Re: [Foundation-l] a heads-up on Wikimedia France's adventures with the Frenc...

2009-09-30 Thread David Gerard
2009/9/30  wiki-li...@phizz.demon.co.uk:
 David Gerard wrote:

 But getting back to the case in question - we're talking about the
 sort of museum that's actually a government sub-department. Thus,
 public domain images that the taxpayer has *already paid for*. I see
 nothing whatsoever unreasonable about the idea of asking-to-demanding
 those. They're owned by the public, not by the museum bureaucrats.

 Whilst those digitalizations they may be owned by the French public,
 they certainly aren't owned by the German public, British, Italian,
 Spanish, or American public either.


And limiting them is to the benefit of ... ?


- d.

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[Foundation-l] Consensus on Meta for suspecting every volunteer of abuse ?

2009-09-30 Thread Teofilo
Make the following experience:

Go to Gmail and create a new account on Gmail. Does Google tell you
after you have created your new account :  We are ready to have a
conflict relationship with YOU ? We have an Abuse Log ready for YOU ?

Now go to meta.wikimedia.org (1), create a new account there and click
on your My contributions link. And see what you see on the top line
of  Special:Contributions : Abuse Log. My preference on meta is
French, and it reads (Journal des abus). In French Journal means
both Log and Newspaper. It sort of says you are already making
headlines in newspapers for abuse.

It means Wikimedia users are considered as suspects from the first
time they set foot into the wiki. It means that the climate there is a
climate where everyone suspects everybody else, where you are guilty
until proven innocent, and where bad faith is assumed (3).

Jimmy Wales and Michael Snow want to attract new volunteers (2) in
these conditions ?

Can anybody show me the page on meta.wikimedia.org, which shows that a
consensus was reached prior to implementing this Special:AbuseLog
software ?

It is almost the same problem on Commons (my user preference there is
English) where the AbuseLog has been pudically renamed filter log
(but the wording with Abuse is still used in the URL).

The French Language Wikipédia is still unaffected by this Abuse thing.
I hope the virus of suspicion will not infect her.

(1) http://meta.wikimedia.org
(2) http://volunteer.wikimedia.org
(3) http://en.wikipedia.org/wiki/Wikipedia:Assume_good_faith

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Re: [Foundation-l] a heads-up on Wikimedia France's adventures with the Frenc...

2009-09-30 Thread Teofilo
I should have said it in my previous message : the first and foremost
priority for France, is that Government-owned museums allow visitors
who paid their entrance ticket to carry a camera and take pictures of
paintings and sculptures when the painters and sculptors died more
than 70 years ago.

In 2005, the Government-owned Guimet museum in Paris, which is famous
for its Chinese and Japanese art collections, asked for 50€ for each
non-commercial-purpose photographic shot and 5000€ for a
commercial-purpose shot  (1).

Telling the Museum administrators that we want to use their pictures
taken by their photographers is not the best message. The best message
is : allow every camera carrying citizen to take his own pictures.

If they want to contribute to Wikipedia with photographs taken by
their photographers, it is OK but it is not a priority.

(1) 
http://web.archive.org/web/20050305062057/www.museeguimet.fr/homes/home_id20392_u1l2.htm

2009/9/28, David Gerard dger...@gmail.com:
 2009/9/28  wiki-li...@phizz.demon.co.uk:

   From the earlier poster Teofilo:
 I disagree. I think the priority is to have the full
 resolution pictures of Public Domain works.
  That seems to be a demand to have the highest resolution copies possible.


 That sets it out as a goal, not a demand.

 But getting back to the case in question - we're talking about the
 sort of museum that's actually a government sub-department. Thus,
 public domain images that the taxpayer has *already paid for*. I see
 nothing whatsoever unreasonable about the idea of asking-to-demanding
 those. They're owned by the public, not by the museum bureaucrats.

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Re: [Foundation-l] a heads-up on Wikimedia France's adventures with the Frenc...

