Re: [Frameworks] Fwd: Anémic Cinéma print(s) with inserted October (?) footage

2013-11-29 Thread Eli Horwatt
Hi Matej,

You might have some luck contacting either Dalia Judowvitz or David Joselit
who have done a lot of research on the film. I don't think they  address
this specific version in writings, but they may have come across literature
that does.

Eli


On Thu, Nov 28, 2013 at 7:23 PM, Matěj Strnad matej.str...@gmail.comwrote:

 Dear Frameworkers,

 I dare to seek your advice or comments on a rather curious version of
 Marcel Duchamp's Anémic Cinéma.
 This version is said to contain footage supposedly coming from
 Eisenstein's October and could be tracked down to Denmark (although it
 might not have originated there).

 Bruce Posner, who curated the Unseen Cinema project which has used this
 very version of Anémic Cinéma from the Danske Filminstitut for a DVD
 release
 (but with the October footage edited out in the end), was kind enough to
 point me in the direction of Tuby Mussman's writings on the film.

 The thing is that I'm trying to find any mention of this version (e.g.
 describing other imagery then the rotating disks), but haven't been
 successful with Mussman so far. What I know about is Bozena Jablonska's
 description including the October footage in Alicja Helman (ed.), Z dziejow
 awangardy filmowej, Katowice 1976.
 I'm not hoping for any detailed history of why and how this version came
 about, but at least by knowing about literature mentioning it could help me
 in establishing it's prevalence.

 Please excuse my potential overlooking of some otherwise well known
 sources, certain writings are hard to track down here from Prague,
 but nonetheless I believe I went through most of the relevant
 Duchampian/avantgarde film literature I am aware of.
 Neither was I was able to find any mention of this in any of the journals
 related to film archiving etc.

 Also my apologies go to those following both AMIA-L and Frameworks list,
 sorry for cross-posting.

 With many thanks for any tips or leads on this,

 Matej Strnad


 *CAS/FAMU *

 *Center for Audiovisual Studies,*
 *Film and Television Faculty of the Academy of Performing Arts*
 *Prague, CZ*









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Re: [Frameworks] Fwd: Anémic Cinéma print(s) with inserted October (?) footage

2013-11-29 Thread k. k.


dear matej,

the german book by hans scheugl and ernst schmidt jr: eine subgeschichte des 
films. lexikon des avantgarde-, experimental  undergroundfilms 
(frankfurt/main, suhrkamp: 1974)
mentions that some prints of anemic cinema contain im mittelteil fotos einer 
frau, nacheinander von verschiedenen seiten aus gesehen, sowie von zerbrochenen 
vasen und figuren (roughly in the middle section photographs of a woman, seen 
from different sides, as well as broken vases and figures), and that die im 
mittelteil gezeigten fotos nehmen auch probleme der dreidimensionalität 
(gesicht der frau von mehreren seiten) und der zeit auf ([those photographs] 
also adress problems of three-dimensionality (the womans face seen from 
numerous sides) and time.) pp. 231f.

no information about the source of those images though, might well be from 
october? 

best wishes,
k.


 --
 
 Message: 6
 Date: Thu, 28 Nov 2013 19:23:56 +0100
 From: Matěj Strnad matej.str...@gmail.com
 To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
 Subject: [Frameworks] Fwd: Anémic Cinéma print(s) with inserted
   October (?) footage
 Message-ID:
   CAAYnVwiwe_wv6Xm_Nw7HtBeqbi-4BD0M3KRz3mA0L7oyPr=9...@mail.gmail.com
 Content-Type: text/plain; charset=utf-8
 
 Dear Frameworkers,
 
 I dare to seek your advice or comments on a rather curious version of
 Marcel Duchamp's Anémic Cinéma.
 This version is said to contain footage supposedly coming from Eisenstein's
 October and could be tracked down to Denmark (although it might not have
 originated there).
 
 Bruce Posner, who curated the Unseen Cinema project which has used this
 very version of Anémic Cinéma from the Danske Filminstitut for a DVD
 release
 (but with the October footage edited out in the end), was kind enough to
 point me in the direction of Tuby Mussman's writings on the film.
 
 The thing is that I'm trying to find any mention of this version (e.g.
 describing other imagery then the rotating disks), but haven't been
 successful with Mussman so far. What I know about is Bozena Jablonska's
 description including the October footage in Alicja Helman (ed.), Z dziejow
 awangardy filmowej, Katowice 1976.
 I'm not hoping for any detailed history of why and how this version came
 about, but at least by knowing about literature mentioning it could help me
 in establishing it's prevalence.
 
 Please excuse my potential overlooking of some otherwise well known
 sources, certain writings are hard to track down here from Prague,
 but nonetheless I believe I went through most of the relevant
 Duchampian/avantgarde film literature I am aware of.
 Neither was I was able to find any mention of this in any of the journals
 related to film archiving etc.
 
 Also my apologies go to those following both AMIA-L and Frameworks list,
 sorry for cross-posting.
 
 With many thanks for any tips or leads on this,
 
 Matej Strnad
 
 
 *CAS/FAMU *
 
 *Center for Audiovisual Studies,*
 *Film and Television Faculty of the Academy of Performing Arts*
 *Prague, CZ*
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[Frameworks] Fwd: Anémic Cinéma print(s) with inserted October (?) footage

2013-11-28 Thread Matěj Strnad
Dear Frameworkers,

I dare to seek your advice or comments on a rather curious version of
Marcel Duchamp's Anémic Cinéma.
This version is said to contain footage supposedly coming from Eisenstein's
October and could be tracked down to Denmark (although it might not have
originated there).

Bruce Posner, who curated the Unseen Cinema project which has used this
very version of Anémic Cinéma from the Danske Filminstitut for a DVD
release
(but with the October footage edited out in the end), was kind enough to
point me in the direction of Tuby Mussman's writings on the film.

The thing is that I'm trying to find any mention of this version (e.g.
describing other imagery then the rotating disks), but haven't been
successful with Mussman so far. What I know about is Bozena Jablonska's
description including the October footage in Alicja Helman (ed.), Z dziejow
awangardy filmowej, Katowice 1976.
I'm not hoping for any detailed history of why and how this version came
about, but at least by knowing about literature mentioning it could help me
in establishing it's prevalence.

Please excuse my potential overlooking of some otherwise well known
sources, certain writings are hard to track down here from Prague,
but nonetheless I believe I went through most of the relevant
Duchampian/avantgarde film literature I am aware of.
Neither was I was able to find any mention of this in any of the journals
related to film archiving etc.

Also my apologies go to those following both AMIA-L and Frameworks list,
sorry for cross-posting.

With many thanks for any tips or leads on this,

Matej Strnad


*CAS/FAMU *

*Center for Audiovisual Studies,*
*Film and Television Faculty of the Academy of Performing Arts*
*Prague, CZ*
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