Re: [Frameworks] CalArts Screening in New York City
Dude, the sales pitch sucks. It's like Steve Anker's play with the opportunity to write for Incite! Everyone's an opportunist. - - - - - - - - - - - - - - - - - Hello Frameworkers! I am getting the word out about Home Movie Day in Boulder, CO. This year HMD will take place on Saturday, October 18th at The Boulder Public Library from 2-5pm. It is time to dig out your old home movies videos (16mm, Reg 8mm, Super 8mm, VHS Hi8) and bring them down to the BPL on Saturday, October 18th from 2-5pm. Friendly staff will help prep them for projection and educate you on the importance of archival practices! It is sure to be great fun for the whole family! Tell your friends! It is Free! GAMES! CANDY! PRIZES! FUN! FUN! FUN! If any you all happen to make your home along the Front Range we would love to see you next Saturday. And do please help us in spreading the word! -Eric Stewart On Friday, October 10, 2014 2:54 PM, Jesse Damazo d.jesse.dam...@gmail.com wrote: Thinking about applying to CalArts? Please join us for a screening of student work from the School of Film/Video at CalArts, followed by a QA with current faculty and a reception. The screening will take place on Thursday, October 23, at 7:00 PM at: Anthology Film Archives Maya Deren Screening Room 32 Second Ave New York, NY 10003 Prospective students will have an opportunity to learn about the many modes of film, video, and animation that CalArts supports, ask questions about the school and its programs, and also to speak with an admissions representative. Faculty in attendance include Leighton Pierce (Dean of the School of Film/Video Experimental Filmmaker), Maureen Selwood (Associate Director of Experimental Animation), and Abigail Severance (Associate Dean of External Student Affairs and Film Directing Program Faculty). Event Info and RSVP Here or at http://tinyurl.com/qbyggjy Alumni of any of our programs within the School of Film/Video at CalArts are more than welcome to attend. Alumni should RSVP by emailing jdam...@calarts.edu. Please RSVP and check in at Anthology's box office. You are more than welcome to forward this email invitation to anyone whom you know is interested in applying to CalArts. Come spend an evening with CalArts and discover what makes it a unique place to study filmmaking and animation. I hope to see you there! Best, Jesse Jesse Damazo Admissions Counselor School of Film/Video CalArts Office of Admissions 24700 McBean Parkway Valencia, CA 91355 P: 661-253-7884 jdam...@calarts.edu ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] This week [October 11 - 19, 2014] in avant garde cinema
This week [October 11 - 19, 2014] in avant garde cinema
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Enter your announcements (calls for entries, new work, screenings,
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NEW CALLS FOR ENTRIES:
=
We Have Never Been Modern: An Experimental Film
and Video Exhibition @ Dope Chapel (Norman, OK,
USA; Deadline: November 26, 2014)
http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1733.ann
Gallery 263 (Cambridge, MA, USA; Deadline: December 07, 2014)
http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1734.ann
Newport Beach Film Festival (Newport Beach,
California, USA; Deadline: October 24, 2014)
http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1735.ann
DEADLINES APPROACHING:
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Black Maria Film Festival (Jersey City, NJ, USA; Deadline: October 15, 2014)
http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1713.ann
ANOTHER EXPERIMENT BY WOMEN FILM FESTIVAL (NY
NY USA; Deadline: November 13, 2014)
http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1716.ann
Experiments in Cinema (Albuquerque, New Mexico,
USA; Deadline: November 01, 2014)
http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1722.ann
FLEXFest (Gainesville, FL, USA; Deadline: October 25, 2014)
http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1724.ann
MONO NO AWARE VIII (Brooklyn, NY USA; Deadline: October 31, 2014)
http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1727.ann
Newport Beach Film Festival (Newport Beach,
California, USA; Deadline: October 24, 2014)
http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1735.ann
Enter your event announcements by going to the Flicker Weekly Listing Form
at http://www.hi-beam.net/cgi-bin/thisweek.pl
Also available online at Flicker: http://www.hi-beam.net
THIS WEEK'S PROGRAMS (SUMMARY):
==
* Autour De L'Art Des Bruits De Luigi Russolo (Headwar + EugÃNe Deslaw
+ Jean PainlevÃ) [October 11, 93100 Montreuil, Ile-De-France, France]
* Optronica1: Davis/Tooth + Darr +
Rourke/Electric! Electric! [October 11, San Francisco, California]
* Andean-Garde: Experimental Documentation In
the andes (1963-2014) [October 12, Brooklyn, New York 11211]