2009-09-30 Thread Teofilo
That was not the right link. Good link :

http://web.archive.org/web/20050208203749/http://www.museeguimet.fr/pages/page_id18315_u1l2.htm

2009/9/30, Teofilo teofilow...@gmail.com:
 (1) 
 http://web.archive.org/web/20050305062057/www.museeguimet.fr/homes/home_id20392_u1l2.htm

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Re: [Foundation-l] a heads-up on Wikimedia France's adventures with the Frenc...

2009-09-30 Thread Marco Chiesa
On Wed, Sep 30, 2009 at 4:55 PM, Teofilo teofilow...@gmail.com wrote:
 I should have said it in my previous message : the first and foremost
 priority for France, is that Government-owned museums allow visitors
 who paid their entrance ticket to carry a camera and take pictures of
 paintings and sculptures when the painters and sculptors died more
 than 70 years ago.

I partly agree, but keep in mind that the reason why some museum do
not let visitors take photos is not necessarily copyright. For
example, flashes can damage paintings, and I wouldn't like to visit a
crowded museum slaloming between hundreds of photographers with
tripods trying to take a picture of every single work of art present.

 In 2005, the Government-owned Guimet museum in Paris, which is famous
 for its Chinese and Japanese art collections, asked for 50€ for each
 non-commercial-purpose photographic shot and 5000€ for a
 commercial-purpose shot  (1).

Interesting. However, I'm not sure whether it refers to a
(semi)professional shot which may require using tripods, maybe closing
the room for some time to allow taking pictures and maybe use the
museum as the stage for something else, or this is what they charge a
visitor which wants to take a photo of his son next to a Japanese
dragon. Anyway, it is interesting to see that art editors are
considered as non-profit.


 Telling the Museum administrators that we want to use their pictures
 taken by their photographers is not the best message. The best message
 is : allow every camera carrying citizen to take his own pictures.

What we want to say is that they or their photographers do not have
the right to claim copyright on the photos, and that they have to
rethink this business model. Of course it is a wrong message from
their point of view, and of course they have every right not to
publish the high-resolution image their photographer took (in the old
days you could read it as they don't have to let you access the
negative), but if they choose to publish them they cannot stop people
making their own copies and using them for whatever reason. (I'm
assuming PD-art applies to France, otherwise it's only a matter of
good will)

Cruccone

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Re: [Foundation-l] Office hours

2009-09-30 Thread Waerth
There are people living in Asia and Australia as well actually ... you 
know! Oh wait they aren't Western people so why bother ..

W

 Best option would be to have two sets, one for Europe and one for the 
 Americas. 




 
 From: Cary Bass c...@wikimedia.org
 To: Wikimedia Foundation Mailing List foundation-l@lists.wikimedia.org
 Sent: Monday, September 28, 2009 2:38:12 PM
 Subject: [Foundation-l] Office hours

 -BEGIN PGP SIGNED MESSAGE-
 Hash: SHA1

 It seems that I've gotten complaints that both sets of office hours
 times are difficult for Europeans.  However, in the interest of having
 the broadest participation possible, I'm interested to know how people
 feel about one of the following:

 1) Have the Friday office hours one hour earlier (from 21:30-22:30 UTC)
 2) Have the Thursday office hours one hour later (from 17:00-18:00 UTC)
 3) Keep two sets of office hours the same, we cannot please everyone
 possible!

 - --

 Cary Bass
 Volunteer Coordinator, Wikimedia Foundation

 Support Free Knowledge: http://wikimediafoundation.org/wiki/Donate
 -BEGIN PGP SIGNATURE-
 Version: GnuPG v1.4.9 (GNU/Linux)
 Comment: Using GnuPG with Mozilla - http://enigmail.mozdev.org/

 iEYEARECAAYFAkrBLMAACgkQyQg4JSymDYnDcgCePVl4xtOW9DyWPKr7GETgkd8B
 ElwAn3zXiBebDJSFySML11qxIAL4BYsp
 =uuz/
 -END PGP SIGNATURE-


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Re: [Foundation-l] Office hours

2009-09-30 Thread Thomas Dalton
2009/9/30 Waerth wae...@asianet.co.th:
 There are people living in Asia and Australia as well actually ... you
 know! Oh wait they aren't Western people so why bother ..

