Re: [Frameworks] Sad news - Terry Cannon, founder of Filmforum, passes away

[Stephen Anker]

Hi Adam,
I am greatly saddened to hear of Terry's passing. He was a wonderful
community spirit and made a lasting contribution to the world of
experimental film in starting Filmforum. A terrific host, I made my first
trip to Los Angeles to present a program of film at Flmforum in the mid
80's  and he, Mary and Buddy Kilchesty gave me a whirlwind tour of LA that
I'll never forget.
My deepest sympathies to Mary, you and everyone at LA filmforum.
And I am so grateful that the organization lives on.
Warmest wishes, Steve

On Sun, Aug 2, 2020 at 12:04 AM Adam Hyman  wrote:

> Today we lost our friend and visionary founder Terry Cannon. Terry was a
> writer, an editor, a curator, a librarian, an archivist, and incredible
> advocate for his students, colleagues, and generations of filmmakers. He
> believed in paying artists for their work, the importance of community
> collaboration, and that arts spaces should be welcoming and risk-taking.
>
> He founded Filmforum (née Pasadena Filmforum) in 1975 when he was 22 years
> old and served as Executive Director for eight years. As Filmforum’s
> Executive Director, Cannon curated programs including “Show for the Eyes,”
> the first mail art film exhibition, “Films Found in a Box,” and “El Ojo
> Apasionado: The Passionate Eye,” along with creating our mission of
> promoting a greater understanding of media art, and the role of the artists
> and curators who create and present it, by providing a forum for
> independently produced, noncommercial work which has little opportunity of
> reaching the general public.
>
> Cannon subsequently founded the arts publication Gosh! In 1978, and Spiral
> in 1984, which featured writing and artwork by experimental film luminaries
> including James Broughton, Willie Varela, Marjorie Keller, Pat O’Neill,
> Janis Lipzin, Kurt Kren, and Bruce Conner. He also edited the automotive
> publication Skinned Knuckles for over 25 years until 2005.
>
> In his time at Filmforum, he befriended the artist and filmmaker Sara
> Kathryn Arledge, and eventually, after Arledge’s death, he and his wife
> Mary saved many of her paintings and painted slides when they were on the
> verge of destruction. They formed the Sara Kathryn Arledge Memorial Trust,
> and were instrumental in the exhibition of Arledge’s work at the Armory
> Center for the Arts in Pasadena in 2019, which brought Arledge's work to a
> new generation.
>
> In 1996 Cannon founded the Baseball Reliquary, a nonprofit organization
> “dedicated to fostering an appreciation of American art and culture through
> the context of baseball history” Beginning in 1999 the Reliquary began
> honoring important figures from baseball’s history by adding them to its
> Shrine of the Eternals, designed to elect “individuals on merits other than
> statistics and playing ability...for a deeper understanding and
> appreciation of baseball than has heretofore been provided by “Halls of
> Fame” in the more traditional and conservative institutions. Honorees have
> included Jim Abbott, Dick Allen, Jim Bouton, Dizzy Dean, Curt Flood, Josh
> Gibson, Roger Maris, Manny Mota, Don Newcombe, Satchel Paige, Luis Tiant,
> Bob Uecker, Fernando Valenzuela, and Maury Wills. The lauded tribute to the
> intersection of art and baseball functions as a traveling museum, bringing
> curiosities and wonders to sites throughout Southern California. The
> Reliquary’s collections now serve as the foundation for the Institute for
> Baseball Studies at Whittier College.
>
> In 2010, Alhambra High School, where Cannon served as librarian for many
> years, named him as Employee of the Year. That same year he helped the
> student group Artists Anonymous organize the exhibition “Kaleidoscope Eyes”
> about the 1960s. Cannon subsequently worked at the Allendale Branch of the
> Pasadena Public Library, where he hosted discussions with a wide variety of
> guests during his tenure, including musicians, filmmakers, writers, and
> curators, while being a charming and helpful librarian for the community.
>
> As a lifelong creator of non-profit organizations, unusual magazines, and
> as a librarian, Cannon was committed to the unheralded and idiosyncratic,
> and to the regenerative and delightful possibilities of community and art
> that continues to inspire the organizations he founded and the people he
> touched. Cannon is survived by wife Mary Cannon and siblings Phil, Barbara,
> and Nancy.
>
>
> An oral history with Terry Cannon:
>
> https://www.alternativeprojections.com/oral-histories/terry-cannon/
>
>
> An article by him about the early years of Filmforum:
>
>
> https://www.alternativeprojections.com/articles/filmforum-the-pasadena-years-1975-1983/
>
>
> http://www.baseballreliquary.org/
>
>
> https://www.armoryarts.org/exhibitions/2019/arledge/
>
>
> https://www.whittier.edu/news/baseballinstitute
>
>
> https://www.nytimes.com/2007/03/01/sports/baseball/01reliquary.html
> ___
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Re: [Frameworks] Bruce Baillie

