[lace] Lacemaking machines

2021-02-11 Thread Rochelle Sutherland
Hi everyone, I have an unusual request. I am helping a higher degree student 
with lacemaking for her textile art degree and she is interested in knowing 
more about the early lacemaking machines. Does anyone know anything? Has anyone 
seen them in action in museums? I have an idea I have seen discussions on 
arachne about it before, so I am hoping someone can help her. Thanks,
---
Rochelle SutherlandCottons and Bobbins Lacemaking Supplies by Rochelle 
SutherlandEmail orders: 
cottonsandbobb...@lacemakingsupplies.com.auWebsite:http://lacemakingsupplies.com.auPhone:
 02 6374 2696

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[lace] Bruges lace

2020-12-21 Thread Rochelle Sutherland
A friend of mine wants to get together with a few people who are working on 
Bruges lace to form an online study group. Even one person would be great as an 
accountability partner. Is there anyone working on Bruges who might want to 
connect with her? It would not suit a raw beginner or someone who is thinking 
about starting, but would be great for someone who might have started a project 
and has got stuck. Please let me know if there is anyone out there who would 
like more information. Thanks, and Merry Christmas all,
---
Rochelle Sutherland

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Re: [lace] Carrickmacross lace

2014-06-26 Thread Rochelle Sutherland
The thread used to couch is cotton and the first wash shrinks it a little to
really bed down the couching thread. It is critical to ensure that your
couching stitches are horizontal.  No lace is particularly durable but with
careful washing it will cope with some wear. Also repairs are easily made.
There is a special type of scissors with a ballpoint on the lower blade which
makes cutting the net impossible, but you still have to worry about cutting
the couching stitches. We all hold our breathe when we do the cutting.
 
---
Rochelle Sutherland 



Lachlan (16 yrs), Duncan (14 yrs) and Iain (13 yrs)
www.houseofhadrian.com.au


I was really puzzled to find out that the thread
which is couched down is
simply thatjust couched down. I was always of
the impression that it
would be buttonhole stitched down to prevent the
organdie from fraying,
although I do realise that organdie does have special
properties.

My question is this. Is the couching enough to prevent the
organdie from
working away from the tulle with time? I imagine it should be
fine if a
piece is to be framed, but what about things like collars and fans
that are
made for use?

I would be grateful for some comments and
discussion.

Thanks,
Karen in Malta.



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Re: [lace] lace photos

2013-04-18 Thread Rochelle Sutherland
It is unfortunately not an isolated problem. It is happening in a lot of the
creative arts. In defense of the younger ones though, as I'm 40 and have
earned my stripes in the business world, I know that sometimes it is difficult
to get others to hand over the reins. It is often frustrating to see things
slow down but not be allowed to do anything about it. I know it is almost
always easier to do it yourself when you have been doing something for some
time, but could I encourage everyone to take a younger one under their
wing, by force if necessary, and plan for them to succeed you. Please don't
see them as a threat or taking over, but as a plan for longevity. It is vital
for the survival of our craft and the diversity of creative arts in our
societies. New blood and new ideas and sometimes new ways are good things.
---
Rochelle Sutherland 

Lachlan (15 yrs), Duncan (13 yrs) and Iain (12 yrs)
http://www.houseofhadrian.com.au/

From: J D Hammett jdhamm...@msn.com
To:
Ayla Middleton ayla.p.middle...@gmail.com; Sue Harvey
2harv...@tiscali.co.uk 
Cc: Lorelei Halley lhal...@bytemeusa.com;
lace@arachne.com 
Sent: Thursday, 18 April 2013 3:52 PM
Subject: Re: [lace]
lace photos


Hi Arachnids,


Secondly, There seem to be fewer Lace days
and fairs in the UK as Sue said. 
The reason for that is probably not just
the fact that people are using the 
net, but also that the people who used to
organise them (and note here that 
it often has been the same few people
taking up the work of putting these 
things on) tend to be getting a little
older. Younger ones may not have the 
time nor the inclination (No time? Shy?
Not feeling 'up to it'?, etc.) to 
take up the mantle.



