Re: [Frameworks] Request help in contacting a filmmaker

[Angelica Cuevas Portilla]

Hi Shumona, 

Normally you can find him at this address: 

mononoawaref...@gmail.com 

Cheers, 

Angélica 

---

Angélica Cuevas Portilla
MEX-PARISMENTAL
85 boulevard Brune
75014 Paris
France
+33-6-64 24 09 10
@MexParismental [3]
https://www.facebook.com/MexParismental
***

On 2019-07-18 20:47, Shumona Goel wrote:

> Does anyone have Steve Cossman's email address? 
> 
> Thanks! 
> 
> On Tuesday, March 26, 2019, Benjamin R. Taylor  
> wrote:
> 
>> In collaboration with la lumière collective, VISIONS presents : Karissa Hahn
>> 
>> [Filmmaker present | Projection HD]
>> 
>> +++
>> 
>> 12.04.19
>> GIZMO-NIGHTMARE
>> [Works by Karissa Hahn]
>> 
>> (I)Frame | Andrew Kim & Karissa Hahn
>> 2016 | col. | sound | 35mm & HD | 11 mins
>> Please step out of the frame
>> 2018 | b | sound | Super 8 | 5 mins
>> open window
>> 2016 | col. | sound | Digital8 | 2 mins
>> Effigy in Emulsion
>> 2014 | col. | sound | 16mm to Digital | 3 mins
>> Inkjet 3056A
>> 2014 | col. | silent | 16mm | 5 mins
>> Future Light
>> 2018 | col. | sound | 16mm | 7 mins
>> Regal
>> 2015 | col. | sound | 16mm | 3 mins
>> Before the Portrait
>> 2012 | col. | silent | 16mm to Digital | 2 mins
>> ___
>> 2016 | b | sound | Super 8 to Digital | 3 mins
>> 1_ _ _ _1
>> 2015 | b | sound | Super 8 to Digital | 3 mins
>> Bloopers
>> 2017 | b | sound | Super 8 to Digital | 3 mins
>> Chipping Off, too
>> 2014 | col. | sound | SD | 1 mins
>> 
>> +++
>> 
>> 20H [portes 19H] | 7$ | la lumière collective [7080, rue Alexandra, #506, 
>> Montréal, QC, H2S 3J5 [1]]
>> 
>> +++
>> 
>> More info | Plus d'info : http://www.visionsmtl.com/karissa-hahn.html [2]
> 
> ___
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Re: [Frameworks] Films on dreams / sleep?

[Angelica Cuevas Portilla]

Hi Sara, 

You'll like to see: Salomon Nagler: Black Salt Water Elegy 16mm to HD,
B, Runtime: 16:00, 2010 

But check also his early works (2007) 

http://cinemaofruins.com/shortfilms.php 

Check the early works of Deco Dawson too:  

http://decodawson.com/page6/page2/page31/index.html 

I'm thinking of other films. but I'll let you know later 

Cheer! 

Angélica 

---

Angélica Cuevas Portilla
MEX-PARISMENTAL
85 boulevard Brune
75014 Paris
France
+33-6-64 24 09 10
@MexParismental [1]
https://www.facebook.com/MexParismental
***
VivalaVidaFoodLAB
 [2]@VivalaVidaFoodLAB [3]

On 2019-06-06 06:39, Sara Suarez wrote:

> Hi all,  
> I'm looking for suggestions on films about dreams, dreaming, sleep, 
> hypnagogia, etc. - and/or filmmakers whose work or practice strongly relates 
> to those. That is, films where these subjects / experiences are a main focus, 
> or have particularly interesting or uncommon approaches. 
> Thanks! 
> Sara 
> ___
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Re: [Frameworks] (S8) Mostra de Cinema Periférico in A Coruña, Spain

[Angelica Cuevas Portilla]

Enhora buena Elena! 

Està increible el programa! 

Buena muestra!!

