Re: [HG] Chanterelle string for low D

2008-06-07 Thread hurdygurdy

Hi Arle
Pleased to report a bit of a breakthrough re. the low d chanter. I still 
have not found the make of the string I have that works best but a major 
improvement in harmonic resistance is gained by only applying cotton at the 
keybox edge of the wheel. This effectively bows the string further away from 
the bridge. It also imparts a more mellow tone.My first tentative 
scratchings can be seen here :


http://vids.myspace.com/index.cfm?fuseaction=vids.individualvideoid=35597142


I'm sure I've heard this tune somewhere, does anyone have a title or 
discography for it?


Cheers
Neil
http://www.hurdy-gurdy.org.uk
- Original Message - 
From: Arle Lommel [EMAIL PROTECTED]

To: hg@hurdygurdy.com
Sent: Wednesday, May 28, 2008 8:08 PM
Subject: Re: [HG] Chanterelle string for low D



Hi Neil,

How do you define limited success? What hasn't worked with what  you've 
tried? I admit that I can't help you here since I play in C/G  with an 
octave chanter using viola strings with no problem, but you  want to go a 
fourth lower and there I have no success. But in any  event it would help 
to know what the problem you've faced is exactly.


Part of the problem may be that you're really quite low. Balázs Nagy 
experimented with chanterelles in the range you suggest for a bass 
instrument and found that below a certain pitch (somewhere near where 
you're talking about, if I remember correctly), the vibrational  envelope 
of the string gets too big for the tangents to effectively  stop the 
string (the string bounces off them or something like that),  so you end 
up with unclear intonation and other related problems. I  don't remember 
all the details, but he ran into these problems when  trying to pitch a 
Hungarian instrument down an octave, which would put  it right near the 
range you're talking about.


-Arle


On May 28, 2008, at 2:50 PM, [EMAIL PROTECTED] wrote:


Hi all
I'm not usually one to plead for help but this problem is costing a  lot 
of time and money so any help will be greatly appreciated.


I've just built a three chantrelle gurdy 345mm scale length and am 
tuning it to normal D/G tuning . The third chanterelle is to be the  next 
octave D down.


Has anyone found a string to achieve a reasonable result at this  pitch ? 
I've tried a lot of viola C strings with limited success.


Regards

Neil Brook





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Date: 28/05/2008 07:20






Re: [HG] Chanterelle string for low D

2008-06-07 Thread Melvin Dorries
Neil:
   
  I have been following this thread intently and find your solution most 
interesting! 
   
  It tends to follows a general principal I discussed with a high end violin 
builder in Arkansas last year. 
  I asked him: If a violin player wants the best tone, what is the optimum 
bow placement in relationship to the bridge?   
 It all depends, he replied, The best players are right next to the 
bridge and this produces more core which he defined as power and fullness of 
tone. However, he explained that it requires the most careful bow pressure to 
have it work well.  It seems that his concept is instructive for us HG 
builders. String pressure becomes more critical as we move the wheel very close 
to the bridge and producing a quality sound becomes more difficult. 
   
  Neil, it seems that you were able to functionally change the string contact 
point as it relates to the bridge by creative cotton placement. I just love 
simple solutions like this and I say well done. 
   
  Thanks for sharing 
  Mel 
  

[EMAIL PROTECTED] wrote:
  Hi Arle
Pleased to report a bit of a breakthrough re. the low d chanter. I still 
have not found the make of the string I have that works best but a major 
improvement in harmonic resistance is gained by only applying cotton at the 
keybox edge of the wheel. This effectively bows the string further away from 
the bridge. It also imparts a more mellow tone.My first tentative 
scratchings can be seen here :

http://vids.myspace.com/index.cfm?fuseaction=vids.individualvideoid=35597142


I'm sure I've heard this tune somewhere, does anyone have a title or 
discography for it?

Cheers
Neil
http://www.hurdy-gurdy.org.uk
- Original Message - 
From: Arle Lommel 
To: 
Sent: Wednesday, May 28, 2008 8:08 PM
Subject: Re: [HG] Chanterelle string for low D


 Hi Neil,

 How do you define limited success? What hasn't worked with what you've 
 tried? I admit that I can't help you here since I play in C/G with an 
 octave chanter using viola strings with no problem, but you want to go a 
 fourth lower and there I have no success. But in any event it would help 
 to know what the problem you've faced is exactly.

