Re: [Finale] EPS/PS/TIF/PIC to PDF questions

2010-02-20 Thread Johannes Gebauer

Am 20.02.10 00:35, schrieb Paul Hayden:

1. Why would the PS and EPS files be damaged? Bad font (Maestro)?


I don't know, but it seems to work for some and not for others. I have 
used this method without problems in the past.




2. I know you can embed fonts in a PDF. Can you also do that in a TIF or
PIC file, or are those just purely image formats (like GIF and JPG)?


You cannot embed fonts in a TIF file. PICTs are a little more 
complicated, but I believe you cannot embed fonts either. TIFs are 
bitmap files, while PICTs are a mixture. Whatever the case, I would not 
use any of those formats if you want to make PDFs from Finale files. You 
lose the font and vector information and the PDFs are effectively bitmaps.


3. When you convert a PS file to a PDF file, are fonts imbedded in the PDF?


Yes, normally they are, although with Adobe Distiller I believe you 
could force it not to embed.


Johannes
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Re: [Finale] Spiral binding

2010-02-20 Thread dhbailey

John Howell wrote:

At 11:01 AM -0500 2/19/10, Aaron Sherber wrote:


I know there are people who have reasons for preferring a coil or some 
other type of binding to plastic combs, but I have found this to be a 
very workable and cost-effective solution.


I have two problems with them, and I wonder whether you've found 
solutions.  (1) page turns rub against the comb and are therefore 
noisy.  (2) In time the constant rubbing rubs through the holes and the 
pages start to come loose.


I may be that using a larger comb than the absolute minimum needed would 
help with those problems.  But in general coil binding has neither 
problem.  Both are difficult to file because the binding is lumpy.


John




I've found one other shortcoming with coil binding over comb 
binding (although I prefer the elegance of coil binding to 
the brute force of comb binding) -- with a gold or silver 
pen (easily available from Staples) one can write info on 
the comb binding, making it much easier to find what one 
wants on a shelf of comb-bound works, whereas with coil 
binding there's no way to accomplish that so one has to hunt 
for a specific work.


--
David H. Bailey
dhbai...@davidbaileymusicstudio.com
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Re: [Finale] cross-staff rests

2010-02-20 Thread Aaron Sherber

On 2/20/2010 6:57 AM, dc wrote:

I have notes and rests that need to be moved from one staff to the other.
With the Note Mover tool, I only get handles on the notes, but not on the
rests. How do I move those?


I don't think you can. What I usually do in this situation is go into 
the other staff and enter the appropriate combination of hidden and 
non-hidden rests so that the moved notes will display next to the 
non-hidden rests.


By the way, you may already know this, but if you have a recent version 
of Finale there's a much simpler way to do cross-staff. Use the Mass 
Edit tool to select the notes you want moved (with partial measure 
selection) and then just hit Alt-up arrow (or Alt-down arrow) to move 
the notes. This automatically takes care of moving the stem to the other 
side of the note and moving the beam to somewhere appropriate.


Aaron.
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Re: [Finale] Da capo

2010-02-20 Thread Barbara Touburg

dc wrote:

Where does the Da capo belong in piano music? Above the right hand staff?

Thanks,

Dennis





Yes, to the right.
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Re: [Finale] cross-staff rests

2010-02-20 Thread Barbara Touburg

dc wrote:
I have notes and rests that need to be moved from one staff to the 
other. With the Note Mover tool, I only get handles on the notes, but 
not on the rests. How do I move those?



You can't, with the Note Mover. You have to pull them up (or dowm) until 
 they are in their place on the other staff. It helps when the distance 
between the staves is in spaces.

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Re: [Finale] cross-staff rests

2010-02-20 Thread Aaron Sherber

On 2/20/2010 9:06 AM, dc wrote:

Thanks, Aaron. No, I didn't know about that way of moving the notes. I'm
using Fin2008.


Yes,  it's definitely in that version.

