Re: [Finale] MAKEMUSIC greed strikes again

2008-09-19 Thread dhbailey

Eric Dannewitz wrote:
But Sibelius does not work with Smartmusic. And they do not offer 
anything like it...as far as I know.


Back on topic...makemusic did increase the price of a Smartmusic 
subscription, but as the library of songs keeps going, it is totally 
worth it (even though it has a klunky interface).




My big beef with SmartMusic is that the subscription is 
mandatory to use the software, and for much of their library 
which you subscribe to, they are paying royalties to the 
publishers of the music.  That's fine, but they don't pay 
you any royalties for using your own music, even though they 
are charging you for the right to use your own music.


--
David H. Bailey
[EMAIL PROTECTED]
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Re: [Finale] MAKEMUSIC greed strikes again

2008-09-19 Thread Richard Smith
Actually there is an application called 
StarPlay. http://www.starplaymusic.com/index.php . It is a similar 
practice/assessment aid but lacks Smartmusic's ability to adjust tempo 
to the the student. It doesn't have the extensive content that 
SmartMusic does, but it has a video component that can be very nice, 
works great with Sibelius, and has a very clean interface. It's worth a 
look.


It also has the advantage of being free. You pay only for content. And, 
unlike Smartmusic, you don't have to pay to use your own stuff. It's 
worth a look.


Richard Smith
http://www.rgsmithmusic.com




Eric Dannewitz wrote:
But Sibelius does not work with Smartmusic. And they do not offer 
anything like it...as far as I know.


Back on topic...makemusic did increase the price of a Smartmusic 
subscription, but as the library of songs keeps going, it is totally 
worth it (even though it has a klunky interface).


But I did try some Smartmusic exercises I made back in Finale 2006 and 
they open in smartmusic 11


On Sep 18, 2008, at 7:40 PM, John Howell [EMAIL PROTECTED] wrote:






And in the meantime Sibelius is offering a $99 cross-grade to Sib 5 
until the end of the month.  Three guesses whose marketing department 
is most on the ball, and best understands which side their bread is 
buttered on!!!


John


--
John R. Howell, Assoc. Prof. of Music
Virginia Tech Department of Music
College of Liberal Arts  Human Sciences
Blacksburg, Virginia, U.S.A. 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:[EMAIL PROTECTED])
http://www.music.vt.edu/faculty/howell/howell.html

We never play anything the same way once.  Shelly Manne's definition
of jazz musicians.
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[Finale] Adding second expression

2008-09-19 Thread Andrew Levin
Bug or feature?

(Mac OS 10.5.4, Finale 2009, Mac Pro)

I've already entered an expression to all parts in a score. Now I want to
drag enclose the same notes and add an mf dynamic, using a metatool.
However, it won't be placed. But if I click on each individual note with the
metatool it *will* go in.

I couldn't find anything in the documentation addressing this.

Am I missing something?

Andrew
...on the digest

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Re: [Finale] Adding second expression

2008-09-19 Thread Christopher Smith


On Sep 19, 2008, at 8:48 AM, Andrew Levin wrote:


Bug or feature?

(Mac OS 10.5.4, Finale 2009, Mac Pro)

I've already entered an expression to all parts in a score. Now I  
want to

drag enclose the same notes and add an mf dynamic, using a metatool.
However, it won't be placed. But if I click on each individual note  
with the

metatool it *will* go in.

I couldn't find anything in the documentation addressing this.

Am I missing something?


I reported this a few days (a week?) ago.

Apparently, if you drag across HANDLES, then they are selected  
instead of metatool expressions being assigned. However, I discovered  
a way around it.


My text expression (arco) was set to be offset a bit to the left. So  
when I drag around the notes a second time to enter mf, I have to be  
very careful NOT to touch the already-entered arco handle, but only  
drag around notes. This means that if I enter the dynamic (centred)  
first, then I am out of luck for the arco. But in reverse, I can manage.


The other thing I noticed is that individual clicking doesn't give  
you the same precision as metatool dragging. Dragging around to  
assign expressions gives you the default placement, while click  
assigning gives you placement according to where you click. If I drag  
around all the expressions after individual assignment, then hit the  
Clear key (on Mac), this restores the default placement. But it's an  
extra step.