 Part of the problem may be that you're really quite low. Balázs Nagy 
 experimented with chanterelles in the range you suggest for a bass 
 instrument and found that below a certain pitch (somewhere near where 
 you're talking about, if I remember correctly), the vibrational envelope 
 of the string gets too big for the tangents to effectively stop the 
 string (the string bounces off them or something like that), so you end 
 up with unclear intonation and other related problems. I don't remember 
 all the details, but he ran into these problems when trying to pitch a 
 Hungarian instrument down an octave, which would put it right near the 
 range you're talking about.

 -Arle


 On May 28, 2008, at 2:50 PM, [EMAIL PROTECTED] wrote:

 Hi all
 I'm not usually one to plead for help but this problem is costing a lot 
 of time and money so any help will be greatly appreciated.

 I've just built a three chantrelle gurdy 345mm scale length and am 
 tuning it to normal D/G tuning . The third chanterelle is to be the next 
 octave D down.

 Has anyone found a string to achieve a reasonable result at this pitch ? 
 I've tried a lot of viola C strings with limited success.

 Regards

 Neil Brook




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 No virus found in this incoming message.
 Checked by AVG. Version: 7.5.524 / Virus Database: 269.24.1/1470 - Release 
 Date: 28/05/2008 07:20
 



   

Re: [HG] Chanterelle string for low D

2008-06-07 Thread Dana R Gregory
That sounds Great! Has a bit of a middle eastern
flavor to it. Can you post that video on You Tube? 
--- [EMAIL PROTECTED] wrote:

 Hi Arle
 Pleased to report a bit of a breakthrough re. the
 low d chanter. I still 
 have not found the make of the string I have that
 works best but a major 
 improvement in harmonic resistance is gained by only
 applying cotton at the 
 keybox edge of the wheel. This effectively bows the
 string further away from 
 the bridge. It also imparts a more mellow tone.My
 first tentative 
 scratchings can be seen here :
 

http://vids.myspace.com/index.cfm?fuseaction=vids.individualvideoid=35597142
 
 
 I'm sure I've heard this tune somewhere, does anyone
 have a title or 
 discography for it?
 
 Cheers
 Neil
  http://www.hurdy-gurdy.org.uk
 - Original Message - 
 From: Arle Lommel [EMAIL PROTECTED]
 To: hg@hurdygurdy.com
 Sent: Wednesday, May 28, 2008 8:08 PM
 Subject: Re: [HG] Chanterelle string for low D
 
 
  Hi Neil,
 
  How do you define limited success? What hasn't
 worked with what  you've 
  tried? I admit that I can't help you here since I
 play in C/G  with an 
  octave chanter using viola strings with no
 problem, but you  want to go a 
  fourth lower and there I have no success. But in
 any  event it would help 
  to know what the problem you've faced is exactly.
 
  Part of the problem may be that you're really
 quite low. Balázs Nagy 
  experimented with chanterelles in the range you
 suggest for a bass 
  instrument and found that below a certain pitch
 (somewhere near where 
  you're talking about, if I remember correctly),
 the vibrational  envelope 
  of the string gets too big for the tangents to
 effectively  stop the 
  string (the string bounces off them or something
 like that),  so you end 
  up with unclear intonation and other related
 problems. I  don't remember 
  all the details, but he ran into these problems
 when  trying to pitch a 
  Hungarian instrument down an octave, which would
 put  it right near the 
  range you're talking about.
 
  -Arle
 
 
  On May 28, 2008, at 2:50 PM,
 [EMAIL PROTECTED] wrote:
 
  Hi all
  I'm not usually one to plead for help but this
 problem is costing a  lot 
  of time and money so any help will be greatly
 appreciated.
 
  I've just built a three chantrelle gurdy 345mm
 scale length and am 
  tuning it to normal D/G tuning . The third
 chanterelle is to be the  next 
  octave D down.
 
  Has anyone found a string to achieve a reasonable
 result at this  pitch ? 
  I've tried a lot of viola C strings with limited
 success.
 
