[Frameworks] Program of animated shorts looking for venues

2013-11-05 Thread Tess Martin
Hello Frameworks!
This is Tess Martin, animator currently based in The Netherlands. I've curated 
a program of animated shorts from Seattle called Strange Creatures and I'm 
putting a tour together in Europe. I'm hoping to screen in the UK and Ireland 
in March 2014 and mainland Europe July/August 2014. 

All the shorts are animated one frame at a time, and all have animal/nature 
themes.  It includes films from award-winning animators like Drew Christie and 
Bruce Bickford, and films that have previously shown in Sundance and many other 
festivals. You can see the line up here:

http://www.tessmartinart.com/?cat=177

I'm looking for venues like art house cinemas, film/art centers, etc., 
preferably venues that have some kind of budget for screening fees. I'm open to 
suggestions in all of Europe, including the UK, Ireland, France, Germany, 
Spain, Portugal, Italy, Switzerland, Austria, Czech Rep, Poland, Hungary, the 
Baltics and the Balkans. Basically, everywhere!

Any suggestions much appreciated. 

Thank you kindly,
Tess Martin
tessmar...@hotmail.com
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[Frameworks] new offerings from Laptop Hooligans

2013-11-05 Thread jaime cleeland
https://archive.org/details/AntiFilmAntiFilmInCooperationWithCameraFiend

https://archive.org/details/AntiFilmVA2

https://archive.org/details/AntiFilmVA

https://archive.org/details/AntiFilmHARDCORE
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Re: [Frameworks] beaulieu 4008 zm - NIZO 561 macro

2013-11-05 Thread Liam Dale
Hi Philippe,

I have a Braun NIZO 561 Macro in quite good shape with case and accessories 
(e.g. shutter release trigger, right-angle mirror lens attachment) I’m located 
in the Midwest, not NYC - but it would ship well in the case.

If you’re interested I would be happy to pass along photos and discuss price.

Best,
Liam

On November 1, 2013 at 11:13:28 AM, Philippe Leonard (optical...@gmail.com) 
wrote:

Anyone in the NYC area having either of those cameras in good shape that they 
might want to sell?

Happy post-Halloween day!


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[Frameworks] seminal writing on American a/g film after 76

2013-11-05 Thread Ara Osterweil
Hello all,A friend is compiling a bibliography and needs to know the 4-5 most 
important scholarly books or articles on American a/g film made after 1976. My 
scholarship on the a/g is mostly in the 60s and 70s and while I know much of 
the work that comes after, I wanted to confirm my suspicions.Suggestions 
welcome and appreciated.Thanks,Ara ___
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[Frameworks] New Irish Underground Film @ Spectacle Theater, New York

2013-11-05 Thread max le cain
An announcement from Ireland for New York-based Frameworks folk:


Six programmes of contemporary Irish underground films will be screened at New 
York's Spectacle Theater over three Thursdays: November 7th, November 21st and 
December 5th.

Says programmer Donal Foreman:

Irish cinema has never been renowned for harboring a vibrant underground or 
experimental film scene. There have been significant exceptions 
(most importantly, aspects of the Irish “First Wave” of the 1970s), but 
it’s only in recent years that a body of films has emerged that offer a 
powerful rebuttal to that perception. While to announce a fully-fledged 
“movement” would be premature, it is safe to say that the work of the 
four filmmakers featured in this series – Rouzbeh Rashidi, Maximilian Le Cain, 
Dean Kavanagh and Michael Higgins – represent an important new 
direction in Irish cinema.
For full details, please visit:

http://www.spectacletheater.com/new-irish-underground-film/

Thursday November 7th, 7.30 pm: HSP: THERE IS NO ESCAPE FROM THE TERRORS OF THE 
MIND (Rouzbeh Rashidi)
Thursday November 7th, 10pm: BIPEDALITY (Rouzbeh Rashidi)

Thursday November 21st, 7.30pm: A HARBOUR TOWN (Dean Kavanagh)
Thursday November 21st, 10pm: Short Films by Vicky Langan  Maximilian Le Cain

Thursday December 5th, 7.30pm: A HISTORY OF WATER (Dean Kavanagh) / BIRDS ON A
 WIRE (Michael Higgins)
Thursday December 5th, 10pm: WEIRD WEIRD MOVIE KIDS DO NOT WATCH THE MOVIE 
(Maximilian Le Cain  Rouzbeh Rashidi)   

Best wishes,

Max

Maximilian Le Cain
maximilianlecain.com___
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Re: [Frameworks] 16mm matchback - avid - add keycode?

