[Frameworks] new work
would like to share my new work Haii Yuuko Death Of Contemporary Music ( Jp) ANTI FILM : ONE NASTY LITTLE FUCKER : Free Download Streaming : Internet Archive | | | | | | | | | | | Haii Yuuko Death Of Contemporary Music ( Jp) ANTI FIL...Japanese artist Haii YuukoTrack: Death of Contemporary MusicANTI-FILM Beast Engineering | | | | View on archive.org | Preview by Yahoo | | | | | ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] FrameWorks Digest, Vol 54, Issue 9
Hi check out my film 77 Years of deja vu on vimeo . Peter Lichter 2014.11.07. 13:00 ezt írta ( frameworks-requ...@jonasmekasfilms.com): Send FrameWorks mailing list submissions to frameworks@jonasmekasfilms.com To subscribe or unsubscribe via the World Wide Web, visit https://mailman-mail5.webfaction.com/listinfo/frameworks or, via email, send a message with subject or body 'help' to frameworks-requ...@jonasmekasfilms.com You can reach the person managing the list at frameworks-ow...@jonasmekasfilms.com When replying, please edit your Subject line so it is more specific than Re: Contents of FrameWorks digest... Today's Topics: 1. Re: lab for painted film (Myron Ort) 2. Films incorporating déjà vu (Daniel Maldonado) 3. new work (jaime cleeland) -- Továbított levél -- From: Myron Ort z...@sonic.net To: Experimental Film Discussion List frameworks@jonasmekasfilms.com Cc: Date: Thu, 6 Nov 2014 21:32:40 -0800 Subject: Re: [Frameworks] lab for painted film I had a long conversation with Colorlab. Glad to know of their services. On Nov 5, 2014, at 5:05 PM, Jon Behrens wrote: Hi Myron You might want to just use an optical printer, but I am sure there is a lab out there that will do this try colorlab good luck Jon From: z...@sonic.net Date: Fri, 31 Oct 2014 22:17:02 -0700 To: frameworks@jonasmekasfilms.com Subject: Re: [Frameworks] lab for painted film Are there any labs that will still make a 16mm color inter negative from hand painted original? Nothing flaky about the paint and some is just scene toning. Myron Ort ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- Továbított levél -- From: Daniel Maldonado gashousefi...@gmail.com To: frameworks@jonasmekasfilms.com frameworks@jonasmekasfilms.com Cc: Date: Fri, 7 Nov 2014 02:05:31 -0500 Subject: [Frameworks] Films incorporating déjà vu Looking for examples of films that have made attempts at visually capturing ( even narratively) this unique sensation Thanks in advance Daniel -- Továbított levél -- From: jaime cleeland ethnom...@yahoo.co.uk To: frameworks@jonasmekasfilms.com frameworks@jonasmekasfilms.com Cc: Date: Fri, 7 Nov 2014 11:11:15 + (UTC) Subject: [Frameworks] new work would like to share my new work https://archive.org/details/HaiiYuukoDeathOfContemporaryMusicJpANTIFILM Haii Yuuko Death Of Contemporary Music ( Jp) ANTI FILM : ONE NASTY LITTLE FUCKER : Free Download Streaming : Internet Archive https://archive.org/details/HaiiYuukoDeathOfContemporaryMusicJpANTIFILM [image: image] https://archive.org/details/HaiiYuukoDeathOfContemporaryMusicJpANTIFILM Haii Yuuko Death Of Contemporary Music ( Jp) ANTI FIL... https://archive.org/details/HaiiYuukoDeathOfContemporaryMusicJpANTIFILM Japanese artist Haii YuukoTrack: Death of Contemporary MusicANTI-FILM Beast Engineering View on archive.org https://archive.org/details/HaiiYuukoDeathOfContemporaryMusicJpANTIFILM Preview by Yahoo ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Films incorporating déjà vu
Hi Daniel! In narrative film, Don't Look Now does something similar. Vera On Nov 7, 2014, at 0:05, Daniel Maldonado gashousefi...@gmail.com wrote: Looking for examples of films that have made attempts at visually capturing ( even narratively) this unique sensation Thanks in advance Daniel ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Constructing A Foley / Sound Studio
Hi folks, We are looking at constructing a sound booth that would ideally operate as a foley space as well. There is an existing classroom space roughly 15' by 30' that can be utilized. I know there are small phone booth like booths that can be purchased and constructed up to renovating the space into a proper two room foley studio. I'm curious what other programs have constructed to meet foley and recording studio needs. We'd like to construct something beyond applying sound-proofing to the walls! Thanks, Matt Shaw Media Technician Film Dept. Vassar College 845.437.5499 KD9AOM http://mshaw410.wix.com/thosedarktrees ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Films incorporating déjà vu