I am well aware of the existence of Asia and Australia. I have been to
several Asian countries - I definitely remember seeing people there.
The time of 2130-2230 was proposed explicitly for the benefit of
Europeans (see Cary's first email in this thread), so I pointed out
that it actually doesn't work well for Europeans.

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Re: [Foundation-l] Consensus on Meta for suspecting every volunteer of abuse ?

2009-09-30 Thread effe iets anders
sure it would, and maybe it would be an improvement. But the mere fact that
the log is there, I don't see as a problem. Also, realize that the average
newbee will not even look at the contributions page...

2009/9/30 Amir E. Aharoni amir.ahar...@mail.huji.ac.il

 On Wed, Sep 30, 2009 at 17:22, effe iets anders
 effeietsand...@gmail.com wrote:
  Of course Google has this kind of logs. However, Google is just not
  transparant about it.

 Being transparent is nice and important, but being it is just as
 important to be nice. Filter log is just as correct and transparent
 as abuse log, but doesn't make a newbie feel that he's accused of
 abuse.

 --
 אמיר אלישע אהרוני
 Amir Elisha Aharoni

 http://aharoni.wordpress.com

 We're living in pieces,
  I want to live in peace. - T. Moore

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Re: [Foundation-l] Office hours ... the concept of time zones

2009-09-30 Thread Waerth
Basically if there is room for two sets of office hours it should still 
be possible to please most of the world. There are times when 
Europe/Africa and the Americas overlap. And there are times when East 
Asia/Australia and the Americas overlap  There are no hours that all 
3 of these rough zones would overlap really and West Asia/Middle East 
would be a bit tricky to fit in with these zones.

Basically office hours for an Americas/East Asia/Australia zone would 
overlap best from 0300 to 0500 UTC (Evening Americas, Morning/afternoon 
East Asia/Australia and even west Asia could fit in)
Office hours for an Americas/Europe zone could be something like 1900 
UTC till 2100 UTC (Afternoon/morning Americas, Evening Europe) When you 
plan round and bout these hours most of the world would be satisfied and 
able to participate in either one or the other set of office hours!

W





 I think having the thursday meeting one or two more hours later would work
 fine for Europe, so if that works also better for Australia... Not sure
 about the Friday one, although the next day is weekend. 2130 UTC sounds like
 a good time though.

 2009/9/29 Angela bees...@gmail.com

   
 1) Have the Friday office hours one hour earlier (from 21:30-22:30 UTC)
 2) Have the Thursday office hours one hour later (from 17:00-18:00 UTC)
 3) Keep two sets of office hours the same, we cannot please everyone
 possible!
   
 If you make the Friday one earlier, it becomes more inaccessible to
 people in Asia and Western Australia who will likely be sleeping
 through the Thursday one.

 What about making both of them a couple of hours later?

 Angela

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Re: [Foundation-l] Office hours ... the concept of time zones

2009-09-30 Thread Waerth
Thomas Dalton wrote:
 2009/9/30 Waerth wae...@asianet.co.th:
   
 Basically if there is room for two sets of office hours it should still
 be possible to please most of the world. There are times when
 Europe/Africa and the Americas overlap. And there are times when East
 Asia/Australia and the Americas overlap  There are no hours that all
 3 of these rough zones would overlap really and West Asia/Middle East
 would be a bit tricky to fit in with these zones.