[Stephen Anker]

Thanks for sharing this deeply sad news.
A very great loss, as so many others have been in recent years.


On Fri, Apr 10, 2020 at 8:23 AM Dominic Angerame 
wrote:

> Bruce Baillie passed away today. He never made it to the hospice care. The
> generous funds collected will be use to pay for the funeral expenses.
>
> Dominic
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[Frameworks] Carolee Schneemann Celebration st REDCAT in LA This Saturday

[Stephen Anker]

*FILM AT REDCAT PRESENTS*

Sat Feb 29 |4:00pm & 8:30 pm|

 Jack H. Skirball Series

 $15 [members $9]

*A single ticket is good for BOTH 4:00pm and*

*8:30pm programs*



*DANGEROUS EROTICS: A TRIBUTE TO CAROLEE SCHNEEMANN*



REDCAT celebrates the life and work of Carolee Schneemann, one of the great
artists of the 20th century, with a panel discussion and selection of her
films and videos. Schneemann’s performances, films, paintings and
installations were at the center of world art culture from 1960 until her
death in 2019. Unrelenting in confronting traditional roles and taboos
imposed upon women, Schneemann defiantly embraced female sexuality and
physicality with a power and immediacy that remains groundbreaking. Her
early investigations into gender and “forbidden aspects of the female
experience” (C.S.) laid the groundwork for much feminist art of the 1980s
and 90s. The program will include music by James Tenney, her long-term
partner and collaborator.



*Co-sponsored by the Herb Alpert School of Music at CalArts and Los Angeles
Filmforum. Thanks to Electronic Arts Intermix and the Schneemann Foundation
for their support.*



*Los Angeles Video Premieres*



*Panelists in person: Peggy Ahwesh, Maggie Nelson,  Lauren Pratt, Kenneth
White *



“In 1963, to use my body as an extension of my painting-constructions,” she
later said, “was to challenge and threaten the psychic territorial power
lines by which women were admitted to the Art Stud Club.” — Carolee
Schneemann



A genius of gesture, word, image, sensuality, and vitality, Carolee
Schneemann died at 6 pm on March 6, 2019 in her beloved 18th-century
Huguenot house in Tillson, New York, surrounded by her cat (and the spirits
of so many others) and the comfort of friendships and lovers she had known
for decades. Over a lifetime of making art, pleasure, provocations, home,
more art and always art—her emotional exactitude and generosity touched the
earth, the art world, and the lives of countless human and nonhuman
intimates and strangers. — *The Brooklyn Rail*



“A feminist visionary and one of the most influential artists of the late
20th century.” — *The New York Times*



“Prior to Schneemann, the female body in art was mute and functioned almost
exclusively as a mirror of masculine desire.” — Jan Avgikos, *Artforum*



“The magnitude of Schneemann’s influence is undeniable… When she describes
her body as a pleasurable weapon, a missile she sends into our repressive
culture to blow it apart, Madonna's in-your-face eroticism immediately
comes to mind.” — Jane Harris, *Plexus*



“Carolee Schneemann was a visionary. She challenged taboos and was
undaunted by censorship, including cancelled screenings of her 1967 film
*Fuses*, bans on imagery documenting her 1975 performance *Interior Scroll*,
and attacks on her later political work… Her language is the visceral, yet
intensely political, language of the body, of gesture, of sensuality and
eroticism. Even today, she remains radical.” — Joy Garnett, National
Coalition Against Censorship



