Re: [Flexradio] Microphone Recommendation?

2013-11-01 Thread Patrick Greenlee
Mike, I played the sounds on the Heil site url you supplied. I sort of agree 
with your Swiss Army knife comment but not in the way I think you intended 
it. I agree that different colorations (eq's)  are needed for different 
purposes.  This can be approached by selecting from a huge array of 
available mikes (your Swiss Army knife approach, I think) with or without 
different down stream eq's.  My claim is that once you have electronically 
captured an accurate representation of the op's voice this representation 
can be electronically manipulated to get the result of any existing mike or 
mike to come along in the future. This is my use of Swiss Army knife, eq 
(and or other electronic manipulation) to get whatever characteristic(s) 
desired.  The required mike is one that can accurately capture a 
representation of the op's voice.  Once that is achieved any effect possible 
to achieve by means of other microphones can be duplicated with electronic 
processing of the accurate signal from the Hi-Fi mike.


Thanks again for the URL to the recorded sounds.  That audio clip tends to 
make my case for me, a good mike, many possible results, a Swiss Army knife 
of different results available through processing.
The Heil PR 40 may not be the highest of Hi-Fi mikes but it is sufficient 
for my purposes and apparently for a bunch of Flexers. Maybe not perfect, 
but good enough.


I hope to catch your melodious tones on the HF bands.

73

Patrick  AF5CK

Original Message- 

From: Michael Walker
Sent: Thursday, October 31, 2013 3:51 PM
To: flexradio@flex-radio.biz
Subject: Re: [Flexradio] Microphone Recommendation?

I'm glad you enjoyed it.  Personally, it is about getting the message
through.

I just ran CQWW and I know that if I had not used the HC5 element (really
sharp and annoying) there are many stations that would have not copied me.

I also can honestly say that those that were using a DX like shaping, I 
had

problems copying.

There is no 1 perfect element (just like a swiss army knife).You need
different 'shapes' for different tasks.

Listen to this about the HC6.  Pay attention to how each of his shapes
sound.  http://www.heilsound.com/amateur/press/hc6.mp3

I recorded all of my 1600 QSO's from CQWW.  I will try to find some great
DX audio and some really bad DX audio.  It won't be until next week 
though.

When I do, I will share them.

Mike va3mw





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Re: [Flexradio] Microphone Recommendation?

2013-11-01 Thread Robert Costa
I personally have a PR40 for my Flex5K. I was instructed to use the TX EQ and 
compander to tailor the audio on the 5K. I have been told that my audio was 
distorted with the TX EQ and compander. The audio on the PR40 seems very 
pleasant without adding any external tailoring, as I have been told by friends 
in my local roundtable weekly ragchew. 
 
I purchased the PR40 to help reduce my RF ingress issues with my 5K. It did 
help, but I have been also told that the audio in my 5K is the same with my 
expensive PR40 than a mainstream Yaesu microphone that I was using before 
purchasing the PR40. 
 
Yes, the Heil PR40 looks nice, it has great specifications, but I would 
challenge people to put on different microphones, (if you have access to them) 
and compare the audio between the microphones. You might just save yourself a 
bunch of money, as a more inexpensive microphone might just serve your purpose.
 
My two cents from my experience.
 
73
Robert
KB6QXM
 



On Friday, November 1, 2013 8:13 AM, Patrick Greenlee 
patric...@windstream.net wrote:
  
Mike, I played the sounds on the Heil site url you supplied. I sort of agree 
with your Swiss Army knife comment but not in the way I think you intended 
it. I agree that different colorations (eq's)  are needed for different 
purposes.  This can be approached by selecting from a huge array of 
available mikes (your Swiss Army knife approach, I think) with or without 
different down stream eq's.  My claim is that once you have electronically 
captured an accurate representation of the op's voice this representation 
can be electronically manipulated to get the result of any existing mike or 
mike to come along in the future. This is my use of Swiss Army knife, eq 
(and or other electronic manipulation) to get whatever characteristic(s) 
desired.  The required mike is one that can accurately capture a 
representation of the op's voice.  Once that is achieved any effect possible 
to achieve by means of other microphones can be duplicated with electronic 
processing of the accurate signal from the Hi-Fi mike.

