and at such an obvious transitional point in the break down and mixing in of the next record that it gave me a not so faint reminder of a time where parties were a night of snare roll cresendo after snare roll cresendo, this being the primary exciting agent of the peaks in tracks. You know how boring this got. Build up, build up, build up, then nothingor a raised cut-off or resonance. Of course those with skill, such as Rich, know that a build up is nothing if there's nothing to build up to! Anyways, just my two cents! Have fun with it. - i think this is characteristic of richie's recent djing, though. his mixmag cd from 1995 is very narrative and contains a lot more textural variety than the mills/user tracks he canes for the first 2/3rds of DE9 (although the latter mix has been growing on me recently.) glyn
Re: [313] vangelis [was Peter Gabriel 313/soundtracks]
William VanLoo wrote: i always play vangelis' charoits of fire and blade runner soundtracks when i do ambient sets...boderline off topic? i've always wanted to use that really eerie first minute or so of the title track from chariots of fire to start a hard techno tape. glyn
[[313] Jazzy Detroit Techno weather report]]]
not strictly 313, but check dan curtin, morgan geist, and titonton duvante's stuff. all jazzy, all pretty nicely detroit-influenced. ian o'brien and russ gabriel are also somewhat up this alley as well, although i'm less familiar with their output. nubian mindz and some of the other stuff on archive is pretty jazzy too, although again i'm less well acquainted with it. glyn
Re: [313] FUSE vs LFO
101 101 wrote: There's an mtv group called lfo. Isn't that grounds for lawsuit for the original group? mark bell and gez varley had a bunch of hits... glyn
Re: [313] boards of canada +
Joseph Bonn wrote: Acts like Kid 606 cost about 1/4 the amount of any of the warp/rephlex artists you mention here. I'm sure many folks would be interested in seeing a show such as the one you propose, but it would require major promotion, needless to say. a couple of acquaintances of mine were trying to book BoC for a christmas event, but apparently they're somewhat reticent about doing live shows because of the hassle of dismantling their studio glyn
Re: [313] err...
Jonny McIntosh wrote: I reckon your wrong, too. And the above, I think, is the problem. The is is just what you get given to you, e.g. Beethoven's 9th is, even in essence, Beethoven's entire 9th. What you try and do is distill it into something purer and more minimal. The terminology is misleading you here, though. You are just doing something different. No more and no less. That needn't invalidate anything like the politics or philosophy surrounding the work in question, though. So you're tone shifting isn't wrong, but it certainly isn't the essence either. It's just an approach. It's like someone doing an analysis of Hamlet, say. If the essence of Hamlet were, for example, the philosophy of self it represents to some, then it would be better expressed as an essay on the philosophy of self. Obviously, it wouldn't really, though: the essence of Hamlet is Hamlet. It is what it is. i'm with the non-reductionists on this one. you can't just compress an artistic piece into its constituent elements and legitimately claim that it represents the essentialist nature of the original, because trying to accurately define the fundamental components is ultimately a matter of interpretation. glyn
Re: [313] rolando too good for the us?
just wanted to make a small comment regarding UR and rolando, i have been in touch with a few people who have contact with his agent, and it has been made clear to me that he is currently not doing many (if any) us bookings, just doing stuff over in the uk. Is it me or are some detroit artists too good for the west coast or something? Is it because they can be grossly overpaid in the uk? Does this mean they are all about money and fame, not spreading the music? Many promoters over here westside are trying to build a following for the detroit sound, and it sure makes it hard when you hear that some of these superstar acts and djs are too good for us. comments, flames? FWIW he played a post-secondary education benefit-type thing over here last spring, alongside mike grant. glyn
Re: SV: SV: [313] Bluetrain Records....
The 10 is by Steve O'Sullivan and has nothing to do with Dean Decosta. And Steve is making a full Bluetrain album too. The newest mosaic is quite good too, a bit faster and harder than usual, with John Beer and Chris McCormack featured on it... i talked briefly with dean last time he was up here, and he said he had a 10 coming out on mosaic this month, although i guess maybe it got delayed? glyn
Re: [313] R: [313] women and electronic music
On Thu, 5 Oct 2000 [EMAIL PROTECTED] wrote: For alot of women, techno is just bang bang bang repeatedly. With house its slower and they can actually groove their thang to it. House or (Trance) do have a softer, happier edge which doesn't feel threatening. Not me though, bang bang bang is the way to go! I love techno! Whoohoo! i dunno, my girlfriend loves hard techno, but can't stand that deep house crap that you listen to. glyn
RE: [313] hard house?
I can't define what is and what isn't hard house, since it's an ambiguous term, but I do believe that a lot of these trance guys are coming to their senses a bit and getting tired of all the formulaic trance that has flooded the market for the past 2-3 years. I think a lot of them are turning to what's being called hard house because it doesn't have as much of the clich?d (aka cheese) stuff that makes so many people dis trance. In other words, it's a safer sound, a sort of compromise between trance and Relief-style hard house. from what i understand, UK hard house is a completely different entity from US hard house. UK hard house is basically harder progressive house, whereas US hardhouse is bad boy bill, richard humpty vission, dj bam-bam, dj irene, some dj funk, etc. glyn
RE: [313] hard house?
