[h-cost] re:knit stockings (long)

2006-01-13 Thread KELLY
Carol wrote:

 

Ok, I'm convinced the cut-from-yardgoods stockings existed. 
Come to think of it, there is a stocking I looked at from around 1880 
that fit the category - one of the fancy knit fabrics that probably 
could not have been done any other way.

  However, I thought you said the cut  sewn were the most common 
for mid-19th century.  I have not seen that in extant stockings in 
museum collections.  There are certainly hand-knit stockings, and 
those that are knit to shape.

 

I never said they were the most common, I said they were the best available 
option; documented period technique using period appropriate fibers.

 

What dating criteria have you been using in your examinations? As you 
previously stated this was not a period technique, perhaps you misinterpreted 
what you were examining. Also, we are all aware that the items in museums tend 
to be representative of those fine, expensive items of the upper classes as 
opposed to the common everyday items of the middle or lower classes, which were 
usually used and reused until nothing was left. 

 

The employments of women also states that one single factory was employing 700 
women to sew stockings, unfortunately it does not state how many per day they 
could complete, but that's a very large workforce for the time period - there 
most have been a demand for the product. 

From
The employments of women: a cyclopaedia of woman's work./ By Virginia Penny.
Penny, Virginia, b. 1826.Penny, Virginia,  How women can make money.
Boston: Walker, Wise,  Company1863.

Hosiers:
A knitting machine has been invented in Seneca, N. Y., that is said 
to knit a perfect stocking in less than five minutes. Aikens's 
knitting machines are very popular. We have thought ladies would do 
well to try them, and devote themselves to making up hosiery. We' 
doubt not but it would pay very well. - The cloth is knit in a 
straight piece, and another lady cuts it into shape and sews into 
the articles wanted.
Work done by steam power is not so neat; the selvages are not well 
made, and the goods must be cut and sewed in seams. Many women are 
employed in hosiery manufactures where steam is used.

  Is this an advertisement for ladies to buy this machine and use 
it at home?  It's a bit confusing considering they mention steam 
power.  Having to cut the yardgoods to shape does not seem like 
knitting the perfect stocking.

 

The Aiken's machine was hand-cranked and focused towards home manufacture.

 

Steam power was used in the factories. There were issues with converting 
machinery originally intended for hand power to steam power. The steam power 
was so powerful (if not properly regulated) that the older equipment frequently 
did not function optimally - it simply couldn't keep up. I suspect in knitted 
goods, it led to imperfect knitting, obviously especially along the selvedges


  I heard that someone was knitting stockings on some sort of 
machine for Civil War reenactment use.  But then he stopped for some 
reason?

 

I believe Mickey Childs (not sure I'm remembering the name correctly) was 
making men's socks and there was some controversy on the heel construction. I'm 
not aware of anyone ever making correct machine knit ladies stockings.


I personally don't knit and am not in a position to pay some a reasonable fee 
for the time and energy it would take for them to handknit a pair of stockings 
(pet peeve of mine - too many people doing intricate handwork price their items 
too low, they don't place a respectable value on their time, talent, knowledge, 
etc.). So again, I feel comfortable reproducing a period technique with the 
best available approximation of a period textile.

Kelly Dorman
Backward Glances
www.backwardglances.net 


  Making them from knit yardgoods is a good way to get something 
better, short of handknitting.  Since the original question was about 
18th century, it may or may not be perfectly authentic - depends on 
the decade being reproduced.

  -Carol


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Re: [h-cost] margo pattern question

2006-01-13 Thread chindora
I have never really used commercial patterns for historical costuming, but have 
drafted my own based on pictures of period pattern pieces.  When I bought this 
set, I was hoping for more detailed directions, perhaps more period methods of 
assembling the garments.  I was extremely frustrated several times, and like I 
said at one point the directions had me assembling a part inside out, but when 
it was all said and done I was thrilled with the finished outfit.  The pattern 
pieces, for the most part, made sense, but someone else pointed out (on Margo's 
site, I believe) that they did not rely on the directions and simply used the 
pattern pieces.  
 
shrug  I am not saying it is a pattern without merit, just forewarning you 
that it is a first run and still has mistakes.  My suggestion is that you hook 
up with someone else who has a good bit of sewing experience to help you over 
the rough spots.
 
 
:)
~Kimberley
 
-Original Message-
From: REBECCA BURCH [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Thu, 12 Jan 2006 10:28:30 -0800 (PST)
Subject: Re: [h-cost] margo pattern question


Bummers!  I just ordered the Gentlemen's Wardrobe
pattern set to use for my son's Faire outfit.  Is
there a better one you would recommend?  This is my
first time doing really historically accurate
costuming and I need to get it right.

--- [EMAIL PROTECTED] wrote:

 I just bought and made that pattern in November, and
 found that there were several corrections to pattern
 pieces, directions left off in some places, and at
 one place outright wrong directions.  Off the top, I
 cannot remember what I had to do to make it work, so
 I guess I cannot be of much help.  I do remember
 fighting with the collar, however, and it seems to
 me that doing what made sense at the time was the
 right thing to do.   
  
