Re: [Frameworks] soundtrack colab?

[Francisco Torres]

thanks, i will keep that in mind. i lost most of my gear due to hurricane
maria, i have not done much since 2017.

El mié, 1 may 2024 a la(s) 5:07 p.m.,  escribió:

> Beautiful, in my opinion you should use concrete, natural sounds.
>
> Verzonden vanaf Outlook voor Android 
> --
> Frameworks mailing list
> Frameworks@film-gallery.org
> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>
-- 
Frameworks mailing list
Frameworks@film-gallery.org
https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org

Re: [Frameworks] Suggestions for mid-lenght films?

[Francisco Torres]

non narrative only or narrative? ? La Jette may be both narrative and
experimental

El mié, 3 abr 2024 a la(s) 12:23 a.m., Ingo Petzke (i...@petzke.biz)
escribió:

> Corridor is 23 mins
>
>
> Am 2. April 2024 21:33:01 MESZ schrieb Jay Hudson :
>
>> This is american, but Corridor by Standish Lawder
>>
>> On Fri, Mar 29, 2024 at 9:22 AM Colinet andré  
>> wrote:
>>
>>>
>>> A burning suggestion : https://vimeo.com/245289451
>>>
>>> All the best.
>>>
>>> André Colinet
>>>
>>>
>>>
>>> Envoyé à partir de Courrier pour Windows
>>>
>>>
>>>
>>> De : Cristina Kolozsváry-Kiss
>>> Envoyé le :vendredi 29 mars 2024 15:05
>>> À : frameworks@film-gallery.org
>>> Objet :[Frameworks] Suggestions for mid-lenght films?
>>>
>>>
>>>
>>> Hello all,
>>>
>>>
>>>
>>> I'm currently looking into mid-length films that would suit a program 
>>> called "Midnight Mid-lengths" and was wondering if anyone had some burning 
>>> suggestions they would love to share. As you might have inferred, we're 
>>> interested in anything camp/cult leaning (though not a must) and I'm 
>>> especially keen to hear non-US suggestions.
>>>
>>>
>>>
>>> We're still in very early stages, so all help is greatly appreciated!
>>>
>>>
>>>
>>> All the best,
>>>
>>> Cristina Kolozsváry-Kiss
>>>
>>>
>>>
>>> --
>>> Frameworks mailing list
>>> Frameworks@film-gallery.org
>>> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>>>
>>
>> --
> Frameworks mailing list
> Frameworks@film-gallery.org
> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>
-- 
Frameworks mailing list
Frameworks@film-gallery.org
https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org

Re: [Frameworks] Film Diary #6

[Francisco Torres]

thanks. forty years on not much has changed.  it only has gotten worse. i
wonder where those punks are now.

El sáb, 9 dic 2023 a la(s) 14:55, Dominic Angerame (
dominic.anger...@gmail.com) escribió:

> ]Film Diary #6—Democratic Convention, 1984
>
>
> [image:
> 1766368864-e3be63e62048d2342c4f321562d32aebd3656996038bacf39b37e7130a4af544-d.png]
>
> Dominic Angerame Diary #6-- Democratic Convention 1984
> 
> vimeo.com 
> 
>
>
>
> --
> Frameworks mailing list
> Frameworks@film-gallery.org
> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>
-- 
Frameworks mailing list
Frameworks@film-gallery.org
https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org

Re: [Frameworks] War Zone

[Francisco Torres]

thanks, a very timely and interesting subject for our times

El vie, 17 nov 2023 a la(s) 19:17, Dominic Angerame (
dominic.anger...@gmail.com) escribió:

> I have just finished a new film about my visit to the DMZ in Korea called
> “War Zone”
>
> Private video on Vimeo 
> vimeo.com 
> [image: main-touch_180.jpeg] 
> 
>
> Password DMZ
>
> Enjoy
>
> DA
> --
> Frameworks mailing list
> Frameworks@film-gallery.org
> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>
-- 
Frameworks mailing list
Frameworks@film-gallery.org
https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org

Re: [Frameworks] PXL THIS 33 / 11/14/2023 7pm pst LIVE online

[Francisco Torres]

1986 patent
US5010419A - Apparatus for storing video signals on audio cassette - Google
Patents <https://patents.google.com/patent/US5010419A/en>
''A U.S. *utility patent*, explained above, is generally granted for 20
years from the date the patent application is filed; however, periodic fees
are required to maintain the enforceability of the patent. '' How Long Does
Patent, Trademark or Copyright Protection Last? | STOPfakes.gov -
Intellectual Property Rights Resources and Assistance
<https://www.stopfakes.gov/article?id=How-Long-Does-Patent-Trademark-or-Copyright-Protection-Last>

El mar, 7 nov 2023 a la(s) 00:58, Francisco Torres (fjtorre...@gmail.com)
escribió:

> maybe it would be possible to ''clone'' the pxls cameras in china and sell
> them cheap, like korg is  making pocket analog synthesizers and selling
> them for about 70 dollars..
>
> El mar, 7 nov 2023 a la(s) 12:07, Adam Hyman (a...@lafilmforum.org)
> escribió:
>
>> Hi Gerry,
>>
>> This email says Sunday Nov 14, but Nov 14 is a Tuesday.  Sunday is Nov
>> 12.  What is correct?
>>
>>
>>
>> Best,
>>
>> Adam
>>
>>
>>
>> On 11/7/23, 11:30 AM, "Frameworks on behalf of Will Erokan" <
>> frameworks-boun...@film-gallery.org on behalf of willieben...@gmail.com>
>> wrote:
>>
>>
>>
>> SUN Nov14, 2023 7pm pacific time - LIVE online
>>
>> PXL THIS 33 Toy Camera Film Festival 2023
>> https://www.facebook.com/events/850945209382236/
>>
>> Just enter "PXL THIS 33" on Youtube to tune in, and afterwards view
>> anytime.
>>
>>
>>
>> PXL THIS 33 PROGRAM
>>
>> Intro - Gerry Fialka & Bruno Straus
>>
>> When the Cow Got Out - Joseph Paulson
>>
>> Chip Yips - Suzy Williams
>>
>> Moon Curtain - Amanda Samimi
>>
>> Doing Time With Tehching Hsieh - Joseph, Lee & Val Paulson
>>
>> Hello Up There - Alex Miller
>>
>> Can You Believe That? - Ron Grun
>>
>> I Climbed The Cascades - Jennie Williams
>>
>> Cali - Gerry Fialka
>>
>> Finnegans Wake Promo - Roman Tsivkin
>>
>> Can't Fool Computers - Eric Ahlberg
>>
>> Free Will - Duncan Echelson
>>
>> The Owl & The Pussycat - Catherine Allison
>>
>> The Wren – Roy Benjamin
>>
>> The Recording Hello Device - Nile Southern & BING
>>
>> You’ve Just Been Blackballed - Anthony Blackball
>>
>> Breath - Lior Tzemch
>>
>> Missing Green - Joey Huertas
>>
>> Ricky - Fuji Yamamama
>>
>> Film Making Itself - Gerry Fialka
>>
>> Decadent Acts of Nothingness - Patrick Gill
>>
>> Stream of Subconsciousness - Joe Nucci
>>
>> Dissolving Sounds - Patrick Gill
>>
>> PXL Pie – Gerry Fialka & Bruno Straus
>>
>> Documentary – B. Meade
>>
>> (program subject to change)
>>
>> Just enter "PXL THIS 33" on Youtube to tune in, and afterwards view
>> anytime.
>>
>>
>> The PXL-2000 (Pixelvision) is a toy camera, manufactured by Fisher-Price
>> from 1987-89, that records on quarter-inch audio cassette tape. The low
>> resolution and high contrast was made for kids, and became an art tool.
>> Today Pixelators are merging Pixelvision with cell phones and live
>> streaming. Electronic Folk Art, Lo-Fi Hi-Jinx ! PXL THIS 33 celebrates
>> visionary moving image artists from seminal experimental filmmakers to
>> children to homeless to professionals.
>>
>> SizzleReel: https://www.youtube.com/watch?v=_03oq4cMu5M=9s
>>
>> Contact:  https://en.wikipedia.org/wiki/Gerry_Fialka
>>
>> Special thanks to PXL THIS Film Festival co-director Bruno Straus
>> https://www.youtube.com/watch?v=_lYixmuJyjI=9s
>>
>> PXL THIS 34 - Entry deadline Oct 22, 2024 - pfs...@aol.com NO entry fee
>>
>> Thanks: Mike Sakamoto https://gerryswake.com/ &
>> https://www.youtube.com/@gfa1930
>>
>> David Seubert
>> https://www.library.ucsb.edu/special-collections/gerry-fialka-pxl-and-fialka-interview-archive-pa-mss-245
>>
>> "PXL is the ultimate people's video." - J. Hoberman, Premiere Magazine.
>> Pixelvision has screened in recent years at Lincoln Center in New York, and
>> at LACMA's 3D exhibit in Los Angeles. What's new? It isn't out yet. Gerry
>> Fialka's book Strange Questions: Experimental Film as Conversation:
>> https://laughtears.com/strange-questions.html
>>
>> Compelling interviews with notables in avant-garde cinema offer insights
>> into moving image art--its creative processes, form

Re: [Frameworks] PXL THIS 33 / 11/14/2023 7pm pst LIVE online

[Francisco Torres]

maybe it would be possible to ''clone'' the pxls cameras in china and sell
them cheap, like korg is  making pocket analog synthesizers and selling
them for about 70 dollars..

El mar, 7 nov 2023 a la(s) 12:07, Adam Hyman (a...@lafilmforum.org)
escribió:

> Hi Gerry,
>
> This email says Sunday Nov 14, but Nov 14 is a Tuesday.  Sunday is Nov
> 12.  What is correct?
>
>
>
> Best,
>
> Adam
>
>
>
> On 11/7/23, 11:30 AM, "Frameworks on behalf of Will Erokan" <
> frameworks-boun...@film-gallery.org on behalf of willieben...@gmail.com>
> wrote:
>
>
>
> SUN Nov14, 2023 7pm pacific time - LIVE online
>
> PXL THIS 33 Toy Camera Film Festival 2023
> https://www.facebook.com/events/850945209382236/
>
> Just enter "PXL THIS 33" on Youtube to tune in, and afterwards view
> anytime.
>
>
>
> PXL THIS 33 PROGRAM
>
> Intro - Gerry Fialka & Bruno Straus
>
> When the Cow Got Out - Joseph Paulson
>
> Chip Yips - Suzy Williams
>
> Moon Curtain - Amanda Samimi
>
> Doing Time With Tehching Hsieh - Joseph, Lee & Val Paulson
>
> Hello Up There - Alex Miller
>
> Can You Believe That? - Ron Grun
>
> I Climbed The Cascades - Jennie Williams
>
> Cali - Gerry Fialka
>
> Finnegans Wake Promo - Roman Tsivkin
>
> Can't Fool Computers - Eric Ahlberg
>
> Free Will - Duncan Echelson
>
> The Owl & The Pussycat - Catherine Allison
>
> The Wren – Roy Benjamin
>
> The Recording Hello Device - Nile Southern & BING
>
> You’ve Just Been Blackballed - Anthony Blackball
>
> Breath - Lior Tzemch
>
> Missing Green - Joey Huertas
>
> Ricky - Fuji Yamamama
>
> Film Making Itself - Gerry Fialka
>
> Decadent Acts of Nothingness - Patrick Gill
>
> Stream of Subconsciousness - Joe Nucci
>
> Dissolving Sounds - Patrick Gill
>
> PXL Pie – Gerry Fialka & Bruno Straus
>
> Documentary – B. Meade
>
> (program subject to change)
>
> Just enter "PXL THIS 33" on Youtube to tune in, and afterwards view
> anytime.
>
>
> The PXL-2000 (Pixelvision) is a toy camera, manufactured by Fisher-Price
> from 1987-89, that records on quarter-inch audio cassette tape. The low
> resolution and high contrast was made for kids, and became an art tool.
> Today Pixelators are merging Pixelvision with cell phones and live
> streaming. Electronic Folk Art, Lo-Fi Hi-Jinx ! PXL THIS 33 celebrates
> visionary moving image artists from seminal experimental filmmakers to
> children to homeless to professionals.
>
> SizzleReel: https://www.youtube.com/watch?v=_03oq4cMu5M=9s
>
> Contact:  https://en.wikipedia.org/wiki/Gerry_Fialka
>
> Special thanks to PXL THIS Film Festival co-director Bruno Straus
> https://www.youtube.com/watch?v=_lYixmuJyjI=9s
>
> PXL THIS 34 - Entry deadline Oct 22, 2024 - pfs...@aol.com NO entry fee
>
> Thanks: Mike Sakamoto https://gerryswake.com/ &
> https://www.youtube.com/@gfa1930
>
> David Seubert
> https://www.library.ucsb.edu/special-collections/gerry-fialka-pxl-and-fialka-interview-archive-pa-mss-245
>
> "PXL is the ultimate people's video." - J. Hoberman, Premiere Magazine.
> Pixelvision has screened in recent years at Lincoln Center in New York, and
> at LACMA's 3D exhibit in Los Angeles. What's new? It isn't out yet. Gerry
> Fialka's book Strange Questions: Experimental Film as Conversation:
> https://laughtears.com/strange-questions.html
>
> Compelling interviews with notables in avant-garde cinema offer insights
> into moving image art--its creative processes, formative influences, and
> hidden psychic effects. Through interviews with George Manupelli, Larry
> Gottheim, Chick Strand, Tom Gunning, Lynne Sachs, Jay Rosenblatt, Martha
> Colburn, Evan Meaney, Mike Hoolboom, Robert Nelson, and Nina Menkes,
> Strange Questions links powerful personal stories with the contemporary
> media-scape.
>
>
>
> PXL THIS NEWS=
>
> PXL THIS participants are all over the place:
>
> Joseph (Jay) Paulson appears in Martin Scorsese's "Killers of the Flower
> Moon".
>
> Roy Benjamin released a new book “Beating the Bounds: Excess and
> Restraint in *Joyce's* Later Works”
>
> Nile Southern is working on a documentary on his Dad Terry Southern.
>
> Bruno Straus and Nicole Zwiren just released a new Natural Born documentary 
> MATERNAL
> INTUITION
>
> Patrick Gill is the main PXL Camera repair person
> http://www.bentstruments.com/
>
> - http://www.bentstruments.com/
>
> *PATRICK can now adapt your PXL cam with DVR hook-up.*
>
>
>
> Please tell us about your news updates, keep us updated, THANK YOU
>
> …and past PXL THIS participants:
>
> Josh Freese played drums on Saturday Night Live with the Foo Fighters on
> 10-28-23.
>
> Sunny War appeared on Jimmy Kimmel on 3-14-23.
>
>
>
> PXL to CELL: Bravo to Brett for this help in adapting the PXL2000
> camcorder to your cell phone: Brett Neese, brett@neese.rocks, contributes
> this method of shooting Pixelvision with an Android smartphone. Note that
> this method has only been tested using a Google Pixel XL (1) and will
> probably not work with an iPhone/iOS device. Google Pixel (1) can be found
> on Amazon here.
>
> · - The hardest 

Re: [Frameworks] Need help with a Steenbeck

[Francisco Torres]

it is a 16 mm or 35/16 mm (''combo")  model?  could you post the model #?

El sáb, 27 may 2023 a la(s) 15:43, Beebe, Roger W. (beebe...@osu.edu)
escribió:

> Dwight Cody isn’t too far away.  I imagine he makes semi-regular trips to
> NYC:
>
>
>
> https://www.cutfilm.com
>
>
>
> FYI,
>
> Roger
>
>
>
> *From: *Frameworks  on behalf of
> Robert S Withers 
> *Date: *Saturday, May 27, 2023 at 1:39 PM
> *To: *frameworks@film-gallery.org 
> *Subject: *[Frameworks] Need help with a Steenbeck
>
> It's 2023 and I'm trying to check out the Steenbeck at the Filmmakers
> Coop. How old-school and retro is that? Transport and plates are fine, but
> I can't figure out how to remove optical track exciter bulb, which is
> burned out. There's also
>
> It's 2023 and I'm trying to check out the Steenbeck at the Filmmakers
> Coop. How old-school and retro is that? Transport and plates are fine, but
> I can't figure out how to remove optical track exciter bulb, which is
> burned out. There's also a blockage in the projection onto the screen from
> the main bulb, which lights.
>
>
>
> Any tips?
>
>
>
> Who does Steenbeck maintenance in NYC? Some schools might need it.
>
>
>
> Thanks,
>
> Bob or
>
> Robert, depending on when we met
>
>
>
> Robert Withers
> withe...@earthlink.net
> 202 West 80 St #5W NYNY 10024
>
> 212-203-3048 mobile
>
>
>
>
>
>
> --
> Frameworks mailing list
> Frameworks@film-gallery.org
> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>
-- 
Frameworks mailing list
Frameworks@film-gallery.org
https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org

Re: [Frameworks] Kenneth Anger

[Francisco Torres]

Sad news.

