RE: [h-cost] Re: color

2007-01-30 Thread Rickard, Patty
Are there colors if there's nothing to see them? No oxygen before plants. 
(Theology aside - and back to the tree falling in the forest making or not 
making a sound)
 
Patty



From: [EMAIL PROTECTED] on behalf of Gail  Scott Finke
Sent: Mon 1/29/2007 7:20 PM
To: [EMAIL PROTECTED]
Subject: [h-cost] Re: color 



Jean wrote:


 I know there are linguistic studies that aim to show the cognitive
 importance, if you like, of different colours by the order in which
 languages develop them.  You have to work on words for colours that are
 not linked to the description of an object - orange or aubergine, for
 example, just say the colour of that thing.  But all languages have
 words for light and dark, black and white.  I'm pretty sure the next one
 is red, then green and blue interchangeably.  So if a language has a
 word for either green or blue, it must also have a word for red - if it
 has no word for red, it can't have a word for green or blue.  I seem to
 remember it goes a bit random after that.

 So green may have been the first colour to appear, but red is the most
 important one to identify and tell your friends about!

 Actually  wouldn't there be volcanoes before plants? ;-)

 Jean

Linguistic studies aside, the woman was talking about which color was
created (or evolved) first and she said it was green because of plants. No
color before plants. Even if you don't think of black and white as colors, I
thought that yellow must have come first (sunlight). And of course as you
say red and orange -- fire, volcanoes, etc. But she was adamant on green.

Gail


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RE: [h-cost] Re: color

2007-01-30 Thread Rickard, Patty
Wouldn't that be hemoglobin?



From: [EMAIL PROTECTED] on behalf of [EMAIL PROTECTED]
Sent: Mon 1/29/2007 10:21 PM
To: [EMAIL PROTECTED]
Subject: Re: [h-cost] Re: color 




In a message dated 1/29/2007 7:39:37 P.M. Eastern Standard Time, 
[EMAIL PROTECTED] writes:

first  and she said it was green because of plants


I believe the earliest form of chlorophyll was  red.
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Re: [h-cost] early 18th century cravats

2007-01-30 Thread Bjarne og Leif Drews

Dear Dawn.
If you have a nice lace, you can make a short cravat wrapped arround a 
necktie or stock.
They used to love needle laces in those days, especially venetian 
needlelaces, wich are rather thick and stiff. Sew the lace to a piece of 
linnen, same width as your lace and then catch it over a longer necktie.

Do you understand my meaning?


Bjarne

.
- Original Message - 
From: Dawn [EMAIL PROTECTED]

To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, January 29, 2007 8:16 PM
Subject: [h-cost] early 18th century cravats


I'm trying to figure out the dimensions for a late 17th or early 18th 
century man's cravat. I've got plenty of sources that say they tied around 
the neck in various ways, but not much else. Does anyone know how wide and 
how long the cloth is? Would it be wide enough to fold one or more times, 
or would it be worn as a single thickness? Did they wrap from the back and 
tie in front like a scarf, or were they wrapped across the throat in 
front, around the back, and then tied in front?


Does anyone know of any photos of extant cravats other than the one in 
_Cut of Men's Clothes_? (And I think that one is just the lace ends, 
anyway, it looks far too short to tie around anything, but there's no 
indication of size or scale, so who can tell.)





Dawn


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Re: [h-cost] To Tab or not to Tab?

2007-01-30 Thread ruthanneb
I like the tabs too. At first I thought I preferred the cabbage tabs, but on 
reflection the matching tabs seem better, although a little dark because of the 
fabric design. Yes, fussy, but in a really interesting--you could almost say 
witty--way!
--Ruth Anne Baumgartner
scholar gypsy and amateur costumer

-Original Message-
From: Teena Robertson [EMAIL PROTECTED]
Sent: Jan 29, 2007 10:38 PM
To: Historical Costume [EMAIL PROTECTED]
Subject: Re: [h-cost] To Tab or not to Tab?

I don't respond on here very often but I personally like it better with the 
tabs.
 Teena R.


- Original Message 
From: Saragrace Knauf [EMAIL PROTECTED]
To: h-costume [EMAIL PROTECTED]; TheRenaissanceTailor [EMAIL PROTECTED]; 
[EMAIL PROTECTED]
Sent: Sunday, January 28, 2007 10:29:30 AM
Subject: [h-cost] To Tab or not to Tab?


