Re: [Frameworks] chemical disposal with septic system
A week isn't a long period of time, Pip, although it is enough to make a copy. D Le 29 août 2016 à 03:09, Pip Chodorov a écrit : > There were posts about this on FrameWorks in July 2012, from David Kidman, > Scott Dorsey and others. > Onions seem to work as fixer but maybe not effective after a long period of > time. > Do some tests! > Pip > > > > At 20:58 -0300 28/08/16, Amanda Christie wrote: >> Hey Pip! >> >> Onions as a fixer? What's this? >> >> (perked ears here) >> > ___ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Processing Plus X negative in D76
Or at 1+1 at 11 minutes and 20°C, if you are short on chemicals, it also seems to give a better regular range of greys. All the best David Le 11 sept. 2014 à 22:10, nicky.ham...@talktalk.net a écrit : Thanks, that's very helpful, Nicky. -Original Message- From: Robert Schaller rob...@ontosmedia.com To: Experimental Film Discussion List frameworks@jonasmekasfilms.com Sent: Thu, 11 Sep 2014 19:21 Subject: Re: [Frameworks] Processing Plus X negative in D76 I've always processed Plus X negative with undiluted D76 for 6 minutes @20 degrees C. I can't really speak to reducing contrast -- I haven't really had that problem! Diluting the developer would reduce the contrast, it seems, but then I can't recommend a time. On Thu, September 11, 2014 9:09 am, nicky.ham...@talktalk.net wrote: Can anyone suggest processing times for developing Plus X negative / 7231 in D76 please? I can't find anything online, other than for stills film, which is apparently not the same. A recommendation as to whether stock or 1:1 dilution would also be appreciated, given it's quite contrasty, Thanks, nicky. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Film Conservation Workshop
Français en bas de page Incca-f and Lightcone propose a workshop on November 18 from 2p.m. to 6p.m. Workshop 1 : Silver emulsion film stock, shooting to possible treatments of the film; creative possibilities and conservation problems Using the collection of films distributed by Lightcone as a starting point for the presentation of the possibilities afforded to artists in the creation of film work at all levels of the production process (with or without cameras, printing techniques, diverse manipulations, stop motion, perforations and soundtracks, etc.), questions surrounding the problems of the conservation of these complex film objects will be addressed. With Christophe Bichon, Anne Cartier-Bresson, Alice Moscos, Jean-Gabriel Lopez, David Kidman At Lightcone, 157 rue de Crimée, 75019 Paris (interphone 105) A contribution of €15 is requested, €10 for students. You can enroll by sending and email to: groupe.inc...@gmail.com until November 8 2013 Further information can be found (in French) at: http://techniquesmixtes.hypotheses.org/294 Marie-Helene Breuil Cecile Dazord, assisted by Laurie Blachet for INCCAf Début du message réexpédié : De : INCCA-f groupe.inc...@gmail.com Objet : pour diffusion Date : 23 octobre 2013 22:25:47 HAEC À : David Kidman david.kid...@gmail.com Pour diffusion : Incca-f et Light Cone proposent le lundi 18 novembre de 14h à 18h : ATELIER 1 : LE FILM ARGENTIQUE, DE LA PRISE DE VUE AU TRAITEMENT DE LA PELLICULE : POSSIBILITES CREATRICES ET PROBLEMATIQUES CONSERVATOIRES A partir de films de la collection de Light Cone et d’une présentation de possibilés techniques offertes en matière de création par le film argentique à différents niveaux de la chaîne de production (pistes son, perforations, films produits avec ou sans caméra, travail image par image, tirage, manipulation de la pellicule...) sera abordée la question problématique de la conservation de ces objets filmiques complexes à l’heure du passage au numérique. Avec Christophe Bichon, Anne Cartier-Bresson, Alice Moscoso, Jean-Gabriel Lopez, David Kidman Lieu : Light Cone, 157 rue de Crimée, 75019 PARIS (Interphone 105) Participation aux frais : 15 euros, 10 pour les étudiants Inscription dans la limite des places disponibles par e-mail auprès de : groupe.inc...@gmail.com jusqu’au 8 novembre 2013 Plus d'informations sur http://techniquesmixtes.hypotheses.org/294 -- Marie-Helene Breuil Cecile Dazord avec l'aide de Laurie Blachet INCCAf groupe.inc...@gmail.com http://www.incca.org/incca-f http://techniquesmixtes.hypotheses.org/ ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] mpeg-2