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Re: [lace] On a practical front

2012-03-01 Thread Rochelle Sutherland
Hi Susan,
 
we use a chalice veil in the Anglican church in much the same way
as the Catholic church. The veil is covered by a burse, which is a firm square
piece of nowadays card about 15cm square that is covered to match and hinged
to make two thicknesses. In the church service/mass, the chalice is set up on
the altar already covered by burse and veil, etc by a sacristan (me) or
another church official. If it needs to be moved around, it is all packed up
and the veil is folded and placed in between the two leaves of the burse. The
decoration if any in the middle is covered by the burse. I imagine and have
been told in the past, it began as a simple cover to keep the mice, dust and
flies out.
---
Rochelle Sutherland 

Lachlan (13 yrs), Duncan (12 yrs) and
Iain (11 yrs)
www.houseofhadrian.com.au

From: Susan Reishus
elationrelat...@yahoo.com
To: Arachne Lace lace@arachne.com 
Sent:
Thursday, 1 March 2012 1:33 AM
Subject: [lace] On a practical front


Perhaps
it was an evolved take on the sheet?  Taking it further,
perhaps the center
circle represented the Omega or a life coming full circle?
Would a chalice
cover represent a spiritual affinity for a Christ connection
in one's blood
shed as in the wine being the blood of Christ?  Or even as
simple as someone
having that kind of thing on hand that they made it for the
church and what
higher honor for their loved one than that (and the circle
made a piece more
opaque).  Someone starts something and it grows in use. 
Some of it
conjecture, but interesting.  


Best,
Susan Reishus 

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Re: [lace] Lace Guild website update

2011-07-24 Thread Rochelle Sutherland
As someone who does a lot of Carrickmacross, I'm delighted that they are
talking about the technique. The explanations from the RSN made sense to me
immediately, it didn't concern me that the media were chattering away about it
without much idea what they were talking about because we have heard that
before with other styles of lace. Arguably all styles of lace. To me, the
point is the RSN and Carrickmacross lacemakers and teachers have been given a
marvellous profile in this. The press release might have just said the lace
was appliqued and left it at that. Now there might be an opportunity to build
on the interest and get more people doing lace, which after all is what we
really need. I'd be interested to know how many hits the Carrickmacross centre
site has had since the wedding and whether there are more enquiries about
classes. Do we have anyone on Arachne who is involved at Kenmare, or another
school?
---
Rochelle Sutherland 

Lachlan (13 yrs), Duncan (11 yrs) and Iain
(10 yrs)
www.houseofhadrian.com.au

From: Celtic Dream Weaver
celticdreamwe...@yahoo.com
To: Jean Leader lacema...@q7design.demon.co.uk
Cc: arachne lacing lace@arachne.com
Sent: Monday, 25 July 2011 3:48 AM
Subject: Re: [lace] Lace Guild website update

I found this very interesting
to read. My only thought is how right after the
wedding people in the media
were comparing it to Carrickmacross Lace which it
actually isn't. The wedding
was so great to watch on TV. I so wish I could
have been there but maybe
actually watching the wedding in my livingroom I had
the best seat in the
wedding. I even wore my  knock off Kate/Diana look alike
ring on. HEHE.  I am
finding it interesting reading about how the dress was
make/how it was
displayed. I LOVE all kinds of lace. Makes me think about
collecting all kinds
of lace and cutting it up to applique on some closes.
Wind To Thy Wings,
Sherry
celticdreamwe...@yahoo.com
http://celticdreamweaver.com/
http://celticdreamweave.blogspot.com/
Nata 616
From: Jean Leader
lacema...@q7design.demon.co.uk
To: lace@arachne.com
Sent:

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Re: [lace] How do you feel about Restored Bobbins?