 Basically office hours for an Americas/East Asia/Australia zone would
 overlap best from 0300 to 0500 UTC (Evening Americas, Morning/afternoon
 East Asia/Australia and even west Asia could fit in)
 

 That's 8pm to 10pm in San Francisco (daylight saving time, 7pm to 9pm
 otherwise), I think this really needs to happen during business hours
 in SF, otherwise staff have to give up their free time for it. If they
 are willing to do that, then great, but we shouldn't expect them to.
That is true ... but it would be awfully nice if they would do ... maybe 
change their hours for those particular days (instead of 9 to 17 work 
from 14 to 22?) otherwise it would be difficult to fit Asia/Australia in 
in  any schedule really. The other option would be something like 0200 
utc (though very early for India) or 1400/1500 utc (but this would be 
very late for Japan and Australia/New Zealand).

Personally I would opt for 0200 utc then as that would squeeze by best I 
guess .

I know I was being a tad aggressive but I get pretty upset when people 
plan things conveniently for the Europeans and Americans and forget that 
there are 3.5 billion people on other parts of the planet out there some 
of whom do participate .

W
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Re: [Foundation-l] Office hours ... the concept of time zones

2009-09-30 Thread Robert Rohde
Really, this all feels very simple to me.

You take the earliest time in the morning and the latest time in the
afternoon that people working in an office in San Francisco are will
to accommodate.  Will that satisfy everyone?  No.  However picking
times at the start and the end of the business day is probably the
most that it is reasonable to ask of the staff as an ongoing
commitment.

-Robert Rohde

On Wed, Sep 30, 2009 at 10:23 AM, Waerth wae...@asianet.co.th wrote:
 Thomas Dalton wrote:
 2009/9/30 Waerth wae...@asianet.co.th:

 Basically if there is room for two sets of office hours it should still
 be possible to please most of the world. There are times when
 Europe/Africa and the Americas overlap. And there are times when East
 Asia/Australia and the Americas overlap  There are no hours that all
 3 of these rough zones would overlap really and West Asia/Middle East
 would be a bit tricky to fit in with these zones.

 Basically office hours for an Americas/East Asia/Australia zone would
 overlap best from 0300 to 0500 UTC (Evening Americas, Morning/afternoon
 East Asia/Australia and even west Asia could fit in)


 That's 8pm to 10pm in San Francisco (daylight saving time, 7pm to 9pm
 otherwise), I think this really needs to happen during business hours
 in SF, otherwise staff have to give up their free time for it. If they
 are willing to do that, then great, but we shouldn't expect them to.
 That is true ... but it would be awfully nice if they would do ... maybe
 change their hours for those particular days (instead of 9 to 17 work
 from 14 to 22?) otherwise it would be difficult to fit Asia/Australia in
 in  any schedule really. The other option would be something like 0200
 utc (though very early for India) or 1400/1500 utc (but this would be
 very late for Japan and Australia/New Zealand).

 Personally I would opt for 0200 utc then as that would squeeze by best I
 guess .

 I know I was being a tad aggressive but I get pretty upset when people
 plan things conveniently for the Europeans and Americans and forget that
 there are 3.5 billion people on other parts of the planet out there some
 of whom do participate .

 W
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Re: [Foundation-l] Consensus on Meta for suspecting every volunteer of abuse ?

2009-09-30 Thread Tim Landscheidt
Amir E. Aharoni amir.ahar...@mail.huji.ac.il wrote:

 Of course Google has this kind of logs. However, Google is just not
 transparant about it.

 Being transparent is nice and important, but being it is just as
 important to be nice. Filter log is just as correct and transparent
 as abuse log, but doesn't make a newbie feel that he's accused of
 abuse.

Filter in current German discussions /can/ allude to the
semi-governmental content filters deployed by most major
German ISPs to deny users access to child pornography web-
sites.

  So, should we find a term that is suitable for all six
billion people on this planet, or should we covertly prefer
users who are curious enough to just click on that link to
find out what's behind it?