Thanks again for the URL to the recorded sounds.  That audio clip tends to 
make my case for me, a good mike, many possible results, a Swiss Army knife 
of different results available through processing.
The Heil PR 40 may not be the highest of Hi-Fi mikes but it is sufficient 
for my purposes and apparently for a bunch of Flexers. Maybe not perfect, 
but good enough.

I hope to catch your melodious tones on the HF bands.

73

Patrick  AF5CK

Original Message- 
 From: Michael Walker
 Sent: Thursday, October 31, 2013 3:51 PM
 To: flexradio@flex-radio.biz
 Subject: Re: [Flexradio] Microphone Recommendation?

 I'm glad you enjoyed it.  Personally, it is about getting the message
 through.

 I just ran CQWW and I know that if I had not used the HC5 element (really
 sharp and annoying) there are many stations that would have not copied me.

 I also can honestly say that those that were using a DX like shaping, I 
 had
 problems copying.

 There is no 1 perfect element (just like a swiss army knife).    You need
 different 'shapes' for different tasks.

 Listen to this about the HC6.  Pay attention to how each of his shapes
 sound.  http://www.heilsound.com/amateur/press/hc6.mp3

 I recorded all of my 1600 QSO's from CQWW.  I will try to find some great
 DX audio and some really bad DX audio.  It won't be until next week 
 though.
 When I do, I will share them.

 Mike va3mw




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Re: [Flexradio] Microphone Recommendation?

2013-11-01 Thread GARY HUBER
You cannot pass any of the high end frequencies of the PR40. If your 
transmission BW is 2.5 kHZ, and the low frequency roll off is 200 Hz, the 
high end frequency to be transmitted is 2700 Hz. Everything from 3000 Hz to 
16000 Hz is left in the mic cable. Still it’s a nice microphone if you 
shape it properly.



73 ES DX,
Gary -- AB9M

-Original Message- 
From: Robert Costa

Sent: Friday, November 01, 2013 11:32 AM
To: Patrick Greenlee ; flexradio@flex-radio.biz
Subject: Re: [Flexradio] Microphone Recommendation?

I personally have a PR40 for my Flex5K. I was instructed to use the TX EQ 
and compander to tailor the audio on the 5K. I have been told that my audio 
was distorted with the TX EQ and compander. The audio on the PR40 seems very 
pleasant without adding any external tailoring, as I have been told by 
friends in my local roundtable weekly ragchew.


I purchased the PR40 to help reduce my RF ingress issues with my 5K. It did 
help, but I have been also told that the audio in my 5K is the same with my 
expensive PR40 than a mainstream Yaesu microphone that I was using before 
purchasing the PR40.


Yes, the Heil PR40 looks nice, it has great specifications, but I would 
challenge people to put on different microphones, (if you have access to 
them) and compare the audio between the microphones. You might just save 
yourself a bunch of money, as a more inexpensive microphone might just serve 
your purpose.


My two cents from my experience.

73
Robert
KB6QXM




On Friday, November 1, 2013 8:13 AM, Patrick Greenlee 
patric...@windstream.net wrote:


Mike, I played the sounds on the Heil site url you supplied. I sort of agree
with your Swiss Army knife comment but not in the way I think you intended
it. I agree that different colorations (eq's)  are needed for different
purposes.  This can be approached by selecting from a huge array of
available mikes (your Swiss Army knife approach, I think) with or without
different down stream eq's.  My claim is that once you have electronically
captured an accurate representation of the op's voice this representation
can be electronically manipulated to get the result of any existing mike or
mike to come along in the future. This is my use of Swiss Army knife, eq
(and or other electronic manipulation) to get whatever characteristic(s)
desired.  The required mike is one that can accurately capture a
representation of the op's voice.  Once that is achieved any effect possible
to achieve by means of other microphones can be duplicated with electronic
processing of the accurate signal from the Hi-Fi mike.

Thanks again for the URL to the recorded sounds.  That audio clip tends to
make my case for me, a good mike, many possible results, a Swiss Army knife
of different results available through processing.
The Heil PR 40 may not be the highest of Hi-Fi mikes but it is sufficient
for my purposes and apparently for a bunch of Flexers. Maybe not perfect,
but good enough.