On Wed, 4 Oct 2000, Hugh G. Blaze wrote: Wow where have I been? I'm such an ignorant yankee. not to vancouver, apparently. we're supposedly the UK hard-house/Nu-NRG capital of north america-- not that that's really anything to be bragging about... *shudder* glyn
Re: [313] Re: DJ sillyness
Could it be some sort of sperstar djs trend? it seems lika an urban legendlike albino alligators in the sewers LOL i've seen algorithm do the same thing, i.e. chuck the played records into a pile on a third (non-functional) deck when he was done with them. glyn
Re: [313] who stole the soul?
One of the reasons why I am so into the music here though is its great diversity. Just look at labels like Transmat, Planet E, Underground Resistance, Axis, Pure Sonik, Minus, Red Planet, Direct Beat, 430 West, Purpose Maker etc. There are a good 4 or 5 differnt styles of Electronic Music right there, but due to the fact that they are all made in Detroit, we just call them all techno. Our music is always evolving and constantly changing yet still keeping that soul, that funk that this town was built on. that's an interesting point. a friend of mine is trying to compile a definitive list of all electronic music subgenres, and asked me a bunch of questions about techno, like whether such-and-such is a real subgenre, or which artist would be most representative of that category. i found it really hard to give definitive answers on what detroit techno is, or who would be an essential minimal techno artist. it's encouraging that the music is diverse enough that it can't easily be boxed into discrete categories (i play UK acid-tech-trance, which is infinitely superior to you UK acid-NU-NRG.) glyn
Re: (tech-house) maurizio-(tv victor)?
also on the almost-basic channel tip, has anybody heard the pre-fade listening album with the tikiman single? glyn
[313] disco/rare groove/pre-house list?
i just recently rediscovered a favorite local record store that seems to have a whole whack of various disco records and, after picking up a gorgeous salsoul track, some giorgio moroder, etc., was wondering if there's a list dedicated to this sort of proto-house/techno stuff, as well as '70s soul funk, very early chicago house, etc. i know there's a whole bunch of people on here who are fairly knowledgeable on the subject... ;) glyn
Re: [313] what is techno
yes but the truth of the matter is that if NOONE can give an exact definition of techno then how can techno be an exact form of music?? techno is an uncontrollable urge to jack your bo... oh wait glyn
Re: (313) Something way OT: Audiomulch
_Caltrop _ wrote: Has anybody used Audiomulch, yet? It seems to be a pretty frrreshhh program for making PC-based music [besides Fast Tracker II :) ]. check www.audiomulch.com audiomulch is great-- i just love that granular delay. now if only i could get around to registering the thing... glyn
Re: (313) artifacts
renegade_rhythms wrote: It appears that Afrika is not part of the CD oops, my bad. glyn
Re: (313) get it in NYC
Does anybody else have the adoration that I do for the stuff that's been available on the Kompakt/Kreisel labels? This stuff is so good that I might just have to leave Detroit permanently and hole up in Cologne. Ok I didn't mean that seriously, but these days it wouldn't be a bad move... Here's what I bought yesterday.. snip holy hell! Of particular attention is the last few in the Kreisel series, along with KOM 11 by Dubstar. Jeez this record makes me want to take up writing reviews as a full-time hobby. This stuff is so good I want everybody to hear it. Well it that settles it, i'm ordering that dubstar record pronto! :) btw anybody know if there's any relation between the kompakt dubstar and the massive attack-soundalike from the UK with the same name that released an album a few years back? ;) glyn
Re: (313) basic channel on planet E
anybody know if the quadrant release on PE is still available? it's listed in the submerge catalog but i haven't actually tried ordering it. glyn
(313) blechtum from blechdom
(i'm pretty sure i butchered the name, but...) what's this kit clayton-related project like? i saw a release in a local store, but unfortunately can't listen to it before buying. glyn
Re: (313) tribal techno
Are there only 2, or is there a third? And what's the deal with the weird radio stuff at the ends of those records? those are great! i love that little skit on the end of grain 2 with Ralphy the keyboard-playing dog. glyn
Re: (313) Re: 313-Digest V1 #1310
I don't know if I caught the start of his set or not, as he was already on when I got into the main room at maybe just before 1am. He was playing an amazing CR sounding track that's on the Richie Hawtin Mary Anne Hobbs mix - crunchy as hell (I'd kill for a track ID). mary anne hobbs mix? glyn
Re: (313) Re: losoul
On Thu, 3 Feb 2000, Lance @ Inaudible wrote: Lo Soul is the minimal tech/house guise of Pete Kremeier. Lo Soul has around 15 records, remixes comp appearances out so far on labels like Playhouse, Elevate, EC, Placid Flavour, Piranham and Eye-Q. Kremeier who also records housier material as Don Disco and has a handful of releases under that guise as well. aha! so losoul = don disco = projam (he released a great record under that name on crucial that recently got repressed) my suspicions have been confirmed! ;) glyn
Re: (313) kraftwerk
Cyclone Wehner wrote: I know of two new mixes of Tour De France in circulation on vinyl: the Kling Klang Analog Mix and Francois K Remix. I should think that the latter is not responsible for no trance, though. Mr K is a man of tstae. the francois k mix sticks pretty close to the original, minus a few vocals. glyn
Re: (313) bluetrain
didn't steve o'sullivan recently release a 2x12? if so, does anybody know the name/label? i really liked bluetrain 6, as well as his recent release on ongaku. glyn