Tim


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Re: [Foundation-l] Consensus on Meta for suspecting every volunteer of abuse ?

2009-09-30 Thread Gregory Maxwell
On Wed, Sep 30, 2009 at 2:49 PM, Tim Landscheidt t...@tim-landscheidt.de 
wrote:
  So, should we find a term that is suitable for all six
 billion people on this planet, or should we covertly prefer
 users who are curious enough to just click on that link to
 find out what's behind it?

Obviously we should replace the text messages with the ulitmate
wiktionary Defined Meaning numeric identifier!

or… you know… just submit a new translation.


(but… I for one welcome the ultimate conlang lexicon overloards!)

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Re: [Foundation-l] a heads-up on Wikimedia France's adventures with the Frenc...

2009-09-30 Thread Ray Saintonge
Marco Chiesa wrote:
 On Wed, Sep 30, 2009 at 4:55 PM, Teofilo wrote:
   
 I should have said it in my previous message : the first and foremost
 priority for France, is that Government-owned museums allow visitors
 who paid their entrance ticket to carry a camera and take pictures of
 paintings and sculptures when the painters and sculptors died more
 than 70 years ago.
 
 I partly agree, but keep in mind that the reason why some museum do
 not let visitors take photos is not necessarily copyright. For
 example, flashes can damage paintings, and I wouldn't like to visit a
 crowded museum slaloming between hundreds of photographers with
 tripods trying to take a picture of every single work of art present.
   
Of course, photo technology has developed to a point where flash or 
tripods are no longer necessary for getting a decent picture.

As I have understood it tripods are banned because some can damage 
museum floors, or leave ugly black streaks on the floor that are 
difficult to clean.

Ec

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Re: [Foundation-l] Consensus on Meta for suspecting every volunteer of abuse ?

2009-09-30 Thread Tim Landscheidt
Amir E. Aharoni amir.ahar...@mail.huji.ac.il wrote:

 [...]
 Most importantly, don't forget that you know what the abuse log is and
 you know that it's harmless, but newbies don't know it. Many newbies
 got really scared when they saw Windows 95's error messages about
 applications that performed illegal actions. (I actually saw it
 myself.)

 I gave several classes of basic Wikipedia editing to groups of
 newbies. The misunderstandings of the technical terms - and they do
 encounter these technical terms - are most unexpected.

Actually, until today I did not even know what the abuse log
was. But I would have treated it the same way as the block
log: Oh, it's empty, can't be that bad then!

  Your experience with Windows users seems to differ vastly
from mine though. I do not know of even a single one who was
scared to play Minesweeper. On the other hand, they grasp
in microseconds what a friend in a social network is, how
a politician tweets without opening his mouth and that not
all blackberries are edible.

  So if, as you say, newbies could be frightened off by
/seeing/ an abuse log (or a block log) link, we should
not try to find a short term that could explain to someone
with no insights whatsoever in Wikipedia's inner workings
what the link contains, but we should hide the link (if the
log is empty).

  But personally, I would ask new users to endure that sight
because if they want to participate in the community, there
will be lots of other terms, rules and habits that they did
not know beforehand.

Tim


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Re: [Foundation-l] a heads-up on Wikimedia France's adventures with the Frenc...

2009-09-30 Thread wiki-lists
wjhon...@aol.com wrote:
  -Original Message-
 
 From: wiki-li...@phizz.demon.co.uk
 To: Wikimedia Foundation Mailing List foundation-l@lists.wikimedia.org
 Sent: Tue, Sep 29, 2009 5:31 pm
 Subject: Re: [Foundation-l] a heads-up on Wikimedia France's adventures with 
 the Frenc...
 
 
 
 David Gerard wrote:
 2009/9/28  wiki-li...@phizz.demon.co.uk:

  From the earlier poster Teofilo:
I disagree. I think the priority is to have the full
resolution pictures of Public Domain works.
 That seems to be a demand to have the highest resolution copies possible.