I hope to catch your melodious tones on the HF bands.

73

Patrick  AF5CK

Original Message- 

From: Michael Walker
Sent: Thursday, October 31, 2013 3:51 PM
To: flexradio@flex-radio.biz
Subject: Re: [Flexradio] Microphone Recommendation?

I'm glad you enjoyed it.  Personally, it is about getting the message
through.

I just ran CQWW and I know that if I had not used the HC5 element (really
sharp and annoying) there are many stations that would have not copied me.

I also can honestly say that those that were using a DX like shaping, I
had
problems copying.

There is no 1 perfect element (just like a swiss army knife).You need
different 'shapes' for different tasks.

Listen to this about the HC6.  Pay attention to how each of his shapes
sound.  http://www.heilsound.com/amateur/press/hc6.mp3

I recorded all of my 1600 QSO's from CQWW.  I will try to find some great
DX audio and some really bad DX audio.  It won't be until next week
though.
When I do, I will share them.

Mike va3mw





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Re: [Flexradio] Microphone Recommendation?

2013-11-01 Thread Mike va3mw
I am happy to hear that everyone is learning something about transmitted audio. 
 It can be a can or worms dicussion.  :)

I just purchased a Koss headset with a boom mic for about $30.  I love the 
headset, but the mic audio is really muddy.  I don't have it in front of me, 
but I think it was called a UB40.

Fortunately, I have a couple Heil Elements that I will use as a replacement.  
Too bad you can't just buy elements anymore.  I used my ProSet for CQWW, and it 
was really starting to annoy me after about 3 hours of the contest.   It seems 
to be squeezing my head.  

The Flex does allow for some amazing opportunities.  Good luck on Sweepstakes 
for everyone.

Mike va3mw

 On Nov 1, 2013, at 1:33 PM, GARY HUBER glhu...@msn.com wrote:
 
 You cannot pass any of the high end frequencies of the PR40. If your 
 transmission BW is 2.5 kHZ, and the low frequency roll off is 200 Hz, the 
 high end frequency to be transmitted is 2700 Hz. Everything from 3000 Hz to 
 16000 Hz is left in the mic cable. Still it’s a nice microphone if you 
 shape it properly.
 
 
 73 ES DX,
 Gary -- AB9M
 
 -Original Message- From: Robert Costa
 Sent: Friday, November 01, 2013 11:32 AM
 To: Patrick Greenlee ; flexradio@flex-radio.biz
 Subject: Re: [Flexradio] Microphone Recommendation?
 
 I personally have a PR40 for my Flex5K. I was instructed to use the TX EQ and 
 compander to tailor the audio on the 5K. I have been told that my audio was 
 distorted with the TX EQ and compander. The audio on the PR40 seems very 
 pleasant without adding any external tailoring, as I have been told by 
 friends in my local roundtable weekly ragchew.
 
 I purchased the PR40 to help reduce my RF ingress issues with my 5K. It did 
 help, but I have been also told that the audio in my 5K is the same with my 
 expensive PR40 than a mainstream Yaesu microphone that I was using before 
 purchasing the PR40.
 
 Yes, the Heil PR40 looks nice, it has great specifications, but I would 
 challenge people to put on different microphones, (if you have access to 
 them) and compare the audio between the microphones. You might just save 
 yourself a bunch of money, as a more inexpensive microphone might just serve 
 your purpose.
 
 My two cents from my experience.
 
 73
 Robert
 KB6QXM
 
 
 
 
 On Friday, November 1, 2013 8:13 AM, Patrick Greenlee 
 patric...@windstream.net wrote:
 
 Mike, I played the sounds on the Heil site url you supplied. I sort of agree
 with your Swiss Army knife comment but not in the way I think you intended
 it. I agree that different colorations (eq's)  are needed for different
 purposes.  This can be approached by selecting from a huge array of
 available mikes (your Swiss Army knife approach, I think) with or without
 different down stream eq's.  My claim is that once you have electronically
 captured an accurate representation of the op's voice this representation
 can be electronically manipulated to get the result of any existing mike or
 mike to come along in the future. This is my use of Swiss Army knife, eq
 (and or other electronic manipulation) to get whatever characteristic(s)
 desired.  The required mike is one that can accurately capture a
 representation of the op's voice.  Once that is achieved any effect possible
 to achieve by means of other microphones can be duplicated with electronic
 processing of the accurate signal from the Hi-Fi mike.
 