---

Angélica Cuevas Portilla
MEX-PARISMENTAL
85 boulevard Brune
75014 Paris
France
+33-6-64 24 09 10
@MexParismental [1]
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***
VivalaVidaFoodLAB
 [2]@VivalaVidaFoodLAB [3]

On 2018-05-25 09:17, Elena Duque wrote:

> Dear Frameworkers 
> 
> Just a note to let you know that today we are launching the 9th edition of 
> (S8) Mostra de Cinema Periférico, that will take place in A Coruña, Northern 
> Spain, during the next 10 days.  
> 
> Under the title LUX ALGEBRA, this edition refers to the concept of algebra - 
> the branch of mathematics that studies the combination of elements of 
> abstract structures according to certain rules - and that of lux - the unit 
> of measurement of light-, with the intention of insisting on the cinema as a 
> result of a combination of elements, and through the selection of works in 
> which time and structure are fundamental. With key figures such as ERNIE GEHR 
> and KURT KREN, and filmmakers such as SCOTT STARK and CHRIS KENNEDY (as well 
> as two programs of historical and contemporary films, one of them on 
> Structural Sound curated by ALBERT ALCOZ), we will break down the theme of 
> this new edition. 
> 
> Another of the essential figures that will visit the Mostra is the Canadian 
> PHILIP HOFFMAN, one of the masters of the art of the personal cinema and 
> diary film, and promoter of the educational project Film Farm. The filmmaker 
> FRIEDL VOM GRÖLLER will be in A Coruña with her 16mm portraits, continuing 
> her portentous work in the field of photography, and the Argentinian 
> filmmaker PABLO MAZZOLO will present a program on his work. The seminal 
> independent film distributor CANYON CINEMA, which has been 50 years active 
> will celebrate its anniversary here with a program curated by ANTONELLA 
> BONFANTI, under the title California Dreaming,  
> 
> In the classic section DESBORDAMIENTOS, we will have the film performances by 
> the Colombian-German duo based in Berlin OJOBOCA, who will premiere a new 
> work in (S8), in addition to the works by SCOTT STARK, PABLO MAZZOLO and TONO 
> MEJUTO, who will premiere Reliefs, the result of the first BAICC residence, 
> organized by the (S8) in collaboration with Acción Cultural Española and 
> Toronto LIFT. 
> 
> SINAIS continues to bring Galician cinema to front, this time with a complete 
> retrospective of the combative work of MARÍA RUIDO. In addition, SINAIS EN 
> CURTO collects the best of the Galician filmmakers, with works by ALBERTE 
> PAGÁN, LARA AND NOA CASTRO, ÁNGEL SANTOS, HELENA GIRÓN AND SAMUEL DELGADO, 
> FINISHING WITH MARCOS PÉREZ AND MARTIN PAWLEY. 
> 
> Regarding exhibitions, we will have an exhibition on film diagrams and 
> scores, Cinema on Paper (with works by PAUL SHARITS, ROSE LOWDER, KURT KREN, 
> R. BRUCE ELDER, BILL BRAND, PETER KUBELKA, LIS RHODES AND DORA MAURER), that 
> will have a special presentation during the days of the festival of LIS 
> RHODES'_ LIGHT MUSIC_ (courtesy of LUX). We also have an installation by 
> ERNIE GEHR,_ AS IF_, as well as a exhibition of video works by Galician 
> filmmaker MARÍA RUIDo. 
> 
> You can find more information and the full program here: 
> http://www.s8cinema.com/portal/en/ 
> https://www.youtube.com/watch?v=OEnpPCvj0Os 
> 
> You are all invited to come as usual, and in case you can not come this time, 
> save the dates for the next year! 
> 
> Thanks for your attention and my warmest regards, 
> -- 
> 
> Elena Duque Viña
> Telf: (+34) 605431072 
> http://cargocollective.com/elenaduque 
> ___
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Re: [Frameworks] Blackbox

[Angelica Cuevas Portilla]

There has nothing to do with the quality of screening it is just
about the importance of "premiere" and in this case for UK films.  

But as I can guess, your films and not from UK. So you don't have to
worry about it neither point out it's incongruity because there are a
lot of festivals that ask for this... so personally I don't think
there's is incongruity... 

A lot of filmmakers choose this option, to put a password for their
on-line previewing 

Where were you all these past years? 

When we don't agree with terms like this... we don't send our work! 

Happy Holidays !! 