 I would not recommend this pattern for someone who
 is not already familiar with basic construction
 techniques for this type of garment.
  
 ~Kimberley
  
 -Original Message-
 From: A  J Garden [EMAIL PROTECTED]
 To: Historical Costume [EMAIL PROTECTED]
 Sent: Thu, 12 Jan 2006 17:04:55 +1100
 Subject: [h-cost] margo pattern question
 
 
 Does anyone here have Margos Elizabethan gentlemens
 pattern? I've asked on Margos list but can't get an
 answer - I'm pretty sure there is a correction that
 needs to be done to the neck of the mens doublet but
 I haven't got that page - can anyone here enlighten
 me? 
 Thanks in advance, Aylwen 
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Rebecca Burch
Center Valley Farm
Duncan Falls, Ohio, USA
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Re: [h-cost] Sergers past topics

2006-01-13 Thread kelly grant
My hobbylock 784 was purchased about 15years ago, at the time it was well 
over 1000$, but I'm sure they've come down in price.  It's been put through 
it paces working in several professional shops, carted back and forth to 
classes I've taught and is still running smooth and strong, with only a 
minor repair of a screw other than regular cleaning and timing check.

It's relatively small for a 4 thread, and easy as pie to thread!

Hope that helps!
Kelly



Size (must be small as possible, I have very limited space)
Ease of threading
Sturdiness (I am a theatrical costumer, so my machines take a beating)
Cost (would prefer not to spend over $500)

thanks!
+
Angela F. Lazear
Cabbage Rose Costumes
Theatrical Costume Design
Love all, trust a few, do wrong to none:
be able for thine enemy rather in power than use,
and keep thy friend under thy own life's key:
be checked for silence, but never taxed for speech...
All's Well That Ends Well 1.1.65-6, Countess to Bertram
W. Shakespeare

http://www.cabbagerosecostumes.com
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[h-cost] Re: serger

2006-01-13 Thread Kathy Hoover
 [EMAIL PROTECTED] 01/13/06 3:10 PM 
Carol still looking for a treadle powered serger like my Mennonite
friend has...

I was truly intrigued by this, so I went looking.  Here's someone who
built, actually converted,  her own!
http://www.mushycat.com/wiki/index.php?n=Treadles.SergerConversion

Kathy
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RE: [h-cost] att. Bjarne

2006-01-13 Thread Tania Gruning
Hiya.
  A meter is a little bit more than a yard. 6 danish kr is about a dollar at 
the moment. So a bit more than a yard of this material is about 50 dollars ;-). 
Very expensive I know, but fabrics are expensive in Denmark since we have a 25% 
sales tax.
   
  Tania

otsisto [EMAIL PROTECTED] wrote:
  Roughly what is that in American dollars and inches. :)
Actually, how do you get to the site with the linens?

De

-Original Message-
You can get it at Broderi Antik for 399 dkr a meter. it is about 140 cm
wide.

Hope you can use this info

Tania


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[h-cost] pride and prejudice (late)

2006-01-13 Thread Bjarne og Leif Drews

Hi,
I went to the movies today and watched what you already saw long time ago, 
Pride and Prejudice. Movies always are late here, dont know why, Casanova is 
coming in april.
Well i must say that i lost my heart totally to this version of Austens 
novel. The characters were well chosen, settings and situations was 
gorgeous, and especially the interriors of Longborn Manor was to die for. 
Excatly what i have in my head of that time. Peassants at your doorway and 
geese and hens at the front opening, very romantic and very realistic to me.
Even the costumes was absolutely lovely, i simply think the costumer had hit 
the right situation, that a remote place in the country would be far behind 
from such a daring and shocking fashion change as the regency was. How 
delighted to see the anglaise dresses used, and mr Bennet dressed in 
oldfashioned long waistcoat, from the 1750ies.

I was so diverted and i really would like to go again to watch it tomorrow.
Bravo

Bjarne





Leif og Bjarne Drews
www.my-drewscostumes.dk

http://home0.inet.tele.dk/drewscph/ 



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[h-cost] Stitch example?

2006-01-13 Thread roscelinlimoges
I've seen this stitch mentioned several times in directions for sewing, but 
can't seem to find a good example of it.  The stitch is a blind stitch.  Does 
anyone have a good instructional example of it?  I'll want to teach myself it 
then teach my students.

Roscelin
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Re: [h-cost] Re: socks/stocking etc.

2006-01-13 Thread Carolyn Kayta Barrows


  real period socks and stocking can be a challenge for those of us in 
the reecacting world.Which is why I went to not-so-authentic, but 
faster to produce cut from whole cloth stockings.  The have that clock, 
which is missing from so many commerically availble socks.  I'm still 
experimenting with differen fabrics for the stiffness factor.  I have a 
piece of wool jersey that has been washed and fulled up nicely, AND is a 
bit stiffer.  Do you know what the frequency is of stockings done in 
wool, but not knitted (Just general is good...)