 Thanks again for the URL to the recorded sounds.  That audio clip tends to
 make my case for me, a good mike, many possible results, a Swiss Army knife
 of different results available through processing.
 The Heil PR 40 may not be the highest of Hi-Fi mikes but it is sufficient
 for my purposes and apparently for a bunch of Flexers. Maybe not perfect,
 but good enough.
 
 I hope to catch your melodious tones on the HF bands.
 
 73
 
 Patrick  AF5CK
 
 Original Message- 
 From: Michael Walker
 Sent: Thursday, October 31, 2013 3:51 PM
 To: flexradio@flex-radio.biz
 Subject: Re: [Flexradio] Microphone Recommendation?
 
 I'm glad you enjoyed it.  Personally, it is about getting the message
 through.
 
 I just ran CQWW and I know that if I had not used the HC5 element (really
 sharp and annoying) there are many stations that would have not copied me.
 
 I also can honestly say that those that were using a DX like shaping, I
 had
 problems copying.
 
 There is no 1 perfect element (just like a swiss army knife).You need
 different 'shapes' for different tasks.
 
 Listen to this about the HC6.  Pay attention to how each of his shapes
 sound.  http://www.heilsound.com/amateur/press/hc6.mp3
 
 I recorded all of my 1600 QSO's from CQWW.  I will try to find some great
 DX audio and some really bad DX audio.  It won't be until next week
 though.
 When I do, I will share them.
 
 Mike va3mw
 
 
 
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Re: [Flexradio] Microphone Recommendation?

2013-11-01 Thread Bill Bordy, NJ1H
My on air experiments verify Patrick's statements below. I have used 
standard computer headsets and used the PowerSDR audio shaping to 
distort my signal for signal punch and quality. I got the same great 
audio comments with those mikes as I did with with my Heil BM-10 mike. 
I have never received a negative comment with any on the mikes.


I concur completely with Patrick's last sentence.

73,
Bill
NJ1H

On 10/31/2013 10:13 PM, Patrick Greenlee wrote:
Don't you think a good Hi-Fi mike that accurately reproduces the sound 
field driving it is all the mike you need?  Once you have an 
accurate electronic representation of the actual audio you can 
process/distort it in any way needed/wanted.  It isn't required to 
have a mike distorted in some particular way to get the final 
distorted audio desired. There is no sound quality reproduced by any 
microphone that can not, in theory, be electronically manufactured 
from a starting point of an accurate Hi-Fi representation of the 
original sound field (operator's voice.)


There was a time when shortcomings in what was doable in electronic 
processing of a microphone signal made selecting microphones with some 
special distortion built in a necessity to achieve certain desired, 
for whatever reason, distortions of the true audio input.


Back in the olden times when I couldn't afford fancy audio processor 
equipment to compete with or emulate the DX gurus I'd just tuck a 
stick in the waist band of my jockey shorts, take it up like a 
tourniquet about 5-9 revolutions (depending on the desired  effect) 
and then shout into the microphone through a toilet paper tube. On-air 
comparisons rated my thrifty approach the equivalent of the big guru's 
RF processors, companders, and compressors.


Patrick AF5CK

-Original Message- From: Michael Walker
Sent: Thursday, October 31, 2013 3:51 PM
To: flexradio@flex-radio.biz
Subject: Re: [Flexradio] Microphone Recommendation?

I'm glad you enjoyed it.  Personally, it is about getting the message
through.

I just ran CQWW and I know that if I had not used the HC5 element (really
sharp and annoying) there are many stations that would have not copied 
me.


I also can honestly say that those that were using a DX like shaping, 
I had

problems copying.

There is no 1 perfect element (just like a swiss army knife). You need
different 'shapes' for different tasks.

Listen to this about the HC6.  Pay attention to how each of his shapes
sound.  http://www.heilsound.com/amateur/press/hc6.mp3

I recorded all of my 1600 QSO's from CQWW.  I will try to find some great
DX audio and some really bad DX audio.  It won't be until next week 
though.