I have also noticed differences in the Jazz defaults from the Maestro  
defaults. I haven't tracked them all down yet.


Christopher



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[Finale] list activity?

2008-09-19 Thread Chuck Israels




Haven't seen a thing in days.  Wondering of there's something wrong  
with my account.


Chuck

Chuck Israels
230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com

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Re: [Finale] MAKEMUSIC greed strikes again

2008-09-19 Thread David W. Fenton
On 18 Sep 2008 at 21:18, Howey, Henry wrote:

 If you use SMARTMUSIC (and I really do love it) and FINALE (love-hate
 relationship), you'll be pleased to know that the latest version of
 SMARTMUSIC 11 will only work with 2009. 

If this is true, I'm not sure why this is seen as a problem, given 
that Finale itself has never had backward compatibility of file 
format. What exactly do you mean by will only work with 2009?

 It may work with the no-longer-free NOTEPAD 2009, though.
 
 These guys really know how to annoy folks.

I don't know what the problem is. That there's no longer a free 
method of creating Smartmusic files?

If it weren't for Smartmusic, would MM still be in business at all?

-- 
David W. Fentonhttp://dfenton.com
David Fenton Associates   http://dfenton.com/DFA/

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Re: [Finale] MAKEMUSIC greed strikes again

2008-09-19 Thread Eric Dannewitz
On Fri, Sep 19, 2008 at 11:15 AM, David W. Fenton
[EMAIL PROTECTED]wrote:

 If this is true, I'm not sure why this is seen as a problem, given
 that Finale itself has never had backward compatibility of file
 format. What exactly do you mean by will only work with 2009?


I think he has it reversed. SmartMusic files created in Finale 2009 are only
read by SmartMusic 11. So, there was like a month or so lag between Finale
2009 being released and SmartMusic being able to read the files it creates.



  It may work with the no-longer-free NOTEPAD 2009, though.
 
  These guys really know how to annoy folks.

 I don't know what the problem is. That there's no longer a free
 method of creating Smartmusic files?

 If it weren't for Smartmusic, would MM still be in business at all?


Good question..
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Re: [Finale] list activity?

2008-09-19 Thread Darcy James Argue

Hi Chuck,

You must have become inadvertently unsubscribed. Either that or all  
list mail is getting caught in your ISP's spam trap.


Cheers,

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY

On Sep 19, 2008, at 1:57 PM, Chuck Israels wrote:





Haven't seen a thing in days.  Wondering of there's something wrong  
with my account.


Chuck

Chuck Israels
230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com

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Re: [Finale] MAKEMUSIC greed strikes again

2008-09-19 Thread dhbailey
I've never understood the reasoning behind SmartMusic's 
ability to follow the student's tempo -- aren't we supposed 
to learn it's bad to slow down in the hard parts and speed 
up in the easy parts?  How does that tempo-following ability 
help the student to learn to keep a steady tempo?  I do 
realize it can be switched off but I've never understood the 
need for it to be included in the first place.


Thanks for the heads-up about StarPlay -- I'll look into that.

David H. Bailey



Richard Smith wrote:
Actually there is an application called StarPlay. 
http://www.starplaymusic.com/index.php . It is a similar 
practice/assessment aid but lacks Smartmusic's ability to adjust tempo 
to the the student. It doesn't have the extensive content that 
SmartMusic does, but it has a video component that can be very nice, 
works great with Sibelius, and has a very clean interface. It's worth a 
look.


It also has the advantage of being free. You pay only for content. And, 
unlike Smartmusic, you don't have to pay to use your own stuff. It's 
worth a look.


Richard Smith
http://www.rgsmithmusic.com




Eric Dannewitz wrote:
But Sibelius does not work with Smartmusic. And they do not offer 
anything like it...as far as I know.


Back on topic...makemusic did increase the price of a Smartmusic 
subscription, but as the library of songs keeps going, it is totally 
worth it (even though it has a klunky interface).