I'm not much of a knitter, but I have a book called Folk Socks, which has 
every kind of heel I ever say, and several I never did before, all with 
knitting instructions for them.  (I haven't been following this thread, so 
I don't know if this book has been mentioned.)  It also has many kinds of 
toe, also with instructions.  These might go as far back as the early 
1700s, or possibly the late late 1600s.  I also have Mr. Rutts book on the 
history of hand knitting, and that has lots of pictures of SCA-able knitted 
pieces, including the socks Eleanor of Toledo was buried in, and a pair of 
knitted Pluderhosen! (Really.  They're amazing.)



   CarolynKayta Barrows
dollmaker, fibre artist, textillian
 www.FunStuft.com

  \\\
-@@\\\
      7 )))
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[h-cost] Re: 18th cent circular peg knitting

2006-01-13 Thread cahuff

At 8:56 AM -0700 1/12/06, [EMAIL PROTECTED] wrote:

I have a friend who
 has a circular wooden Frame on which she makes  no- seam stockings for
herself and her man.  She was working on a pair at Christmas time.  Her era
for reenactment is the 18th century.  As a spinner and weaver, she is very
fussy to maintain traditional fiber arts for her time period.  This frame
method can even manipulate the turning of a heel.
Now I do not know how early this style of knitting was known, but the
concept is basically simple and could have been fashioned by any cottage
crafter as a means of producing leg wear, hats and neck scarves.


But it's not commonly mentioned nor pictured in any 18th cent sources 
I've seen (and I've been looking!)...there was a knitting frame--much 
more like a modern flat bed machine...If you have sources PLEASE 
PLEASE share I wanna know!!! Tho I fear this may be yet another 
case of they shoulda but they didn't :-(

Ta
Carol--knitting away on the forever socks (18th cent, combed, 
worsted, 2 ply blue/white ragg, ~12spi, o needles)

--
Creative Clutter is Better Than Idle Neatness!
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[h-cost] Re: drawers

2006-01-13 Thread Kathy Page
I've been quiet and watching this convresation evolve,
and honestly I have been enjoying myself. It gives
food for thought as to why these underwear, and
another Venetian pair that indeed look like men's
breeches, exist in the first place. It also further
develops the question as to why one of them is stained
in a strategic place.
I'll throw some opinions and theories out there and
see why others think... conversation fodder.

This collection is referred to as the Sicilian Bride.
Following along with the lingerie philosophy that
it's not the contents, but the packaging that make it
sweeter would it be a habit to wrap the prize of
marriage to further entice the couple into
consummation? By extension, the other pair that are
listed as undergarments:
http://realmofvenus.renaissancewoman.net/wardrobe/extdraw2.htm
and given the blatant nature of the phrase all over
them, are we back to the underwear on women are for
enticement theory? It also seems odd to put so much
decorative effort into a marginally functional garment
if they were not in regular use. 
I think it was Lawner that mentioned a text reference
to courtesans and prostitutes being church sanctioned
in order to try and turn the homosexual males back to
a more biblical way of life. I think there was also
mention of some women cross dressing for this very
reason - playing an erotic cross-gendering game. Would
it not be another type of erotic game to dress like a
woman but wear men's underwear underneath all that
obvious femininity?
I think too that we have to take into account the
culture these underwear are attached - Sicilian, not
Italian as many people believe. Sicily is more
attached to Spain than it is Italy at this time. I am
rather vague on both Spanish and Sicilian 16th c.
cultures to really make any comment on the commonality
of intimate undergarments for women.
I think our general ignorance on the subject of
feminine hygiene has nothing to do with it not being
written down. I suspect it's more due to it being
hidden away, my guess would be typical of the
Victorian, possibly earlier depending on the social
mores of the time and place. I have an entire book
written on childbirth and its' associated rituals in
Venice. It contains some surprisingly frank art within
it's covers. Unfortunately, since it deals with
childbirth as an event, there is no real mention of
how menses are handled in it. I would suspect though,
that if we followed the authors' original sources, we
would find more than our share of information. In all
of the primary texts that I have come across relative
to sexuality in general, the Venetians at least, are
very straightforward and have a rather colourful and
broad vocabulary covering such private topics. Looking
up sangue in Florios' 1611 Italian-English
Dictionary garners me a broad variety of derivatives
that can be applied to a woman's menstrual blood.
Looking up menses I get a period (pardon the pun)
term for a woman's monthly:
Me'nstruo: a womans monethly(sic) termes, issues,
fluxes, sheddings or flowers. Also silver(?) among
Alchemists. 

Flowers?!

So they really weren't any less frank about it than we
are, really. And honestly we are just as allusive
today as they were then - that whole period and
flowers thing. Therein lies a possible explanation
as to why we know little about the topic - code words
that were used amongst familiar groups that are
meaningless to us today. Either way, it bears looking
into.

My general opinion on the stained underwear I
mentioned above is the possibility of proof of
consummation. The provenance of the garments suggests
that the woman in question was possibly not that
well-to-do, perhaps from a convent orphanage. If she
married above her station, mayhap this was her
insurance against annulment? It would seem odd to save
stained underwear in a time whenall
fabrics were too precious not to put into regular
daily use, or sell off for rags. I suppose I will know
more when I see them in person - if the stain looks
undisturbed or washed several times since their
discolouration. 

