Re: [lace] Wilder ground

2008-05-23 Thread Ilske Thomsen

Martina,
there aren't pins except at the edges.

Ilske

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[lace] More on copyright

2008-05-23 Thread Jane Partridge
In message [EMAIL PROTECTED]
, Sister Claire [EMAIL PROTECTED] writes
My question: If there is no date printed in the book, how can I exercise due
diligence to determine if it is still in copyright?

I have a little book of knitted lace collars, published in 1841, which
raised the same query for me when I first had it, as I wanted to have a
couple of colour photocopies done (some of the printing is in colour)
mainly for my own use, but without breaking copyright. This was so that
I could take the reproduction with me when demonstrating and teaching,
without risking adding to the fragility of the original book - it also
enabled me to make an enlarged copy - easier to read!

I can't remember now exactly how I found it, but I think I probably
googled the name and address of the publisher as quoted (the husband of
the author in this case, they had a business selling her pattern books,
people would make the collars and they had the option then of selling
the collars back to the company so that the company could sell both
collars and instructions for DIY.) and came up with the email address of
the person doing research into the family history (not a direct
descendant, but close enough) who was able to give me information
regarding when both of the couple died, and that the company (a further
consideration) died with the husband, thus confirming that this book was
out of copyright.  

Some books have a number code on the flyleaf - I think there was some
discussion as to the early DMC Encyclopaedias being dated in this way,
and once you know the key to that system you can date the book, if not
the author. Remember that if someone writes a book when he/she is 20,
and lives until he/she is 90, then the copyright period will be 140
years from the time the book is published! This could mean that a book
written in 1870 may actually still be in copyright. 

Hence the reason for researching the author, and his/her date of death
through the genealogy sites.
-- 
Jane Partridge

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[lace] Re: More on copyright

2008-05-23 Thread Sister Claire
Thank you, Jane. Your experience is precious and your information very
valuable.
Sr. Claire

On Fri, May 23, 2008 at 12:39 PM, Jane Partridge 
[EMAIL PROTECTED] wrote:

 In message [EMAIL PROTECTED]
 , Sister Claire [EMAIL PROTECTED] writes
 My question: If there is no date printed in the book, how can I exercise
 due
 diligence to determine if it is still in copyright?

 I have a little book of knitted lace collars, published in 1841, which
 raised the same query for me when I first had it, as I wanted to have a
 couple of colour photocopies done (some of the printing is in colour)
 mainly for my own use, but without breaking copyright. This was so that
 I could take the reproduction with me when demonstrating and teaching,
 without risking adding to the fragility of the original book - it also
 enabled me to make an enlarged copy - easier to read!

 I can't remember now exactly how I found it, but I think I probably
 googled the name and address of the publisher as quoted (the husband of
 the author in this case, they had a business selling her pattern books,
 people would make the collars and they had the option then of selling
 the collars back to the company so that the company could sell both
 collars and instructions for DIY.) and came up with the email address of
 the person doing research into the family history (not a direct
 descendant, but close enough) who was able to give me information
 regarding when both of the couple died, and that the company (a further
 consideration) died with the husband, thus confirming that this book was
 out of copyright.

 Some books have a number code on the flyleaf - I think there was some
 discussion as to the early DMC Encyclopaedias being dated in this way,
 and once you know the key to that system you can date the book, if not
 the author. Remember that if someone writes a book when he/she is 20,
 and lives until he/she is 90, then the copyright period will be 140
 years from the time the book is published! This could mean that a book
 written in 1870 may actually still be in copyright.

 Hence the reason for researching the author, and his/her date of death
 through the genealogy sites.
 --
 Jane Partridge


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[lace] Threads query

2008-05-23 Thread Gray, Alison J
Dear All



After a couple of false starts (don't ask) I intend to restart my
project of working through Barbara Underwood's Bedfordshire book.
However, I have discovered that the thread she recommends for the
pattern I want to do (Madeira Tanne 50) has been discontinued and the
other threads (DMC Fil a Broder machine 50 or DMC? Retors d'Alsace)
don't appear in the stock lists of the UK suppliers' web sites I've
looked at (Jo Firth, SMP, Biggins).



What else can I use?  I've got a copy of Brenda's book but it's marooned
in my 'lace room' which has now been taken over by our new lodger (and
that's another story!) and I'm getting a bit desperate in case my
enthusiasm for the project wanes again before I can get some thread of
the right size.