“Carolee spent 45 of the 60 active years of her professional career
creating work with intensity and integrity, a feminist artist before the
art world knew of such a thing…. She shared her ardent attention to the
erotics of creative living, her art summing up the intensity of her
approach to friends, lovers, cats and her creative practice all meshed into
one great life work.” — Amelia Jones, *The Guardian*

“Schneemann’s influence is profound. Artists informed by her work… include
Matthew Barney, Marilyn Minter, Ragnar Kjartansson, and Lena Dunham—a list
to which one might add Narcissister, Ana Mendieta, Rist, and just about
anyone who, over the past half-century, has worked with bodies and
identities as intricate, powerful, multivalent things—and as endless
dynamos for exploration rather than as loci for shame.” — *ARTnews*, March
6, 2019


*PROGRAMS:*


*4:00PM - FILMS AND VIDEOS BY CAROLEE SCHNEEMANN [I]*



*Fuses* (1964–67/2007, 29:37 min., 16mm, color, silent)

With Carolee Schneemann, James Tenney and Kitch
“Schneemann’s self-shot erotic film remains a controversial classic. The
notorious masterpiece... [is] a silent celebration in color of heterosexual
lovemaking. The film unifies erotic energies within a domestic environment
through cutting, superimposition and layering of abstract impressions
scratched into the celluloid itself... *Fuses *succeeds perhaps more than
any other film in objectifying the sexual streamings of the body’s
mind.” — *The
Guardian*, London

“Made in increments between 1964 and 1967, *Fuses* is a beautiful, complex
work, among Ms. Schneemann’s most moving achievements. Like much of her
art, it bridges interior and exterior worlds: we see the lovers in their
darkened bedroom and we see a rural landscape in changing seasons beyond
the window. It’s hard to follow: organically, it’s here, then it’s there.
But the flow, metaphoric and visual, is rich. And like so much 

Re: [Frameworks] Super8 film in Taiwan and expanded cinema in East Asia

[Stephen Anker]

Contact Janis Crystal Lipzin, who might be in touch with Tony Wu.
Tony may no longer be active, but he made some very strong S-8mm films in
the '90s.
Steve Anker

On Thu, Jan 30, 2020 at 4:34 AM Esperanza Collado <
esperanzacolla...@gmail.com> wrote:

> Dear all,
>
> Does any of you know were to find Super8 film in Taipei?
>
> I’m researching expanded cinema in Pacific Asia with a Fellowship, and I’d
> like to meet people involved in this lineage of practices as well as East
> Asian or East Asian based experimental filmmakers who are on Frameworks.
> From next week I’ll be based in Taiwan and traveling to Japan, South Korea
> and Hong Kong, also have plans to travel to Thailand and wherever this
> adventure leads me.
>
> I already have a few significant contacts, but I’ll be very happy to
> know/meet everyone involved :)
>
> All the best,
>
> --
> Esperanza Collado
> www.esperanzacollado.net
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Re: [Frameworks] OJOBOCA / Some Common Fascinations

[Stephen Anker]

OJOBOCA will also present an evening of work at the REDCAT theater in Los
Angeles this fall on October 22, 2018.

On Tue, Jul 24, 2018 at 10:15 AM fracto  wrote:

> *Fracto* is happy to share with you that a very special event will be
> held during this weekend in South of Italy:
>
> *OJOBOCA / Some Common Fascinations *
> *On 27 and 28 July, starting *at* 9pm*, as part of the 16th edition of 
> *Avvistamenti
> is (not) a Festival*, organized by *Cineclub Canudo* and directed by *Antonio
> Musci *and* Daniela Di Niso*, realized with the support of the Department
> of Tourism and Cultural Industry of the Puglia Region, there will be a solo
> exhibition on *OJOBOCA*, entitled *Some Common Fascinations*, curated by 
> *Giuseppe
> Boccassini
> *.
> OJOBOCA is the pseudonym of two Berlin based filmmakers, *Anja Dornieden*
> and *Juan David González Monroy*. They have worked together since 2010
> and practice *Horrorism*, a simulated method of transformation from the
> inside to the outside. They are currently members of *LaborBerlin*, an
> artist-run film lab in Berlin. For the two filmmakers, whose works have
> been shown in many international film festivals, this is the first time
> they will be showing their work in Puglia. The program will mostly concern
>  *16mm films*. The first evening, on July 27th at 9 pm, at *Palazzo
> Tupputi - Laboratorio Urbano* in *Bisceglie* - will be entirely focused
> on screening films: The Skin is Good (16mm, 12 min, 2018), Heliopolis
> Heliopolis (16mm, 26 min, 2016), and Comfort Stations (16mm, 26 min, 2018).
> The filmmakers will be present and they will participate in a meeting with
> the audience, moderated by the curator, Giuseppe Boccassini. On the second
> day, the 28th, at 9 pm, at the Chiostro Santa Croce, there will be a
> performance with a dual 16mm projector performance with additional sound
> created live by a synthesizer, titled Images We Used to Make (2018, 16mm,
> 30 min), never before performed by OJOBOCA, an absolute first, exclusively
> for Avvistamenti. The audience will be invited to cross the projection
> space, creating a unique experience of immersion in the performative work
> of the two artists. *Admission is free for both evenings*.
>
> Please spread the word and let us know if you wanna come along!!
>
> AVVISTAMENTI IS (NOT) A FESTIVAL – 16th EDITION
> 
> Bisceglie (BT) - Italy
> Palazzo Tupputi 
> via Cardinale Dell'Olio, 76011
> --
> FRACTO Experimental Film Encounter
> c/o Acud Macht Neu
> Veteranenstraße 21
> 10119 Berlin
> www.fractofilm.com
>
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Re: [Frameworks] Entertaining the film

[Stephen Anker]

Ladislas Starevich - The Cameraman's Revenge, 1912

On Thu, Jul 19, 2018 at 9:22 AM Nicole Baker  wrote:

> Thanks for the suggestions everyone!
>
> It seems there are fewer than I expected. I was considering this something
> of a film trope. Would you guys agree?
>
> On Wed, Jul 18, 2018, 9:04 AM Lara Hannawi 
> wrote:
>
>> a fun odd one where the subject is trying to depart from the film, within
>> the film, you can say she's breaking down the 4th wall, the theatre of
>> film, so in that sense she's doing the opposite of what you're looking for.
>> its ayneh, or the mirror, by panahi.
>>
>> -- Original message--
>> *From: *Patrick Friel
>> *Date: *Tue, Jul 17, 2018 18:01
>> *To: *Experimental Film Discussion List;
>> *Cc: *
>> *Subject:*Re: [Frameworks] Entertaining the film
>>
>> Buster Keaton's SHERLOCK JR. is the classic example.
>>
>> Also, HELLZAPOPPIN' with Ole Olson and Chic Johnson.
>>
>> Chuck Jones' great cartoon DUCK AMUCK is a variant on this.
>>
>>
>> On Tuesday, July 17, 2018 7:48 PM, Nicole Baker  wrote:
>>
>>
>> Hey frameworkers!
>>
>> I'm trying to gather together a list of films where a person or persons
>> enter into the film world/narrative.
>> I know I've seen it, but can't think of any examples! Besides that Take
>> on Me music video (which is close but no cigar).
>> Examples from TV would work too.
>>
>> Thanks everyone!
>> Nicole
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>>
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Re: [Frameworks] Visionary filmmaker, Paul Clipson has passed.

[Stephen Anker]

Terrible news.
Paul was a wonderful human being, as passionate about filmmaking,
especially 8-mm filmmaking, as anyone I know, and endlessly supportive.
And he was a great projectionist.
He'll be hugely missed.
Steve

On Mon, Feb 5, 2018 at 8:29 AM, Nicholas Kovats  wrote:

> It is with a very heavy heart that I must tell you that visionary
> filmmaker, Paul Clipson, has passed. I cannot believe it. He was 52.
> We are reeling. .
>
> https://vimeo.com/109943175
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Re: [Frameworks] Jack Stauffacher

[Stephen Anker]

Sorry to hear this, Dominic, but thanks for letting us know.
It's amazing that Jack lived until 97, and that he was vital until his last
years.
What a great inspiration for these anti-humane, greedy times.
Steve

On Fri, Nov 17, 2017 at 5:51 PM, Dominic Angerame <
dominic.anger...@gmail.com> wrote:

> Noted San Francisco printer, Jack Stauffacher passed away at the age of 97
> at his home in Tiburon, California. Jack was well known amongst the art and
> experimental cinema scene in San Francisco since the 1940s.
>
> His brother Frank Stauffacher started the film experimental cinematheque
> series "Art in Cinema" in 1947 at the San Francisco Museum of Modern Art.
>
>
>
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>
>
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Re: [Frameworks] 16mm equipment

[Stephen Anker]

Hi Dominic,
I'll contact you later in the month.