Anyway, food for thought.

Kathy

ItÂ’s never too late to be who you might have been.
-George Eliot
For every beauty there is an eye somewhere to see it. For every truth there is 
an ear somewhere to hear it. For every love there is a heart somewhere to 
receive it.
-Ivan Panin






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Re: [h-cost] Re: margo pattern question

2006-01-13 Thread Susan B. Farmer

Quoting Mary [EMAIL PROTECTED]:

I also had a problem with the collar, made it over  several times and 
finally gave up in frustration and went on to another  project.  It's 
been sitting in my UFO pile for a couple years  now.  I just thought 
it was me, since I had never made anything  like it before.  Now I 
feel a bit better that I'm not the only  one!  Might even start 
working on it again...  :-)




In case you don't know, there's an e-list at yahoo for Margo's Patterns
run by Margo herself.  She's an active participant, and eagerly
solicits places like this so that she can *fix* them in the next
release of the pattern.

http://groups.yahoo.com/group/margospatterns/

Susan
-
Susan Farmer
[EMAIL PROTECTED]
University of Tennessee
Department of Ecology and Evolutionary Biology
http://www.goldsword.com/sfarmer/Trillium/


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[h-cost] Re: Serger

2006-01-13 Thread cahuff

At 3:41 PM -0700 1/13/06, [EMAIL PROTECTED] wrote:



Carol still looking for a treadle powered serger like my Mennonite

friend has...

I was truly intrigued by this, so I went looking.  Here's someone who
built, actually converted,  her own!
http://www.mushycat.com/wiki/index.php?n=Treadles.SergerConversion


Veddy Cool
Guess I'll have to get the Toyota repaired now to use as a 'victim'...
Ta
Carol
--
Creative Clutter is Better Than Idle Neatness!
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[h-cost] Taffeta question again...

2006-01-13 Thread Diana Habra
Hello everyone,

For those of you who had input on my silk taffeta question, I have another
question related to the first one:

When you buy your taffeta, what weight do you look for?

I found 2.25 oz. silk taffeta for $16.98/yard (denverfabrics.com)
I found 4 oz. silk taffeta for $22.00/yard (distinctivefabrics.com)
I found ? weight silk taffeta (labeled lightweight) for $11.00/yard
(fashionfabricsclub.com)
I found ? weight silk taffeta for $30.99/yard (fabrics.net)

The weight silk I would buy would be the 4 oz. kind and my supplier has
even heavier silk taffeta (5.30 oz.) but I don't know the cost yet.

Is 4 oz. considered heavy enough for what we do?  Or is 5.30 oz. preferable?

Thanks!

Diana

www.RenaissanceFabrics.net
Everything for the Costumer

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[h-cost] knit stockings

2006-01-13 Thread Julie
OK.  I can make knit yardgoods (5 knitting machines).  What would the stitches 
per inch be?  Is there a decent pattern anywhere?

Julie

  [EMAIL PROTECTED] wrote:
 Ok, I'm convinced the cut-from-yardgoods stockings existed. 
 Come to think of it, there is a stocking I looked at from around 1880 
 that fit the category - one of the fancy knit fabrics that probably 
 could not have been done any other way.
SNIP
 A knitting machine has been invented in Seneca, N. Y., that is said 
 to knit a perfect stocking in less than five minutes. Aikens's 
 knitting machines are very popular. We have thought ladies would do 
 well to try them, and devote themselves to making up hosiery. We' 
 doubt not but it would pay very well. - The cloth is knit in a 
 straight piece, and another lady cuts it into shape and sews into 
 the articles wanted. 

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RE: [h-cost] Re: Mother Ginger

2006-01-13 Thread Kathy Hoover
 [EMAIL PROTECTED] 01/13/06 1:44 AM 
It seems that the person who played Mother M in that picture is a guy.
That would really help, because they really are larger and stronger
(usually) and so can drag a heavy contraption more easily.

Yes, I know--and more often than not Mother Ginger *is* a guy--just for the 
comedy factor.  We had wanted to use a guy-- we were trying to get a local 
celebrity, like a DJ--but the Artistic Director nixed that idea, too.  (Can you 
tell we had many artistic differances?)  So it ended up being Clara's mother, 
Mrs. Stahlbaum, who had no more to do after Act I was over  (and who, by the 
way, just happens to be my daughter. This production was the 20th anniversary 
of the first time the company did Nutcracker.  Twenty years ago, Gretchen was 
Clara--now she came back to play her own mother!)

 Also, extra height on the part of the actor means extra head room underneath.

Well, remember Gretchen was sitting on top of a 4-foot ladder--she was the 
eqivalent of about a 7' person anyway!  We need whatever device they use to 
drive parade floats around!