But I did try some Smartmusic exercises I made back in Finale 2006 and 
they open in smartmusic 11


On Sep 18, 2008, at 7:40 PM, John Howell [EMAIL PROTECTED] wrote:






And in the meantime Sibelius is offering a $99 cross-grade to Sib 5 
until the end of the month.  Three guesses whose marketing department 
is most on the ball, and best understands which side their bread is 
buttered on!!!


John


--
John R. Howell, Assoc. Prof. of Music
Virginia Tech Department of Music
College of Liberal Arts  Human Sciences
Blacksburg, Virginia, U.S.A. 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:[EMAIL PROTECTED])
http://www.music.vt.edu/faculty/howell/howell.html

We never play anything the same way once.  Shelly Manne's definition
of jazz musicians.
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Re: [Finale] MAKEMUSIC greed strikes again

2008-09-19 Thread YATESLAWRENCE
I'm not sure it's supposed to follow so that a student can fail to keep a  
steady tempo, more that it can follow rubato and certain expressive changes of  
tempo (but then again, I've never used it so I don't know what its 
capabilities  are)
 
Cheers,
 
Lawrence
 
lawrenceyates.co.uk



   
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Re: [Finale] MAKEMUSIC greed strikes again

2008-09-19 Thread Eric Dannewitz
Exactly. I turn off that feature. The other thing I hate is the green
follow line that never seems to want to be turned off (you turn it off in
the preferences, but it comes back on when you load the program again).
StarPlay has a great idea about having a conductor on the screen. But the
library is like 100th of what SmartMusic offers...and I don't see it
growing

On Fri, Sep 19, 2008 at 12:05 PM, dhbailey 
[EMAIL PROTECTED] wrote:

 I've never understood the reasoning behind SmartMusic's ability to follow
 the student's tempo -- aren't we supposed to learn it's bad to slow down in
 the hard parts and speed up in the easy parts?  How does that
 tempo-following ability help the student to learn to keep a steady tempo?  I
 do realize it can be switched off but I've never understood the need for it
 to be included in the first place.

 Thanks for the heads-up about StarPlay -- I'll look into that.

 David H. Bailey

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Re: [Finale] MAKEMUSIC greed strikes again

2008-09-19 Thread dhbailey

[EMAIL PROTECTED] wrote:
I'm not sure it's supposed to follow so that a student can fail to keep a  
steady tempo, more that it can follow rubato and certain expressive changes of  
tempo (but then again, I've never used it so I don't know what its 
capabilities  are)
 


I realize it's not supposed to, but there's no limiting the 
slow-down/speed-up capability to just certain rubato 
sections, so the end result is that a student can slow down 
or speed up as desired if that function is turned on at all.


--
David H. Bailey
[EMAIL PROTECTED]
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Re: [Finale] MAKEMUSIC greed strikes again

2008-09-19 Thread YATESLAWRENCE
and, of course, there are phrases where the soloist may want to pull the  
speed around within a strict tempo in the accompaniment and if the 
accompaniment  
follows, the result is not good.  As I said, I've never used it so I don't  
know what it's capabilities/limitations are.  I can only guess that for  
musicians living in a wilderness where real accompanists are rare as drummers  
with 
a sense of rhythm, it is a gift from god.
 
Cheers,
 
Lawrence
 
lawrenceyates.co.uk



   
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Re: [Finale] MAKEMUSIC greed strikes again

2008-09-19 Thread David W. Fenton
On 19 Sep 2008 at 15:05, dhbailey wrote:

 I've never understood the reasoning behind SmartMusic's 
 ability to follow the student's tempo -- aren't we supposed 
 to learn it's bad to slow down in the hard parts and speed 
 up in the easy parts?  How does that tempo-following ability 
 help the student to learn to keep a steady tempo?  I do 
 realize it can be switched off but I've never understood the 
 need for it to be included in the first place.

I don't know this for a fact, but I always assumed this was so that a 
human being could have an automated accompaniment that follows the 
human being's tempo. As a New Yorker, the example that springs to 
mind is the busker in the subway station, who might be playing the 
tune to, say, Saint-Saëns' The Swan with a computer following along 
providing the accompaniment.

Obviously, for teaching purposes with kids, you'd turn off this 
feature, but for grown-ups, it would be pretty useless without it, 
no?