* Richard Tuohy: Hand-Crafted Cinema [October 12, Los Angeles, California]
* Essential Cinema: Walden [October 12, New York, New York]
* Iris Barry Program [October 12, New York, New York]
* Shapeshifters Cinema Presents Cyrus Tabar [October 12, Oakland]
* Performance video and Colored Gloves! Gary Setzer Tommy Becker In
Person [October 12, Tucson]
* Daredevils [October 13, New York, New York]
* Daredevils [October 14, New York, New York]
* Liberte De Parole [October 15, 75005 Paris, France]
* Live video Transformation Hex! Qalhexico:
video Performance [October 15, Tucson]
* An Evening With John Smith [October 16, Chicago, Illinois]
* Mike Kuchar Program 1 [October 17, New York, New York]
* Mike Kuchar Program 2 [October 17, New York, New York]
* Home Movie Day! [October 18, Austin, Texas 78702]
* A Minor Cinema [October 18, Austin, Texas 78702]
* Home Movie Day Boston - Room B04 [October 18, Cambridge, Massachusetts]
* Essential Cinema: Reminisces of A Journey To
Lithuania [October 18, New York, New York]
* Mike Kuchar Program 3 [October 18, New York, New York]
* Show Tell: Richard Tuohy Program [October 18, New York, New York]
* A Criminal Account of Pleasure: the George
Kuchar Reader [October 18, San Francisco, California]
* Optronica2: Geduldig/Moon +
Baldwin/Dumptruck + Becker/Electronic Cabaret
[October 18, San Francisco, California]
* CinÉ-Concert: La Princesse Aux HuÎTres Et L'atelier Des Sons (Et Autres
PÉPites) [October 19, 75018 Paris, France]
* Makino Takashi: Entering A Noisy Cosmos
[October 19, Los Angeles, California]
* Essential Cinema: La Region Centrale [October 19, New York, New York]
* Show Tell: Richard Tuohy Program 2 [October 19, New York, New York]
Events are sorted by CITY within each DATE.
--
SATURDAY, OCTOBER 11, 2014
--
10/11
93100 Montreuil, Ile-De-France, France: FESTIVAL
DES CINÉMAS DIFFÉRENTS DE PARIS
8:00pm, 7 rue richard lenoir
AUTOUR DE L'ART DES BRUITS DE LUIGI RUSSOLO (HEADWAR + EUGÃNE DESLAW
+ JEAN PAINLEVÃ)
HORS LES MURS#1 DU FESTIVAL DES CINÉMAS DIFFÉRENTS DE PARIS
(1126/10/14) en partenariat avec les Instants Chavirés
Montreuil {CINÉ-CONCERT + PROJECTION + CONCERT D'HEADWAR} En 1913,
le futuriste Luigi Russolo écrivait un manifeste intitulé
L'ART DES BRUITS dans lequel il théorisait l'emploi du bruit dans
le domaine musical. Durant son séjour parisien, dans les
années 1920, Luigi Russolo accompagnait avec ses machines sonores
les
[Frameworks] CalArts School of Film/Video seeks Equipment Supervisor
PLEASE POST. CALARTS SCHOOL OF FILM/VIDEO EQUIPMENT SUPERVISOR Position Category: Non-Academic Position Title: Equipment Supervisor School/Department: Film/Video Reports To: Associate Dean, Finance Operations Time: Full Time Term of Employment: INFORMATION RESPONSIBILITIES The Equipment Supervisor oversees and maintains facilities and production equipment used by faculty, staff, and students. ESSENTIAL JOB FUNCTIONS • Responsible for the checkout and maintenance of equipment for film, video, audio production and facilities used by students, faculty, and staff for classroom and project use. • Supervise the Equipment Coordinator and Cage Technician. • Supervise and train student assistants in the operations of the School of Film/Video Equipment Cage. • Establish and implement operational policies and procedures for the use and day-to-day running of the Equipment Cage and works within the Equipment Cage on a daily basis to ensure quality and functionality of the facility including interacting with Cage student workers, faculty, staff and student clients. • Research and recommend equipment purchases for the Cage and related facilities. • Maintain the computerized database system used for reservations and checkout, billing and inventory. Provide an annual equipment inventory report. • Evaluate and analyze use of equipment and facilities. • Assign student studio rooms and lockers and oversee their use. • Meet with students to discuss thesis projects as part of the School of Film/Video Preliminary Thesis Review process. • Provide remedial instruction to students in technical use of equipment available through the Cage, as needed. • Troubleshoot equipment problems along with the in-house maintenance technician. Arrange for the repair of equipment with outside vendors. • Keep abreast of new technological developments in the production and post-production sectors. • Make arrangements for special equipment as required for classes, guests artists or individual projects. • Maintain compliance with the School of Film/Video’s safety policies and promote standards for security conscious awareness and behavior. • Provide information and support School of Film/Video technical websites and other social media sites used to inform users about the Cage. • Maintain technical literature including operations manuals as needed by students and