Re: [h-cost] Re: Edwardian Straight Front Theory

2007-06-13 Thread Wendy Colbert


-Original Message-
From: Cat Devereaux [EMAIL PROTECTED]
Sent: Jun 13, 2007 4:36 PM
To: [EMAIL PROTECTED]
Subject: [h-cost] Re: Edwardian Straight Front Theory 

I needed to make a straight-front corset to go with Janet Arnold's 1901
Ribbon Dress for my sister's wedding.  I did it minus patters and mocking up
on check fabric (to keep the grain though out).  Basically I worked from the
much earlier laughing moon pattern sheet (didn't have the pattern w/ me) and
Corsets and Crinolines.  If you look at the partner pieces and drawing...
the first thing you really notices is that the straight front corsets have
real HIPS!  The hip area is not just an extension of smoothing the waist,
it's flaring out to embrace a newly discovered sexy part of the woman.
G

My pieces ended up staying fairly similar on top except for sucking in the
bust lines a bit in front, and releasing out the back.  

In the bottom... that's where the magic happens.  I took in as much as I
could at the waist area and release in the hip area... release to the sides
and back in a fairly even manner.  It worked.  That part of the body is
fleshy and you can move it around w/ just a little containment and not
tight-lacing.

In my final... the waist area were really thin strips, the hip pieces are
giant.  By the time the pattern was done, I could see why some of the
commercial manufactures went to separate hip pieces, but I had enough
interlining I felt safe. If I remember correctly, the biggest back hip
pieces had a 1:4 ration.

Oh, while making it... I did a bit of temp boning and front and back to keep
those lines cleaner while testing the last couple of mock ups.

I topped this off with a ruffled corset cover to help fill out the top of
the S.  My sister's hips didn't need the pad. (And to help keep the hip
line clean, I used waist bands about 2- 4.  The underskirt was a typical
gathered layered skirt with a rope kick panel at the bottom and the outer
layer was exactly from Hunissette's circular ruff petticoat 

These layers all add together to give that shape illusion... and w/o needing
to tight lace the corset.

-Cat-

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Re: [h-cost] About Passports Just FYI

2007-06-05 Thread Wendy Colbert
We applied for our passports at the post office this year (2 for adults that 
had expired passports and a new one for a minor) in early February and received 
them in May.
Wendy

-Original Message-
From: Dawn [EMAIL PROTECTED]
Sent: Jun 5, 2007 4:45 PM
To: Historical Costume [EMAIL PROTECTED]
Subject: Re: [h-cost] About Passports Just FYI

Well, they're not all taking that long. My husband lost his, and when we 
still had not found it three weeks before our November '06 trip to 
London, we expedited a new one and got it within ten days. (Guess what 
we found as soon as we got back?) Although, his was a replacement and 
not a new one.

If you're in a real hurry I recommend: http://www.passportsandvisas.com/

We used them in 99 for our honeymoon passports when the passport agent 
at the post office told us it was taking longer than 12 weeks for normal 
applications. As that was cutting it too close to the wedding, we paid 
the exorbitant rates to have them hand-carried through.


Dawn

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Re: [h-cost] 16th century dress question embroidery

2007-05-30 Thread Wendy Colbert
A true red from madder is difficult, you will get a better red if you use a 
second dye bath of cochineal or lac after the madder.
Wendy

-Original Message-
From: Deredere Galbraith [EMAIL PROTECTED]
Sent: May 30, 2007 11:05 AM
To: Historical Costume [EMAIL PROTECTED]
Subject: Re: [h-cost] 16th century dress question embroidery

I would love to embroider it by hand but knowing myself I would never 
finish it :-( .

So I have a few options.
Totally embroider it by machine.
Or  appliques of wool or silk and gold cord stichet on by machine.
(I know it is not period but probably the only way for me to make a 
beautiful dress within reasonable time. And having fun making it. 
although I am not happy having it to do it this way)

Silk velvet would be very nice.
The cheapest I found is around 60 euro for a meter and it is white...
1 Meter would hopefully be more than enough.
(I could use some scraps for an other project..)
I have white silk that I would like to dye for the lining.
The lining looks more pink than the red on the dress.
I can easily get that pinkish red from the lining with madder but I 
never got a real red from it..

Should I use some sort of backing for the embroidery?

Greetings,
   Deredere



Deredere Galbraith wrote:
 Hi,

 Several years ago I found a picture on the internet that I really liked.
 http://home.kabelfoon.nl/~triade2/tijdelijk/Blauw.jpg
 And several years ago I bought a very nice blue silk.

 I was wondering if red wool felt and gold cord would work for the 
 embroidery.