Kathy

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of Kathy Hoover
Sent: Thursday, January 12, 2006 10:15 AM
To: [EMAIL PROTECTED] 
Subject: [h-cost] Re: Mother Ginger


Hi Mary,  Becky, and anyone who has any ideas,

I just finished Nutcracker before Christmas and Mother Ginger was an
extreme problem.  I had asked this list for suggestions in mid-November, but
only got one or two replies about using plastic plumbing pipe.  That is what
we ended up doing, but the results were less than wonderful.  It is first on
my list of what to tackle the next time we do it.  Our dancer sat on top of
a 4-foot aluminum ladder that was not-too-securely attached to a platform on
wheels (casters).  The panniers were dropped over the ladder, she crawled up
the ladder and wiggled down in.  They were pinned as securely as we could
around her waist using upholstery strapping and we also had suspenders
attached.  I wish we would have thought of the backbrace--good idea!  Then
we dropped the skirt over her head (which was in several rather poorly
connected pieces), an apron, bodice with cape sleeves, collar, and she wore
an outlandish yellow wig.  The panniers were approximately 4' by 7'.  The
size was based o!  n the very cramped back stage space we had in our
theater.  We had to be able to fit in 14 six to nine-year-old 'Bon-Bons' and
also another teenage girl who literally pushed the whole contraption on
stage from underneath!  Much of this was leftover technology from what had
been done in previous years when I was not with them.  Two of us had to
dress Mother in the wings in only the ambient light coming from the stage.
It was very, very shaky to say the least and I am so glad that we got
through a Tech, a Dress, and 3 performances without a major mishap.  

You have already given me some new ideas.  I like the idea of the bottom row
being a C-shape to let the dancers out--but then how did the pipe keep its
shape and not collapse on itself?  We used plumbing connectors and put
crosswise braces of pipe at the long ends of the ovals.  It kept the ovals
from twisting, but it was not enough to keep the panniers from sagging under
the weight of the skirt.  You mentioned having put upright pipe every 2
feet.  I can see that this would give good support, but then how did you get
it to bend into an oval?  We only used the upholstery strapping to connect
the 3 horizontal rows of pipe.  I knew this was a problem, but we couldn't
come up with a better answer in the time we had left.  

You mentioned that you thought San Francisco had completely built a
stationary frame onto a platform.  I'm going to contemplate this
one--because this may be the sturdiest idea in the long run.  Our greatest
problem there would be storing it in the off season--costume and prop space
in the back of the ballet studio is very limited.  Is this link below the
Mother Ginger costume you saw?  

http://www.voiceofdance.com/Insights/features.test.cfm?LinkID=315000 
174

I just love this!  In my research on the 'Net for ideas, this was my
absolute favorite!  A house for all the children!

One last question--what kind of movement did Mother make on stage?  Did she
just roll out on stage in a straight line and then back out?   Did she
completely cross and go off on the other side?  Did she turn or make any
other movements?  Our director insisted that Mother turn in a circle
once--after the children were out.  I'd like to figure out a different
method of locomotion than a person hidden in the skirts and pushing on all
fours!

Hope you all have your creative thinking hats on today,
Thanks,
Kathy



 [EMAIL PROTECTED] 01/11/06 10:55 AM 
Hi Becky,
  
  My daughter's ballet school does Nutcracker every year.  They have  a M
Ginger dress that is large enough to hide about a dozen kids under  it.  You
said your's is for a play, but it seems 

Re: [h-cost] medieval quote on underwear

2006-01-13 Thread Jean Waddie

Audrey Bergeron-Morin [EMAIL PROTECTED] wrote

I have spent the weekend at an event
in an English castle and I can tell you they are still damp.


Were there any fires inside? Most of the castles we visited in France
were damp and cold, but twice we visited castles where the chimneys
had been restored so they'd made a fire inside - makes a whole world
of difference. They would still be cold in the winter, though...

I have always thought that once you built a castle and got the fires 
going, and then kept the fires going, winter and summer alike, it 
probably held the heat better than you might expect.  Thick stone walls 
are certainly very good insulation when it comes to keeping heat out - 
one event inside a castle at Easter, we were going outside to warm up!


Jean
--
Jean Waddie
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RE: [h-cost] margo pattern question

2006-01-13 Thread Rebecca Schmitt
 Does anyone here have Margos Elizabethan gentlemens pattern? 
 I've asked on Margos list but can't get an answer - I'm 
 pretty sure there is a correction that needs to be done to 
 the neck of the mens doublet but I haven't got that page - 
 can anyone here enlighten me?
 Thanks in advance, Aylwen

Just what problems are you having? I have made the doublet a few times for
my husband and don't recall having any troubles. I just checked my pattern
instructions for any notes that I might have jotted down (I try to do this
so I remember if I changed something for the next time) and have nothing
recorded for the neck-piece at all.


I just bought and made that pattern in November, and found that there were
several corrections to pattern pieces,  
directions left off in some places, and at one place outright wrong
directions.  Off the top, I cannot remember what I 
had to do to make it work, so I guess I cannot be of much help.  I do
remember fighting with the collar, however, and it seems to me that doing
what made sense at the time was the right thing to do.   
 
I would not recommend this pattern for someone who is not already familiar
with basic construction techniques for this 
type of garment.
 
~Kimberley

I would agree with you that Margo's patterns do need a bit of prior sewing
experience. I have also found places where an step is left out - obvious if
you've sewn before, but not so obvious if this is your first sewing
experience.