If fcp can't transcode, Compressor is unlikely to, mpeg Streamclip is probably your best bet, though it is also possible to transcode mpeg formats to .mov or .dv for SD workflows using Toast. Mpeg Streamclip is free, though. Best David www.davidkidman.com Sent from my iPod On 12 févr. 2013, at 12:57, Jason Halprin jihalp...@yahoo.com wrote: Nicky, This thread might help (you'll have to make it past the sarcastic answers first): https://discussions.apple.com/thread/2117202?start=0tstart=0 If that is not the problem, you might try using MPEG streamclip or another program instead of Compressor. GENE - I would suggest using Compressor or MPEG streamclip and converting your MP2 files to quicktime files in the DV/DVCPro - NTSC codec if you're planning on keeping the project in SD. No need to take up storage space with ProRes422 unless you need the resolution. -Jason Halprin From: nicky.ham...@talktalk.net nicky.ham...@talktalk.net To: frameworks@jonasmekasfilms.com Sent: Tuesday, February 12, 2013 5:45 AM Subject: Re: [Frameworks] mpeg-2 I also have some MP4 files that I want to convert to DV for editing in FCP. When I use Compressor I choose MP4 and the file I want to transcode, but when I press Submit I get the following message: One or more jobs do not have a source media file assigned. Dunno what to do, Please can you help, Thanks, Nicky. -Original Message- From: Marco Poloni mar.pol...@gmail.com To: Gene Youngblood ato...@comcast.net; Experimental Film Discussion List frameworks@jonasmekasfilms.com Sent: Tue, 12 Feb 2013 9:57 Subject: Re: [Frameworks] mpeg-2 as far as my knowledge of FCP goes, this software does not like compressed files. it works well with apple's codecs, the best of them being AppleProRes422 or AppleProRes422(HQ). “HQ” stands for high quality. it has double the bitrate of the non-hq format, and weighs double in terms of file size. if you convert from mpeg-2 which is a compressed format it is useless to use HQ. to convert from MPEG-2 to AppleProRes422 use apple compressor or the free app MPEG streamclip. apple compressor might already be in your computer as it is part of the apple editing suite comprising FCP. it is pretty forward to use. open the file you want to transcode, choose the output format and the output destination, and run the program. likewise for MPEG streamclip. best, marco On 11 February 2013 22:13, Gene Youngblood ato...@comcast.net wrote: Frameworkers: I’ve got an mpeg-2 video file that I want to import into FCP version 6, but FCP doesn’t recognize it. What format should I convert it to that FCP will accept? I’m not personally doing this, my assistant is, and she’s learning. So us novices will appreciate your advice. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- – marco poloni usedomer strasse 8 d – 13355 berlin gsm +41.78.6322028 skype marcopoloni ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] VALUE EXPORT on dvd
Top value export. Sent from my iPod On 12 févr. 2013, at 22:02, Francisco Torres fjtorre...@gmail.com wrote: VALIE EXPORT ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] 8mm/16mm looping
You can avoid a lot of scratching by winding some teflon tape around the cores of the reels. Make sure that the film flattens the end of the tape. Best, David Le 20 janv. 2013 à 15:33, Tom Whiteside a écrit : If your loops are short enough you don’t really need anything special. Put a supply reel and a take up reel on the projector, but of course the film does not attach to them, it just passes through them. If you have slot loaders you can make (and keep) the loops, just splice the film into a loop of the appropriate length, load it on the projector and go. When done you can remove the loop intact and store it in a can. If you have any kind of a self-threading projector you need to thread up the length of film the same way you would load a regular reel, then make the splice to join the tail to the head and you are good to go. In either case the length is limited to a fairly small range, but it’s a loop. Can be kind of challenging to make that splice in midair, or on top of the projector, but it’s not too hard. To unload this you should undo the splice, let the film run out of the projector, and keep the length of film intact. Of course tape splices are easiest in this situation, and you need not lose any frames undoing the splice. I am rather loopy these days, the piece I am showing Friday at Strange Beauty Film Festival here in Durham is CIRCLE SPIRAL SLOW. Not sure how many frameworkers know about Strange Beauty, it is annual and this is #4 and it’s a rather wonderful little fest. Drop in if you are in Bull City. Tom Durham Cinematheque From: frameworks-boun...@jonasmekasfilms.com [mailto:frameworks-boun...@jonasmekasfilms.com] On Behalf Ofmatthew brown Sent: Sunday, January 20, 2013 1:34 AM To: frameworks@jonasmekasfilms.com Subject: [Frameworks] 8mm/16mm looping Hi, I am trying to set-up a basic loop on a super-8 projector and also a 16mm projector, the film would be pretty short, no more than 10ft. anyone with experience with looping have suggestions/readings/instructions??? thanks so much, matthew brown ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Third Reich and Roll by the Residents
Cinedoc in Paris, but where are you? David Sent from my iPod On 5 déc. 2012, at 23:34, jb.mabe jb.m...@gmail.com wrote: Hi folks! Anyone know where to get Third Reich and Roll by the Residents on 16mm other than PFA and Canyon? Just exploring my options and trying keep down costs... Best, JB Mabe ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
