[lace] Re: and a purloined solution...

2010-02-15 Thread Bridget Marrow
Does anyone know of a UK supplier for this gadget - the Gimp Grabber or
wooden-handled hackle plier?  It sounds most useful.  I only have a very basic
hackle plier, with no handle at all, and find it quite awkward to use.  I
certainly couldn't use it to hold a broken thread prior to throwing it out.



on Thu, 11 Feb 2010 Clay Blackwell wrote:

...After I used my first Swivel Hackle, I had the notion that it would be
very pleasing if the metal handle could be replaced with a bobbin. I
gave Richard Worthen one of these hackles, and asked him to insert the
working part into one of his turned bobbins 



and on Fri, 12 Feb 2010 kenn van dieren replied:
 ...the copyright symbol is for the name of the tool Gimp Grabber not the
tool itself...



Bridget Marrow, in Pinner, Middlesex.

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Re: [lace] Re: and a purloined solution...

2010-02-15 Thread Laceandbits
There are lots to be found on a UK google search.  A new one I have just
seen, priced at £4.80, is one with a bamboo handle -
(http://www.lakelandflytying.com/40/Hackle_Pliers.aspx).  You need the 4
version.  But there are
lots of others on other sites.

I would say though, if you work with fine thread, avoid the ones with a
brass handle as they are quite heavy.  I am still using the one Tamara gave me
when we couldn't get them in the UK, and using a brass one belonging to one
of my students, I found it too heavy to attach to a whisker, as it was too
'robust'.

They are immensely useful for broken and for running-out threads, as they
just drop in place as a bobbin replacement, so more than one in your workbox
will find a use.

Jacquie in Lincolnshire

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[lace] More hackle pliers

2010-02-15 Thread Laceandbits
I should have scrolled down!

On the same website they have a pair very like the one Tamara gave me 
(Griffin Rotating Hackle Pliers) and if you go right to the bottom of the page, 
one with a cocobolo wooden handle.

I've not seen so many all on one site before.  Obviously this style is 
becoming more popular with fly-tyers too.

Jacquie

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Re: [lace] More hackle pliers

2010-02-15 Thread Laceandbits
In just the same way as you use your tweezers!  Squeeze and they open, 
release and they shut.  Once on, you have both hands free.

One of my students has some reverse action tweezers that one of the 
suppliers sells, and she's as pleased as punch with them BUT, they are quite a 
bit 
bigger than a bobbin so although they grab an end well, they are 
*inconvenient* to use as a replacement bobbin.  Also, because this long, thin 
style of 
hackle plier has the swivel/hinge at the top, they lay flat on the pillow 
alongside the bobbins, so you don't knock the device by mistake.  I have seen 
this happen with the longer, rigid tweezers.

Jacquie

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[lace] 17th century Genoese lace on Ebay

2010-02-15 Thread lswaters619
I strongly disagree with the opinions that this piece is a modern cotton copy. 
It has all the hallmarks of a 17th century Genoese piece. The thread is a 
tightly woven 'cold' linen, even though it shines in the photo like cotton 
(this is not uncommon and is largely due to the finishing process and general 
wear of the piece). The general size and pattern is correct. You can see 
similar examples recently verified and sold on the Mendes lace site - they are 
one of the most active antique lace dealers around. 

Early plaited Genoese lace is famous for leaves, in fact they perfected the 
art. They were copying contemporary Venetian reticella lace. 19th century Cluny 
and Italian pieces are in general much coarser. 

I am completely convinced that this piece is genuine. I've handled several 
pieces from museum collections (including the remnants of the Ida Schiff 
collection in Minneapolis - it was disbursed to several museums and dealers). 
And I have others like it in my own collection, including one that Pat Earnshaw 
very eagerly bought from me that I now wish I hadn't sold. The seller has also 
discussed several other pieces which came in the same collection as this one, 
which I am also convinced are authentic. 

Laurie 

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Re: [lace] Tallies in 17th c lace (was: 17th century Genoese lace on Ebay)

2010-02-15 Thread Nancy Neff
Thanks, Tamara! That's a lot of useful information--I appreciate your taking
the time.

As I said to Sharon, I certainly still have a lot to learn! :-)
--Nancy
Nancy A. Neff
Connecticut, USA




From: Tamara P Duvall t...@rockbridge.net
 I didn't think the 17th century
lace had leaves??

Yes it did. Leaves -- and other woven shapes, like
triangles -- appear even earlier...

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[lace] question

2010-02-15 Thread Kim Davis
A friend of mine has posed this question for which I have no answer:

 I wonder what ever happened to the Dolores Roche memorial award for
excellence in bobbin lace design and execution?

Does anyone happen to have an answer I could forward on to her?

Thanks, Kim

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[lace] A Challenge: was... Tallies in 17th c lace

2010-02-15 Thread Clay Blackwell
Does anyone out there have even a *tiny* idea about how much the lace 
world could gain if the holders of the few remaining bits of early laces 
would, in the interest of art and knowledge, allow the scholars among us 
to use images and their own research to illuminate the structures of the 
early laces?   It *could* be done!  There are those among us who have 
the knowledge and the skills. (And I certainly don't claim to be one!)