Cheers 

Angélica 

---

Angélica Cuevas Portilla
MEX-PARISMENTAL
85 boulevard Brune
75014 Paris
France
+33-6-64 24 09 10
@MexParismental [3]
https://www.facebook.com/MexParismental
***

On 2017-12-28 20:04, Esperanza Collado wrote:

> I do understand the incongruity you are trying to point out, but it's not the 
> same to watch an online preview, which sometimes can be a domestic screener 
> instead of a professional telecine watched on a laptop, than to experience a 
> print or a digital work projected properly in a darkened space with the 
> adequate sound system, etc. For some of us the_ conditions of reception and 
> enunciation_ of the work can become an integral part of the work itself. 
> Perhaps the festival you are referring to acknowledges and values this kind 
> of works.  
> 
> 2017-12-28 2:35 GMT+01:00 Bernard Roddy :
> 
>> "If your film can be viewed online without a password it will
>> unfortunately be ineligible. A Scottish premiere is a requirement for
>> UK short films."
>> 
>> That's Kim Knowles at the Edinburgh Film Festival.  It reminds me of a
>> colleague many years ago who said the faculty weren't interested in a
>> candidate who had published something.
>> 
>> Why would one make that connection?  Unrestricted online access to a
>> work classifies it differently than restricted access via password,
>> but in either case it would be available online.  And the festival
>> requires that it be available online.  It will be considered in a
>> format that cannot be available to just anyone.  But the password will
>> likely be provided to other festivals.
>> 
>> We're in that zone of exclusivity that is both strangely satisfying
>> but also inexplicably disconcerting.  I have this feeling that the
>> objective would be articulated as follows: only those committed to a
>> certain kind of film practice are solicited.  But how to narrow the
>> submissions without making the work homogenous?
>> 
>> Bernie
>> ___
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> 
> -- 
> 
> Esperanza Collado 
> 
> www.esperanzacollado.net [2]
> 
> ___
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Re: [Frameworks] Seeking Robert Fenz

[Angelica Cuevas Portilla]

Hello Rebecca,  

Try to contact him on Instagram... I'll try to look for the last email I
have. 

Cheers, 

Angélica 

---

Angélica Cuevas Portilla
MEX-PARISMENTAL
85 boulevard Brune
75014 Paris
France
+33-6-64 24 09 10
@MexParismental [1]
https://www.facebook.com/MexParismental
http://mex-parismental.blogspot.com
***

On 2017-09-03 18:35, rebecca meyers wrote:

> Greetings all, 
> 
> I am trying to reach Robert Fenz. If anyone has a current contact and could 
> send it to me offline, I'd be grateful. 
> 
> Thank you, 
> Rebecca Meyers 
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Re: [Frameworks] Film as a Subversive Art in Spanish

[Angelica Cuevas Portilla]

It is really amazing! I got it two months ago and I highly recommend it
!!! 

Thank you Scott for sending the link! 

Cheers, 

Angélica 

---

Angélica Cuevas Portilla
MEX-PARISMENTAL
85 boulevard Brune
75014 Paris
France
+33-6-64 24 09 10
@MexParismental [3]
https://www.facebook.com/MexParismental
http://mex-parismental.blogspot.com
***
-19TH FESTIVAL DES CINÉMAS DIFFÉRENTS DE PARIS
http://www.cjcinema.org 
Octobre  2017

On 2017-04-27 16:12, Francisco Torres wrote:

> Thanks for the link.  Amazing book, finally in Spanish. 
> 
> 2017-04-26 20:45 GMT-04:00 Scott MacDonald :
> 
>> DEAR FRAMEWORKERS, 
>> 
>> DOCUMENTAL AMBULANTE AND SECRETARIA DE CULTURA IN MEXICO CITY HAVE JUST 
>> RELEASED A BEAUTIFUL EDITION OF AMOS VOGEL'S AMAZING COMPENDIUM AND 
>> THEORIZATION OF REBELLIOUS CINEMA, _FILM AS A SUBVERSIVE ART. _ 
>> _ _ 
>> A WORK OF BOOK ART, AS WELL AS A BRILLIANT THEORETICAL RUMINATION ON VOGEL'S 
>> YEARS CURATING CINEMA 16, _EL CINE COMO ARTE SUBVERSIVO _IS A PLEASURE TO 
>> EXPLORE EVEN IF ONE DOESN'T SPEAK SPANISH. IF YOU DO, IT WILL BE A 
>> REVELATION. 
>> 
>> HERE'S THE LINK:  
>> 
>> HTTP://WWW.AMBULANTE.ORG/INICIATIVAS/PUBLICACIONES/ [1] 
>> 
>> _SCOTT_ 
>> ___
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> 
> ___
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Re: [Frameworks] mental problems

[Angelica Cuevas Portilla]

YEs, definetely the Naked Lunch and Requiem for a Dream! 