2013-11-05 Thread ev petrol
hey folks
finally worked it out ... i'm using avid MC3

i had to:
open a new project in avid  choose 'film 16mm' format
import the master clip  split it into 8 subclips, each of which corresponded 
to a roll of neg (the master clip = a telecine of 8 rolls of 16mm neg)
check the key numbers on the actual neg
punch the head  tail key numbers for each roll into the aux ink columns for 
each subclip (in the avid bin)
do a rough cut with the subclips
open filmscribe  import the sequence
 after that it was easy to export an assembly list in filmscribe (just had to 
make sure that filmscribe was also set to 16mm)

i'm getting a workprint of two of the rolls though, to test the assembly list  
make sure the numbers match ...

cheers moira

 
moiratierney.net
vimeo.com/moiratierney




On Saturday, October 26, 2013 3:12 PM, Will Erokan willieben...@gmail.com 
wrote:
 
Which AVID are you using? Are key numbers the same as Ink Numbers?



On Sat, Oct 26, 2013 at 9:50 AM, Francisco Torres fjtorre...@gmail.com wrote:

Yes, the transfer to video has to has K#s encoded to be able to create a cut 
list



On Fri, Oct 25, 2013 at 1:44 PM, chris bravo iamdir...@gmail.com wrote:

not experienced with doing this, but I wonder if you put the correct timecode 
on the master clip with cinema tools (or something), then relinked the master 
file in avid to the new clip, it would automatically load the new timecode 
info. what makes me think this is not going to work is that there are 8 rolls 
in the one file, so the code is going to jump around...


maybe a crappy solution would be to lay multiple timecode generators over the 
master clip in avid, and try to get that to distribute through the subclips? 
you aren't going to get an edl, but you will be able to scrub through the 
edit and read the keycode off the screen



On Fri, Oct 25, 2013 at 1:27 PM, Isaac Brooks isaacbrook...@gmail.com wrote:

Hi, 


This was awhile ago, but I used a flex file that came with the transfer of 
my material, which had a keycode burn in. I believe this was Media Composer 
5 in about 2010. 

Not to ask the obvious, but do your dailies actually include keycode running 
along with the video? Feel free to message me off list if I can help - I 
confirmed a negative from a Media Composer 5 edit that same year. Since then 
I have not edited that way, as Avid isn't supported here where I work. 


IB



On Thursday, October 24, 2013, Francisco Torres  wrote:

There used to be a version of the Avid Software called Film composer, it had 
the capacity to handle K#s. All other Media composers COULD not do that. 
Since then it seems other versions could handle film cut lists through film 
scribe-
This may help-


http://my.safaribooksonline.com/book/video/9780240804705/chapter-7-editing-film-on-avid-nles-with-filmscribe/pg_90_40_html




On Thu, Oct 24, 2013 at 4:14 PM, ev petrol epetr...@yahoo.com wrote:

hey folks

i'm trying to figure out how to matchback some 16mm neg to an avid edit

I shot 8x100' rolls of 16mm and got video dailies back in one file
I imported that file into avid  it into 8 subclips (one for each 16mm 
100' roll) ... what i'm trying to figure out now is how to add the key 
numbers to each subclip - any tips?

i've tried going into the bin  adding them there, but avid won't let me 
type into the appropriate column (i added the column for end key code)

cheers! moira
 
moiratierney.net
vimeo.com/moiratierney

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