El mié, 24 may 2023 a la(s) 18:19, Scott MacDonald (smacd...@hamilton.edu)
escribió:

> *Hey Dominic,*
>
> *We geezers do have some good tales to tell, and this is a good one.*
>
> *(Not sure I wouldn't have accepted the book!)*
>
> *I was jolted to think Kenneth had died--he seemed indestructible somehow.
> Getting an interview with him was one of the thrills of my life.*
>
> *Scott*
>
> On Wed, May 24, 2023 at 12:38 PM Dominic Angerame <
> dominic.anger...@gmail.com> wrote:
>
>> This breaks my heart, below is a short piece that will be included in a
>> book I am writing about my experiences at Canyon Cinema and the filmmakers
>> that I had come to know and love.
>>
>> This is an excerpt
>>
>> One day I was leaving my apartment in North Beach and walking on Columbus
>> Avenue when I ran into Kenneth walking down the street. Surprised to see
>> him, I offered to buy him a cappuccino.  He declined but said he wanted to
>> show me something. We walked and talked for a while walking down Broadway
>> past the numerous strip clubs until we stopped outside of an porn store on
>> Kearny Street.
>>
>>
>>
>> The store had a massive video arcade in the back. I knew the store had a
>> collection of some of the grossest porn that I had ever seen. I groaned
>> quietly and walked in, not knowing what to expect. We walked to the back of
>> the shop where the private video booths were located. Of course there were
>> several strange looking clients coming sheepishly out of the booths. The
>> floor was cement and sloped downward and above there were portholes for the
>> projection of the films. This was very curious, and then Kenneth told me
>> this porn shop used to be a theatre called the “Art Movie House”, and it
>> was where he premiered *Scorpio Rising*. I was standing in an historic
>> building!
>>
>>
>>
>> As we walked around a bit and I am sure we looked suspicious as
>> we  examined the ceiling, the portholes, the walls. My filmmaker mind
>> imagined what films this theatre had shown in the past and what it must
>> have looked like when *Scorpio Rising* was presented. We then walked
>> outside and I felt like I had just an extremely spiritual experience.
>> Kenneth then pointed to a window on the second floor and said he lived
>> there, directly above the theatre.
>>
>>
>>
>> This long gone porn store now is the home of North Beach Citizens, an
>> organization that helps homeless people. Ironically this organization was
>> started by Francis Ford Coppola and funded in part by George Lucas. The
>> sloped floors are gone along with the portholes, yet the spirit of the old
>> theater remains. I have volunteered there in the past and now AA meetings
>> on held on that sight.
>>
>>
>>
>> Another day I was working in the office and Bruce Conner walked in
>> unexpectedly as he often would.  He was carrying a book he wanted the
>> office to have. It was the unauthorized biography of Kenneth Anger. I
>> looked at the book and the phone rang. I was suddenly conflicted  since
>> Bruce normally demanded all my attention and did not want to be
>> interrupted.
>>
>>
>> However, I saw that it was Kenneth Anger calling me. I answered the phone
>> and Bruce was upset. Kenneth said hi, etc. and then he went on to discuss
>> the very book Bruce had brought. Kenneth went on to say  angrily “Do not
>> buy that book, do not read it and do not accept it if given to you, do not
>> even touch the book,” I said ok, hung up the phone looked at Bruce and said
>> I cannot accept the book. Talk about MAGIK!
>>
>>
>> On May 24, 2023, at 9:29 AM, Pip Chodorov  wrote:
>>
>> Sad news...
>>
>> 
>>
>> Kenneth Anger, Experimental Filmmaker and ‘Hollywood Babylon’ Author,
>> Dies at 96
>> 
>> variety.com
>> 
>>
>> 
>> --
>> Frameworks mailing list
>> Frameworks@film-gallery.org
>> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>>
>>
>> --
>> Frameworks mailing list
>> Frameworks@film-gallery.org
>> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>>
> --
> Frameworks mailing list
> Frameworks@film-gallery.org
> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>
-- 
Frameworks mailing list
Frameworks@film-gallery.org
https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org

Re: [Frameworks] neg cutting

[Francisco Torres]

What seems most interesting here is that today , because film practice has
become marginal , work methods that in the past (industrial) era were not
used much are now being used with good results.  ''experimental'' film not
just in content but in all kinds of ways. it is good to know that film is
still inspiring us. sprockets keep running!

El dom, 23 abr 2023 a la(s) 21:19, Tara Nelson (brendamere...@gmail.com)
escribió:

> Thanks for speaking up when you felt like you were being talked down to,
> Anna. I had the same feeling about the responses to your initial message
> and I am sorry I didn't speak up sooner.
> You clearly know what you are doing and don't deserve any form of
> condescension. You can cut my negatives with tape splices any day.
>
> Tara Merenda Nelson
> Rochester NY
>
> On Sun, Apr 23, 2023 at 12:43 PM Anna Kipervaser <
> anna.kiperva...@gmail.com> wrote:
>
>> Els, I understand you're looking to own a s8 gate for the JK, but would
>> it be helpful to borrow one for a while or is that not of interest? I ask
>> because I might be able to help facilitate a lending (from the US). And I'm
>> sorry I don't know what the lens extension situation is or what it's used
>> for. Would love to learn! I've got a K103 and have bellows on the JK. I
>> feel like I've seen JKs with both the extension in your pic and bellows,
>> and have assumptions on why, but would love to learn specifics. Please tell.
>>
>> Also, is Mariette Michaud cutting negatives for most folks in Belgium, or
>> are most doing their own neg cutting? I'm so interested in this question
>> especially when there's a magician like Mariette Michaud around.
>>
>>
>> Jeff, I'm sorry but again, not asking for any advice or explanations
>> re neg cutting, tape splicing vs cement, etc... Perhaps it's unintentional,
>> but your messages read like you're talking down to people, to me and others
>> [Scott's initial message read that way too]. Not cool. You already said you
>> haven't done this in ages and that you've gone digital so maybe you don't
>> know what's actually happening these days regarding this topic.
>>
>> And I dunno why you're putting *real* in quotes. As if LABO BxL or Mono
>> No Aware or nanolab aren't real [to name a few from diff continents]!? Are
>> they figments of our imagination?! As a point of fact: both artist run and
>> commercial labs are putting tape splices thru their ultrasonic cleaning
>> machines and their contact printers - both wet and dry gate.
>>
>>
>> NOTICE*: no one is asking if tape splicing is possible or ok to use
>> for neg cutting. No one. Not a single person in the whole wide world***
>>
>>
>> Thank you for reading my PSA, now we return to our regularly scheduled
>> programming. Peace and fucking love y'all, peace and love.
>>
>> *Disclaimer: I am not pissed. I know where I posted my initial inquiry. I
>> just insist on clarity of communication and on speaking up if something
>> ain't feeling right.*
>>
>>
>>
>>
>>
>>
>> On Sun, Apr 23, 2023 at 4:31 AM Els van Riel  wrote:
>>
>>> Hi,
>>>
>>> Here in Belgium we had Huguette Van Volsem who worked as a fulltime
>>> neg-cutter for our Belgian film-en TV industry. A few years ago Mariette
>>> Michaud bought part of her equipement and uses it from time to time. Her
>>> splices ar invisible.
>>>
>>> By the way, reading about the JK optical printer, in artist run LABO BxL
>>> we are still on the look out for its super-8 gate and lens-extension for
>>> our JK107. See picture.
>>> If anyone could give me a lead? We have a budget for it.
>>>
>>> Thank you very much!
>>>
>>> Els van Riel
>>> Brussels/Belgium
>>>
>>>
>>> On 23 Apr 2023, at 08:57, Jeff Kreines  wrote:
>>>
>>> Tape splices are fine for a JK.  You can even cut the neg with handles
>>> and skip the splices when printing.
>>>
>>> However, if you are going to a “real” lab, they won’t like tape splices
>>> because they can’t use an ultrasonic cleaner.  (They can, but the splices
>>> eventually come off.)
>>>
>>> Jeff Kreines
>>> Kinetta
>>> j...@kinetta.com
>>> kinetta.com
>>>
>>> --
>>> Frameworks mailing list
>>> Frameworks@film-gallery.org
>>>
>>> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>>>
>>>
>>>
>>> --
>>> Frameworks mailing list
>>> Frameworks@film-gallery.org
>>>
>>> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>>>
>> --
>> Frameworks mailing list
>> Frameworks@film-gallery.org
>> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>>
> --
> Frameworks mailing list
> Frameworks@film-gallery.org
> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>
-- 
Frameworks mailing list
Frameworks@film-gallery.org
https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org

Re: [Frameworks] RIP Lenny Lipton

[Francisco Torres]

Sad news. Lipton inspired and teached many generations of filmmakers. He
also helped the world understand and respect Super 8 filmmaking
A true teacher.

El vie, 7 oct 2022 a la(s) 06:36,  escribió:

> Very sad news. His book was our bible for independent filmmaking.
>
> - Mail d’origine -
> De: Dominic Angerame 
> À: Experimental Film Discussion List 
> Envoyé: Fri, 07 Oct 2022 06:12:19 +0200 (CEST)
> Objet: Re: [Frameworks] RIP Lenny Lipton
>
> So sorry to hear this. His latest book hardcover more than 500 pages is
> quite incredible. Had many years dealing with Lenny, he was a good man.
>
> Dominic
>
> > On Oct 6, 2022, at 8:52 PM, Eric Theise  wrote:
> >
> > I just saw the news that Lenny Lipton passed away on Wednesday at
> Cedars-Sinai Medical Center in Los Angeles, aged 82. The cause of death was
> brain cancer. Like many of you, I suppose, I know of Lipton primarily
> because of his Independent Filmmaking, a tome that could be found on the
> shelves of any decent used bookstore for decades. The tributes I'm seeing
> focus on his penning the lyrics to Puff the Magic Dragon as a freshman at
> Cornell and his later work with digital 3D glasses and projection.
> >
> >
> https://www.hollywoodreporter.com/news/music-news/lenny-lipton-dead-puff-magic-dragon-1235235205/
> <
> https://www.hollywoodreporter.com/news/music-news/lenny-lipton-dead-puff-magic-dragon-1235235205/
> >
> >
> > --
> > Frameworks mailing list
> > Frameworks@film-gallery.org
> >
> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>
>
>
> --
> Frameworks mailing list
> Frameworks@film-gallery.org
> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>
-- 
Frameworks mailing list
Frameworks@film-gallery.org
https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org

Re: [Frameworks] Films Meant To Be Shown On An Analyst Projector?

[Francisco Torres]

Maybe any film that is manipulated using  an AP becomes an experimental
film.