 That sets it out as a goal, not a demand.

 
 There is no need to negociate anything. There is no need
  to change a single word from the current French copyright
  law. Simply have the French government's cultural institutions
  (museums, archives) recognize that they have been wrong until now
 
 
 just doesn't read like a goal, its a demand.
 
 
 But getting back to the case in question - we're talking about the
 sort of museum that's actually a government sub-department. Thus,
 public domain images that the taxpayer has *already paid for*. I see
 nothing whatsoever unreasonable about the idea of asking-to-demanding
 those. They're owned by the public, not by the museum bureaucrats.

 
 
 Whilst those digitalizations they may be owned by the French public,
 they certainly aren't owned by the German public, British, Italian,
 Spanish, or American public either.
 
 
 The public doesn't have national boundaries.
 The public means all of the public, here there and elsewhere.
 

You are confused. Lets parse the quote shall we?

   Thus, public domain images that the taxpayer has *already paid for*.

would be the digitization of the images that the French taxpayers have
paid for. The following sentence:

   They're owned by the public, not by the museum bureaucrats.

refers to the digitizations that the public (the French taxpayers) have
paid for. It can't possibly refer to the images themselves because in
most cases those images were either given to the Nation by their owners
in lieu if taxes, confiscated, or stolen during periods of war and
colonialism.

As such we aren't taking about 'The public' means all of the public,
here there and elsewhere. but a specific set of national taxpayers.




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Re: [Foundation-l] a heads-up on Wikimedia France's adventures with the Frenc...

2009-09-30 Thread wjhonson

 -Original Message-

From: wiki-li...@phizz.demon.co.uk
To: Wikimedia Foundation Mailing List foundation-l@lists.wikimedia.org
Sent: Wed, Sep 30, 2009 2:58 pm
Subject: Re: [Foundation-l] a heads-up on Wikimedia France's adventures with 
the Frenc...










wjhon...@aol.com wrote:
  -Original Message-
 
 From: wiki-li...@phizz.demon.co.uk
 To: Wikimedia Foundation Mailing List foundation-l@lists.wikimedia.org
 Sent: Tue, Sep 29, 2009 5:31 pm
 Subject: Re: [Foundation-l] a heads-up on Wikimedia France's adventures with 
the Frenc...
 
 
 
 David Gerard wrote:
 2009/9/28  wiki-li...@phizz.demon.co.uk:

  From the earlier poster Teofilo:
I disagree. I think the priority is to have the full
resolution pictures of Public Domain works.
 That seems to be a demand to have the highest resolution copies possible.

 That sets it out as a goal, not a demand.

 
 There is no need to negociate anything. There is no need
  to change a single word from the current French copyright
  law. Simply have the French government's cultural institutions
  (museums, archives) recognize that they have been wrong until now
 
 
 just doesn't read like a goal, its a demand.
 
 
 But getting back to the case in question - we're talking about the
 sort of museum that's actually a government sub-department. Thus,
 public domain images that the taxpayer has *already paid for*. I see
 nothing whatsoever unreasonable about the idea of asking-to-demanding
 those. They're owned by the public, not by the museum bureaucrats.

 
 
 Whilst those digitalizations they may be owned by the French public,
 they certainly aren't owned by the German public, British, Italian,
 Spanish, or American public either.
 
 
 The public doesn't have national boundaries.
 The public means all of the public, here there and elsewhere.
 

You are confused. Lets parse the quote shall we?

   Thus, public domain images that the taxpayer has *already paid for*.

would be the digitization of the images that the French taxpayers have
paid for. The following sentence:

   They're owned by the public, not by the museum bureaucrats.

refers to the digitizations that the public (the French taxpayers) have
paid for. It can't possibly refer to the images themselves because in
most cases those images were either given to the Nation by their owners
in lieu if taxes, confiscated, or stolen during periods of war and
colonialism.