When I do, I will share them.

Mike va3mw


On Thu, Oct 31, 2013 at 4:36 PM, KC2TN kc...@comcast.net wrote:


For an excellent guide to setting up a Flex audio chain see this YouTube
video.
http://www.eteksciki.info/video/2trJjUObLkY.html

There are enough adjustments in the embedded mixers and equalizers that
most microphones can be made to sound great!
If you don't overdrive the DIGITAL audio chain.

Also, for a textual copy of these adjustments see:
http://www.w1aex.com/psdrgain/psdrgain.html

Joe - KC2TN


Sent from my iPad

On Oct 31, 2013, at 9:29 AM, TM tm.st...@verizon.net wrote:

 Well, I am finally getting around to buying a mike for my Flex 3000.
 Have really enjoyed CW and some of the digital modes with it for the 
last
two years and would like to give SSB a shot.  The last mike I bought 
was a

D-104, and the last phone entry in my logs dates to the 70s. So, just
wondering what the Flex users have found to be a good choice. Doubt 
that I
will use it a bunch, so would probably go for something other than 
top of

the line, studio grade.

 Thanks for any suggestions.

 73, Tom
 K1FR


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Re: [Flexradio] Microphone Recommendation?

2013-11-01 Thread TM
All:

Wow!  Thanks for the many great replies to my request for help - both via
the list as well as several direct.  This is one great list, populated a
bunch of super helpful hams.

Planning on devoting the weekend to CW Sweepstakes and then getting down to
making the selection of a mike.  Hope to hear the members of the Flex list
on the bands.

Thanks again!

73, Tom
K1FR


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Re: [Flexradio] Microphone Recommendation?

2013-10-31 Thread Michael Walker
This will open a big can of worms,.   :)

But, you will find the the Heil mics are purpose designed for SSB
communications.

Every ham needs to listen to Bob on Triagulation http://twit.tv/tri8 ... it
is a long podcast, but the discussion on Bell Labs was very cool.

Mike va3mw



On Thu, Oct 31, 2013 at 9:29 AM, TM tm.st...@verizon.net wrote:

 Well, I am finally getting around to buying a mike for my Flex 3000.  Have
 really enjoyed CW and some of the digital modes with it for the last two
 years and would like to give SSB a shot.  The last mike I bought was a
 D-104, and the last phone entry in my logs dates to the 70s.  So, just
 wondering what the Flex users have found to be a good choice.  Doubt that I
 will use it a bunch, so would probably go for something other than top of
 the line, studio grade.

 Thanks for any suggestions.

 73, Tom
 K1FR


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Re: [Flexradio] Microphone Recommendation?

2013-10-31 Thread Patrick Greenlee
10 guys will offer up at least 12-15 opinions.  I use a Heil PR 40. I get 
good audio reports.  Fellow Flexers have recorded and rebroadcast me so I 
could hear myself and it sounded (for better or worse) just like what I have 
come to know is my voice.  I have heard other Flexers using Heil PR 40 and 
they sounded broadcast quality and this was without a bunch of high dollar 
accessory audio gear.  Of course if you go for the penetrating DX sound 
(like fingernails on the chalkboard) the PR 40 will still work but its 
quality is wasted, in my less than humble opinion.


I'm sure there are other solutions that would be satisfactory.  I haven't 
tried a lot of mikes on my F5KA.  The PR 40 was suggested to me. I liked the 
ones I heard on the air.  I bought one and am completely satisfied. A quote 
from a fictional doctor on Mash (TV not movie), I do one thing, I do it 
well, I move on.  I can only sound so much like myself. I can only be 100% 
satisfied.


Again, there are probably other good answers but I have other problems to 
work on and consider the mike issue solved.


Best of luck to you and 73

Patrick AF5CK

-Original Message- 
From: Michael Walker

Sent: Thursday, October 31, 2013 10:08 AM
To: flexradio@flex-radio.biz
Subject: Re: [Flexradio] Microphone Recommendation?

This will open a big can of worms,.   :)

But, you will find the the Heil mics are purpose designed for SSB
communications.