  Regards
 
  Neil Brook
 
 
 
 
  -- 
  No virus found in this incoming message.
  Checked by AVG. Version: 7.5.524 / Virus Database:
 269.24.1/1470 - Release 
  Date: 28/05/2008 07:20
  
 
 



Re: [HG] Chanterelle string for low D

2008-06-07 Thread Arle Lommel

Hi Neil,

After watching your video, I realized that I had somehow understood  
you to be talking about pitches an octave lower than what you are  
actually doing. You're nowhere near the low pitch where the  
oscillation of the string becomes uncontrollable with a single point  
of contact (like a tangent). One of my chanterelles is pitched only a  
fourth above yours and I've actually found it the easiest one to  
control of the bunch. It's using a metal viola string from Croatia (I  
don't have the label or remember the brand anymore). I love the  
mellow, almost trombone-like sound you can get out of strings in that  
range when played in the upper octave. Very beautiful. Your instrument  
sounds great. I especially like the sound when all three are engaged.  
I think I'm going to have to try replacing one of my gut high  
chanterelles with a fine metal one pitches an octave higher to get  
something like what you did.


-Arle



Re: [HG] Chanterelle string for low D

2008-06-07 Thread Leonard Williams
Neil--
Awesome sound, great music!  Thanks!

Leonard Williams
   _
 [: :]
/ |  | \
   |  |  |  |
   (_==_)
   !~¿



On 6/7/08 6:38 AM, [EMAIL PROTECTED] [EMAIL PROTECTED]
wrote:

 Hi Arle
 Pleased to report a bit of a breakthrough re. the low d chanter. I still
 have not found the make of the string I have that works best but a major
 improvement in harmonic resistance is gained by only applying cotton at the
 keybox edge of the wheel. This effectively bows the string further away from
 the bridge. It also imparts a more mellow tone.My first tentative
 scratchings can be seen here :
 
 http://vids.myspace.com/index.cfm?fuseaction=vids.individualvideoid=35597142
 
 
 I'm sure I've heard this tune somewhere, does anyone have a title or
 discography for it?
 
 Cheers
 Neil
 http://www.hurdy-gurdy.org.uk
 - Original Message -
 From: Arle Lommel [EMAIL PROTECTED]
 To: hg@hurdygurdy.com
 Sent: Wednesday, May 28, 2008 8:08 PM
 Subject: Re: [HG] Chanterelle string for low D
 
 
 Hi Neil,
 
 How do you define limited success? What hasn't worked with what  you've
 tried? I admit that I can't help you here since I play in C/G  with an
 octave chanter using viola strings with no problem, but you  want to go a
 fourth lower and there I have no success. But in any  event it would help
 to know what the problem you've faced is exactly.
 
 Part of the problem may be that you're really quite low. Balázs Nagy
 experimented with chanterelles in the range you suggest for a bass
 instrument and found that below a certain pitch (somewhere near where
 you're talking about, if I remember correctly), the vibrational  envelope
 of the string gets too big for the tangents to effectively  stop the
 string (the string bounces off them or something like that),  so you end
 up with unclear intonation and other related problems. I  don't remember
 all the details, but he ran into these problems when  trying to pitch a
 Hungarian instrument down an octave, which would put  it right near the
 range you're talking about.
 
 -Arle
 
 
 On May 28, 2008, at 2:50 PM, [EMAIL PROTECTED] wrote:
 
 Hi all
 I'm not usually one to plead for help but this problem is costing a  lot
 of time and money so any help will be greatly appreciated.
 
 I've just built a three chantrelle gurdy 345mm scale length and am
 tuning it to normal D/G tuning . The third chanterelle is to be the  next
 octave D down.
 
 Has anyone found a string to achieve a reasonable result at this  pitch ?
 I've tried a lot of viola C strings with limited success.
 
 Regards
 
 Neil Brook
 
 
 
 
 -- 
 No virus found in this incoming message.
 Checked by AVG. Version: 7.5.524 / Virus Database: 269.24.1/1470 - Release
 Date: 28/05/2008 07:20
 
 



Re: [HG] Chanterelle string for low D

2008-06-07 Thread Augusto de Ornellas Abreu
It's so frustrating, I can't open any video on MySpace...