Aaron.
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Re: [Finale] articulation position

2010-02-20 Thread SN jef chippewa


manual positioning, uncheck avoid stafflines, centre horizontally and 
always place outside staff.  you will have to reset (clear) every 
single position adjustment in the piece, the manual positioning will 
attach in relation to where you click, not the real absolute default 
measurements you define for positioning.


this will position the bottom left corner of the artic (left-aligned) 
at the left of the notehead and in the centre vertically.




In Fin2008, I can't manage to get an articulation positioned at a 
certain distance from the note-head. In other words, depending on 
the direction of the stem, it's higher or lower. What am I doing 
wrong? Of course, I could define two different articulations, 
depending on the stem, but surely there must be an easier way. (I 
want it to the left of the note-head and slightly lower.)


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Re: [Finale] cross-staff rests

2010-02-20 Thread Aaron Sherber

On 2/20/2010 12:07 PM, dc wrote:

Is there any way to get the beam angle right in cross-staff beaming? All
mine are slanted the wrong way, i.e. downwards from bass staff to treble
staff instead of upwards?


I'm not sure exactly what you're describing, but of course you can 
always adjust the beam angle by hand, with the beam angle tool.


(I don't do cross staff all that much, but for me Finale seems to get 
the angle right, mostly. I do sometimes have to move the beam a little 
up or down to where I think it belongs.)


Aaron.
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Re: [Finale] cross-staff rests

2010-02-20 Thread Aaron Sherber

On 2/20/2010 12:25 PM, dc wrote:

I know I can adjust them by hand, but was
wondering if there was any easy way to get them all right in the first place.


I've never really used the Patterson Beams plugin, but it's possible 
that it might work here. Other than that, I don't know.


Aaron.
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Re: [Finale] Spiral binding

2010-02-20 Thread John Howell

At 6:21 AM -0500 2/20/10, dhbailey wrote:


I've found one other shortcoming with coil binding over comb binding 
(although I prefer the elegance of coil binding to the brute force 
of comb binding) -- with a gold or silver pen (easily available from 
Staples) one can write info on the comb binding, making it much 
easier to find what one wants on a shelf of comb-bound works, 
whereas with coil binding there's no way to accomplish that so one 
has to hunt for a specific work.


That's an excellent point, David, except that the vast majority of 
published music is folded and stapled because it isn't thick enough 
for binding in signatures, so there isn't room for spine copy anyway. 
But I wouldn't have thought of that, so thanks.


John


--
John R. Howell, Assoc. Prof. of Music
Virginia Tech Department of Music
College of Liberal Arts  Human Sciences
Blacksburg, Virginia, U.S.A. 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:john.how...@vt.edu)
http://www.music.vt.edu/faculty/howell/howell.html

We never play anything the same way once.  Shelly Manne's definition
of jazz musicians.
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Re: [Finale] articulation position

2010-02-20 Thread SN jef chippewa


eggzackly.  this is why you have to reset.  this 
can be done globally or individually.  it's the 
only way to get 100% consistent placement beside 
the notehead



SN jef chippewa écrit:
manual positioning, uncheck avoid stafflines, 
centre horizontally and always place outside 
staff.  you will have to reset (clear) every 
single position adjustment in the piece, the 
manual positioning will attach in relation to 
where you click, not the real absolute default 
measurements you define for positioning.


I tried that, but it's impossible to get 
something consistent with manual positioning. 
The position will vary depending where on the 
note-head you click.



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Re: [Finale] cross-staff rests

2010-02-20 Thread Darcy James Argue
Using the opt/alt-arrow method gives you proper cross-staff beaming 
automatically. The Note Mover method requires you to use the Special Tools on 
every beam. It may be faster for you to delete the original Note Mover-created 
cross staff beaming and re-do it with opt/alt arrow.

Cheers,

- DJA
-
WEB: http://secretsociety.typepad.com

On 20 Feb 2010, at 12:25 PM, dc wrote:

 Aaron Sherber écrit:
 I'm not sure exactly what you're describing, but of course you can always 
 adjust the beam angle by hand, with the beam angle tool.
 
