[Goanet] CRCH2011 CONFERENCE 20th October 2011

[Monica Reis]

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*CRCH2011 CONFERENCE*
**
**
*Sensitization Workshop Towards Conservation and Restoration in Cultural
Heritage.*
*20th October 2011 - Fundação Oriente, Fontainhas, Panjim-Goa*

We call your attention to the conference to be held in Goa-India, next 20th
October, from 9h30-19h00. This is a public conference, no need for
registration. All interested all welcome.

*Programme*

*Morning Sessions*

*Panel A – Awareness*

*Chairman: Dr. Miguel Mateus (Conservator-Restorer)*

 (A1-Awareness) 9h48 - 10h03, Luis Dias (GHAG) Heritage walks in and around
Panjim: our experience and how it helps conservation of our heritage.

(A2-Awareness) 10h06 - 10h21, Tallulah D'Silva (GHAG) The book 'Walking in &
around Panjim' and Heritage Listing of buildings.

(A3-Awareness) 10h24 - 10h39, Maiti (ASI-Hyderabad) Scientific Conservation
of Archaeological Monuments in India

(A4-Awareness) 10h42 - 10h57, Hyacinth Pinto and Salvin Dias (Arch)
Conservation Issues of Built Heritage in The Goan Context

*15 minutes discussion*

*Panel B – Case Study*

*Chairman: Dr. Venkateshaiah (ASI-Bangalore)*

(B1-Case Study) 11h15 - 11h30, V.R.Mangiraj (ASI- Aurangabad) New lease of
life to painting of last Judgment . St. Francis Assisi Church, Velha Goa  –
A Case study.

(B2-Case Study) 11h33 - 11h48, Linnet Serrao/Natasha (MSA), The Museum of
Sacred Art.

(B3-Case Study) 11h51 - 12h06, M. Singh (ASI-Aurangabad) Presented by V. R.
Mangiraj, Challenges of Science&Technology in solving problems connected
with conservation of paintings-Experiences and requirements of A.S.I.

*15 minutes discussion*

*Lunch Break (1h30)*

*Afternoon Sessions*

*Panel C – Legislation*

*Chairman: Dr. Maiti (ASI-Hyderabad)*

(C1-Legislation) 14h00 - 14h15, Janhwi Sharma (ASI-New Delhi), Principles
and Policies of Conservation.

(C2-Legislation) 14h18 - 14h33, Divay Gupta, (INTACH-Delhi), Challenges in
Conserving the Cultural Heritage of India.

(C3-Legislation) 14h36 - 14h51, N.Taher (ASI-Bhopal), Conservation policies:
past and present.

*15 minutes discussion*

*Panel D – Case Study*

*Chairman: Professor R. C. Agrawal (INTACH)*

(D1-Case Study) 15h06 - 15h21, N.Ketak (INTACH-Goa), The Challenges of  Goa
Costal Environment towards Built Heritage.

(D2-Case Study) 15h24 - 15h39, Venkateshaiah (ASI-Bangalore), Conservation
of Water Bodies at Adami Pattadkal and Aihole.

(D3-Case Study) 15h42 - 15h57, Shivananda V., Conservation in earthquake
affected monuments of Gujarat.

(D4-Case Study) 16h00 - 16h15, Miguel Mateus (Conservator-Restorer),
Scientific Studies and Conservation Diagnosis on Art.

*15 minutes discussion*

*Panel E – Projects/Awareness*

*Chairman: Dr. Monica Esteves Reis (CHAIA/UALG/FCT)*

(E1-Projects/Awareness) 16h30 - 16h45, N.Taher (ASI-Bhopal), Salvage
 Archaeology on destruction of a Gun Powder factory in Panelim.

(E2-Projects/Awareness) 16h48 - 17h03, Shilpa Raturi (ASI-Dehra Dun)
Presented by V. R. Mangiraj, The evolving Role of Science in Archaeological
Conservation over the Century in India.

(E3-Projects/Awareness) 17h06 - 17h21, R. Agrawal, (INTACH-Delhi),
Conservation initiatives of Intach in Goa.

*20 minutes discussion before closing session*

*Panel F – Closing Session*

*Chairman: Dr. Eduardo Kol de Carvalho (Fundação Oriente)*

(F1-Closing Session) 17h40 - 17h55, Loiola Pereira (ARCHGD), Heritage
Conservation under the aegis of the Church in Goa: Facts, Problems and
Challenges.