On Sat, Jun 7, 2008 at 8:25 PM, Leonard Williams [EMAIL PROTECTED] wrote:

 Neil--
Awesome sound, great music!  Thanks!

 Leonard Williams
   _
 [: :]
/ |  | \
   |  |  |  |
   (_==_)
   !~¿



 On 6/7/08 6:38 AM, [EMAIL PROTECTED] [EMAIL PROTECTED]
  wrote:

  Hi Arle
  Pleased to report a bit of a breakthrough re. the low d chanter. I still
  have not found the make of the string I have that works best but a major
  improvement in harmonic resistance is gained by only applying cotton at
 the
  keybox edge of the wheel. This effectively bows the string further away
 from
  the bridge. It also imparts a more mellow tone.My first tentative
  scratchings can be seen here :
 
 
 http://vids.myspace.com/index.cfm?fuseaction=vids.individualvideoid=35597142
 
 
  I'm sure I've heard this tune somewhere, does anyone have a title or
  discography for it?
 
  Cheers
  Neil
  http://www.hurdy-gurdy.org.uk
  - Original Message -
  From: Arle Lommel [EMAIL PROTECTED]
  To: hg@hurdygurdy.com
  Sent: Wednesday, May 28, 2008 8:08 PM
  Subject: Re: [HG] Chanterelle string for low D
 
 
  Hi Neil,
 
  How do you define limited success? What hasn't worked with what
  you've
  tried? I admit that I can't help you here since I play in C/G  with an
  octave chanter using viola strings with no problem, but you  want to go
 a
  fourth lower and there I have no success. But in any  event it would
 help
  to know what the problem you've faced is exactly.
 
  Part of the problem may be that you're really quite low. Balázs Nagy
  experimented with chanterelles in the range you suggest for a bass
  instrument and found that below a certain pitch (somewhere near where
  you're talking about, if I remember correctly), the vibrational
  envelope
  of the string gets too big for the tangents to effectively  stop the
  string (the string bounces off them or something like that),  so you end
  up with unclear intonation and other related problems. I  don't remember
  all the details, but he ran into these problems when  trying to pitch a
  Hungarian instrument down an octave, which would put  it right near the
  range you're talking about.
 
  -Arle
 
 
  On May 28, 2008, at 2:50 PM, [EMAIL PROTECTED] wrote:
 
  Hi all
  I'm not usually one to plead for help but this problem is costing a
  lot
  of time and money so any help will be greatly appreciated.
 
  I've just built a three chantrelle gurdy 345mm scale length and am
  tuning it to normal D/G tuning . The third chanterelle is to be the
  next
  octave D down.
 
  Has anyone found a string to achieve a reasonable result at this  pitch
 ?
  I've tried a lot of viola C strings with limited success.
 
  Regards
 
  Neil Brook
 
 
 
 
  --
  No virus found in this incoming message.
  Checked by AVG. Version: 7.5.524 / Virus Database: 269.24.1/1470 -
 Release
  Date: 28/05/2008 07:20
 
 




Re: [HG] Chanterelle string for low D

2008-06-07 Thread hurdygurdy

Hi Arle
I agree the low G chanter is a lovely thing and I have fitted them with no 
problems . I was surprised at just how many more problems arose by just 
going down to D. I think maybe life's too short to try for the next octave 
down - but don't let that put you off!!

Neil
http://www.myspace.com/neilbrook

http://www.hurdy-gurdy.org.uk
- Original Message - 
From: Arle Lommel [EMAIL PROTECTED]

To: hg@hurdygurdy.com
Sent: Saturday, June 07, 2008 6:26 PM
Subject: Re: [HG] Chanterelle string for low D



Hi Neil,

After watching your video, I realized that I had somehow understood  you 
to be talking about pitches an octave lower than what you are  actually 
doing. You're nowhere near the low pitch where the  oscillation of the 
string becomes uncontrollable with a single point  of contact (like a 
tangent). One of my chanterelles is pitched only a  fourth above yours and 
I've actually found it the easiest one to  control of the bunch. It's 
using a metal viola string from Croatia (I  don't have the label or 
remember the brand anymore). I love the  mellow, almost trombone-like 
sound you can get out of strings in that  range when played in the upper 
octave. Very beautiful. Your instrument  sounds great. I especially like 
the sound when all three are engaged.  I think I'm going to have to try 
replacing one of my gut high  chanterelles with a fine metal one pitches 
an octave higher to get  something like what you did.


