[lace] Lace in literature

2011-09-26 Thread pene piip
I recently read The White Queen, The Virgin's Lover,   The Red 
Queen by Philippa Godfrey in that order.
Sadly, these are all the books, written by this author, that the Tartu 
public library has on its shelves.


I really enjoyed them, but was a little disappointed that her research 
wasn't  thorough enough.
In The Red Queen she refers to Margaret wearing a nightgown which has 
the finest Valenciennes lace.
Am I correct in thinking that this type of lace didn't exist in the 
middle of the 15th century (1453 AD)?
According to my computer research, it came into existence in the middle 
of the 18th century.


Warm regards from,
Pene in Tartu, Estonia

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Re: [lace] my newest needle lace

2011-09-26 Thread Janis Savage
Congratulations on such a lovely piece of Reticella, and on your website 
page - Introduction to Needlelace.
I had not looked at it before and have not done much needlelace but after 
looking at your page I am now inspired to take up needle and thread again.

A local embroidery group is now busy doing Reticella embroidery as well.

Janis in South Africa where the spring weather is just wonderful.

-Original Message- 
From: Lorelei Halley

Sent: Monday, September 26, 2011 12:48 AM
To: lace@arachne.com
Subject: [lace] my newest needle lace

I just want to brag a little.  I've finished another piece of needlelace.
This one is in the reticella style, but made as pure needlelace.  I took 2
small motifs from C.M. Ricci (available on
http://www.cs.arizona.edu/patterns/weaving/index.html ), and added a looped
edge.  It was great fun to do, almost addictive.  To see it go to
http://lynxlace.com/needlelaceintroduction.html   and click on MYNEWEST.
Lorelei Halley

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RE: [lace] Idrija lace

2011-09-26 Thread Lorri Ferguson
I have heard this 'miners and lacemakers' history too, in regard to Idria
lace.  I am not positive but I think it was from Bridget Cook (who wrote the
book on Idria Lace). Lorri F
 
 Nancy
 That is interesting.  I have also heard about the connection between the
mine
 and the lacemakers, but that the connection was that near the mine no other
 source of income was possible.  So the women took up lacemaking.  But there
is
 another possible source for the lacemaking tradition.  During the middle
ages
 Italy had a great deal of influence on the coastal areas of the former
 Yugoslavia, and especially in Slovenia.  During the time when my
grandparents
 left it, Slovenia was regarded as the most westernized of the provinces,
and
 its connections with Italy was the primary cause.  And of course, the
Italian
 lacemaking tradition is largely tape lace, as is the German.  I have not
heard
 this connection to Italy mentionned elsewhere, it is just a bit of history
I
 know about and I'm wondering if it was part of the story.
 Lorelei Halley


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Re: [lace] Lace in literature

2011-09-26 Thread David C COLLYER

Pene,
I recently read The White Queen, The Virgin's Lover,   The Red 
Queen by Philippa Godfrey in that order.
Sadly, these are all the books, written by this author, that the 
Tartu public library has on its shelves.


I've read just about everything Philippa GREGORY has written and 
really enjoy her style. I'm astounded that I didn't notice that line 
about the Valenciennes!


Tonight I should finish her book on Eleanor of Aquitaine - wife of 
Henry II - an amazing woman for her time (12th century). This book is 
called Devil's Brood. Another author who writes in a similar vein 
is Sharon PENMAN. Her book on Simon De MONTFORT is extraordinary 
(When Christ and His Saints Slept). A third such author is 
Elizabeth CHADWICK.

David in Ballarat

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Re: [lace] Lace in literature

2011-09-26 Thread pene piip
Thanks, David, for picking up on my typing error. I even had the book in 
front of me at the time.

You'll find the reference on the bottom of page 32 of The Red Queen.
Pene

On 9/26/2011 5:20 PM, David C COLLYER wrote:

Pene,
I recently read The White Queen, The Virgin's Lover,   The Red 
Queen by Philippa Godfrey in that order.
Sadly, these are all the books, written by this author, that the 
Tartu public library has on its shelves.


I've read just about everything Philippa GREGORY has written and 
really enjoy her style. I'm astounded that I didn't notice that line 
about the Valenciennes!


Tonight I should finish her book on Eleanor of Aquitaine - wife of 
Henry II - an amazing woman for her time (12th century). This book is 
called Devil's Brood. Another author who writes in a similar vein is 
Sharon PENMAN. Her book on Simon De MONTFORT is extraordinary (When 
Christ and His Saints Slept). A third such author is Elizabeth CHADWICK.

David in Ballarat




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[lace] Idrija lace

2011-09-26 Thread Allie Marguccio
HI,

I've done extensive research into the lace tradition in Idrija as my European
family is from that area of Slovenia; I studied with a teacher from the Idrija
Lace School and I have been teaching this lace in the United States. According
to the history from the the Idrija Lace School and the Mining Museum in
Idrija-
lace was first brought to Idrija by Czech miners who came to the area to work
in
the mercury mine that is located there. Many of my relatives worked in this
mine. When the mine wasn't in operation for whatever reason, both men and
woman
made lace to suppliment the family income.

The first director of the Idrija School of lace was Ivanka Fernancic who
studied lace making in Italy in the late 1800's. She and her brother were
designers of the first patterns that we know of as being classified as Idrija
Lace. It wasn't until the Italians occupied that region of Slovenia for a
short
time after WWII that the narrow tape lace that we recognize as typical Idrija
lace became known. The Italians recognized a potential market for the lace and
set the rules as far as design. Traditional lace from Slovenia was a wide tape
prior to this. Today Idrija lace is classified as any lace that is recognized

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[lace] Lace in literature

2011-09-26 Thread Lorelei Halley
Pene
You are right that what most lacemakers think of as Valenciennes didn't exist
in 1453.  LePompe 1559 is the earliest documentation we have for what the
early laces might have looked like.  They were braided/plaited laces (some of
which use 5 hole ground as the crossing for 2 braids), tape lace (Brit. braid
laces), and some which are printed as little diamonds in the woodcut.  These
latter might be interpreted as torchon.  (They might possibly, only possibly,
be an early form of freehand laces.)  What most lacemakers think of as
Valenciennes dates from the latter half of the 19th century, into the 20th
century: a straight lace with a ground made of 4thread braids worked in such a
degree of openness that there aren't enough threads to make good dense
clothwork, so extra threads are usually hung in for the cloth motifs and moved
out of the way at the bottom on the motif.

For some better quality 19th century Valenciennes, see
http://lynxlace.com/bobbinlace19thcstraightmesh.html
Go to the end of the page and look at the last 2 lines of photos.
For some simpler Val, such as might be used on lingerie, see
http://lynxlace.com/bobbinlacerevivalerastraight.html
Go to the middle of the page.  There are some revival era Val and Binche.

For laces from LePompe  (I've worked small samples of a few braided ones), see
http://lynxlace.com/bobbinlace1559to1700.html  The first row are LePompe.  But
the middle of the page has some early Val/Binche from the late 1600s, well
after your story.

Lorelei Halley

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