Alison in Essex UK where it's a beautiful spring day, but my son tells
me it's going to rain at lunchtime!

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RE: [lace] Threads query

2008-05-23 Thread Ruth Budge
Alison, what about Brok 80/2, Presencia Fina Bolillos 80, Egyptian 60
Any of those around?

Ruth


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Gray, Alison J
Sent: Friday, 23 May 2008 7:21 PM
To: lace@arachne.com
Subject: [lace] Threads query

Dear All



After a couple of false starts (don't ask) I intend to restart my
project of working through Barbara Underwood's Bedfordshire book.
However, I have discovered that the thread she recommends for the
pattern I want to do (Madeira Tanne 50) has been discontinued and the
other threads (DMC Fil a Broder machine 50 or DMC? Retors d'Alsace)
don't appear in the stock lists of the UK suppliers' web sites I've
looked at (Jo Firth, SMP, Biggins).

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[lace] IOLI Library Contact

2008-05-23 Thread Shirlee Hill
I tried contacting Cathy with the email printed in the IOLI Members Handbook 
but it came back as undeliverable.  Has she gotten a new email address?  If so, 
would someone please email it to me?  Thanks!
   
  Blessings,
  Shirlee

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[lace] Re: machine made lace

2008-05-23 Thread Ilske Thomsen

Hello Carolyn,
there is another aspect. The men inventing these machines with wich it  
was possible to make first only the net and later laces of different  
types, were proud about their intlectual work. And those group of  
people no able to buy more laces than before admired it. By the way  
first those machine made laces weren't socheap. Also the falling down  
of  those cloths regulations the becoming more self-assurance/ 
confidence of the bourgeoisie all those things together changed the  
things. It was ctastrofical for the lacemakers but it help the mankind  
to become free. There are always two sides ot a medallion.

Lacemaking is social history.
And if you ever see the machine made laces in the museum in Le Puy and  
don't could believe that machines (the inventing brain of men) were  
able to do so. Than you can't help you find it fascinating.


Ilske

Am 22. Mai 2008 um 18:58 schrieb Carolyn Hastings:

Her sentiments do her credit, but the irony is that the machine lace  
(and
fabrics) that replaced the hand industries didn't improve the lot of  
the
workers.  If anything, it made it worse.  The factories were  
dangerous in

many ways, and the labor was brutal and constant.  And I'm reminded of
William Cobbett's description of the decimation of the lacemaking  
villages
of England, after the introduction of the machines.  The livelihood  
of many

was ruined by the machines.

Not sure in the end that machinery was any improvement in any way --  
except
perhaps that a wider range of socio-economic classes could have  
access to

lace after the machines became the norm.

Just my 2 cents worth, thank you for the interesting quote, Su.

Carolyn

Carolyn Hastings
Stow, MA USA


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On  
Behalf

Of Su Carter
Sent: Wednesday, May 21, 2008 6:53 PM
To: Lace Arachne
Subject:

Hi all,

I chanced upon a lovely comment about lace by Fanny Kemble that I
thought you'd enjoy.


I was much interested by the lace-works at Brussels and
Mechlin, and very painfully so. It is beginning to be
time, I think, in Christian countries, for manufactures of
mere luxury to be done away with, when proficiency in
the merest mechanical drudgery involved in them demands
a lifetime, and the sight and health of women,
who begin this twilight work at five and six years old, are
often sacrificed long before their natural term to this
costly and unhealthy industry.

I hope to see all such manufactures done away with,
for they are bad things, and a whole moral and intelligent
being, turned into ten fingers' ends for such purposes, is
a sad spectacle. I (a lace-worshipper, if ever woman was)
say this advisedly; I am sorry there is still Mechlin and
Brussels lace made, and glad there is no more India
muslin, and rejoice in the disuse of every minute manual
labor which tends to make a mere machine of God's
likeness. But oh, for all that, how incomparably inferior
is the finest, faultless, machine-made lace and muslin to
the exquisite irregularity of the human fabric!...

Frances Ann Kemble, 1841


Su Carter, enjoying a lovely day in
Williamsburg, VA, USA

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Re: [lace] Wilder ground

2008-05-23 Thread Ilske Thomsen

I find these grounds take an awful lot of concentration to make -


how true Sue.