-Arle



--
No virus found in this incoming message.
Checked by AVG. Version: 7.5.524 / Virus Database: 269.24.5/1479 - Release 
Date: 02/06/2008 19:02







[HG] Why must the wheel be removable?

2008-06-07 Thread Matthew Bullis
Hello, George Leverett and I are wondering why some players prefer to be
able to remove the wheel? It seems to be a preference for some, but we've
not found the reasons why. He's busy building and shipping instruments, so I
thought I'd ask on his behalf, as I'm curious as well.
Thanks a lot.
Matthew



Re: [HG] Chanterelle string for low D

2008-06-07 Thread Augusto de Ornellas Abreu
Thank you

Funny that I just managed to watch the 3D gurdy on myspace, it just started
working (only that video, not any other)

Nice sound! I particularly liked the string selection mechanism, although I
could not see exactly how that worked.

My HG, which I'll pick up at the luthier's house in Pontevedra, Spain in
three weeks, looks a little like this HG, but it is in G/C and the strings
are as follows:

chanters: low G - middle C - high G
drones: kinda like the chanters, only an octave below
trompette: one, in C, with a capo for D

I like how spanish HGs naturally have octave chanters...

On Sat, Jun 7, 2008 at 10:45 PM, [EMAIL PROTECTED] wrote:

  Here it is on You Tube.

 http://uk.youtube.com/watch?v=wUKY41JBb7w
 Neil
 - Original Message -

  *From:* Augusto de Ornellas Abreu [EMAIL PROTECTED]
 *To:* hg@hurdygurdy.com
   *Sent:* Saturday, June 07, 2008 7:20 PM
 *Subject:* Re: [HG] Chanterelle string for low D

 It's so frustrating, I can't open any video on MySpace...

 On Sat, Jun 7, 2008 at 8:25 PM, Leonard Williams [EMAIL PROTECTED]
 wrote:

 Neil--
Awesome sound, great music!  Thanks!

 Leonard Williams
   _
 [: :]
/ |  | \
   |  |  |  |
   (_==_)
   !~¿



 On 6/7/08 6:38 AM, [EMAIL PROTECTED] [EMAIL PROTECTED]
  wrote:

  Hi Arle
  Pleased to report a bit of a breakthrough re. the low d chanter. I still
  have not found the make of the string I have that works best but a major
  improvement in harmonic resistance is gained by only applying cotton at
 the
  keybox edge of the wheel. This effectively bows the string further away
 from
  the bridge. It also imparts a more mellow tone.My first tentative
  scratchings can be seen here :
 
 
 http://vids.myspace.com/index.cfm?fuseaction=vids.individualvideoid=35597142
 
 
  I'm sure I've heard this tune somewhere, does anyone have a title or
  discography for it?
 
  Cheers
  Neil
  http://www.hurdy-gurdy.org.uk
  - Original Message -
  From: Arle Lommel [EMAIL PROTECTED]
  To: hg@hurdygurdy.com
  Sent: Wednesday, May 28, 2008 8:08 PM
  Subject: Re: [HG] Chanterelle string for low D
 
 
  Hi Neil,
 
  How do you define limited success? What hasn't worked with what
  you've
  tried? I admit that I can't help you here since I play in C/G  with an
  octave chanter using viola strings with no problem, but you  want to go
 a
  fourth lower and there I have no success. But in any  event it would
 help
  to know what the problem you've faced is exactly.
 
  Part of the problem may be that you're really quite low. Balázs Nagy
  experimented with chanterelles in the range you suggest for a bass
  instrument and found that below a certain pitch (somewhere near where
  you're talking about, if I remember correctly), the vibrational
  envelope
  of the string gets too big for the tangents to effectively  stop the
  string (the string bounces off them or something like that),  so you
 end
  up with unclear intonation and other related problems. I  don't
 remember
  all the details, but he ran into these problems when  trying to pitch a
  Hungarian instrument down an octave, which would put  it right near the
  range you're talking about.
 