Bummers!  I just ordered the Gentlemen's Wardrobe pattern set to use for my
son's Faire outfit.  Is there a better one 
you would recommend?  This is my first time doing really historically
accurate costuming and I need to get it right.
Rebecca Burch

There is really no better pattern than Margo's on the market (my opinion, of
course!) Her patterns are well researched and I think fulfill the
qualification of historically accurate. The only way you could get more
accurate is to draft your own pattern using Janet Arnold, or some other
costume historian's sketches (or your own, if you are so lucky). What Faire
are you making the costume for? Is your son going to be on cast? I know for
a fact that Margo's patterns are used by cast members at many Faires across
the country - I have used them for myself and my husband at Bristol and
recommend them to the members of my Guilde, of which I am the costume
liaison.

I also had a problem with the collar, made it over  several times and
finally gave up in frustration and went on to 
another  project.  It's been sitting in my UFO pile for a couple years
now.  I just thought it was me, since I had never 
made anything  like it before.  Now I feel a bit better that I'm not the
only  one!  Might even start working on it 
again...  :-)
 ~mary

Again, I do not have any notes at the doublet collar section of my pattern
instructions. It is a tricky part, but if you follow the instructions *very*
*carefully*, it works fine. It is one of those spots where I found I can't
go rushing through, or I will mess up.

OK, I'm reading the instructions themselves over carefully. I think that the
step that is missing is to slash the seam allowance to the inside corner
dot, so that the piece will pivot and be able to sew the collar piece to the
shoulder/front. Does that make sense? Not something that I needed to note
for myself, because I just knew/figured what needed to be done from prior
experiences.

***
Rebecca Schmitt
aka Agness Cabot, Guilde of St. Lawrence
Bristol Renaissance Faire
 
My arms are too short to box with God.  --Johnny Cash
***
 


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[h-cost] Aaaak! Embroidery issues

2006-01-13 Thread Shane Sheridan
I am *finally* finishing my version of an early period Irish short coat for
my Husband, and I find I am nearly out of one particular colour of DMC
Medicis wool. I go to check the website of the shop I usually buy from (I
cannot get any locally)  only to find that since I last ordered from them
they no longer carry it. Grrr! (This is the second time this has happened to
me with this particular line of wool, apparently I'm one of the very few
people that actually uses it.)

What I am looking for is a Canadian shop that carries Medicis, that will do
mail-order/online. I'm in 'Northern' Ontario, but I'd consider anything
within reasonable shipping distance. US suppliers are fine as well, provided
they don't charge an arm and a leg for shipping. :-)

Thanks folks for any help!

Sheridan


*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*

 I'm Irish! When I am well, I am better than everyone,
when I am hurt I yell at the top of my
lungs, and when I am dead I shall be  deader
than anybody! 


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[h-cost] Underwear Menses (was: medieval quote on underwear)

2006-01-13 Thread Sharon L. Krossa

At 8:16 PM + 1/10/06, Caroline wrote:

If you are pregnant or breastfeeding you are unlikely to have monthly
cycles.  Admitted women who are not sexually active won't be pregnant much
but once you take nuns out of the equasion most women wouldn't need sanitary
protection much during their life.


But they'd still need it enough of their lives for it to be a 
consideration in their lives. (And even most married women were 
probably not producing a child every year, or even every two years, 
and so would have spent much of their mature lives menstruating every 
month -- and not all women got married, remained married constantly 
until menopause, were fertile, etc...)


In any case, since this was raised in the context of discussing 
underwear, it is worth explicitly reminding ourselves that while 
currently in the US and similar cultures we often deal with 
menstruation by attaching something to underwear, this solution is in 
fact extremely modern. When I first started menstruating (circa 1980, 
give or take a couple years) many were still wearing special belts 
with dangly bits to which sanitary pads were attached (no underwear 
needed), and even as recently as the early 1990s when I was in 
hospital in the UK, the hospital issue pads assumed such a belt 
(which, naturally, I didn't have, not having used one since I was a 
young teenager -- nor were any of the British women I knew still 
using such things). And even though I have myself used such 
non-adhesive backing methods in the past, I still tend to forget that 
adhesive pads attached to underwear hasn't been around since time 
immemorial -- that is, until forcibly reminded by hospital time-warps 
or the like!


So, even if it were true that historically women didn't need sanitary 
protection much during their life, that wouldn't explain lack of 
women wearing underwear as underwear is completely unnecessary for 
sanitary protection (even without tampons) and, further, modernly 
underwear only became part of the sanitary protection solution in 
very recent decades.


That is, sanitary protection tells us nothing about underwear, and 
underwear tells us nothing about sanitary protection, except and 
unless there is specific evidence linking the two frequently 
unrelated variables in some specific context (such as, say, very late 
20th, early 21st century US  similar cultures).


Sharon
--
Sharon Krossa, [EMAIL PROTECTED]
Resources for Scottish history, names, clothing, language  more:
Medieval Scotland - http://MedievalScotland.org/
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Re: [h-cost] Sergers past topics

2006-01-13 Thread Melanie Schuessler

angelalazear wrote:

I've heard Juki's are good, but are they worth the hefty price tag?  I'm 
going to use it for edging costumes only, so probably don't need a lot 
of fancy stitches.