Ilske

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Re: [lace] Re: [lace) OIDFA trip (was VA)

2008-05-23 Thread Ilske Thomsen

This
There is a book by Mick Fouriscot called La Route des Dentelles  
Normandes

is a lovely book but no longer actuell. Lots have changed.

Ilske





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Re: [lace] Wilder ground

2008-05-23 Thread Ilske Thomsen




Martina,
we would


 I will show a photo eventually when it is
finished.


like that you do so.

Ilske

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Re: [lace] Silver Wire Lace/clay cord

2008-05-23 Thread bevw
Hello Cherry and everyone

I have done a bit of work with 'silver clay' - you can buy prepared cord,
too, (or is that what you already have?). I think it must be made by
extrusion. When I had the small packet to play with, I made some tiny rolls
to make a short BL plait. The trick is to keep it moist without it melting;
management technique is important if doing an ambitious woven piece using
the cord. My clay management doesn't extend to bobbin lace though - I ended
up making a broad silver-clay fitting to which a textile lace could be
attached.

Yes silver clay requires specific tools, especially the kiln. A blow-torch
can be used on small projects (with a fireproof surface).

On Thu, May 22, 2008 at 6:53 PM, Cherry Knobloch [EMAIL PROTECTED] wrote:


 I'd like to know more about how precious metal clay is turned into a cord.
 I know that the 'clay' itself is actually an organic binder. It's been
 around for about 15 years and was developed in Japan. It's come a long way
 since then. A few ceramic artists have tried incorporating it into pottery
 but the firing temperatures are too different and the silver often ends up
 burning away.


-- 
Bev (near Sooke, BC on beautiful Vancouver Island, west coast of Canada)

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Re: [lace] Threads query

2008-05-23 Thread Brenda Paternoster
The nearest would be Egyptian gassed 60, or Steff Francis Extra fine 
mercerised cotton.

http://www.stef-francis.co.uk/index.php?main_page=indexcPath=1

Brok 80/2 is a tiny bit finer, 60/2 a bit thicker.

Presencis Finca 80 is a 3ply thread which will produce a firmer feel to 
the lace.


Brenda

On 23 May 2008, at 10:40, Ruth Budge wrote:

Alison, what about Brok 80/2, Presencia Fina Bolillos 80, Egyptian 
60

Any of those around?

Ruth


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
Of

Gray, Alison J
Sent: Friday, 23 May 2008 7:21 PM
To: lace@arachne.com
Subject: [lace] Threads query

Dear All



After a couple of false starts (don't ask) I intend to restart my
project of working through Barbara Underwood's Bedfordshire book.
However, I have discovered that the thread she recommends for the
pattern I want to do (Madeira Tanne 50) has been discontinued and the
other threads (DMC Fil a Broder machine 50 or DMC? Retors d'Alsace)
don't appear in the stock lists of the UK suppliers' web sites I've
looked at (Jo Firth, SMP, Biggins).

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Brenda in Allhallows, Kent
http://paternoster.orpheusweb.co.uk/index.html

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Re: [lace] Threads query

2008-05-23 Thread Tamara P Duvall

On May 23, 2008, at 5:20, Gray, Alison J wrote:


I have discovered that the thread she recommends for the
pattern I want to do (Madeira Tanne 50) has been discontinued


It is now called Madeira Cotona and is sold on smaller (200m) spools. 
You can still get those; many vendors carry it. Others answered 
regarding replacements.

--
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Honiton Thread label

2008-05-23 Thread Brenda Paternoster
Patsy asked about the writing on the label of a skein of old lace 
thread she bought in the Honiton Lace Shop some years ago.  A scan of 
the label is at

http://paternoster.orpheusweb.co.uk/lace/honiton_label.jpg

I know what I think it reads, but Patsy's not sure.  Would anyone else 
care to offer their opinion.


Brenda in Allhallows, Kent
http://paternoster.orpheusweb.co.uk/index.html

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Re: [lace] Threads query

2008-05-23 Thread Brenda Paternoster
According to Madeira's website Cotona is only available in sizes 30 and 
80


Brenda

On 23 May 2008, at 18:06, Tamara P Duvall wrote:


On May 23, 2008, at 5:20, Gray, Alison J wrote:


I have discovered that the thread she recommends for the
pattern I want to do (Madeira Tanne 50) has been discontinued


It is now called Madeira Cotona and is sold on smaller (200m) spools. 
You can still get those; many vendors carry it. Others answered 
regarding replacements.