  -Arle
 
 
  On May 28, 2008, at 2:50 PM, [EMAIL PROTECTED] wrote:
 
  Hi all
  I'm not usually one to plead for help but this problem is costing a
  lot
  of time and money so any help will be greatly appreciated.
 
  I've just built a three chantrelle gurdy 345mm scale length and am
  tuning it to normal D/G tuning . The third chanterelle is to be the
  next
  octave D down.
 
  Has anyone found a string to achieve a reasonable result at this
  pitch ?
  I've tried a lot of viola C strings with limited success.
 
  Regards
 
  Neil Brook
 
 
 
 
  --
  No virus found in this incoming message.
  Checked by AVG. Version: 7.5.524 / Virus Database: 269.24.1/1470 -
 Release
  Date: 28/05/2008 07:20
 
 


  --

 No virus found in this incoming message.
 Checked by AVG.
 Version: 7.5.524 / Virus Database: 269.24.5/1479 - Release Date: 02/06/2008
 19:02




Re: [HG] Why must the wheel be removable?

2008-06-07 Thread hurdy

In most cases it's unlikely that the player should need to be able to remove
the wheel.  However, the builder and the restorer/repair person are going to
find life a lot easier if the wheel can be removed.

Here are just a few of the reasons:

- to be able to service or replace the bearings

- to be able to repair, resurface or replace the wheel if something
catastrophic should happen to it

- to be able to get inside the body for making repairs: the wheel hole is the
largest opening into body, and is relatively centrally located

- to have a clear field to work when finishing or refinishing the instrument

The thought of making an instrument with a non-removable wheel makes me
somewhat dizzy, especially after removing (with some difficulty) the
permanently mounted wheels of older instruments.

Alden

 Hello, George Leverett and I are wondering why some players prefer to be
 able to remove the wheel? It seems to be a preference for some, but we've
 not found the reasons why. He's busy building and shipping instruments, so I
 thought I'd ask on his behalf, as I'm curious as well.
 Thanks a lot.
 Matthew






Re: [HG] Why must the wheel be removable?

2008-06-07 Thread Arle Lommel
It's not a matter of players wanting to remove the wheel but rather of  
having the wheel set up so that it can be removed without taking the  
instrument apart. You might want to do this, for example, if the wheel  
is damaged or if you need to get in through the slot to service the  
axle in the event of something going wrong. But in normal usage I  
don't know of any players who remove the wheel except to service the  
instrument.


-Arle

On Jun 7, 2008, at 3:54 PM, Matthew Bullis wrote:

Hello, George Leverett and I are wondering why some players prefer  
to be
able to remove the wheel? It seems to be a preference for some, but  
we've
not found the reasons why. He's busy building and shipping  
instruments, so I

thought I'd ask on his behalf, as I'm curious as well.
Thanks a lot.
Matthew





[HG] planetary pegs

2008-06-07 Thread Cor Westbroek
Hi list,
A while ago there was  a thread about planetary pegs.
In the meantime I installed those planetary pegs on 4 gurdy's.
On two of them I made a dot inlay at the top.
If you're curious on how they look, once installed, I put up some pictures on
http://www.flickr.com/photos/[EMAIL PROTECTED]/

Thanks a lot for the help, Arle, Neil and of course Brian Burns
http://www.lessonsinlutherie.com/PlanetaryPegs.html

who sent the pegs all the way to the Netherlands.
I'm glad I don't need the tourne à gauche anymore and the pegs work great and 
they look a lot nicer than de banjo pegs.

Brian told me he has got more types in stock at the moment.
Greetings from Holland,
Cor.



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Re: [HG] Chanterelle string for low D

2008-06-07 Thread hurdygurdy
Hi Augusto

There are three extra keys at the top end of the keybox which have a shallow 
groove the width of the keybox side. 

When they are pushed in, an ebony wedge lifts the string off by a minimum 
amount and the groove engages in the keybox side to hold it there.

 To release it, the key is simply lifted up to release the groove, repelling 
magnets at the far end of the key push it away from the string and the string 
is back on the wheel.

I find some sort of instant string control invaluable, particularly when 
getting three strings in ( octave) unison. 