Thanks Vera! It's been awhile since Flaherty- I hope you're well! On Nov 7, 2014, at 8:30 AM, Vera Brunner-Sung vbs...@gmail.com wrote: Hi Daniel! In narrative film, Don't Look Now does something similar. Vera On Nov 7, 2014, at 0:05, Daniel Maldonado gashousefi...@gmail.com wrote: Looking for examples of films that have made attempts at visually capturing ( even narratively) this unique sensation Thanks in advance Daniel ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Films incorporating déjà vu
Dark City and there is this... https://www.youtube.com/watch?v=G2eUopy9sd8 2014-11-07 10:42 GMT-04:00 Daniel Maldonado gashousefi...@gmail.com: Thanks Vera! It's been awhile since Flaherty- I hope you're well! On Nov 7, 2014, at 8:30 AM, Vera Brunner-Sung vbs...@gmail.com wrote: Hi Daniel! In narrative film, Don't Look Now does something similar. Vera On Nov 7, 2014, at 0:05, Daniel Maldonado gashousefi...@gmail.com wrote: Looking for examples of films that have made attempts at visually capturing ( even narratively) this unique sensation Thanks in advance Daniel ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Films incorporating déjà vu
Resnais films may be related to deja vu... https://www.youtube.com/watch?v=HElwY3rt8t0 2014-11-07 11:30 GMT-04:00 Francisco Torres fjtorre...@gmail.com: Dark City and there is this... https://www.youtube.com/watch?v=G2eUopy9sd8 2014-11-07 10:42 GMT-04:00 Daniel Maldonado gashousefi...@gmail.com: Thanks Vera! It's been awhile since Flaherty- I hope you're well! On Nov 7, 2014, at 8:30 AM, Vera Brunner-Sung vbs...@gmail.com wrote: Hi Daniel! In narrative film, Don't Look Now does something similar. Vera On Nov 7, 2014, at 0:05, Daniel Maldonado gashousefi...@gmail.com wrote: Looking for examples of films that have made attempts at visually capturing ( even narratively) this unique sensation Thanks in advance Daniel ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Films incorporating deja vu
I feel like this query has come up before... Looking for examples of films that have made attempts at visually capturing ( even narratively) this unique sensation Thanks in advance Daniel ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Films incorporating déjà vu
Bela Tarr's Satan Tango has an early scene that is repeated about 4 hours latter (the film is 450 mins) in the film that is exactly the same, just done as a reverse shot of the same action (tracking).-David On Fri, Nov 7, 2014 at 12:05 AM, Daniel Maldonado gashousefi...@gmail.com wrote: Looking for examples of films that have made attempts at visually capturing ( even narratively) this unique sensation Thanks in advance Daniel ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- David Sherman 646 E. 5th Street Tucson, AZ 8705 520-366-1573 www.explodedviewgallery.org www.davidshermanfilms.com ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Films incorporating déjà vu
Rivette: Celine and Julie go Boating (if memory serves)? Bunuel: The Exterminating Angel (ditto)? Hitchcock: Vertigo, Nicky. -Original Message- From: David Sherman davidgatessher...@gmail.com To: Experimental Film Discussion List frameworks@jonasmekasfilms.com Sent: Fri, 7 Nov 2014 15:47 Subject: Re: [Frameworks] Films incorporating déjà vu Bela Tarr's Satan Tango has an early scene that is repeated about 4 hours latter (the film is 450 mins) in the film that is exactly the same, just done as a reverse shot of the same action (tracking).-David On Fri, Nov 7, 2014 at 12:05 AM, Daniel Maldonado gashousefi...@gmail.com wrote: Looking for examples of films that have made attempts at visually capturing ( even narratively) this unique sensation Thanks in advance Daniel ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- David Sherman 646 E. 5th Street Tucson, AZ 8705 520-366-1573 www.explodedviewgallery.org www.davidshermanfilms.com ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] new book, AVANT-DOC
*Dear Frameworkers,* *Here is the Press's description of my new book, AVANT-DOC: Intersections of Documentary and Avant-Garde Cinema. The book may be of interest for some of you:* *Avant-Doc*: 23 in-depth interviews exploring the intersections between documentary and avant-garde filmmaking. Scott MacDonald reviews early overlaps between what have seemed two distinct traditions, then talks with seminal figures in the evolution of ethnographic film (Robert Gardner and Lucien Castaing-Taylor, founder of Harvard’s Sensory Ethnography Lab, avant-doc’s most productive studio) and personal documentary (Ed Pincus, Alfred Guzzetti, Ross McElwee, Nina Davenport, Jonathan Caouette) and with crucial contributors to the modern European “avant-doc”: Dutch-Indonesian Leonard Retel Helmrich, Austrian Michael Glawogger, and Portuguese Susana de