--
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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Brenda in Allhallows, Kent
http://paternoster.orpheusweb.co.uk/index.html

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Re: [lace] Honiton Thread label

2008-05-23 Thread Ruth Hollands
Patsy and Brenda

Looks like 'Antique Thread 230'  but then I may be wrong!

Ruth in West London


On Fri, 2008-05-23 at 18:15 +0100, Brenda Paternoster wrote:

 Patsy asked about the writing on the label of a skein of old lace 
 thread she bought in the Honiton Lace Shop some years ago.  A scan of 
 the label is at
 http://paternoster.orpheusweb.co.uk/lace/honiton_label.jpg
 
 I know what I think it reads, but Patsy's not sure.  Would anyone else 
 care to offer their opinion.
 
 Brenda in Allhallows, Kent
 http://paternoster.orpheusweb.co.uk/index.html
 

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Re: [lace] Honiton Thread label

2008-05-23 Thread David in Ballarat

At 03:15 AM 24/05/2008, Brenda Paternoster wrote:

Patsy asked about the writing on the label of a skein of old lace 
thread she bought in the Honiton Lace Shop some years ago.  A scan 
of the label is at

http://paternoster.orpheusweb.co.uk/lace/honiton_label.jpg


Hm - I copied it into PaintshopPro - made it black and white and 
increased the shadows markedly. Now it certainly looks like the first 
bit says An - which would mean that the next word should start with 
a vowel. However, the only possibility with which I can come up would 
be ogre, and I'm sure that's not it.


Now IF the first word is NOT An, it's final letter would seem to be 
the same as the initial letter in the 2nd word, viz. n. This 2nd 
word certainly does seem to end with re, but it' s the 2nd letter 
which has got me stumped. Can't think of any appropriate letter which 
descends below the line - g, y, j, p, q,


I give up and am going to bed as I turned into a pumpkin hours ago

David in Ballarat

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Re: [lace] Honiton Thread label

2008-05-23 Thread David in Ballarat

At 03:28 AM 24/05/2008, Ruth Hollands wrote:


Patsy and Brenda

Looks like 'Antique Thread 230'  but then I may be wrong!


Of course it is - now I'll slepp soundly
thanks
David in Ballarat

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Re: [lace] Wilder ground

2008-05-23 Thread Ilske Thomsen

Tamara,
a sponge  is a Schwamm in German
Schlamm is in English as Sue mentioned mould
and what Jo mentioned  for mushroom reminds me also on something like  
this.
Bevv found perhaps the nearest explanation:  sham  imitatio,  
conterfeit, pretence

But than I am wondering why U. V. used an English expression.
I don't know but it si interesting to look at words from every side

Ilske

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Re: [lace] Wilder ground

2008-05-23 Thread bevw
Hello Ilske and everyone

On Fri, May 23, 2008 at 10:55 AM, Ilske Thomsen 
[EMAIL PROTECTED] wrote:



 I don't know but it si interesting to look at words from every side


Yes!



 a sponge  is a Schwamm in German
 Schlamm is in English as Sue mentioned mould


if 'sponge' -like in appearance, perhaps an English equivalent is 'mottled'
(spotty, streaked - like on some animal's skins) or 'crazed' - the mesh of
uneven cracks in pottery, and from 'crazed' to 'crazy' to... wild?...


 and what Jo mentioned  for mushroom reminds me also on something like this.
 Bevv found perhaps the nearest explanation:  sham  imitatio, conterfeit,
 pretence
 But than I am wondering why U. V. used an English expression.


Words are fun :)

-- 
Bev (near Sooke, BC on beautiful Vancouver Island, west coast of Canada)

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[lace] Schamm-schwamm (was: Wilder ground)

2008-05-23 Thread J. Falkink
Sorry spiders, I made a typo: the book reads Schwamm.
And Tamara's dictionary proved my German is a bit rusty.

