Re: [Finale] Blessed be the ties that bind ... and, why don't some?

2009-10-17 Thread Haroldo Mauro Jr .
To tie all notes of a chord, position the cursor above the top note or below 
the lowest, then hit the tie command.
Harold


At 12:42 -0700 17/10/09, Dean M. Estabrook wrote:
>Often when I attempt to tie one chord across a bar line, and the stack has 
>three or more note in it ... only some of the notes tie. A) why, and B) how do 
>I fix it?
>
>Dean
>
>
>Canto ergo sum
>And,
>I'd rather be composing than decomposing
>
>Dean M. Estabrook
>http://deanestabrook.googlepages.com/home
>
>
>
>
>
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[Finale] FinaleScript for Dummies..

2009-10-17 Thread noel jones

On the Mac...
2009

All that I want to do is change margins.

Can't seem to find a simple explanation of loading the format to be  
used.


Noel Jones, AAGO
423 887-7594
noeljo...@usit.net

www.thecatholichymnal.com

Friends, life is short and we do not have much time to gladden the  
hearts of those who travel with us; so be swift to love and make haste  
to be kind.



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Re: [Finale] Blessed be the ties that bind ... and, why don't some?

2009-10-17 Thread Carl Dershem

Dean M. Estabrook wrote:
Well,   what you said worked until the part where I try to make the 
cursor tie all possible notes in the chords. Then, nothing seemed to 
occur at all. Hmmm 


Are you sure?  Sometimes you have to be zoomed in pretty close to tell. 
 And some notes might have something about them that makes them unfriendly.


cd

In my experience, the keyboard shortcut to create a tie between two 
pitches is a toggle: pressing it once and it creates the tie; pressing 
it twice removes it. If the cursor is on a pitch in the chord, when 
you press the key the first time it creates a tie between the notes on 
that pitch, and pressing it a second time creates the tie between the 
other notes in the chord, and removes the tie between the notes on the 
pitch on which the cursor is located. If one wishes to create ties 
between all possible notes in two (existing) chords, one needs to make 
sure that the cursor is not on any of the pitches represented in 
either chord.


ns
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Canto ergo sum
And,
I'd rather be composing than decomposing

Dean M. Estabrook
http://deanestabrook.googlepages.com/home





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--
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Re: [Finale] Blessed be the ties that bind ... and, why don't some?

2009-10-17 Thread Williams, Jim
Put it inside the chord but not directly on a note.

Sent from my iPhone

On Oct 17, 2009, at 5:38 PM, "Dean M. Estabrook"   
wrote:

> Well,   what you said worked until the part where I try to make the
> cursor tie all possible notes in the chords. Then, nothing seemed to
> occur at all. Hmmm 
>
>
> Dean
>
> On Oct 17, 2009, at 1:09 PM, Noel Stoutenburg wrote:
>
>> Dean M. Estabrook wrote:
>>> Often when I attempt to tie one chord across a bar line, and the
>>> stack has three or more note in it ... only some of the notes tie.
>>> A) why, and B) how do I fix it?
>>>
>>
>> In my experience, the keyboard shortcut to create a tie between two
>> pitches is a toggle: pressing it once and it creates the tie;
>> pressing it twice removes it. If the cursor is on a pitch in the
>> chord, when you press the key the first time it creates a tie
>> between the notes on that pitch, and pressing it a second time
>> creates the tie between the other notes in the chord, and removes
>> the tie between the notes on the pitch on which the cursor is
>> located. If one wishes to create ties between all possible notes in
>> two (existing) chords, one needs to make sure that the cursor is
>> not on any of the pitches represented in either chord.
>>
>> ns
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>
> Canto ergo sum
> And,
> I'd rather be composing than decomposing
>
> Dean M. Estabrook
> http://deanestabrook.googlepages.com/home
>
>
>
>
>
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Re: [Finale] Blessed be the ties that bind ... and, why don't some?