I love Jukis, despite the price.  I've used them in two academic shops 
so far, and they are fab!  The shop I'm in now had two sergers, one 
Singer and one other (White, maybe?) that were relatively new but always 
choking up, sucking trimmed-off edges back in, breaking threads, and 
losing stitches.  Everyone breathed a sigh of relief when we got the 
Juki.  I've had my personal Juki for 15 years and have never once had a 
problem with it.  It will chomp through a ridiculous number of layers 
(when I was a professional cutter/draper, I once brought home a costume 
that the sergers at work couldn't handle).


Melanie Schuessler
(now Asst. Prof. of Costume Design, Eastern Michigan University)

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RE: [h-cost] Sergers past topics

2006-01-13 Thread Sharon at Collierfam.com
On my son's school site, someone was offering a serger. Yamato Industrial 5
thread overlock serger. Asking $350.00. I'm not sure if it's still
available. if you are interested, contact me directly at
[EMAIL PROTECTED]
Sharon Collier

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of angelalazear
Sent: Friday, January 13, 2006 10:54 AM
To: [EMAIL PROTECTED]
Subject: [h-cost] Sergers  past topics


Listies,

Can anyone take a moment to instruct me as to how to pull up our old topic 
threads? (I need the url as well) I am finally in the research phase of 
purchasing a serger, and I believe that was a recent topic here.  Any other 
resource for info on sergers would be appreciated.  I've been to many sewing

machine sites, but they are really short on the info I'm looking for.

I've heard Juki's are good, but are they worth the hefty price tag?  I'm 
going to use it for edging costumes only, so probably don't need a lot of 
fancy stitches. I have a few criterium, in order of importance:

Size (must be small as possible, I have very limited space) Ease of
threading Sturdiness (I am a theatrical costumer, so my machines take a
beating) Cost (would prefer not to spend over $500)

thanks!
+
Angela F. Lazear
Cabbage Rose Costumes
Theatrical Costume Design
Love all, trust a few, do wrong to none:
be able for thine enemy rather in power than use,
and keep thy friend under thy own life's key:
be checked for silence, but never taxed for speech...
All's Well That Ends Well 1.1.65-6, Countess to Bertram
W. Shakespeare

http://www.cabbagerosecostumes.com 

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RE: [h-cost] Re: Mother Ginger

2006-01-13 Thread Sharon at Collierfam.com
Contact Disneyland's costume dept. A few years ago, we saw the Mulan
parade, which had actors in very tall motorized mini floats (for lack of a
better term). The costumes were gorgeous and about 10-12 feet tall.

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of Kathy Hoover
Sent: Friday, January 13, 2006 11:37 AM
To: [EMAIL PROTECTED]
Subject: RE: [h-cost] Re: Mother Ginger


 [EMAIL PROTECTED] 01/13/06 1:44 AM 
It seems that the person who played Mother M in that picture is a 
guy. That would really help, because they really are larger and 
stronger
(usually) and so can drag a heavy contraption more easily.

Yes, I know--and more often than not Mother Ginger *is* a guy--just for the
comedy factor.  We had wanted to use a guy-- we were trying to get a local
celebrity, like a DJ--but the Artistic Director nixed that idea, too.  (Can
you tell we had many artistic differances?)  So it ended up being Clara's
mother, Mrs. Stahlbaum, who had no more to do after Act I was over  (and
who, by the way, just happens to be my daughter. This production was the
20th anniversary of the first time the company did Nutcracker.  Twenty years
ago, Gretchen was Clara--now she came back to play her own mother!)

 Also, extra height on the part of the actor means extra head room
underneath.

Well, remember Gretchen was sitting on top of a 4-foot ladder--she was the
eqivalent of about a 7' person anyway!  We need whatever device they use to
drive parade floats around!

Kathy

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of Kathy Hoover
Sent: Thursday, January 12, 2006 10:15 AM
To: [EMAIL PROTECTED] 
Subject: [h-cost] Re: Mother Ginger


Hi Mary,  Becky, and anyone who has any ideas,

I just finished Nutcracker before Christmas and Mother Ginger was an
extreme problem.  I had asked this list for suggestions in mid-November, but
only got one or two replies about using plastic plumbing pipe.  That is what
we ended up doing, but the results were less than wonderful.  It is first on
my list of what to tackle the next time we do it.  Our dancer sat on top of
a 4-foot aluminum ladder that was not-too-securely attached to a platform on
wheels (casters).  The panniers were dropped over the ladder, she crawled up
the ladder and wiggled down in.  They were pinned as securely as we could
around her waist using upholstery strapping and we also had suspenders
attached.  I wish we would have thought of the backbrace--good idea!  Then
we dropped the skirt over her head (which was in several rather poorly
connected pieces), an apron, bodice with cape sleeves, collar, and she wore
an outlandish yellow wig.  The panniers were approximately 4' by 7'.  The
size was based o!  n the very cramped back stage space we had in our
theater.  We had to be able to fit in 14 six to nine-year-old 'Bon-Bons' and
also another teenage girl who literally pushed the whole contraption on
stage from underneath!  Much of this was leftover technology from what had
been done in previous years when I was not with them.  Two of us had to
dress Mother in the wings in only the ambient light coming from the stage.
It was very, very shaky to say the least and I am so glad that we got
through a Tech, a Dress, and 3 performances without a major mishap.  