On Mon, Sep 4, 2017 at 3:32 PM, Dominic Angerame <dominic.anger...@gmail.com
> wrote:

> No problem Steve. Lets have coffee next time your are in town
>
> On Mon, Sep 4, 2017 at 12:45 AM, Stephen Anker <san...@calarts.edu> wrote:
>
>> Hi Dominic,
>> I was premature in thinking I can afford the Pageant right now, so you'd
>> better keep moving with Frameworks and eBay.
>> I'm learning to spend less $$, as we advance into our dotages.
>> Thanks,
>> Steve
>>
>> On Sun, Sep 3, 2017 at 8:06 PM, Dominic Angerame <
>> dominic.anger...@gmail.com> wrote:
>>
>>> No Problem Steve I will hang onto it for you. Next time you are in town
>>> let me know and you can check it out. Yes it has the incandescent bulb. I
>>> was in Reno for my first class, believe it or not it was cooler in Reno,
>>> now we are all complaining because the fog has moved in lol. I am in SF
>>> from Sat-Tues, and in Reno Weds-Fridays.
>>>
>>> On Sun, Sep 3, 2017 at 6:18 PM, Stephen Anker <san...@calarts.edu>
>>> wrote:
>>>
>>>> Hi Dominic,
>>>> I might be interested in the Pageant myself.
>>>> Is it an early incandescent bulb model
>>>> Hope you're managing in the heat.
>>>> Best, Steve
>>>>
>>>>
>>>> On Sun, Sep 3, 2017 at 2:09 PM, Dominic Angerame <
>>>> dominic.anger...@gmail.com> wrote:
>>>>
>>>>> Hi I am offering Frameworkers fisrt opportunity to purchase the below
>>>>> items before I place them on Ebay for a much higher price.
>>>>>
>>>>> 1-16mm Pageant Mag/Op sound projector excellent condition $350 must
>>>>> pick up or arrange delivery. Too heavy to send UPS or US mail.
>>>>>
>>>>> 1-16mm used excellent condition Moviscop. Great for viewing originals,
>>>>> does not scratch.
>>>>> $175.
>>>>>
>>>>> Please email me off site for details. Email domi...@cinemod.net
>>>>>
>>>>> Thanks
>>>>>
>>>>> ___
>>>>> FrameWorks mailing list
>>>>> FrameWorks@jonasmekasfilms.com
>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>>
>>>>>
>>>>
>>>> ___
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>>>> FrameWorks@jonasmekasfilms.com
>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>
>>>>
>>>
>>> ___
>>> FrameWorks mailing list
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>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>>>
>>
>> ___
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>>
>>
>
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Re: [Frameworks] 16mm equipment

[Stephen Anker]

Hi Dominic,
I was premature in thinking I can afford the Pageant right now, so you'd
better keep moving with Frameworks and eBay.
I'm learning to spend less $$, as we advance into our dotages.
Thanks,
Steve

On Sun, Sep 3, 2017 at 8:06 PM, Dominic Angerame <dominic.anger...@gmail.com
> wrote:

> No Problem Steve I will hang onto it for you. Next time you are in town
> let me know and you can check it out. Yes it has the incandescent bulb. I
> was in Reno for my first class, believe it or not it was cooler in Reno,
> now we are all complaining because the fog has moved in lol. I am in SF
> from Sat-Tues, and in Reno Weds-Fridays.
>
> On Sun, Sep 3, 2017 at 6:18 PM, Stephen Anker <san...@calarts.edu> wrote:
>
>> Hi Dominic,
>> I might be interested in the Pageant myself.
>> Is it an early incandescent bulb model
>> Hope you're managing in the heat.
>> Best, Steve
>>
>>
>> On Sun, Sep 3, 2017 at 2:09 PM, Dominic Angerame <
>> dominic.anger...@gmail.com> wrote:
>>
>>> Hi I am offering Frameworkers fisrt opportunity to purchase the below
>>> items before I place them on Ebay for a much higher price.
>>>
>>> 1-16mm Pageant Mag/Op sound projector excellent condition $350 must pick
>>> up or arrange delivery. Too heavy to send UPS or US mail.
>>>
>>> 1-16mm used excellent condition Moviscop. Great for viewing originals,
>>> does not scratch.
>>> $175.
>>>
>>> Please email me off site for details. Email domi...@cinemod.net
>>>
>>> Thanks
>>>
>>> ___
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>>>
>>
>> ___
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>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>
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Re: [Frameworks] 16mm equipment

[Stephen Anker]

Reno?

On Sun, Sep 3, 2017 at 8:06 PM, Dominic Angerame <dominic.anger...@gmail.com
> wrote:

> No Problem Steve I will hang onto it for you. Next time you are in town
> let me know and you can check it out. Yes it has the incandescent bulb. I
> was in Reno for my first class, believe it or not it was cooler in Reno,
> now we are all complaining because the fog has moved in lol. I am in SF
> from Sat-Tues, and in Reno Weds-Fridays.
>
> On Sun, Sep 3, 2017 at 6:18 PM, Stephen Anker <san...@calarts.edu> wrote:
>
>> Hi Dominic,
>> I might be interested in the Pageant myself.
>> Is it an early incandescent bulb model
>> Hope you're managing in the heat.
>> Best, Steve
>>
>>
>> On Sun, Sep 3, 2017 at 2:09 PM, Dominic Angerame <
>> dominic.anger...@gmail.com> wrote:
>>
>>> Hi I am offering Frameworkers fisrt opportunity to purchase the below
>>> items before I place them on Ebay for a much higher price.
>>>
>>> 1-16mm Pageant Mag/Op sound projector excellent condition $350 must pick
>>> up or arrange delivery. Too heavy to send UPS or US mail.
>>>
>>> 1-16mm used excellent condition Moviscop. Great for viewing originals,
>>> does not scratch.
>>> $175.
>>>
>>> Please email me off site for details. Email domi...@cinemod.net
>>>
>>> Thanks
>>>
>>> ___
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>>>
>>
>> ___
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>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>
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Re: [Frameworks] 16mm equipment

[Stephen Anker]

Hi Dominic,
I might be interested in the Pageant myself.
Is it an early incandescent bulb model
Hope you're managing in the heat.
Best, Steve


On Sun, Sep 3, 2017 at 2:09 PM, Dominic Angerame  wrote:

> Hi I am offering Frameworkers fisrt opportunity to purchase the below
> items before I place them on Ebay for a much higher price.
>
> 1-16mm Pageant Mag/Op sound projector excellent condition $350 must pick
> up or arrange delivery. Too heavy to send UPS or US mail.
>
> 1-16mm used excellent condition Moviscop. Great for viewing originals,
> does not scratch.
> $175.
>
> Please email me off site for details. Email domi...@cinemod.net
>
> Thanks
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
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Re: [Frameworks] This week in avant garde cinema: Please Confirm Subscription

[Stephen Anker]

Thanks.

On Sun, Mar 12, 2017 at 3:34 PM, Jason Halprin  wrote:

> No worries, I just took care of it!
>
> -JH
>
> Jason Halprin
> jihalp...@gmail.com
> jasonhalprin.com 
>
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>
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[Frameworks] Fwd: Considering Marjorie Keller: Saturday Dec 10

[Stephen Anker]

Hi FameWorks members:
If you're in LA please come to the program described below,* Considering
Marjorie: Intimate Family Portrayals, *this Saturday, December 10, in
Pasadena.
Best, Steve Anker
Closing Reception and Film Screening at LAND
Considering Marjorie Keller

