Re: [Frameworks] processing 16mm Tri X as negative in a bucket like a savage

2015-07-28 Thread Mark Street
Thanks so much, Roger.  This is excellent.

all the best,
Mark Street

On Mon, Jul 27, 2015 at 6:14 PM, Roger D. Wilson rogerdwil...@sympatico.ca
wrote:

  This may help you out Mark, it's a post from my blog.

   Hand Processing 16mm black and white film
 Materials for processing film as negative:

  Kodak D-76 Developer (powder)
 Kodak Rapid Fixer with Hardener (do not mix in hardener if you plan to
 tint and tone film)
 2 - 4 litre photographic chemical storage containers
 1 Flat-top thermometer
 1 Measuring graduate
 4 - large 10 litre pails (purchase paint mixing pails from Home Depot)
 1 Funnel
 1 Pair rubber gloves
 1 Face mask
 1 Pair scissors
 1 Length of string and clothes pegs
 1 Pair goggles
 1 Photographers loupe
 1 Watch that glows in the dark


  You should process film in a room that has running water. The room
 should also have good ventilation. You will need complete darkness to
 process the film so the room also needs to be light tight. Bathrooms work
 best and most have a ceiling fan. If your bathroom has a window you can
 cover it with black foam core or any material that will prevent light from
 leaking in. Turn lights off and wait a few minutes and let your eyes adjust
 to the darkness. If you see your hands in front of your face it is not dark
 enough.

  Caution: Remember you are working with chemicals so be careful and use
 goggles, rubber gloves and process the film in a well ventilated room.

  Step by Step Instructions

  To develop film as negative:

  1. Pre-mix chemicals using Kodak’s instructions on packaging. Store
 chemicals in proper photographic storage containers. Label the containers
 with contents and date of mixing. I usually replace developer after 1000’
 of 16 film or after it has sat for more than two months. Fixer lasts longer
 so check mixing instructions for how long to store chemicals.

  2. I usually use warm water to mix the chemicals so I allow the
 chemicals to sit until they get to room temperature before I start to
 process film. Kodak recommends processing the film in developer that is
 between 20 and 24 degrees Celsius temperature. The warmer the water the
 shorter the develop time.

  3. Place side by side on the floor or in tub your 4 pails. Pour into the
 first pail the Kodak Developer then fill the pail directly beside it with
 water. In the third pail pour in the Rapid Fixer and fill the fourth pail
 with water.

  4. Double check that your room is light tight, if not fix light leaks
 before processing film.

  5. If room is completely dark then take your roll of exposed 16mm film
 out of its film can. Unravel in your hand the amount of film you wish to
 process. The less you process at a time the cleaner your results will be
 (less scratches and unprocessed areas). Place film that you will not be
 processing back into film can and secure it so light does not expose it
 when you turn the lights back on.

  6. Take the film that is in your hand and dunk it into the D-76
 developer, continuously agitate the film during processing. I usually
 process black and white film for 3.5 minutes in D-76 chemicals but I
 recommend doing your own tests as well because this also depends on how you
 expose your film in camera.

  7. At the 3.5 minute point take film out of Developer and dunk in water
 and rinse film, agitate film in water for 2 minutes.

  8. At 2 minute point pull film out of water and dunk in Rapid Fixer.
 Agitate the film in the Fixer for 4 to 6 minutes.

  9. After the film has been fixed pull it out and place it in the final
 water rinse. At this point you can turn the lights back on. I usually rinse
 the film for at least 20 minutes, replenishing the water a couple times.

  10. After rinsing hang the film up on a string to dry.

  11. After the film has completely dried find tail end and roll back onto
 spool/core.

  12. Exposure times using G-3 Morse Tank and D-76 Developer

  Developer 8 minutes: 8 passes through tank (1 pass would be transferring
 entire roll from one reel to the other), each pass should take about a
 minute.

  Rinse in water 6 minutes: I like to really rinse my film off well so
 that my chemicals last longer. I fill the tank up with fresh water between
 each full cycle pass (full cycle pass would be transferring the entire roll
 of film from one reel to the other and then back again to first reel). I do
 this three times, each full cycle taking 2 minutes in total depending on
 how fast you turn handle.

  Fix in Kodak Rapid fixer 12 minutes: 12 passes through tank (1 pass
 would be transferring entire roll from one reel to the other), each pass
 should take about a minute.

  Final Rinse in water 25 minutes: Rinse film off well because any fix
 left on film will leave white marks behind. I fill the tank up with fresh
 water between each full cycle pass (full cycle pass would be transferring
 the entire roll of film from one reel to the other and then back again to
 first reel). I do this eight times, each full 

Re: [Frameworks] Upcoming workshop: 16mm optical sound @ Cineworks Annex!

2015-07-28 Thread 40 Frames
Hooray for Maurer !



On Tue, Jul 28, 2015 at 6:21 PM, Jesse Andrewartha curiousol...@gmail.com
wrote:

 Cineworks Annex is excited to announce a 16mm sound-on-film workshop,
 scheduled for August 15/16, 2015.

 Invented in the 1920’s, optical sound was the dominant form of sound
 reproduction for motion picture film for over 80 years. Yet modern
 independent analogue filmmakers largely content themselves with silent
 films, unaware of how simple optical sound can be.

 Over the two days, participants will be introduced to the history, theory,
 equipment and the process of applying optical sound to film. Using the
 facilities at the Annex, each participant will record their own optical
 soundtrack to print and walk away with their own 16mm sound film!

 Here are the links for the event and details:

 http://www.cineworks.ca/attend/event/118
 http://optical-sound.eventbrite.ca

 Hope to see you there!

 -Jesse Andrewartha-
 Cineworks Annex Technical Coordinator

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Portland, Oregon USA

+1 503 231 6548
www.40frames.org
www.16mmdirectory.org
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[Frameworks] Upcoming workshop: 16mm optical sound @ Cineworks Annex!

2015-07-28 Thread Jesse Andrewartha
Cineworks Annex is excited to announce a 16mm sound-on-film workshop, scheduled 
for August 15/16, 2015.

Invented in the 1920’s, optical sound was the dominant form of sound 
reproduction for motion picture film for over 80 years. Yet modern independent 
analogue filmmakers largely content themselves with silent films, unaware of 
how simple optical sound can be.

Over the two days, participants will be introduced to the history, theory, 
equipment and the process of applying optical sound to film. Using the 
facilities at the Annex, each participant will record their own optical 
soundtrack to print and walk away with their own 16mm sound film!

Here are the links for the event and details:

http://www.cineworks.ca/attend/event/118
http://optical-sound.eventbrite.ca

Hope to see you there!

-Jesse Andrewartha-
Cineworks Annex Technical Coordinator___
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FrameWorks@jonasmekasfilms.com
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[Frameworks] 35mm Oxberry Master Stand Parts for Sale!

2015-07-28 Thread Casey Herbert
Hello all,

 

I am parting out an Oxberry Master series stand. It has a 25AN camera head
on it w/35mm guts, along with other nice bits. I'm keeping the compound, but
there are a set of rollbacks, shadow board, mags, shortened columns, base,
cams, castings etc
This is an immediate tear down, so let me know of any interest quickly. 

Casey Herbert
919-682-3411

 

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