2009-10-17 Thread Dean M. Estabrook
Well,   what you said worked until the part where I try to make the  
cursor tie all possible notes in the chords. Then, nothing seemed to  
occur at all. Hmmm 



Dean

On Oct 17, 2009, at 1:09 PM, Noel Stoutenburg wrote:


Dean M. Estabrook wrote:
Often when I attempt to tie one chord across a bar line, and the  
stack has three or more note in it ... only some of the notes tie.  
A) why, and B) how do I fix it?




In my experience, the keyboard shortcut to create a tie between two  
pitches is a toggle: pressing it once and it creates the tie;  
pressing it twice removes it. If the cursor is on a pitch in the  
chord, when you press the key the first time it creates a tie  
between the notes on that pitch, and pressing it a second time  
creates the tie between the other notes in the chord, and removes  
the tie between the notes on the pitch on which the cursor is  
located. If one wishes to create ties between all possible notes in  
two (existing) chords, one needs to make sure that the cursor is  
not on any of the pitches represented in either chord.


ns
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Canto ergo sum
And,
I'd rather be composing than decomposing

Dean M. Estabrook
http://deanestabrook.googlepages.com/home





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Re: [Finale] Blessed be the ties that bind ... and, why don't some?

2009-10-17 Thread Noel Stoutenburg

Dean M. Estabrook wrote:
Often when I attempt to tie one chord across a bar line, and the stack 
has three or more note in it ... only some of the notes tie. A) why, 
and B) how do I fix it?




In my experience, the keyboard shortcut to create a tie between two 
pitches is a toggle: pressing it once and it creates the tie; pressing 
it twice removes it. If the cursor is on a pitch in the chord, when you 
press the key the first time it creates a tie between the notes on that 
pitch, and pressing it a second time creates the tie between the other 
notes in the chord, and removes the tie between the notes on the pitch 
on which the cursor is located. If one wishes to create ties between all 
possible notes in two (existing) chords, one needs to make sure that the 
cursor is not on any of the pitches represented in either chord.


ns
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Re: [Finale] End of Make Music?

2009-10-17 Thread Noel Stoutenburg

David W. Fenton quoted my comment,:

If I recall correctly, I had a similar experience with an earlier 
version than 2007, perhaps 2002 or 2003, and finally determined that it 
was an unintended consequence of using the "9" key in speedy entry to 
hide an accidental. 
  


and replied

Don't you mean "*" to show/hide the accidental? The 9 key flips the 
enharmonics, which is not going to hide an accidental (it will 
probably make it worse!).



to which I must confess a temporary parity error in the biological 
memory. Of course, I meant "*". And I should also note, that I neglected 
to consider that the OP might be using the MAC version.


ns
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[Finale] Blessed be the ties that bind ... and, why don't some?

2009-10-17 Thread Dean M. Estabrook
Often when I attempt to tie one chord across a bar line, and the  
stack has three or more note in it ... only some of the notes tie. A)  
why, and B) how do I fix it?


Dean


Canto ergo sum
And,
I'd rather be composing than decomposing

Dean M. Estabrook
http://deanestabrook.googlepages.com/home





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Re: [Finale] End of Make Music?

2009-10-17 Thread David W. Fenton
On 17 Oct 2009 at 8:21, Noel Stoutenburg wrote:

> Dan Tillberg wrote
> 
> > It is simply regarding disappearing accidentals. It happens (rarely) that
> > a specific note is not shown with any accidental although it is there: it
> > plays correctly, and when changing the note with +/- to lower or raise the
> > note it really happens soundwise and again plays correctly but no
> > accidental is shown at all. There is no difference between the score and
> > the part - if the accidental disappears in the score is also gone in the
> > part.
> >
> > The problem is minor (provided that you discover it before distributing
> > the result!), it does not happen often and is simply solved by erasing a
> > note and putting it back again. So therefore I haven't taken the time to
> > ask about it.
> 
> If I recall correctly, I had a similar experience with an earlier 
> version than 2007, perhaps 2002 or 2003, and finally determined that it 
> was an unintended consequence of using the "9" key in speedy entry to 
> hide an accidental. 