Sousa Dias. Paweł Wojtasik discusses how a mystical experience freed him from depression so that he could realize a cinematic form of perceptual transcendence; and Todd Haynes discusses his early faux documentary, *Superstar: the Karen Carpenter Story* and how his early experiences with avant-garde filmmakers and experimental documentaries paved the way for the commercial anti-biopic *I’m Not There*. MacDonald’s interviews with filmmakers who have been working for decades create a context for a panorama of discussions about recent breakthroughs, including Jane Gillooly’s *Suitcase of Love and Shame*, Amie Siegel’s *DDR/DDR*, Alexander Olch’s *The Windmill Movie*, Betzy Bromberg’s *Voluptuous Sleep*, Godfrey Reggio’s *Visitors*, Castaing-Taylor and Véréna Paravel’s *Leviathan*, Jennifer Proctor’s *A Movie by Jen Proctor*, and Stephanie Spray and Pacho Velez’s *Manakamana*. The 22 filmmaker interviews are preceded by a conversation with Annette Michelson about what led to her early championing of documentary pioneer Dziga Vertov and avant-garde filmmakers Stan Brakhage, Yvonne Rainer, and Hollis Frampton in *Artforum*. An extended discussion of the thinking behind Harvard’s Sensory Ethnography Lab concludes the volume. *Best,* *Scott* *Scott MacDonald* ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] new book, AVANT-DOC
*PS Oops, I meant to say Oxford University Press.Sorry!* On Fri, Nov 7, 2014 at 8:01 AM, Scott MacDonald smacd...@hamilton.edu wrote: *Dear Frameworkers,* *Here is the Press's description of my new book, AVANT-DOC: Intersections of Documentary and Avant-Garde Cinema. The book may be of interest for some of you:* *Avant-Doc*: 23 in-depth interviews exploring the intersections between documentary and avant-garde filmmaking. Scott MacDonald reviews early overlaps between what have seemed two distinct traditions, then talks with seminal figures in the evolution of ethnographic film (Robert Gardner and Lucien Castaing-Taylor, founder of Harvard’s Sensory Ethnography Lab, avant-doc’s most productive studio) and personal documentary (Ed Pincus, Alfred Guzzetti, Ross McElwee, Nina Davenport, Jonathan Caouette) and with crucial contributors to the modern European “avant-doc”: Dutch-Indonesian Leonard Retel Helmrich, Austrian Michael Glawogger, and Portuguese Susana de Sousa Dias. Paweł Wojtasik discusses how a mystical experience freed him from depression so that he could realize a cinematic form of perceptual transcendence; and Todd Haynes discusses his early faux documentary, *Superstar: the Karen Carpenter Story* and how his early experiences with avant-garde filmmakers and experimental documentaries paved the way for the commercial anti-biopic *I’m Not There*. MacDonald’s interviews with filmmakers who have been working for decades create a context for a panorama of discussions about recent breakthroughs, including Jane Gillooly’s *Suitcase of Love and Shame*, Amie Siegel’s *DDR/DDR*, Alexander Olch’s *The Windmill Movie*, Betzy Bromberg’s *Voluptuous Sleep*, Godfrey Reggio’s *Visitors*, Castaing-Taylor and Véréna Paravel’s *Leviathan*, Jennifer Proctor’s *A Movie by Jen Proctor*, and Stephanie Spray and Pacho Velez’s *Manakamana*. The 22 filmmaker interviews are preceded by a conversation with Annette Michelson about what led to her early championing of documentary pioneer Dziga Vertov and avant-garde filmmakers Stan Brakhage, Yvonne Rainer, and Hollis Frampton in *Artforum*. An extended discussion of the thinking behind Harvard’s Sensory Ethnography Lab concludes the volume. *Best,* *Scott* *Scott MacDonald* ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] new book, AVANT-DOC
Thank you M. MacDonald! Will surely contribute greatly to my research and others. Best, Luiz Garcia 2014-11-07 17:05 GMT+01:00 Scott MacDonald smacd...@hamilton.edu: *PS Oops, I meant to say Oxford University Press.Sorry!* On Fri, Nov 7, 2014 at 8:01 AM, Scott MacDonald smacd...@hamilton.edu wrote: *Dear Frameworkers,* *Here is the Press's description of my new book, AVANT-DOC: Intersections of Documentary and Avant-Garde Cinema. The book may be of interest for some of you:* *Avant-Doc*: 23 in-depth interviews exploring the intersections between documentary and avant-garde filmmaking. Scott MacDonald reviews early overlaps between what have seemed two distinct traditions, then talks with seminal figures in the evolution of ethnographic film (Robert Gardner and Lucien Castaing-Taylor, founder of Harvard’s Sensory Ethnography Lab, avant-doc’s most productive studio) and personal documentary (Ed Pincus, Alfred Guzzetti, Ross McElwee, Nina Davenport, Jonathan Caouette) and