Every ham needs to listen to Bob on Triagulation http://twit.tv/tri8 ... it
is a long podcast, but the discussion on Bell Labs was very cool.

Mike va3mw



On Thu, Oct 31, 2013 at 9:29 AM, TM tm.st...@verizon.net wrote:


Well, I am finally getting around to buying a mike for my Flex 3000.  Have
really enjoyed CW and some of the digital modes with it for the last two
years and would like to give SSB a shot.  The last mike I bought was a
D-104, and the last phone entry in my logs dates to the 70s.  So, just
wondering what the Flex users have found to be a good choice.  Doubt that 
I

will use it a bunch, so would probably go for something other than top of
the line, studio grade.

Thanks for any suggestions.

73, Tom
K1FR


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Re: [Flexradio] Microphone Recommendation?

2013-10-31 Thread Don

Mike,  VA3MW

Thanks for the link.  What a history

Don, kd6hq

-Original Message- 
From: Michael Walker

Sent: Thursday, October 31, 2013 8:08 AM
To: flexradio@flex-radio.biz
Subject: Re: [Flexradio] Microphone Recommendation?

This will open a big can of worms,.   :)

But, you will find the the Heil mics are purpose designed for SSB
communications.

Every ham needs to listen to Bob on Triagulation http://twit.tv/tri8 ... it
is a long podcast, but the discussion on Bell Labs was very cool.

Mike va3mw



On Thu, Oct 31, 2013 at 9:29 AM, TM tm.st...@verizon.net wrote:


Well, I am finally getting around to buying a mike for my Flex 3000.  Have
really enjoyed CW and some of the digital modes with it for the last two
years and would like to give SSB a shot.  The last mike I bought was a
D-104, and the last phone entry in my logs dates to the 70s.  So, just
wondering what the Flex users have found to be a good choice.  Doubt that 
I

will use it a bunch, so would probably go for something other than top of
the line, studio grade.

Thanks for any suggestions.

73, Tom
K1FR


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Re: [Flexradio] Microphone Recommendation?

2013-10-31 Thread KC2TN
For an excellent guide to setting up a Flex audio chain see this YouTube video.
http://www.eteksciki.info/video/2trJjUObLkY.html

There are enough adjustments in the embedded mixers and equalizers that most 
microphones can be made to sound great!
If you don't overdrive the DIGITAL audio chain.

Also, for a textual copy of these adjustments see:
http://www.w1aex.com/psdrgain/psdrgain.html

Joe - KC2TN


Sent from my iPad

On Oct 31, 2013, at 9:29 AM, TM tm.st...@verizon.net wrote:

 Well, I am finally getting around to buying a mike for my Flex 3000.  Have 
 really enjoyed CW and some of the digital modes with it for the last two 
 years and would like to give SSB a shot.  The last mike I bought was a D-104, 
 and the last phone entry in my logs dates to the 70s.  So, just wondering 
 what the Flex users have found to be a good choice.  Doubt that I will use it 
 a bunch, so would probably go for something other than top of the line, 
 studio grade.
 
 Thanks for any suggestions.
 
 73, Tom
 K1FR
 
 
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Re: [Flexradio] Microphone Recommendation?

2013-10-31 Thread Michael Walker
I'm glad you enjoyed it.  Personally, it is about getting the message
through.

I just ran CQWW and I know that if I had not used the HC5 element (really
sharp and annoying) there are many stations that would have not copied me.

I also can honestly say that those that were using a DX like shaping, I had
problems copying.

There is no 1 perfect element (just like a swiss army knife).You need
different 'shapes' for different tasks.

Listen to this about the HC6.  Pay attention to how each of his shapes
sound.  http://www.heilsound.com/amateur/press/hc6.mp3

I recorded all of my 1600 QSO's from CQWW.  I will try to find some great
DX audio and some really bad DX audio.  It won't be until next week though.
 When I do, I will share them.

Mike va3mw


On Thu, Oct 31, 2013 at 4:36 PM, KC2TN kc...@comcast.net wrote:

 For an excellent guide to setting up a Flex audio chain see this YouTube
 video.
 http://www.eteksciki.info/video/2trJjUObLkY.html

 There are enough adjustments in the embedded mixers and equalizers that
 most microphones can be made to sound great!
 If you don't overdrive the DIGITAL audio chain.