Don't you mean "*" to show/hide the accidental? The 9 key flips the 
enharmonics, which is not going to hide an accidental (it will 
probably make it worse!).

> The forced display (or hiding) of an accidental 
> might persist, even though the note were moved to another pitch, 
> although the forced display was canceled if the note was deleted and 
> re-entered. I never experienced the phenomenon in a later version, and 
> since I'm at the moment away from my engraving computer, I don't have 
> the means to check to see if my memory is accurate.

I've occasionally had it happen, but * always corrects it -- but, of 
course, I have to notice it to fix it.

-- 
David W. Fentonhttp://dfenton.com
David Fenton Associates   http://dfenton.com/DFA/

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Re: [Finale] End of Make Music?

2009-10-17 Thread David W. Fenton
On 17 Oct 2009 at 6:44, dhbailey wrote:

> In effect, 
> we end-users have become the final beta-testers, for which 
> privilege we pay full retail upgrade prices. 

Only those who choose to buy the initial release end up as de facto 
beta testers. Others wait to buy a new version until after the patch 
is released.

> MakeMusic 
> waits a bit to see which of the known bugs raise the largest 
> outrage and complaints and then it fixes those and chooses 
> to let the rest of the known bugs lie until it can get 
> around to them.

You do not know this to be the case. Stating it as fact is really a 
dishonest thing to do. 

And you probably don't even believe that this is the case.

Software is complicated and fixing bugs is difficult and fraught with 
all sorts of risks and trade-offs. I've tried to explain this any 
time the issue comes up. Unless you the people at MM are crooks 
(which I don't think you believe), they are just doing the best they 
can with limited resources. The only software that lacks bugs is 
software that hasn't been released. Shipping is more important than 
stamping out 100% of known bugs.

And no software company ships bug-free code.

The only difference between various companies is what level and what 
quantity of bugs they tolerate in their shipping product. Because 
Finale's developers are yoked to the treadmill of yearly releases, 
they have to tolerate more bugs than if they had a more leisurely 
schedule, since otherwise they'd run out of revenues to pay the 
employees.

I wish they could figure out a way to get off that treadmill, but I 
just don't see how it's possible for them to do it. Apple can afford 
to use an entire development cycle for bug fixes and performance 
improvements in their flagship OS because they have plenty of other 
revenue streams as larger or larger than what they get from sales of 
OS X -- they can afford to lose the revenue on the reduced-price Snow 
Leopard because they have plenty of other cash coming in.

MM doesn't have but the one other major revenue stream, and I don't 
think it's as large as the Finale revenue stream.

Sibelius may have shown the way on this when they were acquired by 
Avid -- it puts the Sibelius development within a larger company with 
other significant revenue streams that can subsidize major 
investments in Sibelius should a maintenance release (like Snow 
Leopard) become necessary (though Sibelius has already done a better 
job on this with releases ever 2 or 3 years -- they never got on the 
yearly-release treadmill, so they don't have to get off it).

To me, the only solution for MM is to be acquired by a larger company 
that is willing to invest in Finale's long-term development.

But I haven't a clue what companies might want to take on that 
investment given the big picture with Sibelius.

-- 
David W. Fentonhttp://dfenton.com
David Fenton Associates   http://dfenton.com/DFA/

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[Finale] 2010A to be available 10/20/09, allegedly.

2009-10-17 Thread Jim Dukey
 Posted 10/15/09 at MM Forum: "I did contact MM Music Support who advise that 
2010A will be out by next Tuesday," 10/20/09. Doesn't anyone else here read 
that list too?
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Re: [Finale] End of Make Music?