There are similar arrangements for controlling the drones too which allows the 
wound strings to stay put on the bridge so they almost never  need tuning 
tuning and can be dropped in or out of play effortlessly. 

These are useful innovations or unnecessary complications depending on the 
player.

Neil 
- Original Message - 
  From: Augusto de Ornellas Abreu 
  To: hg@hurdygurdy.com 
  Sent: Saturday, June 07, 2008 9:06 PM
  Subject: Re: [HG] Chanterelle string for low D


  Thank you

  Funny that I just managed to watch the 3D gurdy on myspace, it just started 
working (only that video, not any other)

  Nice sound! I particularly liked the string selection mechanism, although I 
could not see exactly how that worked.

  My HG, which I'll pick up at the luthier's house in Pontevedra, Spain in 
three weeks, looks a little like this HG, but it is in G/C and the strings are 
as follows:

  chanters: low G - middle C - high G
  drones: kinda like the chanters, only an octave below
  trompette: one, in C, with a capo for D

  I like how spanish HGs naturally have octave chanters...


  On Sat, Jun 7, 2008 at 10:45 PM, [EMAIL PROTECTED] wrote:

Here it is on You Tube.

http://uk.youtube.com/watch?v=wUKY41JBb7w
Neil 
- Original Message - 
  From: Augusto de Ornellas Abreu 
  To: hg@hurdygurdy.com 
  Sent: Saturday, June 07, 2008 7:20 PM
  Subject: Re: [HG] Chanterelle string for low D


  It's so frustrating, I can't open any video on MySpace...


  On Sat, Jun 7, 2008 at 8:25 PM, Leonard Williams [EMAIL PROTECTED] 
wrote:

Neil--
   Awesome sound, great music!  Thanks!

Leonard Williams
  _
[: :]
   / |  | \
  |  |  |  |
  (_==_)
  !~¿



On 6/7/08 6:38 AM, [EMAIL PROTECTED] [EMAIL PROTECTED]

wrote:

 Hi Arle
 Pleased to report a bit of a breakthrough re. the low d chanter. I 
still
 have not found the make of the string I have that works best but a 
major
 improvement in harmonic resistance is gained by only applying cotton 
at the
 keybox edge of the wheel. This effectively bows the string further 
away from
 the bridge. It also imparts a more mellow tone.My first tentative
 scratchings can be seen here :

 
http://vids.myspace.com/index.cfm?fuseaction=vids.individualvideoid=35597142


 I'm sure I've heard this tune somewhere, does anyone have a title or
 discography for it?

 Cheers
 Neil
 http://www.hurdy-gurdy.org.uk
 - Original Message -
 From: Arle Lommel [EMAIL PROTECTED]
 To: hg@hurdygurdy.com
 Sent: Wednesday, May 28, 2008 8:08 PM
 Subject: Re: [HG] Chanterelle string for low D


 Hi Neil,

 How do you define limited success? What hasn't worked with what  
you've
 tried? I admit that I can't help you here since I play in C/G  with 
an
 octave chanter using viola strings with no problem, but you  want to 
go a
 fourth lower and there I have no success. But in any  event it would 
help
 to know what the problem you've faced is exactly.

 Part of the problem may be that you're really quite low. Balázs Nagy
 experimented with chanterelles in the range you suggest for a bass
 instrument and found that below a certain pitch (somewhere near where
 you're talking about, if I remember correctly), the vibrational  
envelope
 of the string gets too big for the tangents to effectively  stop the
 string (the string bounces off them or something like that),  so you 
end
 up with unclear intonation and other related problems. I  don't 
remember
 all the details, but he ran into these problems when  trying to 
pitch a
 Hungarian instrument down an octave, which would put  it right near 
the
 range you're talking about.

 -Arle


 On May 28, 2008, at 2:50 PM, [EMAIL PROTECTED] wrote:

 Hi all
 I'm not usually one to plead for help but this problem is costing a 
 lot
 of time and money so any help will be greatly appreciated.