As such we aren't taking about 'The public' means all of the public,
here there and elsewhere. but a specific set of national taxpayers.
--

Okay let's parse the meaning.
Once an image has been paid for and is in the public domain, that means that
anyone, in this country, the next, or on Venus can use the image.

Whether or not the person who said paid for by the taxpayers was being 
specific
to a certain country or using a loose phrase, isn't really relevant.

The image is in the public domain.  That's the point.
Public means all public, not limited to the whims of what the boundary of a 
certain
country might be today.





 

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Re: [Foundation-l] a heads-up on Wikimedia France's adventures with the Frenc...

2009-09-30 Thread wiki-lists
Teofilo wrote:
 I should have said it in my previous message : the first and foremost
 priority for France, is that Government-owned museums allow visitors
 who paid their entrance ticket to carry a camera and take pictures of
 paintings and sculptures when the painters and sculptors died more
 than 70 years ago.
 


I was in the Loire-et-Cher region a couple of weeks back and photography 
was allowed in nearly all the locations we visited. In the places which 
did have signs up saying No photography no one was taking any notice 
at all, not even the staff.

In addition I had the Mairies open up the churches to record medieval 
frescoes, monuments, baptismal fonts, stained glass, paintings, stone 
carvings, etc. No problem at all. Most of them seemed genuinely pleased 
that someone was taking an interest. In a couple of places, as I was 
finishing a local dignitary would turn up to point out something I might 
have missed.



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[Foundation-l] Reminder, office hours at 1600 UTC tomorrow (10/1/09).

2009-09-30 Thread Cary Bass
Hi all, this is a reminder that office hours will be tomorrow, Thursday,
October 1, at 1600 UTC (9:00 AM PDT) and feature Rand Montoya.

The IRC channel that will be hosting Rand's conversation will be
#wikimedia-office on the Freenode network.  If you do not have an IRC
client, you can always access Freenode by going to
http://webchat.freenode.net/, typing in the nickname of your choice and
choosing wikimedia-office as the channel.   You may be prompted to click
through a security warning. Go ahead.

The channel is also available through the Wikizine site at 
http://chat.wikizine.org/ 
and picking one of the two gateways, while choosing wikimedia-office from the 
dropdown on the next page.

-- 
Cary Bass
Volunteer Coordinator, Wikimedia Foundation

Support Free Knowledge: http://wikimediafoundation.org/wiki/Donate


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Re: [Foundation-l] a heads-up on Wikimedia France's adventures with the Frenc...

2009-09-30 Thread wjhonson

 -Original Message-

From: wiki-li...@phizz.demon.co.uk
To: Wikimedia Foundation Mailing List foundation-l@lists.wikimedia.org
Sent: Wed, Sep 30, 2009 4:17 pm
Subject: Re: [Foundation-l] a heads-up on Wikimedia France's adventures with 
the Frenc...










wjhon...@aol.com wrote:
 
 The image is in the public domain.  That's the point.
 Public means all public, not limited to the whims of what the boundary of a 
certain
 country might be today.
 


Suppose someone goes into the Louvre not with a camera but with a laser
scanner. they digitize the entire statue, convert the point cloud into
surfaces, and then from the surfaces into CNC program files. Finally
they slap a block of marble on a milling machine and mill out an exact
copy of the original. Whilst they don't get to obtain any copyright on
the copy YOU don't get to claim that the CNC files are yours of right.

Same with the digitization of a painting.


Are you believing that I'm stating there is a right to claim anything?
Because if you are, I never did. I stated quite the opposite.
Once something is in the public domain in any country, then you can use it.
That is what I stated, and nothing more.

Turning a 3-d statue into a series of computer data files is quite a different
animal from turning a 2-d painting into a exactly reproduced photograph.

A photographic copy, adhering to the original painting, does not enjoy
a new copyright.  A photograph of a painting which is in the public domain
does not enjoy any new rights.  Once that photograph is posted online,
anyone can make a copy of it and do whatever they want with it.