(F2-Closing Session) 18h00 - 18h15, Mónica Esteves Reis (CHAIA/UALG/FCT),
Building dialogs and raising awareness in Cultural Heritage.

(F3-Closing Session) 18h18 - 18h33, Eduardo Kol de Carvalho (FO), Heritage
Conservation and Identity.

*20 minutes discussion *

[Goanet] Second Call: CRCH2011-Sensitization Workshop towards Conservation and Restoration in Cultural Heritage

[Monica Reis]

*: Second Call* *:*


We call your attention to the workshop to be held in Goa-India, next
September-October (19th September - 20th October 2011)

Limited registrations are open until 12th September.
For more informations go to http://retableart-monicareis.kk5.org/CRCH2011 or
contact directly the Fundação Oriente in Goa.

Online registration<
https://spreadsheets.google.com/spreadsheet/viewform?formkey=dG4tYWJFdkQ4TjdxT3h2RTBPenN4bnc6MQ>is
also available.

--

*CRCH2011 |Sensitization Workshop towards Conservation and Restoration in
Cultural Heritage*

*Date: 19 September - 20 October 2011
Place: Goa, India*
*
About the Workshop*
This workshop intends to give its trainees the tools required to solicit,
regulate, and undertake conservation-restoration projects in a manner that
protects and respects the cultural heritage legacy that has been entrusted
to them. Understanding that Cultural heritage contributes to the definition
of a local identity and constitutes a rich and fundamental expression of
cultural diversity will help prevent its loss.

Cultural heritage is a witness to the past and must be protected in order to
ensure its transmission to future generations. In order to do this, several
international and national organizations exist to frame and legislate the
cultural, historic and artistic value of cultural heritage and to ensure
that proper and effective restoration-conservation measures are taken. Some
cultural assets escape cultural heritage protection or have yet to be
classified in accordance with the criteria proposed by the legal framework.
These assets are not a less important part of cultural heritage, but instead
have escaped proper restoration due to loopholes in the legal and
conservation frameworks.

A dedicated conservator-restorer but also informed citizens can help to
close these loopholes. In the absence of conservation-restoration planning
and legal instruments, cultural heritage and its historical, religious, and
artistic legacy is at risk of being damaged or not maintained in conformity
with accepted standards. The role of a conservator-restorer is to preserve
cultural heritage on behalf of future generations. The conservator-restorer
contributes to the perception, appreciation and understanding of cultural
assets in regards to their aesthetic and historical value and physical
integrity. One informed citizen is a small but most significant step in the
climbing towards the protection of cultural heritage.


*What to expect*
Primarily designed to sensitize citizens of Goa towards the conservation of
heritage, it broaden into a larger action comprising not only church assets
and goan heritage but all kind of art objects regardless of its origin or
devotion. We will not prepare technicians or conservators-restorers in their
field work. Instead, the workshop will endow its trainees with the tools
that will empower them to act as an informed heritage protector, despite the
heritage background or inner-history. The keyword of the workshop is
sharing. Sharing of knowledge comprising history, technical terms,
techniques, legislation and planning.


*Goals*
- Inform citizens of the importance of cultural heritage conservation.
- Provide technical and international legal tools that pertain to the
protection and conservation/restoration of cultural heritage.
- By the end of this workshop, attendees will have the knowledge and
awareness necessary to carry out effective conservation-restoration projects
in the Goan heritage and apply common knowledge's to other
conservation/restoration processes, backgrounds and geographies.

--

Schedule: 55 hours - 2 to 3 hours per day, from 5 p.m.
Where: Fundação Oriente, Fontainhas, Panaji (Goa)
Contact: Fundacao Oriente
175, Filipe Nery Xavier Road
Fontainhas, Goa 403001
tlf.(0832)223 0728/243 6108
Email: forie...@dataone.in



Mónica Reis
मोनिका रेइस

Indo-Portuguese Art Research Project
Postgraduate Student - University of Algarve
Research Member of CHAIA - Évora

[Goanet] CRCH2011-Sensitization Workshop towards Conservation and Restoration in Cultural Heritage

[Monica Reis]

Dear all,

We call your attention to the workshop to be held in Goa-India, next
September-October (19th September - 20th October 2011)

Limited registrations are open until 12th September. For more informations
go to http://retableart-monicareis.kk5.org/CRCH2011 or contact directly the
Fundação Oriente in Goa.