---

Angélica Cuevas Portilla
MEX-PARISMENTAL
85 boulevard Brune
75014 Paris
France
+33-6-64 24 09 10
@MexParismental [1]
https://www.facebook.com/MexParismental
http://mex-parismental.blogspot.com
***
-18TH FESTIVAL DES CINÉMAS DIFFÉRENTS DE PARIS
http://www.cjcinema.org 
Octobre  2016

On 2017-03-22 23:38, drawclose.com wrote:

> Julie Taymour's "Frida" features a passage of Frida Kahlo surviving the 
> accident via stop motion animation provided by the brothers quay.  
> 
> Cronenberg's Naked Lunch, probably some of his other work too but those 
> cockroach typewriters can't be beat.  
> 
> Jessica 
> 
> * 
> 
> artist & poet : http://www.station-number-six.com 
> 
> On Mar 22, 2017, at 5:04 PM, lagonaboba  wrote:
> 
> _Dream of a Rarebit Fiend_,  (1906) Edwin S. Porter   [arguably not a 
> "feature" but what was a feature in 1906? 
> 
> On Mar 22, 2017, at 12:41 PM, Gene Youngblood  wrote: 
> 
> Friends, I'm seeking recommendations of feature films with scenes that 
> attempt to visualize inner states of mind such as breakdowns (Vertigo), 
> nightmares (Spellbound), acid trips (Easy Rider) or any other kind of 
> hallucination (Altered States). Ecstatic or horrific doesn't matter. Thanks. 
> ___
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Re: [Frameworks] Film-letters by experimental filmmakers

[Angelica Cuevas Portilla]

On 2016-11-22 17:50, Bernard Roddy wrote:

> Reviewing: 
> Anna Briggs link went nowhere (404). 
> 
> Kiarostami is supposed to have a "filmed correspondence." What would that 
> mean?
> 
> Escobar suggests "Jose Luis Guerin and Jonas Mekas."  What about them? 
> 
> https://www.youtube.com/watch?v=lH1aOappTxo [1] 
> 
> Sebastian wants recognition for working with Kiarostami. 
> 
> Contributing: 
> 
> I suggest a question.   
> 
> If such a correspondence would not be a "filmed" correspondence, a mere 
> correspondence on screen, what would it be?  I remember a whole program of 
> heart-felt work from south of the border screened as part of Experiments in 
> Cinema several years ago.   
> 
> I beg to differ.  Wouldn't the audio of such a "film-letter" be addressed to 
> someone.  That someone could be seated in the audience.  Everyone else would 
> be eavesdropping.   See my film, Post Card (2008). 
> 
> Bernie 
> tactilecorpus.com [2] 
> ___
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Re: [Frameworks] Experimental farming films

[Angelica Cuevas Portilla]

Yes! I was going to say Naomi Uman, her two documentaries : LECHE and
MALA LECHE 

LECHE (1998, 30 min.) 
Filmed in black and white 16mm, hand-processed and hung to dry, Leche
examines details of the life of one family, living on an isolated dairy
ranch in Central Mexico.

MALA LECHE (2003, 47 min)
Considered a companion piece, this film follows the same family
presented in Uman's earlier film Leche. Now living in California's
agricultural Central Valley, the family continues to work with dairy
cattle but under very different circumstances. 