 I've just built a three 

Re[2]: [HG] Chanterelle string for low D

2008-06-07 Thread Chris Nogy
Outstanding, rich, entrancing sound.  But that wheel looks to be about the size 
of a dinner plate

Terriffic

Chris

*** REPLY SEPARATOR  ***

On 6/7/2008 at 11:38 AM [EMAIL PROTECTED] wrote:

Hi Arle
Pleased to report a bit of a breakthrough re. the low d chanter. I still 
have not found the make of the string I have that works best but a major 
improvement in harmonic resistance is gained by only applying cotton at
the 
keybox edge of the wheel. This effectively bows the string further away
from 
the bridge. It also imparts a more mellow tone.My first tentative 
scratchings can be seen here :

http://vids.myspace.com/index.cfm?fuseaction=vids.individualvideoid=35597142


I'm sure I've heard this tune somewhere, does anyone have a title or 
discography for it?

Cheers
Neil
 http://www.hurdy-gurdy.org.uk
- Original Message - 
From: Arle Lommel [EMAIL PROTECTED]
To: hg@hurdygurdy.com
Sent: Wednesday, May 28, 2008 8:08 PM
Subject: Re: [HG] Chanterelle string for low D


 Hi Neil,

 How do you define limited success? What hasn't worked with what 
you've 
 tried? I admit that I can't help you here since I play in C/G  with an 
 octave chanter using viola strings with no problem, but you  want to go
a 
 fourth lower and there I have no success. But in any  event it would
help 
 to know what the problem you've faced is exactly.

 Part of the problem may be that you're really quite low. Balázs Nagy 
 experimented with chanterelles in the range you suggest for a bass 
 instrument and found that below a certain pitch (somewhere near where 
 you're talking about, if I remember correctly), the vibrational 
envelope 
 of the string gets too big for the tangents to effectively  stop the 
 string (the string bounces off them or something like that),  so you end 
 up with unclear intonation and other related problems. I  don't remember 
 all the details, but he ran into these problems when  trying to pitch a 
 Hungarian instrument down an octave, which would put  it right near the 
 range you're talking about.

 -Arle


 On May 28, 2008, at 2:50 PM, [EMAIL PROTECTED] wrote:

 Hi all
 I'm not usually one to plead for help but this problem is costing a 
lot 
 of time and money so any help will be greatly appreciated.

 I've just built a three chantrelle gurdy 345mm scale length and am 
 tuning it to normal D/G tuning . The third chanterelle is to be the 
next 
 octave D down.

 Has anyone found a string to achieve a reasonable result at this  pitch
? 
 I've tried a lot of viola C strings with limited success.

 Regards

 Neil Brook




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 Date: 28/05/2008 07:20






Re: [HG] Why must the wheel be removable?

2008-06-07 Thread George Leverett-Altarwind Music

Hi all:
I'm a bit of a lurker on this list.  Just a quick thanks for these great 
responses.  This dovetails so nicely with conversations I've had with my 
customers as well; in my thinking the removeable wheel is more a convenience 
for warrantee issues than for the player.  Much like how a neck on a Fender 
telecaster (guitar) is removeale, but what player would want to?


Still, I do get asked this.   Thanks everyone again for taking time to 
respond


George Leverett
http://altarwind.com


- Original Message - 
From: [EMAIL PROTECTED]

To: hg@hurdygurdy.com
Sent: Saturday, June 07, 2008 1:28 PM
Subject: Re: [HG] Why must the wheel be removable?




In most cases it's unlikely that the player should need to be able to 
remove
the wheel.  However, the builder and the restorer/repair person are going 
to

find life a lot easier if the wheel can be removed.

Here are just a few of the reasons:

- to be able to service or replace the bearings

- to be able to repair, resurface or replace the wheel if something
catastrophic should happen to it

- to be able to get inside the body for making repairs: the wheel hole is 
the

largest opening into body, and is relatively centrally located

- to have a clear field to work when finishing or refinishing the 
instrument


The thought of making an instrument with a non-removable wheel makes me
somewhat dizzy, especially after removing (with some difficulty) the
permanently mounted wheels of older instruments.

Alden


Hello, George Leverett and I are wondering why some players prefer to be
able to remove the wheel? It seems to be a preference for some, but we've
not found the reasons why. He's busy building and shipping instruments, 
so I

thought I'd ask on his behalf, as I'm curious as well.
Thanks a lot.
Matthew