To prevent that, all you have to do, is take a photograph of the Mona Lisa
and include your girlfriend standing next to it.  That would make it unique
and not merely an exact copy of the painting.

I have never stated that you have a right to demand the photograph.
I've only stated, that the photographer does not have a right to
order you to cease.  Quite a different animal.




 

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Re: [Foundation-l] a heads-up on Wikimedia France's adventures with the Frenc...

2009-09-30 Thread wiki-lists
wjhon...@aol.com wrote:
  -Original Message-
 
 From: wiki-li...@phizz.demon.co.uk
 To: Wikimedia Foundation Mailing List foundation-l@lists.wikimedia.org
 Sent: Wed, Sep 30, 2009 4:17 pm
 Subject: Re: [Foundation-l] a heads-up on Wikimedia France's adventures with 
 the Frenc...
 
 
 
 
 
 
 
 
 
 
 wjhon...@aol.com wrote:
 The image is in the public domain.  That's the point.
 Public means all public, not limited to the whims of what the boundary of a 
 certain
 country might be today.

 
 
 Suppose someone goes into the Louvre not with a camera but with a laser
 scanner. they digitize the entire statue, convert the point cloud into
 surfaces, and then from the surfaces into CNC program files. Finally
 they slap a block of marble on a milling machine and mill out an exact
 copy of the original. Whilst they don't get to obtain any copyright on
 the copy YOU don't get to claim that the CNC files are yours of right.
 
 Same with the digitization of a painting.
 
 
 Are you believing that I'm stating there is a right to claim anything?
 Because if you are, I never did. I stated quite the opposite.
 Once something is in the public domain in any country, then you can use it.
 That is what I stated, and nothing more.
 

   Once an image has been paid for and is in the public domain,
that means that anyone, in this country, the next, or on Venus
can use the image.

This entire discussion is concerned not with the work per se but with 
particular digital encodings of the work. Where some seem to think that 
just because the work is PD there is a right to all encodings of that 
work. If that isn't what is being claimed here then there is no problem, 
the museums are under no obligation to provide any digital representation.

 Turning a 3-d statue into a series of computer data files is quite a different
 animal from turning a 2-d painting into a exactly reproduced photograph.
 


It is exactly the same thing. The CNC files are exactly equivalent to a 
jpeg. So I can't quite see why you'd consider them different.



 A photographic copy, adhering to the original painting, does not enjoy
 a new copyright.  A photograph of a painting which is in the public domain
 does not enjoy any new rights.  Once that photograph is posted online,
 anyone can make a copy of it and do whatever they want with it.
 

The posited CNC files do exactly the same thing: they adhere to the 
original statue. In all probability they encode the reproduction of the 
original object more exactly then a jpeg encodes the reproduction of a 
painting. Logically under this doctrine that the digital encoding is the 
work if say some disgruntled employee were to post them online then 
anyone can make a copy of it and do whatever they want with it.




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Re: [Foundation-l] a heads-up on Wikimedia France's adventures with the Frenc...

2009-09-30 Thread wjhonson
I think everyone is probably a bit tired of this topic so this will be my last 
response.

You keep positing that someone is espousing that the museums have to actively 
participate in providing copies of something to someone.? Has somebody claimed 
that?? If they did, it wasn't me.? I have never claimed, and wouldn't claim, 
under any sort of copyright issue, that the holder of anything is required to 
do anything at all.? Or has any obligation, legal or moral to do anything.? The 
doing on their part is an active participation and I've never claimed that 
the museum has to be active in any regard in this issue.

What I have claimed is that the purported claimant, cannot stop a seizure.? If 
I take, without permission, without asking, without requiring anything from 
you.? Just take, you cannot claim that I've in violation of some perceived 
copyright.? That is quite different from stating that they must provide the 
material to anyone, or are required to, or should feel required to.

W.J.



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