Online 
registrationis
also available.
--

CRCH2011 |Sensitization Workshop towards Conservation and Restoration in
Cultural Heritage

Date: 19 September - 20 October 2011
Place: Goa, India

About the Workshop
This workshop intends to give its trainees the tools required to solicit,
regulate, and undertake conservation-restoration projects in a manner that
protects and respects the cultural heritage legacy that has been entrusted
to them. Understanding that Cultural heritage contributes to the definition
of a local identity and constitutes a rich and fundamental expression of
cultural diversity will help prevent its loss.

Cultural heritage is a witness to the past and must be protected in order to
ensure its transmission to future generations. In order to do this, several
international and national organizations exist to frame and legislate the
cultural, historic and artistic value of cultural heritage and to ensure
that proper and effective restoration-conservation measures are taken. Some
cultural assets escape cultural heritage protection or have yet to be
classified in accordance with the criteria proposed by the legal framework.
These assets are not a less important part of cultural heritage, but instead
have escaped proper restoration due to loopholes in the legal and
conservation frameworks.

A dedicated conservator-restorer but also informed citizens can help to
close these loopholes. In the absence of conservation-restoration planning
and legal instruments, cultural heritage and its historical, religious, and
artistic legacy is at risk of being damaged or not maintained in conformity
with accepted standards. The role of a conservator-restorer is to preserve
cultural heritage on behalf of future generations. The conservator-restorer
contributes to the perception, appreciation and understanding of cultural
assets in regards to their aesthetic and historical value and physical
integrity. One informed citizen is a small but most significant step in the
climbing towards the protection of cultural heritage.


What to expect
Primarily designed to sensitize citizens of Goa towards the conservation of
heritage, it broaden into a larger action comprising not only church assets
and goan heritage but all kind of art objects regardless of its origin or
devotion. We will not prepare technicians or conservators-restorers in their
field work. Instead, the workshop will endow its trainees with the tools
that will empower them to act as an informed heritage protector, despite the
heritage background or inner-history. The keyword of the workshop is
sharing. Sharing of knowledge comprising history, technical terms,
techniques, legislation and planning.


Goals
- Inform citizens of the importance of cultural heritage conservation.
- Provide technical and international legal tools that pertain to the
protection and conservation/restoration of cultural heritage.
- By the end of this workshop, attendees will have the knowledge and
awareness necessary to carry out effective conservation-restoration projects
in the Goan heritage and apply common knowledge's to other
conservation/restoration processes, backgrounds and geographies.


*Schedule*: 55 hours - 2 to 3 hours per day, from 5 p.m.
*Where: *Fundação Oriente, Fontainhas, Panaji (Goa)
*Contact*: Fundacao Oriente
175, Filipe Nery Xavier Road
Fontaínhas, Goa 403001
tlf.(0832)223 0728/243 6108
Email: forie...@dataone.in

Re: [Goanet] Canecos

[Monica Reis]

For the first time I have to say some words in this group.

About *Canecos* in the Portuguese language it means (in the singular form)
"a wooden jar for the transportation of liquids in the shape of a barrel but
with wings, *and/or*, a pot typically more tall and narrow then a
*caneca*(I've kept the original: it means a cup),
*and/or* in the popular form, a tall hat, *and/or*, in the figurative form,
someone to drunk, *and/or*, *pintar o caneco* (to paint the caneco): to make
a fuzz or great party, *and/or*, canarim: local from the ancient Portuguese
India (origin from the word Canará+*im*)

As an expression, *cum caneco (com um caneco)* can be used to express verbal
attitude to a sudden event or felling, perhaps equal to the expression used
in English "I'll be dammed"

Curiosity: Canarim can also be used in Brazil to describe a a tall man with
long legs!

Hope I was clear

-- 
Mónica Reis
शदलगमो ईागे
Indo-Portuguese Art Research Project

E-mail: monicaer...@gmail.com
Telemóvel Portugal: +351 964 092 575
Telemóvel Índia: +91(0) 909 666 27 88
Skype ID: monicaereis
Url: http://www.in-terram-exire.blogspot.com
Flickr: http://www.flickr.com/photos/in-terram-exire/
Twitter: http://twitter.com/monicaereis