with crucial contributors to the modern European “avant-doc”: Dutch-Indonesian Leonard Retel Helmrich, Austrian Michael Glawogger, and Portuguese Susana de Sousa Dias. Paweł Wojtasik discusses how a mystical experience freed him from depression so that he could realize a cinematic form of perceptual transcendence; and Todd Haynes discusses his early faux documentary, *Superstar: the Karen Carpenter Story* and how his early experiences with avant-garde filmmakers and experimental documentaries paved the way for the commercial anti-biopic *I’m Not There*. MacDonald’s interviews with filmmakers who have been working for decades create a context for a panorama of discussions about recent breakthroughs, including Jane Gillooly’s *Suitcase of Love and Shame*, Amie Siegel’s *DDR/DDR*, Alexander Olch’s *The Windmill Movie*, Betzy Bromberg’s *Voluptuous Sleep*, Godfrey Reggio’s *Visitors*, Castaing-Taylor and Véréna Paravel’s *Leviathan*, Jennifer Proctor’s *A Movie by Jen Proctor*, and Stephanie Spray and Pacho Velez’s *Manakamana*. The 22 filmmaker interviews are preceded by a conversation with Annette Michelson about what led to her early championing of documentary pioneer Dziga Vertov and avant-garde filmmakers Stan Brakhage, Yvonne Rainer, and Hollis Frampton in *Artforum*. An extended discussion of the thinking behind Harvard’s Sensory Ethnography Lab concludes the volume. *Best,* *Scott* *Scott MacDonald* ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Constructing A Foley / Sound Studio
Matt: I doubt you'll find good models at other schools. In my travels, college sound facilities have either been created from the ground up as part of an expensive building project, or jury rigged into some existing space so cheaply and poorly they're barely worth having. If you can find any schools that have gone a DIY route, they'll probably be useful mostly in telling you what NOT to do. I've have experience with some small pre-fab booths, and they all stunk. Also, they are designed as essentially the opposite of what you want: the idea being the talent goes into the booth to do a VO. To get anything functional, you're going to need a custom constructed studio booth designed to fit the room. The materials with need to be custom cut, and the booth will likely need to be constructed mostly in the room, rather than making larger sections in another location and assembling them in the space. I would guess you could hire a contractor who specializes in sound booth construction to create something for you, but i'd also guess the cost would be prohibitive. There are any number of books that lay out principles and methods for DIY booth construction. Perhaps you could work with the college's physical plant to design and build something 'yourself' (that is, within the college). I would guess what you can accomplish will depend on how much time you (Matt) can put into it. That would be an advantage your program has over most small college film programs: your labor, knowledge and commitment to getting it right.. Since it's an educational facility it doesn't have to look nice to impress clients, it just has to be functional. Whatever you save on aesthetics, do not scrimp on basic functionality. You'll need a serious double pane glass sound isolating window, serious sound seals on the door(s). The trick is the sound isolation of the booth. It's ideally a six-sided double-walled room within the classroom, with the bottom decoupled from the classroom floor, and the inner and outer wall of the booth decoupled... There are a number of books, and maybe even some plans on the web. I have no familiarity with any of them. This one was recommended: http://www.barnesandnoble.com/w/home-recording-studio-rod-gervais/1100355128?ean=9781435457171 I'd probably do plenty of research, check several books, before making any plans. Other things that are not going to be cheap: A classroom probably has old-school tube fluorescent overhead lighting which will have to be replaced. LED lamps probably, but I don't know if they have counter-EMF issues. You'll probably have to isolate the stage part of the room from the buildings ventilation and heating system, as that's likely to go on and off at will and generate too much noise. Then you'll need a way to ventilate the booth, as it will be a sealed space and the equipment in it will generate heat. Finally, classrooms have a shit-ton of echo and you'll need serious sound deadening treatments for the walls and ceiling. In short, it's a major project, and if you can't do it right, it's probably not worth doing at all. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