---

Angélica Cuevas Portilla
MEX-PARISMENTAL
85 boulevard Brune
75014 Paris
France
+33-6-64 24 09 10
@MexParismental [1]
https://www.facebook.com/MexParismental
http://mex-parismental.blogspot.com
***
-18TH FESTIVAL DES CINÉMAS DIFFÉRENTS DE PARIS
http://www.cjcinema.org 
Octobre  2016

On 2016-11-14 16:15, Meg Jamieson wrote:

> "Naomi Uman, almost all of her films that I have seen are about farming.
> Also, there is a Russian filmmaker whose name is escaping me right now,
> that makes incredible black and white films about farming. Maybe someone
> can fill in the name."
> 
> Do you mean:
> 
> ARTAVAZD PELESHYAN?
> 
> Also Sweetgrass 
> 
> Meg Jamieson 
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Re: [Frameworks] Experimental Christmas films

[Angelica Cuevas Portilla]

Hello Harriet! 

The first film I'm thinking of is: 

XMAS ON EARTH by  Barbara Rubin ( 1963)  

cheers 

Angélica 

---

Angélica Cuevas Portilla
MEX-PARISMENTAL
85 boulevard Brune
75014 Paris
France
+33-6-64 24 09 10
@MexParismental [1]
https://www.facebook.com/MexParismental
http://mex-parismental.blogspot.com
***
-18TH FESTIVAL DES CINÉMAS DIFFÉRENTS DE PARIS
http://www.cjcinema.org 
Octobre  2016

On 2016-11-14 13:54, Harriet Warman wrote:

> Dear FrameWorks community, 
> 
> I'm planning a screening at the beginning of December for an audience which 
> will include (hopefully) some people who have little to no experience viewing 
> experimental/artist's film. 
> I'd like to show one or two Christmas/festive themed works and I'd welcome 
> any suggestions you might have for works I should consider. They could 
> involve anything we might associate with the 'festive' season, even if it's 
> just the presence of snow. 
> 
> Many thanks in advance for your suggestions. 
> 
> Harriet. 
> 
> -- 
> 
> Harriet Warman
> Producer 
> Alchemy Film & Arts
> 
> Next Edition of Alchemy Film and Moving Image Festival: 2-5 March 2017
> 
> Hawick, Scottish Borders 
> http://www.alchemyfilmfestival.org.uk
> 
> Scotland + Venice 2017 http://scotlandandvenice.com/years/2017/
> 
> Alchemy Community Engagement (ACE)
> 
> FB: http://www.facebook.com/alchemyfilmfestival 
> Twitter: @alchemyfilmfest 
> 
> Alchemy Film & Arts is a registered Scottish Charity: SC042142, Company No 
> 452485.
> 
> ___
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Re: [Frameworks] the PhD referral for programs friendly to experimental film

[Angelica Cuevas Portilla]

In Paris, (Paris 3 Sorbonne-Nouvelle) you can find PhD directors happy
to accept and follow your PhD avant-garde program! 

Cheers, 

Angélica

---

Angélica Cuevas Portilla
MEX-PARISMENTAL
85 boulevard Brune
75014 Paris
France
+33-6-64 24 09 10
@MexParismental [1]
https://www.facebook.com/MexParismental
http://mex-parismental.blogspot.com
***
-18TH FESTIVAL DES CINÉMAS DIFFÉRENTS DE PARIS
http://www.cjcinema.org 
Octobre  2016

On 2016-07-31 19:51, Fred Camper wrote:

> Many would agree that the best Ph. D. program in film is the Uiversity of 
> Chicago's. Two of the faculty there, James Lastra and Tom Gunning, do have a 
> special interst in avant-garde film. I have known many of their students, who 
> are generally excellent, and they have a good record of placing graduates in 
> jobs. The program is, however, highly competitive, and only a few are 
> admitted. I'm sure they can give you more currenbt information.
> 
> If there is a Ph.D. program "specialized" in avant-garde film, I'd like to 
> hear of it!
> 
> Fred Camper
> Chicago
> 
> On 7/30/2016 10:11 PM, 이고운 Ko Woon Lee wrote: 
> 
>> Hello all,
>> 
>> I have been teaching in Korea and making experimental films and 
>> documentaries as well since I graduated from San Francisco Art Institute in 
>> 2010 with MFA degree in filmmaking. Now I am thinking about pursuing PhD in 
>> film studies in the U.S. again and researching about schools and PhD 
>> programs specialised in avant-garde film or at least friendly to 
>> experimental film. If you have some information and experience, please help 
>> my research.
>> 
>> Thank you in advance.
>> 
>> Kowoon Lee
>> ___
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Re: [Frameworks] excessive bounces?