 But this is not something that can be done without images of the rare 
and precious  remnants of lace that remain. I suspect that the great 
museums of the world - in every country - possess bits and pieces, which 
, in their ignorance, they hold close, in case they give away a worldly 
secret.


What will it take to open these treasures up to research?   Is this the 
next big project for Arachne?  Before I became a member, Arachne 
miraculously consolidated enough support to provide significant (if not 
substantial) funding for The Lace Dealer's Pattern Book, for the Luton 
Museum Services.  Is it possible to convince one or more museums that it 
is time for another watershed project?


Clay

Clay Blackwell
Lynchburg, VA, USA


On 2/15/2010 7:04 PM, Nancy Neff wrote:

Thanks, Tamara! That's a lot of useful information--I appreciate your taking
the time.

As I said to Sharon, I certainly still have a lot to learn! :-)
--Nancy
Nancy A. Neff
Connecticut, USA




From: Tamara P Duvall t...@rockbridge.net
   

I didn't think the 17th century
 

lace had leaves??

Yes it did. Leaves -- and other woven shapes, like
triangles -- appear even earlier...

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Re: [lace] Re: Tatra Mountains Museum

2010-02-15 Thread Diane Z
My wonderful? computer just deleted all the previous kept year's  
messages (yesterday) including the Tatra information.  I would  
appreciate if someone would reply with the web site address.  I didn't  
have the time to really have a good look.

Thanks,

Diane Z
Lubec, Maine
USA

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[lace] Re: A Challenge: was... Tallies in 17th c lace

2010-02-15 Thread Tamara P Duvall

On Feb 15, 2010, at 22:40, Kim Davis wrote:


I suspect one of the reasons museums in general do
not have images out there is because they don't know exactly what  they
have, and don't want to admit it.


That may be one of the reasons. Another reason could be that they don't 
know how much detail lace-fanatics really require for proper study. I 
saw that aspect of it, when I got into correspondence with a museum in 
Poland. The museum holds a series of miniatures of several figures from 
the Jagiellonian royal line  by Cranach. I have a few postcards with 
those figures and, some of the trimmings on their clothes -- the shiny 
ones in particular, but some white veil trimmings as well -- looked 
like they might have been very early bobbin lace, as it was 
transitioning from the passementerie stage. But, of course, by the time 
the miniatures were further miniaturised and then printed on postcards, 
it was really hard to tell what was what. The people at the museum were 
very friendly and obliging and sent me -- for free -- a disc with 
photos of all the miniatures in the series. Very good photos, as such 
:) But, even by isolating and magnifying fragments, the best I could 
determine (before I got into the same situation that the photographer 
of Antonioni's Blow Up did) was that it was not bobbin lace.


So I gave up, thanked them most effusively and that was that. But. *Had 
it been* bobbin lace and I wanted to study the design of it, I'd have 
been up the creek, without a paddle. Photos of lace for study purposes 
require very good photography, with multiple, close-up shots of 
different bits, all done at very high resolution . Which might be 
another reason why some museums shy away from posting photos of their 
lace collections.


A while back, there was a bit of a campaign to get the Metropolitan 
Museum in New York City to photograph their lace collection and make it 
avilable, on-line, to everyone who wants to study it. Victoria and 
Albert did, why couldn't the Met? I got into a correspondence with Tom 
Campbell (then the curator at the Ratti, now the director of the 
Museum) on the subject and this was, in part, the response I got:


Data entry staff cost a minimum of $25 per hour, for the most 
rudimentary data entry, not to mention proofing and correcting by the 
curators or other specialist staff.  Photographs by our photography 
studio cost about $200 per image, when broken down in terms of staff 
time.


The Museum holds 5000 pieces of lace. More than one photo of each piece 
would really be needed for proper study. And it was more than 2yrs ago; 
I expect that the costs have gone up since. He also suggested 
substantial donations were always welcome but, even those could not 
guarantee that they'd be directed at exactly the spot (lace) that I was 
interested in. He also suggested I should come to NYC and do my study 
in person. Since the reason I wanted to study on line was the little 
matter of the cost of getting to NYC and staying there for a week or 
longer, I realised that his idea of substantial donations and mine 
were not even in the same ballpark...


Nothing's ever as simple as it appears at the first glance :)
--
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace-chat] Fwd: WHAT'S AMORE?

2010-02-15 Thread Lesley Blackshaw
A somewhat late Valentine's Day poem

- - - - - - - - -

poem by Anon E. Mouse to celebrate the day:

WHAT'S AMORE?

(sung to Dean Martin's That's Amore)


When the moon hits your eye
Like a big pizza pie
That's amore.


When an eel bites your hand
And that's not what you planned
That's a moray.


When our habits are strange
And our customs deranged
That's our mores.


When your horse munches straw
And the bales total four
That's some more hay.


When a sand-coated board
buffs your nails, yes milord
that's emory.


When two patterns of lines
cross to form new designs
That's a moiré.


The briefest of pauses
in poetic clauses,
They are morae.


When Othello's poor wife
She gets stabbed with a knife
That's a Moor, eh?


When a Japanese knight
Used a sword in a fight
That's Samurai.



Lesley
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RE: [lace-chat] helpful husbands

2010-02-15 Thread Sue
30 my home town comes to a grinding halt with 2 I think everyone would
hibernate if we got that much snow.  

Sue M Harvey
Norfolk UK

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