 These are files done by someone else, so there's no way of knowing how things 
 were done (and I am finding some very weird things in the spacing). I have 
 cross-staff beams from the lower staff to the upper staff, and they are all 
 slanted downwards. I know I can adjust them by hand, but was wondering if 
 there was any easy way to get them all right in the first place.
 
 Thanks,
 
 Dennis
 
 
 
 
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[Finale] Re: Spiral binding

2010-02-20 Thread Paul Hayden

J D and Lee, which models do you own?

Paul Hayden



J D Thomas wrote:
This is what I like about the CoilMac machine.  It has an open throat  
design that allows you to bind larger than letter. I do 11x17 all the  
time.  That's why I bought it.  But it's not

inexpensive.


Lee Actor wrote:
I have a CoilMac and a supply of 36 coils in three different sizes  
(and cover

stock).




Magnolia Music Press
www.paulhayden.com
Voice  Pre-arranged fax:  225-769-9604

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Re: [Finale] cross-staff rests

2010-02-20 Thread Darcy James Argue
This strikes me as *much* more cumbersome than the usual solution, which is 
selectively hiding and showing the necessary rests. What if you need to adjust 
the difference between staves? You'd have to adjust all the dragged rests as 
well. 

Cheers,

- DJA
-
WEB: http://secretsociety.typepad.com

On 20 Feb 2010, at 8:39 AM, Barbara Touburg wrote:

 dc wrote:
 I have notes and rests that need to be moved from one staff to the other. 
 With the Note Mover tool, I only get handles on the notes, but not on the 
 rests. How do I move those?
 
 
 You can't, with the Note Mover. You have to pull them up (or dowm) until  
 they are in their place on the other staff. It helps when the distance 
 between the staves is in spaces.
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Re: [Finale] articulation position

2010-02-20 Thread Darcy James Argue
If you always assign articulations with the hold-metatool-and-drag-enclose 
method, the positioning is consistent and does not take into account click 
position (i.e., the same as if you'd selected the handle and hit the Clear key, 
or reset artic positions via Mass Edit).

Cheers,

- DJA
-
WEB: http://secretsociety.typepad.com

On 20 Feb 2010, at 12:57 PM, SN jef chippewa wrote:

 
 eggzackly.  this is why you have to reset.  this can be done globally or 
 individually.  it's the only way to get 100% consistent placement beside the 
 notehead
 
 SN jef chippewa écrit:
 manual positioning, uncheck avoid stafflines, centre horizontally and 
 always place outside staff.  you will have to reset (clear) every single 
 position adjustment in the piece, the manual positioning will attach in 
 relation to where you click, not the real absolute default measurements you 
 define for positioning.
 
 I tried that, but it's impossible to get something consistent with manual 
 positioning. The position will vary depending where on the note-head you 
 click.
 
 
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RE: [Finale] Re: Spiral binding

2010-02-20 Thread Lee Actor
 J D and Lee, which models do you own?
 
 Paul Hayden
 

CoilMac-M, standard base unit.

-Lee
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Re: [Finale] Re: Spiral binding

2010-02-20 Thread J D Thomas

On Feb 20, 2010, at 11:30 AM, Paul Hayden wrote:


J D and Lee, which models do you own?


Paul,

I have the CoilMac 41 ECI.  Find info here.

J D  Thomas
ThomaStudios


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Re: [Finale] Re: Spiral binding

2010-02-20 Thread J D Thomas

Well, the url link apparently didn't take.  Here's the whole url:

http://www.akiles.com/products.php?category_id=1product_sub_category_id=2product_id=1003

On Feb 20, 2010, at 11:30 AM, Paul Hayden wrote:


J D and Lee, which models do you own?


Paul,

I have the CoilMac 41 ECI.  Find info here.

J D  Thomas
ThomaStudios


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