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Re: [h-cost] Re: Chicago trip

2007-02-17 Thread Wendy Colbert
If you are looking for something other than fabric stuff and you like zoos, 
Chicago had 2 really nice zoos. You can't go wrong with either Lincoln Park or 
Brookfield, although Brookfield is larger.
Wendy
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Re: [h-cost] OT: Trip recommendations

2007-02-16 Thread Wendy Colbert
I suggest
Textile Discount Outlet 
2121 West 21st Street, Chicago, IL 60608 
(773) 847-0572 

Fabulous place, shopped there frequently when I lived in the western suburbs of 
Chicago. All sorts of fabric, findings, aplliques, beads..
Wendy

-Original Message-
From: Susan B. Farmer [EMAIL PROTECTED]
Sent: Feb 15, 2007 7:14 PM
To: Historical Costume [EMAIL PROTECTED]
Subject: [h-cost] OT: Trip recommendations


Speaking of Traveling ...

I'm going to be in Chicago the first of July (5-11th)

What should I see there?  (yeah, the fabric district, got any specific  
recommendations?)

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Re: [h-cost] Re: wildthangs etc.

2006-11-13 Thread Wendy Colbert
It worked for me and I use Internet Explorer
Wendy
http://strings-n-strands.blog-city.com/

-Original Message-
From: Gail  Scott Finke [EMAIL PROTECTED]
Sent: Nov 13, 2006 6:42 PM
To: [EMAIL PROTECTED]
Subject: [h-cost] Re: wildthangs etc.


I have Internet Explorer, and it doesn't work for me either.

Gail Finke

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RE: [h-cost] Re: gambeson question

2005-12-25 Thread Wendy Colbert
Trigger started out as the proprietary name for a bottom weight poly cotton.  
It has gotten generalized in the same way as Klenex or Xerox.

Wendy Colbert
Merry Christmas and Happy Hanukah


-Original Message-
From: Joan Jurancich [EMAIL PROTECTED]
Sent: Dec 24, 2005 10:55 PM
To: Historical Costume [EMAIL PROTECTED]
Subject: RE: [h-cost] Re: gambeson question
Trigger is just a weight/weave definition.  It can be made of any 
fiber.  I've usually seen it in cotton.


Joan Jurancich
[EMAIL PROTECTED] 

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Re: [h-cost] Re: playing in period societies?

2005-09-27 Thread Wendy Colbert
Rapier (or fencing) in the SCA runs the gamut from those who fence in a style 
close to modern sport fencing to those who are fairly serious researchers of 
period techniques of the 15th through 16th C through translation and redaction 
of period manuals.

Wendy

-Original Message-
From: Jean Waddie [EMAIL PROTECTED]
Sent: Sep 27, 2005 5:35 PM
To: Historical Costume [EMAIL PROTECTED]
Cc: h-costume@mail.indra.com
Subject: Re: [h-cost] Re: playing in period societies?

The SCA in general does not do period fighting techniques, they have 
their own style of fighting which has developed from what the society 
chose as safety precautions (rattan weapons, full armour).  You might 
find some individuals in some areas exploring the old manuals, but that 
is not mainstream for the SCA.  There is also SCA fencing, but I'm not 
sure where that lies between period techniques and modern sport fencing.

Jean


A. Thurman [EMAIL PROTECTED] wrote
It might also be worthwhile to look at historic martial arts
(http://www.thehaca.com/, www.mashs.org and similar) for people
interested in period play. I know the SCA does some of this but I
don't know how invested they are in true period fighting techniques -
I fence with MASHS and their devotion to the old manuals can be as
fervent as some of the h-costume memberships adherence to primary
costume sources. And they've got to have *something* to fence in!

Allison T.

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Re: [h-cost] Bran

2005-07-29 Thread Wendy Colbert
Bran is fed to horse in the form of a mash for a light feeding. You can get 
bran  at a feed store.
Wendy

-Original Message-
From: [EMAIL PROTECTED] [EMAIL PROTECTED]
Sent: Jul 29, 2005 1:16 PM
To: [EMAIL PROTECTED]
Subject: Re: [h-cost] Bran


Technically speaking, the bran would have been a waste product left over from 
processing grain. It would be what was left after cleaning and winnowing. It 
wouldn't have been the whole grain (wheat, barley, whatever). I suppose you 
could pop out to the store and buy a box of bran (not bran cereal, just the 
bran) but it would be easier (and less expensive) to go to your local Lowes, 
Home Depot, etc and just ask them if you can have the leavings of their wood 
sawing area. They might look at you a little funny, but I'm sure they'd be 
happy to get rid of it.


Just a thought,

Karen
Seamstrix

-- Alex Doyle [EMAIL PROTECTED] wrote:
Hi all, I have a question that is only sort of costume related, but
more of a language question.

Background I'm making a series of dolls as close to 16th century
art/artifacts and records as I can.  My base sources include the basic
doll history books that I am not sure if the authors are British or
American, and therefore I ask this question.

Is bran a generic term used to refer grain of various types or is it a
specific grain type?

The context is that the dolls' cloth or leather bodies were filled with
bran or sawdust.  While I can get the sawdust, right at the moment I
don't have the quanity I need for the several dolls I'm putting
together in the next two weeks.

and to add costume content, I making making several historical outfits
for these dolls, from an 1503 Spanish gown, 1530's German, 1550 English
and 1570's Italian for just a few of them.  

alex



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