I'm not sure what I should do here. This bodice http://tinyurl.com/343la7
is sort of a practice bodice. It is made from flocked fake silk taffeta 
(barf - but it was the closest fabric I have found to give the right look.) 
I found it at the last minute about a week ago at Jo Annes - it just 
happened to match the silk taffeta of the skirt almost exactly. I am in the 
process of having another embroidered to match the embroidery in the actual 
picture. http://tinyurl.com/3bdc27

Anyyyway - the question:


I may have to use the practice bodice if the other doesn't work out or is 
not done in time for the presentation.

The other bodice will require a peplum of sorts to which all the leaves are 
attached. I did the same here and then experimented with no tabs, all the 
tabs in the same pattern, and finally tabs made from cabbage - random 
pieces of fabric.

Part of me wants to leave it without tabs, because it looks fussy to me. But 
many of the bodices had these whacky shaped tabs, and the original obviously 
did too..sighdecisions, decisions.

What is your vote?  Thanks for your opinions!

Sg



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Re: [h-cost] Christmas gift exchange

2007-01-30 Thread Dawn

jordana robinson wrote:


i haven't received anything yet, but i'm hoping it is there when i go
back to work next tuesday!
-jordana
__


Jordana,

Did you get your package?


Dawn


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[h-cost] Recent book: 18th c. calico trade

2007-01-30 Thread Robin Netherton

My librarian friend alerted me to this:

Vicente, Marta V. Clothing the Spanish Empire : families and the calico
trade in the early modern Atlantic world / Marta V. Vicente. (The
Americas in the early modern Atlantic world) Palgrave Macmillan.
1403972265. 9781403972262. R2-623549.  2006. US. USD65.00 

http://www.palgrave-usa.com/catalog/product.aspx?isbn=1403972265

--Robin

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Re: [h-cost] Christmas gift exchange

2007-01-30 Thread jordana robinson

yes, i did eventually get it. i'm sorry that i forgot to update the list.

thanks for organizing the swap.

On 1/30/07, Dawn [EMAIL PROTECTED] wrote:

jordana robinson wrote:

 i haven't received anything yet, but i'm hoping it is there when i go
 back to work next tuesday!
 -jordana
 __

Jordana,

Did you get your package?


Dawn


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Re: [h-cost] question about robe anglaise.

2007-01-30 Thread Bjarne og Leif Drews

Hi,
Thanks for your feedbacks about this.
As there are examples with both, ill stick to the center back seam after 
all.

That is the easyest to do, as i have 2 embroidered pieces each 140 cm wide.
Thanks again.

Bjarne
- Original Message - 
From: [EMAIL PROTECTED]

To: [EMAIL PROTECTED]
Sent: Sunday, January 28, 2007 7:22 PM
Subject: [h-cost] question about robe anglaise.



Hi Bjarne!

I've recently done a c1776 robe anglaise, which is ~20 years before your 
dress, so take my references with a grain of salt.


From a brief flip though my documentation binder, it seems very common to 
have side-back seams in the skirt - which fall approximately mid-way 
between the side seam and the CB area.
(Center back seams for the skirt were unusual, but I did find one 
example.) It is my conjecture that the standard skirt construction was 5 
fabric widths: 2 for the front and side and one full width for the center 
back.


Here are the useful sources I had:

1) The closed robe in _Fitting and Proper_ has 2 side/side-back seams on 
each side of the skirt between the CB and the seam where on an open robe 
the front opening would start. Note, this dress, unlike yours, has the CB 
of the bodice in one piece with the CB skirt panel.


2) The open robe anglaise on page 24 of _Fitting and Proper_ also has 2 
seams in the skirt between the CF opening and the CB. Again, note that 
this dress, unlike yours, has the CB of the bodice in one piece with the 
CB skirt panel.


3) 1770-85 Polonaise gown on page 37 of _Patterns of Fashion_ - has 
separate CB bodice and skirt panels.  This is the only instance I found 
with a CB seam in the skirt.


4) None of the robe anglaise with separate back bodice and back skirt 
panels (for  the 1776 era) in _Costume in Detail_ have center back seams - 
Bradfield's seam line notations imply that their construction is the same 
5 panel skirt construction described above.


5) The 1775-85 dress on page 40 of _Patterns of Fashion_ also has the 5 
panel construction without CB skirt seam.


