Re: [Finale] horn transposition question

2007-03-21 Thread Ole Buck
The fact that french horns (corno) was originally written one octave  
above in soprano clef, and in actual pitch in basso, explain the  
difference from bas and clef transposition.


To calculate from notation in a transposed part to actual sound: find  
the interval in relation to C (below) and add it to the instruments  
fundamental.


From actual sound to notation: find the interval in relation to the  
instruments fundamental and add it to C (above).





On Mar 21, 2007, at 12:11 AM, Robert Patterson wrote:

Except that there are no worms in this case (an 18th cent  
composition). A top-line bass clef A is possible on a natural horn  
only if the bass clef is old notation.


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Re: [Finale] horn transposition question

2007-03-21 Thread [EMAIL PROTECTED]
On 20 mrt 2007, at 15:37, Martin Banner wrote:

 Also, if I have a horn in G written in bass clef, what concert pitch 
 will actually sound if I write an A on fifth line (A right below 
 middle C).

that depends.
In older notation it should have sound as D4 (D above middle C)
In modern notation however as d (middle line in bass clef.

 Thanks,
 Martin

Do not forget, the horn is in G. not F.  Therefore, on the assumption this
is an old horn part, a written A on the fifth line of the bass clef will
sound E above middle C.

Regards,
Michael Lawlor


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Re: [Finale] horn transposition question

2007-03-21 Thread Hans Swinnen
I'm sorry! You're right of course. I should have read the question more 
carefully.


Hans
===
On 21 mrt 2007, at 09:50, [EMAIL PROTECTED] wrote:


On 20 mrt 2007, at 15:37, Martin Banner wrote:


Also, if I have a horn in G written in bass clef, what concert pitch
will actually sound if I write an A on fifth line (A right below
middle C).


that depends.
In older notation it should have sound as D4 (D above middle C)
In modern notation however as d (middle line in bass clef.


Thanks,
Martin


Do not forget, the horn is in G. not F.  Therefore, on the assumption 
this
is an old horn part, a written A on the fifth line of the bass clef 
will

sound E above middle C.

Regards,
Michael Lawlor


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http://link.mail2web.com/Business/Exchange



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Re: [Finale] horn transposition question

2007-03-21 Thread Ken Moore

Robert Patterson [EMAIL PROTECTED] wrote:


[...]
A top-line bass clef A is possible on a natural horn only
if the bass clef is old notation. In old notation bass
clef it is the same note as the 2nd-space A in treble clef.
For horn in G, this sounds as the E above middle C. [...]


The question then arises, Why not notate it in treble clef?

A possible reason is that it is a 1st or 3rd horn part that shares a stave in the score 
with a low note from 2nd or 4th.  IIRC, that situation arises in one of Strauss's 
Four Last Songs.

--
Ken Moore

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Re: [Finale] horn transposition question

2007-03-21 Thread Robert Patterson

On 3/21/07, Ken Moore [EMAIL PROTECTED] wrote:


A possible reason is that it is a 1st or 3rd horn part that shares a stave in 
the score with
low note from 2nd or 4th.


That is the primary reason I know of. It is important also to realize
that old-notation bass clef is really a form of alto clef. Indeed it
is only one line off from alto clef. (Middle-c is 2nd space instead of
3rd line.) This is not unlike what happens with tenor-treble clef.

Because the horn is written as an alto-register instrument, using a
form of alto clef for it makes some sense. The best thing about
alto-bass clef is that low notes look low and high notes look high.
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Re: [Finale] horn transposition question

2007-03-20 Thread Hans Swinnen

On 20 mrt 2007, at 15:37, Martin Banner wrote:

If I have a horn in G, and write a D (fourth line treble clef), will 
that sound as a concert A (second space treble clef)?


Yes.

Also, if I have a horn in G written in bass clef, what concert pitch 
will actually sound if I write an A on fifth line (A right below 
middle C).


that depends.
In older notation it should have sound as D4 (D above middle C)
In modern notation however as d (middle line in bass clef.


Thanks,
Martin


My pleasure,
Hans
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Re: [Finale] horn transposition question

2007-03-20 Thread Hans Swinnen

You're right. But that wasn't the question, was it?

Yours,
Hans
===
On 20 mrt 2007, at 18:39, Andrew Stiller wrote:



On Mar 20, 2007, at 11:49 AM, Hans Swinnen wrote:


On 20 mrt 2007, at 15:37, Martin Banner wrote:

Also, if I have a horn in G written in bass clef, what concert pitch 
will actually sound if I write an A on fifth line (A right below 
middle C).


that depends.
In older notation it should have sound as D4 (D above middle C)
In modern notation however as d (middle line in bass clef.



I would think it vanishingly unlikely that the modern bass clef style 
would ever appear for any but the horn in F.


Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html

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Re: [Finale] horn transposition question

2007-03-20 Thread Martin Banner
The part in question is horn in G in bass clef, but not modern. It is 
by an 18th Century Italian (Tuscany) composer. I should have stated the 
time frame in my original post.


Martin



On Mar 20, 2007, at 1:39 PM, Andrew Stiller wrote:



On Mar 20, 2007, at 11:49 AM, Hans Swinnen wrote:


On 20 mrt 2007, at 15:37, Martin Banner wrote:

Also, if I have a horn in G written in bass clef, what concert pitch 
will actually sound if I write an A on fifth line (A right below 
middle C).


that depends.
In older notation it should have sound as D4 (D above middle C)
In modern notation however as d (middle line in bass clef.



I would think it vanishingly unlikely that the modern bass clef style 
would ever appear for any but the horn in F.


Andrew Stiller
Kallisti Music Press
http://www.kallistimusic.com/kallisti.html

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Martin Banner
[EMAIL PROTECTED]

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Re: [Finale] horn transposition question

2007-03-20 Thread YATESLAWRENCE
The A written on the fifth line of the bass clef is a very unusual note to  
find in a part for natural horn (if that's what it is)
 
Cheers,
 
Lawrence
 
lawrenceyates.co.uk



   
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Re: [Finale] horn transposition question

2007-03-20 Thread John Howell

At 10:37 AM -0400 3/20/07, Martin Banner wrote:
If I have a horn in G, and write a D (fourth line treble clef), will 
that sound as a concert A (second space treble clef)?


Yes.



Also, if I have a horn in G written in bass clef, what concert pitch 
will actually sound if I write an A on fifth line (A right below 
middle C).


A can of worms just as confusing as bass clarinet in bass clef. 
Depends on the composer.


John


--
John  Susie Howell
Virginia Tech Department of Music
Blacksburg, Virginia, U.S.A 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:[EMAIL PROTECTED])
http://www.music.vt.edu/faculty/howell/howell.html
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Re: [Finale] horn transposition question

2007-03-20 Thread Robert Patterson
Except that there are no worms in this case (an 18th cent composition). 
A top-line bass clef A is possible on a natural horn only if the bass 
clef is old notation. In old notation bass clef it is the same note as 
the 2nd-space A in treble clef. For horn in G, this sounds as the E 
above middle C.


Unless it is G-basso. But that's not likely unless it is Italian opera 
from Rossini thru Verdi. An even then it is not likely. Only possible. 
It is more likely in a 3rd/4th horn part than a 1st/2nd horn part.


John Howell wrote:



Also, if I have a horn in G written in bass clef, what concert pitch 
will actually sound if I write an A on fifth line (A right below 
middle C).



A can of worms just as confusing as bass clarinet in bass clef. Depends 
on the composer.


John




--
Robert Patterson

http://RobertGPatterson.com
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