 Also, for a textual copy of these adjustments see:
 http://www.w1aex.com/psdrgain/psdrgain.html

 Joe - KC2TN


 Sent from my iPad

 On Oct 31, 2013, at 9:29 AM, TM tm.st...@verizon.net wrote:

  Well, I am finally getting around to buying a mike for my Flex 3000.
  Have really enjoyed CW and some of the digital modes with it for the last
 two years and would like to give SSB a shot.  The last mike I bought was a
 D-104, and the last phone entry in my logs dates to the 70s.  So, just
 wondering what the Flex users have found to be a good choice.  Doubt that I
 will use it a bunch, so would probably go for something other than top of
 the line, studio grade.
 
  Thanks for any suggestions.
 
  73, Tom
  K1FR
 
 
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 http://www.flexradio.com/
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 http://www.flexradio.com/

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Re: [Flexradio] Microphone Recommendation?

2013-10-31 Thread Patrick Greenlee
Don't you think a good Hi-Fi mike that accurately reproduces the sound field 
driving it is all the mike you need?  Once you have an accurate electronic 
representation of the actual audio you can process/distort it in any way 
needed/wanted.  It isn't required to have a mike distorted in some 
particular way to get the final distorted audio desired. There is no sound 
quality reproduced by any microphone that can not, in theory, be 
electronically manufactured from a starting point of an accurate Hi-Fi 
representation of the original sound field (operator's voice.)


There was a time when shortcomings in what was doable in electronic 
processing of a microphone signal made selecting microphones with some 
special distortion built in a necessity to achieve certain desired, for 
whatever reason, distortions of the true audio input.


Back in the olden times when I couldn't afford fancy audio processor 
equipment to compete with or emulate the DX gurus I'd just tuck a stick in 
the waist band of my jockey shorts, take it up like a tourniquet about 5-9 
revolutions (depending on the desired  effect) and then shout into the 
microphone through a toilet paper tube. On-air comparisons rated my thrifty 
approach the equivalent of the big guru's RF processors, companders, and 
compressors.


Patrick AF5CK

-Original Message- 
From: Michael Walker

Sent: Thursday, October 31, 2013 3:51 PM
To: flexradio@flex-radio.biz
Subject: Re: [Flexradio] Microphone Recommendation?

I'm glad you enjoyed it.  Personally, it is about getting the message
through.

I just ran CQWW and I know that if I had not used the HC5 element (really
sharp and annoying) there are many stations that would have not copied me.

I also can honestly say that those that were using a DX like shaping, I had
problems copying.

There is no 1 perfect element (just like a swiss army knife).You need
different 'shapes' for different tasks.

Listen to this about the HC6.  Pay attention to how each of his shapes
sound.  http://www.heilsound.com/amateur/press/hc6.mp3

I recorded all of my 1600 QSO's from CQWW.  I will try to find some great
DX audio and some really bad DX audio.  It won't be until next week though.
When I do, I will share them.

Mike va3mw


On Thu, Oct 31, 2013 at 4:36 PM, KC2TN kc...@comcast.net wrote:


For an excellent guide to setting up a Flex audio chain see this YouTube
video.
http://www.eteksciki.info/video/2trJjUObLkY.html

There are enough adjustments in the embedded mixers and equalizers that
most microphones can be made to sound great!
If you don't overdrive the DIGITAL audio chain.

Also, for a textual copy of these adjustments see:
http://www.w1aex.com/psdrgain/psdrgain.html

Joe - KC2TN


Sent from my iPad

On Oct 31, 2013, at 9:29 AM, TM tm.st...@verizon.net wrote:

 Well, I am finally getting around to buying a mike for my Flex 3000.
 Have really enjoyed CW and some of the digital modes with it for the last
two years and would like to give SSB a shot.  The last mike I bought was a
D-104, and the last phone entry in my logs dates to the 70s.  So, just
wondering what the Flex users have found to be a good choice.  Doubt that 
I

will use it a bunch, so would probably go for something other than top of
the line, studio grade.

 Thanks for any suggestions.

 73, Tom
 K1FR


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