Re: [Finale] indication of hands in keyboard music

2010-05-31 Thread pa...@mooremusic.org.uk
Date: Sun, 30 May 2010
Chris Bell  wrote:

> As a pianist/keyboardist I would feel confused by both of them.

> 1 I don't like the broken 16ths
 
I agree. Anything that makes the rhythm more difficult to grasp is undesirable.
(I hate the old style vocal scores that divide beams according to text
syllables, and this is very much the same sort of thing.)
 
> 2 I really don't like being told which hand to use, if you really 
> need to put any indication in I would go for fingering . . . but then  
> again . .

IMO 2 without any indication of which hand does what or any suggested fingering
is the best way to go. That gives the player a clean sheet on which to decide
their own preferences and work to their own strengths. Allowing the line to flow
from one staff to the other is visually clear.
 
Patsy Moore
Teaching accompanist

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RE: [Finale] indication of hands in keyboard music

2010-05-30 Thread Guy Hayden
This morning I played Bach's "Toccata and Fugue in D minor" for postlude.  I
do not play this more than once a year so I read it from the score.  I was
very glad that the editors at Edition Peters chose to divide the beams to
reflect the division of the hands.  The notes go past much too quickly to
read fingerings or hand indications.

I mention this to reaffirm my vote for version No. 1.

Guy Hayden

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Re: [Finale] indication of hands in keyboard music

2010-05-30 Thread Chris Bell

As a pianist/keyboardist I would feel confused by both of them.

1 I don't like the broken 16ths
2 I really don't like being told which hand to use, if you really  
need to put any insication in I would go for fingering . . . but then  
again . .


/ Cb



On May 29, 2010, at 3:01 PM, Ray Horton wrote:

This bad keyboardist votes for #1.  #2 is difficult to decipher  
without repeated looks.



RBH







On May 28, 2010, at 7:47 AM, dc wrote:


I didn't get many (or any) replies to my first message on this  
subject, so I thought I'd try again with an example to make my  
question clear.


This is a question mainly for keyboard players.

Which of these two notations do you prefer?

www.collins.lautre.net/files/hands.jpg

1 makes the hands more apparent, but 2 makes the beats clearer,  
of course.


Amusingly, the preface to these pieces says that the composer has  
made things easier by using 1, though in the music itself he  
generally uses 2.


Thanks,

Dennis




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---
The market should accommodate art, but art should not accommodate the  
market.




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Re: [Finale] indication of hands in keyboard music

2010-05-29 Thread Ray Horton
This bad keyboardist votes for #1.  #2 is difficult to decipher without 
repeated looks.



RBH






On May 28, 2010, at 7:47 AM, dc wrote:

I didn't get many (or any) replies to my first message on this 
subject, so I thought I'd try again with an example to make my 
question clear.


This is a question mainly for keyboard players.

Which of these two notations do you prefer?

www.collins.lautre.net/files/hands.jpg

1 makes the hands more apparent, but 2 makes the beats clearer, of 
course.


Amusingly, the preface to these pieces says that the composer has 
made things easier by using 1, though in the music itself he 
generally uses 2.


Thanks,

Dennis



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Re: [Finale] indication of hands in keyboard music

2010-05-29 Thread timothy . price
Having never seen any other example of your 2nd notation, No. 1 looks  
like most of the keyboard literature I have.
Looks normal to me and easy to understand, especially with only one  
voice part.  Sometimes, with 4 or 5 voices,
it gets problematic and a "r.h." or "l.h." may be added ,  and then  
its whatever works for the player.


t



On May 28, 2010, at 7:47 AM, dc wrote:

I didn't get many (or any) replies to my first message on this  
subject, so I thought I'd try again with an example to make my  
question clear.


This is a question mainly for keyboard players.

Which of these two notations do you prefer?

www.collins.lautre.net/files/hands.jpg

1 makes the hands more apparent, but 2 makes the beats clearer, of  
course.


Amusingly, the preface to these pieces says that the composer has  
made things easier by using 1, though in the music itself he  
generally uses 2.


Thanks,

Dennis




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timothy.key.price
timothy.key.pr...@valley.net



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Re: [Finale] indication of hands in keyboard music

2010-05-28 Thread Cecil Rigby
I prefer  the 2nd example because the flagged 16ths in the 1st complicate 
the rhythm reading (for me)

ASIDE: The periods on the abbreviations aren't necessary IMO
-Cecil

- Original Message - 
From: "dc" 




Which of these two notations do you prefer?

www.collins.lautre.net/files/hands.jpg


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Re: [Finale] indication of hands in keyboard music

2010-05-28 Thread Noel Stoutenburg

dc wrote:


I didn't get many (or any) replies to my first message on this subject,
so I thought I'd try again with an example to make my question clear.



Who is the expected audience? If expect the typical purchaser / player 
to be a sophisticated interpreter, the upper example might be 
sufficient; if the audience is a bit less sophisticated, you might want 
to use the lower one.


Besides that, the lower one does have the disadvantage of being slightly 
less universal, since while "L" and "R" work in English and German 
speaking countries, they work less well in French and Italian, and 
Spanish, where "L" and "R" have no connection at all with the words in 
those languages which mean "left" and "right".


ns
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RE: [Finale] indication of hands in keyboard music

2010-05-28 Thread Guy Hayden
I much prefer No. 1.  No. 2 is awkward to read and understand.  Less is
more.  The beaming in both examples shows the beat.  No. 1 does not obscure
the text whereas the right/left indications in No.2 only interfere.

Guy Hayden   

-Original Message-
From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf Of
dc
Sent: Friday, May 28, 2010 7:48 AM
To: finale-shsu.edu
Subject: [Finale] indication of hands in keyboard music

I didn't get many (or any) replies to my first message on this subject, so 
I thought I'd try again with an example to make my question clear.

This is a question mainly for keyboard players.

Which of these two notations do you prefer?

www.collins.lautre.net/files/hands.jpg

1 makes the hands more apparent, but 2 makes the beats clearer, of course.

Amusingly, the preface to these pieces says that the composer has made 
things easier by using 1, though in the music itself he generally uses 2.

Thanks,

Dennis




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