Jo

  a sponge  is a Schwamm in German
  Schlamm is in English as Sue mentioned mould

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Re: [lace] Wilder ground

2008-05-23 Thread clayblackwell
Unless a lace takes concentration, I get quickly bored with it!!  I really 
appreciate the laces which make me completely focus...  I get involved and 
after an hour or two (which pass VERY quickly), I feel like I've been in a 
trance and have been physically rejuvenated!! (well...  except for maybe the 
back!)  And there are studies which show that using our brains like this on a 
regular basis is a good way to forestall the onset of Alzheimer's...  I have no 
idea whether this is true or not, but I certainly like to hear that at least 
ONE of my favorite pasttimes might be good for me!!  ; )

Clay

--
Clay Blackwell 
Lynchburg, VA USA 


-- Original message -- 
From: Ilske Thomsen [EMAIL PROTECTED] 

  I find these grounds take an awful lot of concentration to make - 
 
 how true Sue. 
 
 Ilske 
 
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 [EMAIL PROTECTED] 

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[lace] Honiton Thread label

2008-05-23 Thread Phil and Annette Lally

Patsy and Brenda

Yes, I agree definately Antique thread  230

Annette in very frosty Trentham, Australia
[EMAIL PROTECTED]

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[lace] RXP

2008-05-23 Thread Ruth Budge
I'm sorry to post this to the list, but Clay, I've tried to reply to your
query privately, and twice it's bounced back.  

This is what I tried to say to you:

Clay, it didn't occur to me to put a sample pattern in, I must
admitalthough there are sample fillings in the Fillings LibraryI'm
so glad you have a full screen of dotsmay I ask what model number your
Toshiba is please?   

The layers are now set to open by default at Layer 1 and they *are* labelled
1 - 20 instead of 0 - 19a bit more logical for us, although apparently
it is a programmers thingfor reasons of their own, they always count
numbers from 0. You can now name a layer too and the old problem with
unlocking has gone!

Enjoy your play - and do feel free to email me if you have questions.

Ruth
[EMAIL PROTECTED]

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[lace] RXP

2008-05-23 Thread Ruth Budge
I've just answered a query privately, and thought this might be a good
warning for those of you trying the Lace RXP programme...if you've been used
to using the Smooth Gimp button in Lace 2000, the new Smooth Curve
button works differently.

To draw freehand shapes, click on the Smooth Curve button.Put the
cursor on the page, and left-click and hold down the mouse buttonmove
your cursor to draw, just as if you were using a pencil.Release the
mouse button when finished.If you turn the Zoom In up really high,
you'll be able to avoid pinholes etc., more easily, I find.

I also suggest that, rather than drawing one shape in a continuous line, you
draw a section, then start a new onethis makes it easier if you do need
to delete a section - you only delete a section rather than the whole
freehand shape.

You can edit a smooth curve by selecting it and nudging it into shape, but
it's much easier to draw it where you want it at first.

Ruth

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Re: [lace] RXP user group?

2008-05-23 Thread bevw
Hello Ruth and everyone

There are various ways to set up an e-mail group or online forum for special
interests, it sounds like the Lace R-XP users would benefit!

This is not to say I mind the topic on arachne, rather a suggestion for an
efficient way to discuss and archive useful topics, could be linked from the
software seller's website. Might be worth looking into.

On Fri, May 23, 2008 at 3:52 PM, Ruth Budge [EMAIL PROTECTED]
wrote:

 I've just answered a query privately, and thought this might be a good
 warning for those of you trying the Lace RXP programme...if you've been
 used


-- 
Bev (near Sooke, BC on beautiful Vancouver Island, west coast of Canada)

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RE: [lace] RXP user group?

2008-05-23 Thread Ruth Budge
Yes, ILSoft has set up such a group - I'm not sure whether anyone has
subscribed to it yet.

 

Ruth

 mailto:[EMAIL PROTECTED] [EMAIL PROTECTED]

 

From: bevw [mailto:[EMAIL PROTECTED] 
Sent: Saturday, 24 May 2008 9:06 AM
To: Ruth Budge
Cc: Lace Arachne
Subject: Re: [lace] RXP user group?

 

Hello Ruth and everyone

There are various ways to set up an e-mail group or online forum for special
interests, it sounds like the Lace R-XP users would benefit!

This is not to say I mind the topic on arachne, rather a suggestion for an
efficient way to discuss and archive useful topics, could be linked from the
software seller's website. Might be worth looking into.