Hope this helps,
-s

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Re: [h-cost] early 18th century cravats

2007-01-30 Thread garden

Its a little late, but
Late Georgian Costume:
The tailors Friendly Instructor (1822) By J Wyatt
and
The Art of Tying the Cravat (1828)
By H Le Blanc

is available from Lacis if you're interested. I make my linen cravats  
55 long and 10 wide.


Cheers, Aylwen Garden

http://www.regencyreproductions.com
http://www.earthlydelights.com.au

On 30/01/2007, at 2:42 PM, David S. Mallinak wrote:


Dawn wrote:
I'm trying to figure out the dimensions for a late 17th or early  
18th century man's cravat. I've got plenty of sources that say  
they tied around the neck in various ways, but not much else. Does  
anyone know how wide and how long the cloth is? Would it be wide  
enough to fold one or more times, or would it be worn as a single  
thickness? Did they wrap from the back and tie in front like a  
scarf, or were they wrapped across the throat in front, around the  
back, and then tied in front?


Does anyone know of any photos of extant cravats other than the  
one in _Cut of Men's Clothes_? (And I think that one is just the  
lace ends, anyway, it looks far too short to tie around anything,  
but there's no indication of size or scale, so who can tell.)

It has been a long time since I read it, but its:
   Collars, Stocks, and Cravat
   by Doriece Colle
   Rodale Press, Inc. 1972
   72840 005 7

Your humble and obedient servant,
David S Mallinak

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Re: [h-cost] early 18th century cravats

2007-01-30 Thread Suzi Clarke

At 21:03 30/01/2007, you wrote:

Its a little late, but
Late Georgian Costume:
The tailors Friendly Instructor (1822) By J Wyatt
and
The Art of Tying the Cravat (1828)
By H Le Blanc

is available from Lacis if you're interested. I make my linen cravats
55 long and 10 wide.


Wrong period - not even Regency by the time these books were 
published. I have them too - not really suitable for early 18th century at all.


Suzi


I'm trying to figure out the dimensions for a late 17th or early
18th century man's cravat. I've got plenty of sources that say
they tied around the neck in various ways, but not much else. Does
anyone know how wide and how long the cloth is? Would it be wide
enough to fold one or more times, or would it be worn as a single
thickness? Did they wrap from the back and tie in front like a
scarf, or were they wrapped across the throat in front, around the
back, and then tied in front?

Does anyone know of any photos of extant cravats other than the
one in _Cut of Men's Clothes_? (And I think that one is just the
lace ends, anyway, it looks far too short to tie around anything,
but there's no indication of size or scale, so who can tell.)

It has been a long time since I read it, but its:
   Collars, Stocks, and Cravat
   by Doriece Colle
   Rodale Press, Inc. 1972
   72840 005 7

Your humble and obedient servant,
David S Mallinak

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Re: [h-cost] Re: color

2007-01-30 Thread Heather Rose Jones


On Jan 29, 2007, at 7:21 PM, [EMAIL PROTECTED] wrote:



In a message dated 1/29/2007 7:39:37 P.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:

first  and she said it was green because of plants


I believe the earliest form of chlorophyll was  red.


The amusing thing in this philosophical exercise is that color  
_categories_ don't have any objective existence -- they are an  
epiphenomenon of the physiological structure of light-perceiving  
organs.  To clarify:  light wavelengths have objective existence, but  
the concept that a particular range of wavelengths, albeit with fuzzy  
boundaries, constitutes the color red or green is a function of  
the particular sensitivities of retinal cells.  Before the existence  
of eyes and brains, there were no color categories to precede or  
follow each other.


Heather
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[h-cost] speaking of lace

2007-01-30 Thread Dawn

This story on traditional handmade Polish lace caught my eye.

http://news.bbc.co.uk/2/hi/europe/6312429.stm

Artisans who used to create gowns and altar cloths for customers such 
as the late Pope now craft G-strings and other lingerie for sale all 
over the world.


They say the underwear is quicker to make and easier to sell than 
traditional goods such as tablecloths. 



I'm sorry to see the traditional demand is down, but glad to know they 
can find a modern market rather than let the craft die.




Dawn




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[h-cost] re: to tab or not to tab

2007-01-30 Thread Gail Scott Finke

I don't know what is supposed to look stupid here. I like the tabs. And I
like the ones that don't match better than the ones that do -- the matchy
ones look costumey to me and the random ones look more real.

Oh well, I may be tacky but I guess I'm period!

Gail Finke

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