[Angelica Cuevas Portilla]

Hi Moira!It also happens when by accident you choose to put a certain domain address as spam.This happens to me frequently as a lot of spamers use "gmail".Check your mail settings.cheers!AngélicaMay 27, 2014 08:54:03 PM, b...@movettefilm.com wrote:It is also what happens when you edit with presstapes...---Buck Bito - MovetteOn Tue, May 27, 2014 10:35 am, ev petrol wrote: what are excessive bounces ...?___FrameWorks mailing listFrameWorks@jonasmekasfilms.comhttps://mailman-mail5.webfaction.com/listinfo/frameworks

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Re: [Frameworks] translation and subtitling

[Angelica Cuevas Portilla]

Hello Kelly,I can do it for you and it won't be crazy-expensive. I have experience in translating from English to Spanish of French to Spanish and Spanish to French.You can ask Pip Chodorov about me and my work. I've done several subtitles for films from RE-Voir ( his company)Best Regards,AngélicaMay 7, 2014 12:42:04 AM, frameworks@jonasmekasfilms.com wrote:Hey frameworkers,Anyone have any recommendations for efficient and not-crazy-expensive translation and subtitling companies? I'm trying to get an idea of how much it would cost to acquire Spanish subtitles for a 20 minute film.
Thanks!Kelly Gallagherwww.purpleriot.com
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Re: [Frameworks] Festival question

[Angelica Cuevas Portilla]

Hello Daniel!You can submit your film to Festival des cinémas différents et expérimentaux de Parishttp://www.cjcinema.org/pages/festival_edition.php?langue=enThis 16th edition of the Paris festival for different and experimental 
cinema will present programs of films in competitiion covering a wide 
spectrum of current alternative cinematic creation along with thematic 
programs focussing on some of the fondamental aspects at the core of the
 relation between music and different cinema.AngélicaCuevasPortilla4, rue Mathis75019ParisFrance+33-6-64240910http://mex-parismental.blogspot.comhttps://www.facebook.com/MexParismental***-FestivaldesCinémasDifférentsdeParis http://www.cjcinema.org"Everybody wants to get enlightened but nobody wants to change." Andrew CohenMar 20, 2014 09:35:51 PM, frameworks@jonasmekasfilms.com wrote:






Hello,


I have an 7 minute experimental/personal documentary, all shot on super 8, and would like suggestions on festivals to submit it to.



Thank you
Daniel










Daniel Robin
Assistant Professor of Film and Video Production
Associate Director Peripheral Visions
Department of Communication
Georgia State University
25 Park Place, Suite 1019, Atlanta, GA 30303
404.413.5773 (office)
404.413.5634 (fax)









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Re: [Frameworks] exp film orgs suggestions

[Angelica Cuevas Portilla]

-Arsenal, Berlin-Centre George Pompidou, almost every Wednesday, you can come and watch experimental cycles, screenings: classics, discoveries, etc etc.AngélicaCuevasPortilla4, rue Mathis75019ParisFrance+33-6-64240910http://mex-parismental.blogspot.comhttps://www.facebook.com/MexParismental***-FestivaldesCinémasDifférentsdeParis http://www.cjcinema.org"Everybody wants to get enlightened but nobody wants to change." Andrew CohenMar 11, 2014 11:32:34 PM, frameworks@jonasmekasfilms.com wrote:Hello friendsI'm putting together a lecture for USC at the end of March and I'm organizing a list of micro-cinemas, exp film orgs and periodicals for young filmmakers to get to know. I'm mainly looking for organisations that are supportive of young filmmakers like Echo Park Film Center, but I'm also including some places they can go to watch important classics like PFA (I'm staying away from film festivals). Here's my current list (I know I'm forgetting a bunch):

LA Filmforum

Echo Park Film Center

Academy Film Archive

Anthology Film Archive

Pacific Film Archive

Millennium Film Workshop

Artists Television Access

Light Industry

RedCat

Harvard Film Archive

MoMA

Pittsburg Filmmakers

Filmmaker’s Co-operative

ABC No Rio

Black Hole Cinematheque

Lux Center for Film and Video Art

CineWest

MoCA

Pasadena's Armory Center for the Arts

SF Cinematheque


OtherCinema
iotaCenter

CVM

ReVoir

Frameworks - hi-beam.com 

40 Frames

Dublab

Prelinger Archive


OtherZine
Millennium Film Journal

Bomb!