On Fri, May 23, 2008 at 3:52 PM, Ruth Budge [EMAIL PROTECTED]
wrote:

I've just answered a query privately, and thought this might be a good
warning for those of you trying the Lace RXP programme...if you've been used


-- 
Bev (near Sooke, BC on beautiful Vancouver Island, west coast of Canada) 

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[lace] Arachne meeting at OIDFA - Friday

2008-05-23 Thread Alice Howell
OK -- I'll speak up on this.  We discussed it in February.  The last message I 
could find was this one:


We found out that only friday at lunch-time would be best for all. So I 
proposed to meet at 11.30 or 12.00, so early because some go for the 
city trip at 14.00, having lunch and chat together. Where we will meet 
I'll tell you later because I don't know at this time of planing.
Hope this is ok for you too. we also could try to sit together at 
OIDFA-dinner. We are still 4 or 5 persons.
So long
Ilske

SoWe meet at 11:30 on Friday.  I propose we meet at the entrance to the 
Oosterpoort, then walk together across the canal and find a restaurant.  
Possible ones can be checked out on Thursday by the people who are early.  I 
know there's a restaurant in my hotel -- Hampshire House (I hope I remember the 
name correctly) -- which is not far from the Congress -- if there are none 
closer.

If someone is on the OIDFA board and has to attend their meeting...I'm sorry.  
There's no time that everyone is available.  It's a very busy schedule.

Anything else, Ilske?  

If people are there early, on Thursday, and want to meet with me on Thursday 
evening, please contact me.  We can have an impromptu meeting in my room or in 
the lobby if there's too many people for one room.  Or something.  I will 
arrive on Wednesday so I can help set up the USA Stand on Thursday afternoon.  
And I have no other plans for Thursday evening, so far.

Alice in Oregon

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[lace] Alencon lace on eBay...

2008-05-23 Thread clayblackwell
There is an impressive and large piece of lace on eBay currently, and it is 
described as Alencon.  It is item number 360052393378.

I know next-to-nothing about Alencon.  But these pictures are extremely 
detailed and the overall design is lovely.  Could someone who knows this lace 
kindly comment on this for us?

Thank you very much!!

Clay

--
Clay Blackwell 
Lynchburg, VA USA 

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Re: [lace] Alencon lace on eBay...

2008-05-23 Thread clayblackwell
I have looked again, and I believe that the next-to-last picture in the group 
is definitive.

Clay

--
Clay Blackwell 
Lynchburg, VA USA 


-- Original message -- 
From: [EMAIL PROTECTED] 

 There is an impressive and large piece of lace on eBay currently, and it is 
 described as Alencon. It is item number 360052393378. 
 
 I know next-to-nothing about Alencon. But these pictures are extremely 
 detailed and the overall design is lovely. Could someone who knows this lace 
 kindly comment on this for us? 
 
 Thank you very much!! 
 
 Clay 
 
 -- 
 Clay Blackwell 
 Lynchburg, VA USA 
 
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 [EMAIL PROTECTED] 

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Re: [lace] Threads query

2008-05-23 Thread Tamara P Duvall

On May 23, 2008, at 13:23, Brenda Paternoster wrote:

According to Madeira's website Cotona is only available in sizes 30 
and 80


Oops. Apologies, then. I've had to replace their Tanne 80 with Cotona 
80 and assumed that *all* their Tanne threads had been re-named.

--
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Crocheted Wire Jewelry by Arline M. Fisch

2008-05-23 Thread Jeriames
Dear Arachnes,
 
Funny, but I don't remember seeing this book featured in any lace  bulletins.
 
Crocheted Wire Jewelry
By Arline M. Fisch
Lark Books
Distrib. in Canada by Sterling
Distrib. in UK by GMC Distrib. Svcs.
Distrib. in Australia by Capricorn Link
ISBN 13: 978-1-57990-660-3
Cover price $25 US, 2005, hard cover
 
If you go to any major book store in the US today, you will find much shelf  
space devoted to beads and other glittery techniques.  In fact, I found  
additional books that were much too crafty for my taste.
 
Everything presented in this book is sophisticated.  The cover photo  is of a 
very striking hairpin-crochet neckpiece, by the author.  You may  crochet 
with wires of brass, silver, gold, stainless steel, soft iron (stove  wire) and 
nioblum.  The crochet designs are illustrated in full color and  the 
step-by-step instructions for making are very detailed, with all  projects by 
leading 
artists (presumably, Fisch's students).  If  you enjoy working with wire, you 
may enjoy and learn from this book  and perhaps find ways to use a crochet hook 
to enhance your other metal  laces.
 