faculty. • Participate in School of Film/Video committees on matters pertaining to equipment and maintenance. • Attend School of Film/Video faculty meetings and weekly technical faculty/staff meetings. REQUIREMENTS • Ability to work with students, faculty and staff within an art school environment. • Strong supervisory skills. QUALIFICATIONS • A combination of work experience and an Associate’s degree required. Undergraduate degree in fine arts or related field desired. • Excellent working knowledge of equipment used for digital and 16mm productions including digital video cameras, 16mm cameras, lights, grip, filters, camera support equipment for digital and film shoots, audio recording equipment, and video projectors. • Three years relevant experience in digital and film technical production support. • Individual must have strong organizational and interpersonal skills. • Experience with 2K/4K digital workflows and 16mm filmmaking. • Experience with digital video cameras and16mm cameras, 16mm and 35mm flatbeds and film and video projectors. • Experience with a wide range of lenses, lights, filters, grip and camera accessories and support items. • Experience with sound equipment including hard-drive recorders, mixers, and microphones. • Experience with Mac computers and operating system. HOW TO APPLY This position is available immediately. If you are interested, please submit a cover letter and resume to rk...@calarts.edu. Please indicate in the subject line: Equipment Supervisor in order to be considered. EQUITY DIVERSITY CalArts is proud of its diverse student body and deeply committed to supporting the cultural and artistic aspirations of all its students. A commitment to increasing opportunities for low-income students and currently disenfranchised groups is necessary, as is the desire to work to support institutional goals of equity and diversity in an ongoing way. CalArts is an Equal Opportunity Employer (EOE). In our efforts to reach a diverse application pool, please follow the link to fill out an optional survey: http://www.surveymonkey.com/s/Eq_Div FURTHER INFORMATION CalArts has a multidisciplinary approach to its studies of the arts through six schools: Art, Critical Studies, Dance, Film/Video, Music and Theater. CalArts encourages students to explore and recognize the complexity of the many aspects of the arts. It is supported by a distinguished faculty of practicing artists and provides its Bachelor and Master of Fine Arts students with the hands-on training
[Frameworks] CARAVAN: DOUBLE FEATURE live expanded cinema w/ van as film projector TONIGHT 7:30pm at Microscope Gallery Brooklyn
by Evan Dawson Paign Phillips, admission is FREE If you're in town, please join us for the New York incarnation of “Caravan: Double Feature” expanded cinema and performance event by Evan Dawson and Paige Phillips TONIGHT in our entrance garage (therefore rain is no problem). Held shortly after sundown, a 16mm film of two wanderers is projected via the van’s headlights by transforming part of an existing building into a canvas. The film loops around the side profile of the vehicle and the headlights have been replaced by projectors. Performance intervals by the two collaborating artists change the dynamic of the surrounding social space. The energy needed for the event is generated from the car’s battery, while two bricks on the gas pedal keep the battery charged. By the end of this trip Caravan will have held public events in Columbus, OH, Matewan, WV, Philadelphia, PA, Washington D.C., and New York, NY. more info: www.microscopegallery.com Microscope Gallery (NOTE NEW ADDRESS) 1329 Willoughby Ave, #2b (btwn Wyckoff St. Nicholas) Brooklyn, NY 11237 tel: 347.925.1433 i...@microscopegallery.com ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Zoom lens and camera used for Wavelength
Hello FrameWorkers, I have read that Snow used a camera and zoom lens on loan from Ken Jacobs and that the lens was an Angenieux. Can anyone verify this? I am particularly interested in the focal length of the lens he used. I found a history of the zoom lenses they made and think I can narrow it down but it would still be a guess. Maybe the 10 x 12 (F=12 - 120mm) or F17 - 68 F/2.2? http://www.angenieux.com/zoom-lenses/history/ Thank you, Jared. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Zoom lens and camera used for Wavelength
In the early seventies, the 12-120 was the lens to have, and all of the TV guys were desperate for the things because they had such a huge range of focal lengths. They were ubiquitous for a good while, but they really weren't very sharp. Angenieux made hundreds of different lenses back then... and some of them were better than others but if someone said french zoom your first thought was probably that 12-120. --scott ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