* Los Angeles Nomadic Division and Los Angeles Filmforum present *

* INTIMATE OBSERVER: HOME-MOVIE FAMILY PORTRAYALS *
* BY MARJORIE KELLER *
* At the Gamble House and Neighborhood Unitarian Church, Pasadena *
*ON THE VERGE OF AN IMAGE:*
*CONSIDERING MARJORIE KELLER*
*CLOSING RECEPTION & FILM SCREENING*
*Saturday, December 10, 2016*

4-6pm: Exhibition Open House
4-7pm: Closing Reception
7-8:30pm: Film Screening




*
http://nomadicdivision.org/exhibition/on-the-verge-of-an-image-considering-marjorie--keller/

When: Saturday December 10, 2016, 4:00-7:00 pm *
* - Cocktail Reception on the Gamble House terrace with an Open House from
4:00-6:00 pm **7:00-8:30 pm*








* - Screening at the Neighborhood Church Sanctuary Where: The Gamble House4
Westmoreland Place, Pasadena CA 91103 The Neighborhood Church301 Orange
Grove Blvd, Pasadena, CA 9110 (They are next door to each other) Tickets:
Free *
Please clink on this link to RSVP:
https://www.eventbrite.com/e/on-the-verge-of-an-image-consid
ering-marjorie-keller-closing-event-registration-29808018586

Please join LAND for the final open house and closing reception for *On the
Verge of an Image: Considering Marjorie Keller *at the historic Gamble
House in Pasadena.

In addition, LAND and Los Angeles Filmforum will present a screening
of six of Keller's films in their original 8mm or 16mm format,
entitled *Intimate
Observer: Home-Movie Family Portrayals by Marjorie Keller, *curated by Steve
Anker, CalArts Film/Video Faculty and Co-Curator of Film at REDCAT.


*Saturday, December 10  *
4 - 6pm Exhibition Open House
4 - 7pm Closing Reception
7 - 8:30pm Film Screening
*On the Verge of an Image: Considering Marjorie Keller*

Exhibition Open House & Closing Reception will be held at
The Gamble House
University of Southern California, School of Architecture
4 Westmoreland Place
Pasadena, CA 91103

*Intimate Observer: Home-Movie Family Portrayals by Marjorie Keller *film
screening will be held at
Neighborhood Unitarian Universalist Church
301 N Orange Grove Blvd
Pasadena, CA 91103
(next door to the Gamble House)

*On the Verge of an Image: Considering Marjorie Keller *is a group
exhibition centered on the themes present in the work of under-recognized
avant-garde filmmaker Marjorie Keller, co-curated by Los Angeles-based
artists Alika Cooper and Anna Mayer. The exhibition will explore links
between motifs and strategies emerging from Keller's films. Participating
artists include renowned international practitioners from Keller's
generation, as well as younger artists, along with a selection of Keller's
work. Participating artists include Chantal Akerman, Shiva Aliabadi,
Vanessa Beecroft, Ashley Carter, Alika Cooper, Cheryl Donegan, VALIE
EXPORT, Naomi Fisher, Nan Goldin, Trulee Grace Hall, Donna Huanca,
Kartemquin Films, Marjorie Keller, Josh Mannis, Anna Mayer, Paul Pescador,
Vincent Ramos, Carolee Schneemann, and Jennifer West.

"In her brief life, Marjorie Keller made nearly thirty films in her own
distinctive cinematic voice. From her earliest efforts in the late 1960s,
Marjorie was attracted to film's potential to portray the complexity of
private events and personal relationships, mostly in response to family
life. Her gestural and vivid camerawork, along with an intricate approach
to poetic editing, created a body of work that is unsurpassed in its
intimacy and its conveyance of subtle feelings and complex responses to her
personal interactions.
Marjorie's subjects included her old family house, young women friends,
childhood fantasy figures, lovers, siblings, teenage girls, her parents,
and her husband. Issues sprang naturally from sharing her life with the
people and places she knew, and their range is astonishing: childbirth,
sexuality, memory, the cultural roles women, political activism, the
sensuality of daily objects, urban survival, rural pleasures and the values
of classical tradition. While deeply influential on both feminist art and
the culture of personal experimental filmmaking, Marjorie's work exists
beyond categorization or reductive explanation. It is alive with multiple,
often-contradictory meanings and remains a personal experience.