-- 
David W. Fentonhttp://dfenton.com
David Fenton Associates   http://dfenton.com/DFA/


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Re: [Finale] MAKEMUSIC greed strikes again

2008-09-19 Thread dhbailey

David W. Fenton wrote:
[snip] Obviously, for teaching purposes with kids, you'd 
turn off this
feature, but for grown-ups, it would be pretty useless without it, 
no?




As an accompaniment for adults performing, I quite agree 
with you.  But SmartMusic is marketed to schools for 
students to use and is not targeted to adults who want to do 
singles but who want accompaniment.


Look at the web-site -- it's marketed as an educational tool.

--
David H. Bailey
[EMAIL PROTECTED]
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Re: [Finale] MAKEMUSIC greed strikes again

2008-09-19 Thread David W. Fenton
On 19 Sep 2008 at 15:47, dhbailey wrote:

 David W. Fenton wrote:
 [snip] Obviously, for teaching purposes with kids, you'd 
 turn off this
  feature, but for grown-ups, it would be pretty useless without it, 
  no?
 
 As an accompaniment for adults performing, I quite agree 
 with you.  But SmartMusic is marketed to schools for 
 students to use and is not targeted to adults who want to do 
 singles but who want accompaniment.

But it serves that purpose, and it seems to me is likely to have a 
pretty big audience for that (if they marketed it for that purpose).

 Look at the web-site -- it's marketed as an educational tool.

But what about advanced students? Don't you want your students to get 
good enough rhythmically to be able to use a smart accompaniment 
tool?

Maybe this is just a matter of bad default settings -- maybe the 
default should be strict tempo, and the non-students should be able 
to turn on rubato. Or maybe there should be a setting in your 
Smartmusic accompaniments that restricts a particular accompaniment 
to strict mode.

The point is that there is no flaw in the technology -- indeed, the 
ability to adapt to the input from the live player is the glory of 
the whole technology -- it's that it's been implemented in a way that 
requires extra work for the educational market.

-- 
David W. Fentonhttp://dfenton.com
David Fenton Associates   http://dfenton.com/DFA/

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Re: [Finale] MAKEMUSIC greed strikes again

2008-09-19 Thread Eric Dannewitz
Not at all. The program is very valuable with the following thing turned 
off. You can have it just GO and you have to keep up. You can also have 
a click sounding in addition to the accompaniment.


I also have found that the following feature doesn't work all that well. 
I can't remember the last time I used it. There is also a sensitivity 
setting too, so, you can tell it to what degree to follow the performer.


David W. Fenton wrote:

On 19 Sep 2008 at 15:05, dhbailey wrote:

  
I've never understood the reasoning behind SmartMusic's 
ability to follow the student's tempo -- aren't we supposed 
to learn it's bad to slow down in the hard parts and speed 
up in the easy parts?  How does that tempo-following ability 
help the student to learn to keep a steady tempo?  I do 
realize it can be switched off but I've never understood the 
need for it to be included in the first place.



I don't know this for a fact, but I always assumed this was so that a 
human being could have an automated accompaniment that follows the 
human being's tempo. As a New Yorker, the example that springs to 
mind is the busker in the subway station, who might be playing the 
tune to, say, Saint-Saëns' The Swan with a computer following along 
providing the accompaniment.


Obviously, for teaching purposes with kids, you'd turn off this 
feature, but for grown-ups, it would be pretty useless without it, 
no?


  


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Re: [Finale] MAKEMUSIC greed strikes again

2008-09-19 Thread Eric Dannewitz
I believe even Sir. James Galway uses the program.he's mentioned it 
a few times on his Galway flute list.


You can tell the program to what degree to follow..but I've never 
found the feature particularly useful.


[EMAIL PROTECTED] wrote:
and, of course, there are phrases where the soloist may want to pull the  
speed around within a strict tempo in the accompaniment and if the accompaniment  
follows, the result is not good.  As I said, I've never used it so I don't  
know what it's capabilities/limitations are.  I can only guess that for  
musicians living in a wilderness where real accompanists are rare as drummers  with 
a sense of rhythm, it is a gift from god.
 
Cheers,
 
Lawrence
 
lawrenceyates.co.uk
  

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