2009-10-17 Thread Andrew Stiller


On Oct 17, 2009, at 5:38 AM, Dan Tillberg wrote:


 It happens (rarely) that
a specific note is not shown with any accidental although it is there: 
it
plays correctly, and when changing the note with +/- to lower or raise 
the

note it really happens soundwise and again plays correctly but no
accidental is shown at all.


This is a longstanding bug when using option-equals to create a tie to 
a previous note. It properly hides any notated accidental that the tied 
note may have, but it also hides all other accidentals that may appear 
in the chord containing the tied note. The solution is either to use 
the regular tie command (from the starting note rather than the ending 
one), or to go back and hit the asterisk key (not the 9 as someone else 
suggested) to force the improperly hidden accidental to reappear.


Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/

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Re: [Finale] End of Make Music?

2009-10-17 Thread Noel Stoutenburg

Dan Tillberg wrote



It is simply regarding disappearing accidentals. It happens (rarely) that
a specific note is not shown with any accidental although it is there: it
plays correctly, and when changing the note with +/- to lower or raise the
note it really happens soundwise and again plays correctly but no
accidental is shown at all. There is no difference between the score and
the part - if the accidental disappears in the score is also gone in the
part.

The problem is minor (provided that you discover it before distributing
the result!), it does not happen often and is simply solved by erasing a
note and putting it back again. So therefore I haven't taken the time to
ask about it.


If I recall correctly, I had a similar experience with an earlier 
version than 2007, perhaps 2002 or 2003, and finally determined that it 
was an unintended consequence of using the "9" key in speedy entry to 
hide an accidental. The forced display (or hiding) of an accidental 
might persist, even though the note were moved to another pitch, 
although the forced display was canceled if the note was deleted and 
re-entered. I never experienced the phenomenon in a later version, and 
since I'm at the moment away from my engraving computer, I don't have 
the means to check to see if my memory is accurate.


And it probably bears noting that while in many instance Finale makes it 
possible to achieve the same result in different ways, it might also be 
possible to have the same apparent "bug" from different ways, too.


ns
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Re: [Finale] End of Make Music?

2009-10-17 Thread Eric Dannewitz
Actually, I've had this happen a couple of times. I have no clue why.  
My work around has been to use the accidental plugin to fix it.


Though I can't remember the last time it happened



--- send out and aboot on my iPhone ---

On Oct 17, 2009, at 2:38 AM, Dan Tillberg  wrote:

Yep I can understand this frustration and I am not too irritated  
with all
the criticism I see from time to time. Perhaps a little surprised  
how many

people on this list who seem to prefer Sibelius instead...

But I agree that a list like this should give room for other issues  
than
strict technical questions. I admit that I enjoy some of the more  
amusing

and sometimes sarcastic messages...



So if you have a question, ask away!  :-)



Come to think of it, and in the area of bugs, actually I do. I have  
seen a
problem both in Fin 2007 and now in Fin 2010 that I haven't seen  
mentioned

on this list and I haven't asked the question myself. In fact, I have
talked with some people and noone has acknowledged to have seen the
problem. Perhaps there is something I don't understand...

It is simply regarding disappearing accidentals. It happens (rarely)  
that
a specific note is not shown with any accidental although it is  
there: it
plays correctly, and when changing the note with +/- to lower or  
raise the

note it really happens soundwise and again plays correctly but no
accidental is shown at all. There is no difference between the score  
and
the part - if the accidental disappears in the score is also gone in  
the

part.

The problem is minor (provided that you discover it before  
distributing
the result!), it does not happen often and is simply solved by  
erasing a
note and putting it back again. So therefore I haven't taken the  
time to

ask about it.

But now since you provoce me... ;-) Anyone having seen this?

Cheers
/D



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Re: [Finale] End of Make Music?

2009-10-17 Thread Dan Tillberg
Yep I can understand this frustration and I am not too irritated with all
the criticism I see from time to time. Perhaps a little surprised how many
people on this list who seem to prefer Sibelius instead...