LA Record

Thanks for your help!



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Re: [Frameworks] exp film orgs suggestions

[Angelica Cuevas Portilla]

In Paris: 
Collectif Jeune Cinéma
Www.cjcinema.org
And beside the festival we have monthly screenings ; )



Angélica Cuevas Portilla
AJCDE
4, rue Mathis
75019 Paris
France
+33-6-64 24 09 10
http://mex-parismental.blogspot.com
https://www.facebook.com/MexParismental
***
FESTIVAL DES CINÉMAS DIFFÉRENTS ET EXPERIMENTAUX DE PARIS
www.cjcinema.org



Mar 11, 2014 11:32:34 PM, frameworks@jonasmekasfilms.com wrote:
Hello friends
I'm putting together a lecture for USC at the end of March and I'm organizing 
a list of micro-cinemas, exp film orgs and periodicals for young filmmakers to 
get to know.  I'm mainly looking for organisations that are supportive of 
young filmmakers like Echo Park Film Center, but I'm also including some 
places they can go to watch important classics like PFA (I'm staying away from 
film festivals).  Here's my current list (I know I'm forgetting a bunch):


LA Filmforum


Echo Park Film Center


Academy Film Archive


Anthology Film Archive


Pacific Film Archive


Millennium Film Workshop


Artists Television Access


Light Industry


RedCat


Harvard Film Archive


MoMA


Pittsburg Filmmakers


Filmmaker’s Co-operative


ABC No Rio


Black Hole Cinematheque


Lux Center for Film and Video Art


CineWest


MoCA


Pasadena's Armory Center for the Arts


SF Cinematheque




OtherCinema

iotaCenter


CVM


ReVoir


Frameworks - hi-beam.com 


40 Frames


Dublab


Prelinger Archive




OtherZine

Millennium Film Journal


Bomb!


LA Record



Thanks for your help!






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[Frameworks] CALL FOR ENTRIES - 15th EDITION OF PARIS FESTIVAL FOR DIFFERENT AND EXPERIMENTAL CINEMA

[Angelica Cuevas Portilla]

Hello Frameworkers!!!This year, the festival ( Paris Festival for Different and experimental cinema) will take place in autumn, from October 
15th until the 20th. The call for entries is now open. We aim to carry 
on what was initiated in the previous years in order to give visibility 
to a wide spectrum of current experiments in cinema. This year, in 
parallel to the films in competition, the "focus" program will address 
more specifically the use of archival images as traces, materials and 
collective histories of moving images. 
	The next edition of the Festival will focus more attentivelly on our 
relation to images of the past and what is at stake with processes of 
transformation and mediations from film to video.

	Recycling, reusing, hijacking, phagocytizing... here are some of the 
concepts we will use as prisms through which to rethink our relation to 
different and experimental films. Since the practice of found footage 
crytalises many of them, it shall have a peculiar presence in this 
edition.

	Secondly, regarding this year focus on the notion of the archival, we 
will ask whether the concern by conservation matters is not rather an 
ideological trap and the result of human hoarding and speculation as 
practiced within predatory imperial societies. Or is it about genuinely 
saving what is likely to be forgotten within an image market rather 
preocupied with seduction and rentability?

	The rapid mutation of spaces where forms of creation and reapropriation
 of images can be seen forces us to rethink the link that ties together 
each image to an author. This link has been thought so far on the level 
of "property". How to negotiate between creators and society an access 
to new modes of exchanges, cultural contribution and means of 
subsistance? It is such debate we intent to trigger from the gound of 
experimental cinema by programming this year Festival edition.http://www.cjcinema.org/?langue=en#http://www.cjcinema.org/pages/catalogue_soumission.phpAngélicaCuevasPortilla74,rueduCardinalLemoine75005ParisFrance+33-6-64240910http://mex-parismental.blogspot.com***-FestivaldesCinémasDifférentsdeParis http://www.cjcinema.org
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