The author's previous book Textile Techniques in Metal (1996) was  very 
favorably reviewed on Arachne.  She is a jeweler and professor of art  whose 
work 
is in collections in the USA (Smithsonian), England (VA), Japan,  Australia.
 
Would be interested to know if anyone has crocheted lace from this  book.
 
Reviewer:  Jeri Ames in Maine, USA
Lace and Embroidery Resource  Center



**Get trade secrets for amazing burgers. Watch Cooking with 
Tyler Florence on AOL Food.  
(http://food.aol.com/tyler-florence?video=4?NCID=aolfod000302)

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Fwd: [lace] Re: unpleasantly innacurate seller on eBay

2008-05-23 Thread Tamara P Duvall

Talk about a pot, callling a kettle black... :)

I have no idea why the enclosed message should have come to me, 
personally (in duplicate, yet!)... I don't shop at E-bay, so I have no 
opinion -- positive or otherwise -- about sellers there; my only 
contact wih E-bay is limited to checking out a specific item someone 
here says we ought to see, either because it's especially pretty or 
because there's a question about identification. I doubt I'd have 
contributed to the thread as per the subject line, since I don't even 
remember the thread itself or when it ran (and refuse to waste time 
combing through the archives).


But, since Theresa Doidge speaks of women, rather than woman, I 
suppose she meant all of us on Arachne. So, I'm forwarding her 
extremely classy and refined attack.


Begin forwarded message:


From: Theresa Doidge [EMAIL PROTECTED]
Date: May 23, 2008 17:06:09 EDT
To: [EMAIL PROTECTED]
Subject: [lace] Re: unpleasantly innacurate seller on eBay

You are lacking class. I came across this thread while looking for 
lace. I can't believe a supposedly intelligent group of women could be 
so catty as to write emails about another person who hasn't the chance 
to defend herself. You sound like a bunch of bitter women who have 
nothing to do but talk behind someones back. At least the seller you 
think has no class didn't take this any further than an email. You 
women are trash. And trash has no class.

--
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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Re: [lace] Alencon lace on eBay...

2008-05-23 Thread Alice Howell
It's machine lace.  There's a statement in Elizabeth Kurella's book that says 
that Alencon is a name greatly used by the machine lace companies even though 
the lace is not like real Alencon.  This is large and lovely, but not handmade. 
 The seller is very careful to not specify.  She only says it is antique and 
French.  And it's the third time she's tried to sell it.

Alice in Oregon

- Original Message 
From: [EMAIL PROTECTED] [EMAIL PROTECTED]
To: lace@arachne.com
Sent: Friday, May 23, 2008 5:59:30 PM
Subject: [lace] Alencon lace on eBay...

There is an impressive and large piece of lace on eBay currently, and it is 
described as Alencon.  It is item number 360052393378.

I know next-to-nothing about Alencon.  But these pictures are extremely 
detailed and the overall design is lovely.  Could someone who knows this lace 
kindly comment on this for us?

Thank you very much!!

Clay

--
Clay Blackwell 
Lynchburg, VA USA 

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Re: [lace] Re: machine made lace

2008-05-23 Thread Lorri Ferguson
I have always been in awe of the inventors of these fantastic machines, (and
the machines and robots of our present industries).  I often wonder what the
thought processes were that led them to the final result.
We must also remember that it wasn't just men who invented these machines.  It
was a woman that invented the circular saw used in saw mills on logs, and I
have heard it was really a woman that thought up/invented the cotton gin (but
Eli Whitney got the patent, women couldn't).

Lorri
who always wants to see how it works!

  there is another aspect. The men inventing these machines with wich it
  was possible to make first only the net and later laces of different
  types, were proud about their intlectual work. And those group of
  people no able to buy more laces than before admired it. By the way
  first those machine made laces weren't socheap. Also the falling down
  of  those cloths regulations the becoming more self-assurance/
  confidence of the bourgeoisie all those things together changed the
  things. It was ctastrofical for the lacemakers but it help the mankind
  to become free. There are always two sides ot a medallion.
  Lacemaking is social history.
  And if you ever see the machine made laces in the museum in Le Puy and
  don't could believe that machines (the inventing brain of men) were
  able to do so. Than you can't help you find it fascinating.

  Ilske

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