But I agree that a list like this should give room for other issues than
strict technical questions. I admit that I enjoy some of the more amusing
and sometimes sarcastic messages...

>
> So if you have a question, ask away!  :-)
>

Come to think of it, and in the area of bugs, actually I do. I have seen a
problem both in Fin 2007 and now in Fin 2010 that I haven't seen mentioned
on this list and I haven't asked the question myself. In fact, I have
talked with some people and noone has acknowledged to have seen the
problem. Perhaps there is something I don't understand...

It is simply regarding disappearing accidentals. It happens (rarely) that
a specific note is not shown with any accidental although it is there: it
plays correctly, and when changing the note with +/- to lower or raise the
note it really happens soundwise and again plays correctly but no
accidental is shown at all. There is no difference between the score and
the part - if the accidental disappears in the score is also gone in the
part.

The problem is minor (provided that you discover it before distributing
the result!), it does not happen often and is simply solved by erasing a
note and putting it back again. So therefore I haven't taken the time to
ask about it.

But now since you provoce me... ;-) Anyone having seen this?

Cheers
/D



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Re: [Finale] End of Make Music?

2009-10-17 Thread dhbailey

Dan Tillberg wrote:

Perhaps I am too new on this list. Only two years now. So excuse me if
this is your view.

But I think I can see a lot of criticism towards Finale and MakeMusic and
since I am not a shareholder of MakeMusic (just a simple customer paying a
lot of money!) I don't react too badly on this. Citicism might be good and
even developing if it is not just simple grumble. Sibelius is probably
also fine and Finale and MakeMusic might be as bad as many of you say.

But...isn't this forum ment to exchange great "technical" knowledge
regarding FINALE when having problems or trying to do things that are not
obviously documented or a bit...eh...uncommon?

Or is it a general forum that also should give room to express frustration
and anger with Finale, MakeMusic and the world and it's people as an
entity...in more general terms?



It's a discussion group for matters relating to Finale and 
thus to MakeMusic.  If you want to gain technical knowledge 
about Finale, ask a question about some aspect of the 
program about which you wish to learn more.


If nobody asks a finale-specific question or raises a 
finale-specific issue then as most groups of humans will do, 
the conversation will stray onto other topics.


Regarding the postings about the supposedly upcoming update 
to Fin2010, the long-term users of this program have grown 
very frustrated with the fact that MakeMusic releases known 
buggy versions of the program with the "promise" to repair 
the most egregious bugs in an interim patch, which comes out 
anywhere from 2 to 8 months after the release.  In effect, 
we end-users have become the final beta-testers, for which 
privilege we pay full retail upgrade prices.  MakeMusic 
waits a bit to see which of the known bugs raise the largest 
outrage and complaints and then it fixes those and chooses 
to let the rest of the known bugs lie until it can get 
around to them.  Some bugs have remained for many versions 
since not many people complain.  That still doesn't lessen 
the major impact of those bugs on the people who encounter 
them, it just is a gambling game which MakeMusic plays in an 
attempt to reduce development costs while retaining the 
largest customer base it can.


And we've become bitter over the years as MakeMusic has 
become entrenched in this "annual upgrade to a new buggy 
version which will be slightly repaired in the interim 
update patch" business model, all the while Sibelius is on 
more of a 2-year "let's get it as correct as we possibly can 
before releasing the new version" business model.  The tone 
of the two main on-line discussion groups for these two 
program is vastly different in regards to complaints about 
new versions and which bugs have been chosen to be fixed or not.


But the members of this group remain dedicated to Finale and 
I think I speak for all the members when I say that we will 
be very happy to discuss technical issues related to Finale 
when anybody raises them.


So if you have a question, ask away!  :-)

--
David H. Bailey
dhbai...@davidbaileymusicstudio.com
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