El mar, 27 sept 2022 a la(s) 22:06, Tara (brendamere...@gmail.com) escribió:

> 
> In 2007 or 2008 a group of Pittsburghers organized by the micro cinema
> scene  *JEFFERSON PRESENTS... *made films intended to be shown on Analyst
> projectors. Someone who worked at MoMa saw the show in PGH and invited us
> to do it again as part of MoMAs PoP RAlly. It’s was a night to remember!
>
>
>
> On Sep 27, 2022, at 8:34 PM, Josh B Mabe  wrote:
>
> Hi All,
>
> Just wondering... what films have been made to be projected at variable or
> odd speeds using an analyst projector? The only one coming off the top of
> my head is Gordon Nelson's SIXTIES TEEN DANCE PARTY.
>
> Best,
> Josh B Mabe, Chicago
>
> --
> Frameworks mailing list
> Frameworks@film-gallery.org
> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>
> --
> Frameworks mailing list
> Frameworks@film-gallery.org
> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>
-- 
Frameworks mailing list
Frameworks@film-gallery.org
https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org

Re: [Frameworks] Concise New DaVinci Resolve 16-17 Book

[Francisco Torres]

Thanks for the information, I was thinking about learning more about
Resolve, now it seems less of a chore. Will get the book soon.


El lun, 14 feb 2022 a la(s) 15:38, Margot Niederland (marg...@earthlink.net)
escribió:

> I’ve found a great alternative for those of us wanting to learn DaVinci
> Resolve but are put off by their 3,600 page PDF. There’s a newly published
> concise 200-page paperback that teaches DaVinci Resolve 16-17. It’s written
> by Steve Mullen, an experienced video/film professor (including Rutgers and
> Philadelphia’s University of the Arts), who’s also worked in the computer
> industry for the past 50 years. I’ve received the book and scanning through
> it, I already can see how it’s going to make learning to edit and color
> grade my films easier than I thought possible.
>
>  I ordered it from Amazon by searching for “Rapid DaVinci Resolve: 5 th
> Edition”.
>
> --
> Frameworks mailing list
> Frameworks@film-gallery.org
> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>
-- 
Frameworks mailing list
Frameworks@film-gallery.org
https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org

Re: [Frameworks] American avant-garde filmmakers and exploitation

[Francisco Torres]

Vorkapich is so underrated Sad. Harrington made a TV movie in the 70s
titled The Dead Dont Die that must be one of the weirdest things ever paid
for by a major network. Worth checking out.

El mié, 1 de dic. de 2021 a la(s) 18:48, jared ashburn (
ashburn.ja...@gmail.com) escribió:

> Thank you, Francisco, Vorkapich is at the top of the list! I am reading
> "Nice Guys Don't Work in Hollywood" right now and I'll watch this interview
> soon. Thanks, again!
>
> On Fri, Nov 12, 2021 at 4:51 PM Francisco Torres 
> wrote:
>
>> Curtis Harrington interview about his horror films 1974
>>
>>
>> https://archive.org/details/CinefantastiqueVol03No3Fall1974/page/n21/mode/2up
>>
>>
>> El vie, 12 de nov. de 2021 a la(s) 18:19, Francisco Torres (
>> fjtorre...@gmail.com) escribió:
>>
>>> How about Slavko Vorkapich? He is credited with ''visual design'' in I
>>> Bury the Living (1958) and created the 3D sequences of The Mask (1961).
>>> Both films have become cult classics of the Psychotronic genre.
>>>
>>> El jue, 11 de nov. de 2021 a la(s) 17:51, Adam Hyman (
>>> a...@lafilmforum.org) escribió:
>>>
>>>> Yes, talking about “Sister Midnight”
>>>>
>>>> I don’t know anyone else working on it.
>>>>
>>>>
>>>>
>>>> On 11/11/21, 11:18 AM, "Frameworks on behalf of jared ashburn" <
>>>> frameworks-boun...@film-gallery.org on behalf of
>>>> ashburn.ja...@gmail.com> wrote:
>>>>
>>>>
>>>>
>>>> Thank you Tyler and Adam! Smith, Warhol, and the Kuchar brothers are
>>>> central to all of this and I am definitely considering their work and
>>>> influence on this overlap. Turnock's work (this article and her book) is a
>>>> perfect template for what I am trying to do here, but, I cannot seem to
>>>> find anyone else (aside from James and Arthur) researching this part of the
>>>> history of avant-garde film. For Mays, you are talking about "Sister
>>>> Midnight," right? Thanks, again!
>>>>
>>>>
>>>>
>>>> On Wed, Nov 10, 2021 at 9:18 PM Adam Hyman 
>>>> wrote:
>>>>
>>>> Oh, and Peter Mays made an exploitation feature as well.
>>>>
>>>>
>>>>
>>>> Best,
>>>>
>>>> Adam
>>>>
>>>>
>>>>
>>>> On 11/9/21, 10:27 AM, "Frameworks on behalf of Fred Camper" <
>>>> frameworks-boun...@film-gallery.org on behalf of f...@fredcamper.com>
>>>> wrote:
>>>>
>>>>
>>>>
>>>> Bette Gordon made her own feature film. It was low budget but I don't
>>>> know if you are looking for that, or for filmmakers who worked for others?
>>>> Larry Jordan made another, *The Apparition*, only 50 minutes according
>>>> to IMDB, but it had that feature film, or TV-show, look. As best I can
>>>> remember it was his own film. I definitely remember that it looked like it
>>>> was trying to be a TV show or short feature. I love Jordan's best films,
>>>> but on my one viewing of this one, it seemed to be not good at all, not
>>>> even at what it was trying to do.
>>>>
>>>> Fred Camper
>>>>
>>>> Chicago
>>>>
>>>>
>>>>
>>>> On 11/9/2021 11:30 AM, jared ashburn wrote:
>>>>
>>>> OK, wow, this is great! Thank you for your replies--this is quite a
>>>> list. Does anyone know if this history has been written about? I thought of
>>>> David E. James and Paul Arthur and I looked at the chapter, "Narrating Los
>>>> Angeles: Art Films and Independent Features," in James' book on minor
>>>> cinemas in LA. He accounts, indirectly, for the point that David Sherman
>>>> has made here by discussing exploitation films that exploited the
>>>> counterculture and appropriated some styles, concepts, and techniques found
>>>> in the New American Cinema and European art cinema. The chapter is useful
>>>> for my research but I am looking for other articles that might address the
>>>> history of this overlap more explicitly. If you think of something, I am
>>>> all ears. Thank you, again, I am most appreciative. -JA
>>>>
>>>>
>>>>
>>>> List of American Avant-Garde filmmakers who also worked on low-budget,
>>>> B and exploitation feature f