You have already given me some new ideas.  I like the idea of the bottom row
being a C-shape to let the dancers out--but then how did the pipe keep its
shape and not collapse on itself?  We used plumbing connectors and put
crosswise braces of pipe at the long ends of the ovals.  It kept the ovals
from twisting, but it was not enough to keep the panniers from sagging under
the weight of the skirt.  You mentioned having put upright pipe every 2
feet.  I can see that this would give good support, but then how did you get
it to bend into an oval?  We only used the upholstery strapping to connect
the 3 horizontal rows of pipe.  I knew this was a problem, but we couldn't
come up with a better answer in the time we had left.  

You mentioned that you thought San Francisco had completely built a
stationary frame onto a platform.  I'm going to contemplate this
one--because this may be the sturdiest idea in the long run.  Our greatest
problem there would be storing it in the off season--costume and prop space
in the back of the ballet studio is very limited.  Is this link below the
Mother Ginger costume you saw?  

http://www.voiceofdance.com/Insights/features.test.cfm?LinkID=315000

174

I just love this!  In my research on the 'Net for ideas, this was my
absolute favorite!  A house for all the children!

One last question--what kind of movement did Mother make on stage?  Did she
just roll out on stage in a straight line and then back out?   Did she
completely cross and go off on the other side?  Did she turn or make any
other movements?  Our director insisted that Mother turn in a circle
once--after the children were out.  I'd like to figure 

[h-cost] Re: sergers

2006-01-13 Thread Pierre Sandy Pettinger

Angela,

Here's what I posted last May when the topic came up:

I have a White serger and really like it, but it's at least 15 yrs 
old.  I don't know if the new ones are as good or not.  It's not 
fancy (doesn't do rolled hems easily, manual threading, etc.) but 
it's gotten me (and hubby) thru miles of velvet, lame', satins, and 
all kinds of weird fabrics.  At the time, it was one of the heaviest 
sergers made, which means it doesn't dance all over the table when 
you run it at full speed.


In all this time, it's only needed routine cleanings and tune-ups - 
no major repairs.

HTH
Sandy - see interleaved lines for specific comments.

At 01:02 PM 1/13/2006, you wrote:

Date: Fri, 13 Jan 2006 10:53:42 -0800
From: angelalazear [EMAIL PROTECTED]
Subject: [h-cost] Sergers  past topics
 I am finally in the research phase of  purchasing a serger, and I 
believe that was a recent topic here.  Any other resource for info 
on sergers would be appreciated.  I've been to many sewing machine 
sites, but they are really short on the info I'm looking for.

Size (must be small as possible, I have very limited space)


footprint is about 1 sq. foot


Ease of threading


I don't think it's hard, but hubby has trouble.  Usually I just tie 
new threads to the current looper threads and pull them thru, then 
thread the needles separately - they're no more difficult than a 
regular machine.



Sturdiness (I am a theatrical costumer, so my machines take a beating)


See above.


Cost (would prefer not to spend over $500)


Don't know what they go for now - also don't know if the current 
models are as good.



Angela F. Lazear
Cabbage Rose Costumes


Those Who Fail To Learn History
Are Doomed to Repeat It;
Those Who Fail To Learn History Correctly --
Why They Are Simply Doomed.

Achemdro'hm
The Illusion of Historical Fact
 -- C.Y. 4971

Andromeda  



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Re: [h-cost] Seriously off topic (sorry) stolen re-enactment kit

2006-01-13 Thread Joannah Hansen
Hi,

I know this is a bit behind the fact, but the thought ocurred to me that it may 
worth Nigel posting the list ( and the event that caused the list ) to *ALL* of 
the ebay community boards, even if they don't seem to have anything to do with 
re-enactment. That way there will be a LOT more people keeping an eye out ( 
hopefully ).

Deb, would you please forward my sincere condolences to Nigel and his lady.

Joannah.  

--- [EMAIL PROTECTED] wrote:

From: [EMAIL PROTECTED]
Date: Mon, 9 Jan 2006 14:39:40 EST
To: [EMAIL PROTECTED]
Subject: [h-cost] Seriously off topic (sorry) stolen re-enactment kit

Apologies for going completely o-t, but I hope nobody (especially those 
involved) will mind me posting this here - am trying to spread the word as far 
as 
possible as quickly as possible.

A garage used as a store by some members of Conquest has been raided, with 
some kit being stolen and the rest torched (burnt to ashes, for those not 
familiar with English slang).

As I understand it, of the stuff in the garage, one tunic survived.  
Everything else is gone.  This is thousands and thousands of pounds worth of 
kit which 
took decades to assemble.

A full list of the stolen kit can be seen here 
http://livinghistory.co.uk/forums/viewtopic.php?t=1651
Please keep an eye out for any of the kit that will presumably at some point 
be for sale.

Thanks

Debs
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