Re: [Frameworks] American avant-garde filmmakers and exploitation

[Francisco Torres]

Curtis Harrington interview about his horror films 1974

https://archive.org/details/CinefantastiqueVol03No3Fall1974/page/n21/mode/2up


El vie, 12 de nov. de 2021 a la(s) 18:19, Francisco Torres (
fjtorre...@gmail.com) escribió:

> How about Slavko Vorkapich? He is credited with ''visual design'' in I
> Bury the Living (1958) and created the 3D sequences of The Mask (1961).
> Both films have become cult classics of the Psychotronic genre.
>
> El jue, 11 de nov. de 2021 a la(s) 17:51, Adam Hyman (a...@lafilmforum.org)
> escribió:
>
>> Yes, talking about “Sister Midnight”
>>
>> I don’t know anyone else working on it.
>>
>>
>>
>> On 11/11/21, 11:18 AM, "Frameworks on behalf of jared ashburn" <
>> frameworks-boun...@film-gallery.org on behalf of ashburn.ja...@gmail.com>
>> wrote:
>>
>>
>>
>> Thank you Tyler and Adam! Smith, Warhol, and the Kuchar brothers are
>> central to all of this and I am definitely considering their work and
>> influence on this overlap. Turnock's work (this article and her book) is a
>> perfect template for what I am trying to do here, but, I cannot seem to
>> find anyone else (aside from James and Arthur) researching this part of the
>> history of avant-garde film. For Mays, you are talking about "Sister
>> Midnight," right? Thanks, again!
>>
>>
>>
>> On Wed, Nov 10, 2021 at 9:18 PM Adam Hyman  wrote:
>>
>> Oh, and Peter Mays made an exploitation feature as well.
>>
>>
>>
>> Best,
>>
>> Adam
>>
>>
>>
>> On 11/9/21, 10:27 AM, "Frameworks on behalf of Fred Camper" <
>> frameworks-boun...@film-gallery.org on behalf of f...@fredcamper.com> wrote:
>>
>>
>>
>> Bette Gordon made her own feature film. It was low budget but I don't
>> know if you are looking for that, or for filmmakers who worked for others?
>> Larry Jordan made another, *The Apparition*, only 50 minutes according
>> to IMDB, but it had that feature film, or TV-show, look. As best I can
>> remember it was his own film. I definitely remember that it looked like it
>> was trying to be a TV show or short feature. I love Jordan's best films,
>> but on my one viewing of this one, it seemed to be not good at all, not
>> even at what it was trying to do.
>>
>> Fred Camper
>>
>> Chicago
>>
>>
>>
>> On 11/9/2021 11:30 AM, jared ashburn wrote:
>>
>> OK, wow, this is great! Thank you for your replies--this is quite a list.
>> Does anyone know if this history has been written about? I thought of David
>> E. James and Paul Arthur and I looked at the chapter, "Narrating Los
>> Angeles: Art Films and Independent Features," in James' book on minor
>> cinemas in LA. He accounts, indirectly, for the point that David Sherman
>> has made here by discussing exploitation films that exploited the
>> counterculture and appropriated some styles, concepts, and techniques found
>> in the New American Cinema and European art cinema. The chapter is useful
>> for my research but I am looking for other articles that might address the
>> history of this overlap more explicitly. If you think of something, I am
>> all ears. Thank you, again, I am most appreciative. -JA
>>
>>
>>
>> List of American Avant-Garde filmmakers who also worked on low-budget, B
>> and exploitation feature films in the 1960s and 70s:
>>
>> *Pat O'Neil *
>>
>> *Curtis Harrington*
>>
>> *Nathaniel Dorsky*
>>
>> *Morgan Fisher*
>>
>> *Jerry Abrams*
>>
>> *Peggy Ahwesh*
>>
>> *Jerome Hiler*
>>
>> *Betzy Bromberg*
>>
>> *Hy Hirsh*
>>
>>
>>
>> On Mon, Nov 8, 2021 at 10:23 PM Marc Couroux  wrote:
>>
>> Yes! Fisher mentions Messiah of Evil, and shows a frame of it in Standard
>> Gauge.
>>
>> M
>>
>>
>>
>> On Mon, Nov 8, 2021 at 5:01 PM Steve Polta  wrote:
>>
>> Off the top of my head:
>>
>> 1) Nathaniel Dorsky: *Revenge of the Cheerleaders* (1976)—he was either
>> director, co-writer, cinematographer or some combination, depending on whom
>> you ask.
>>
>> 2) I've heard that Morgan Fisher was editor on *Messiah of Evil* (1973)
>> although he is not credited (he appears as an actor as well).
>>
>> 3) Bay Area '60s filmmaker (who also did light shows) Jerry Abrams
>> directed an exploitation doc on Bay Area porn culture of the '70s; I can't
>> recall the title.
>>
>> 4) Peggy Ahwesh worked on-set on some George Romero films but

Re: [Frameworks] American avant-garde filmmakers and exploitation

[Francisco Torres]

How about Slavko Vorkapich? He is credited with ''visual design'' in I Bury
the Living (1958) and created the 3D sequences of The Mask (1961).
Both films have become cult classics of the Psychotronic genre.

El jue, 11 de nov. de 2021 a la(s) 17:51, Adam Hyman (a...@lafilmforum.org)
escribió:

> Yes, talking about “Sister Midnight”
>
> I don’t know anyone else working on it.
>
>
>
> On 11/11/21, 11:18 AM, "Frameworks on behalf of jared ashburn" <
> frameworks-boun...@film-gallery.org on behalf of ashburn.ja...@gmail.com>
> wrote:
>
>
>
> Thank you Tyler and Adam! Smith, Warhol, and the Kuchar brothers are
> central to all of this and I am definitely considering their work and
> influence on this overlap. Turnock's work (this article and her book) is a
> perfect template for what I am trying to do here, but, I cannot seem to
> find anyone else (aside from James and Arthur) researching this part of the
> history of avant-garde film. For Mays, you are talking about "Sister
> Midnight," right? Thanks, again!
>
>
>
> On Wed, Nov 10, 2021 at 9:18 PM Adam Hyman  wrote:
>
> Oh, and Peter Mays made an exploitation feature as well.
>
>
>
> Best,
>
> Adam
>
>
>
> On 11/9/21, 10:27 AM, "Frameworks on behalf of Fred Camper" <
> frameworks-boun...@film-gallery.org on behalf of f...@fredcamper.com> wrote:
>
>
>
> Bette Gordon made her own feature film. It was low budget but I don't know
> if you are looking for that, or for filmmakers who worked for others? Larry
> Jordan made another, *The Apparition*, only 50 minutes according to IMDB,
> but it had that feature film, or TV-show, look. As best I can remember it
> was his own film. I definitely remember that it looked like it was trying
> to be a TV show or short feature. I love Jordan's best films, but on my one
> viewing of this one, it seemed to be not good at all, not even at what it
> was trying to do.
>
> Fred Camper
>
> Chicago
>
>
>
> On 11/9/2021 11:30 AM, jared ashburn wrote:
>
> OK, wow, this is great! Thank you for your replies--this is quite a list.
> Does anyone know if this history has been written about? I thought of David
> E. James and Paul Arthur and I looked at the chapter, "Narrating Los
> Angeles: Art Films and Independent Features," in James' book on minor
> cinemas in LA. He accounts, indirectly, for the point that David Sherman
> has made here by discussing exploitation films that exploited the
> counterculture and appropriated some styles, concepts, and techniques found
> in the New American Cinema and European art cinema. The chapter is useful
> for my research but I am looking for other articles that might address the
> history of this overlap more explicitly. If you think of something, I am
> all ears. Thank you, again, I am most appreciative. -JA
>
>
>
> List of American Avant-Garde filmmakers who also worked on low-budget, B
> and exploitation feature films in the 1960s and 70s:
>
> *Pat O'Neil *
>
> *Curtis Harrington*
>
> *Nathaniel Dorsky*
>
> *Morgan Fisher*
>
> *Jerry Abrams*
>
> *Peggy Ahwesh*
>
> *Jerome Hiler*
>
> *Betzy Bromberg*
>
> *Hy Hirsh*
>
>
>
> On Mon, Nov 8, 2021 at 10:23 PM Marc Couroux  wrote:
>
> Yes! Fisher mentions Messiah of Evil, and shows a frame of it in Standard
> Gauge.
>
> M
>
>
>
> On Mon, Nov 8, 2021 at 5:01 PM Steve Polta  wrote:
>
> Off the top of my head:
>
> 1) Nathaniel Dorsky: *Revenge of the Cheerleaders* (1976)—he was either
> director, co-writer, cinematographer or some combination, depending on whom
> you ask.
>
> 2) I've heard that Morgan Fisher was editor on *Messiah of Evil* (1973)
> although he is not credited (he appears as an actor as well).
>
> 3) Bay Area '60s filmmaker (who also did light shows) Jerry Abrams
> directed an exploitation doc on Bay Area porn culture of the '70s; I can't
> recall the title.
>
> 4) Peggy Ahwesh worked on-set on some George Romero films but I don't know
> the titles.
>
>
>
> There are surely lots more…
>
>
>
> On Mon, Nov 8, 2021 at 1:19 PM jared ashburn 
> wrote:
>
> Hi,
>
>
>
> Does anyone know of any American avant-garde filmmakers who also worked on
> low-budget features, B or exploitation films in the late 60s and 70s? This
> could be in any area of production or post-production...
>
>
>
> Thank you,
>
> Jared
>
> --
> Frameworks mailing list
> Frameworks@film-gallery.org
> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>
> --
> Frameworks mailing list
> Frameworks@film-gallery.org
> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>
>
>
>
> --
>
> @xenopraxis 
>
> xenaudial 
>
> xenaudial (b/c) 
>
> The Occulture 
>
> WKWYLF (vimeo) 
>
> --
> Frameworks mailing list
> Frameworks@film-gallery.org
> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>
>
>
> -- Frameworks mailing list Frameworks@film-gallery.org
> 

Re: [Frameworks] Need Movieola Flatbed Repair!

[Francisco Torres]

until  few years ago MPE could help you get in contact with someone
who could help you, maybe worth a try to call/write them-

https://mpenyc.com/contact

(212) 245-0969



2021-07-29 16:26 GMT-04:00, Scott Dorsey :
>> With everything but the main power switched off?the  take up plates and
>> sound heads are spinning uncontrollably.
>
> Check fuses.  If one of the low voltage power supplies comes up and the
> other does not, it will run away like this.  Check fuses before anything
> else.  (Then get the supplies recapped if they have not already been, etc.)
> --scott
>
> --
> Frameworks mailing list
> Frameworks@film-gallery.org
> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>

-- 
Frameworks mailing list
Frameworks@film-gallery.org
https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org

Re: [Frameworks] New cinema publication

[Francisco Torres]

Thanks, interesting themes for sure!

-- 
Frameworks mailing list
Frameworks@film-gallery.org
https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org