2011-01-19 Thread Rochelle Sutherland
I'd like to put in my thoughts about that Brian, not as a bobbin maker but
as a 
house restorer. I see a lot of old houses bought up cheap and
extensively 
renovated to make them into something they are not: the boards
stripped with 
orbital sanders, the kitchens tripled in size and the bathrooms
full of glass 
bricks and steel. If it's your house, by all means do what you
like with it, but 
I call that renovation, not restoration. If however, you
want to fix an 
architrave where a piece has been gouged out of it, you find a
matching piece of 
timber and carefully line it up so it blends into the
original, that to me is 
restoration. If you are careful to keep the patina of
age, while at the same 
time rendering a house or to return to the point, a
bobbin, usable and able to 
be enjoyed for what it is, I think you should be
commended. Trouble is, to keep 
that patina where the surfacing coating is a
bit worn or whatever, and to allow 
the bobbin to look gracefully old once
restored would be a very fine line. 


I too would be interested in the
responses to this discussion, and stand beside 
you in the firing line.

---
Rochelle Sutherland 

Lachlan (12 yrs), Duncan (11 yrs) and Iain (10 yrs)
www.houseofhadrian.com.au





From: Brian
Lemin brid...@bigpond.com
To: lace@arachne.com
Sent: Thu, 20 January, 2011
4:31:01 PM
Subject: [lace] How do you feel about Restored Bobbins?

I want to
write an article in favour of restoring antique lace bobbins, but I
am afraid
that I might lose too many lovely friends on Arachne if I put it in
writing!
It was seeing a poorly restored bobbin that got me going!  It would have to be
done properly and as far as possible historically

Now is your opportunity
to shoot me down in flames!  :)

I know about free speech and all that...
never-the-less let me know what *you*
think.

Thanks

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Re: [lace] Victorian Farm now Scottish jackets

2009-01-19 Thread Rochelle Sutherland
There are a number of different styles of Scottish jacket. The most common is
a Prince Charlie, which is very like a normal dinner jacket, but shorter. It's
worn with a vest and bow tie and is always black. The other types are single
and double breasted variations with or without flaps at the hem including the
Montrose, Kenmore and Sherrifmuir. They are worn with jabot and cuffs in
lace, and they are made of either black suiting fabric or coloured velvet to
match a main colour of the kilt. They are all fitted so it is hard work making
them. I have to make two this year for my sons who are highland dancing. Not
looking forward to it. 

A tip for buttons. Instead of sewing, use an awl to
punch a hole and push the large shank at the back of the button through the
fabric and thread a piece of cord through it long enough to join all
buttons. Then just sew either end of the cord at the top and bottom of the
front of the jacket. It makes the buttons sit better and you don't lose any,
but you have to be careful with the awl not to damage the fabric.

One little
boy came to a comp last year minus his white shirt. So we found a safety pin,
borrowed a strip of lace and folded the lapels of his Prince Charlie up,
then covered the front with the lace and he was able to dance. And he
beat me.
 
---
Rochelle Sutherland 

Lachlan (10 yrs), Duncan (9 yrs) and
Iain (7 yrs)
www.houseofhadrian.com.au





From: Karen Zammit Manduca kaza...@melita.com
To: Sue
hurwitz...@supanet.com; Brenda Paternoster paternos...@appleshack.com
Cc:
Arachne lace@arachne.com
Sent: Tuesday, 20 January, 2009 2:55:41 AM
Subject:
RE: [lace] Victorian Farm was lace-digest V2008 #276

How would you change a
suit jacket into a Scottish one? What is so
different?
Just interested.
Karen
in Malta


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Re: [lace] Carickmacross

2008-05-18 Thread Rochelle Sutherland
My understanding of why you wash after you finish Carrickmacross is that the
cotton couching thread shrinks slightly, and it beds down into the couched
thread and becomes invisible. It also seals the edges a bit more firmly
than before it is washed.
 
---
Rochelle Sutherland 

Lachlan (10 yrs),
Duncan (8 yrs) and Iain (7 yrs)
www.houseofhadrian.com.au



- Original
Message 
From: Adele Shaak [EMAIL PROTECTED]
To: jeanette
[EMAIL PROTECTED]
Cc: arachne lace@arachne.com
Sent: Monday, 19 May,
2008 12:42:46 AM
Subject: Re: [lace] Carickmacross

 All the Carickmacross
instructions say to wash the net after the thick 
 thread has been
 stitched
down and silk fabric does not wash well.  Is it strictly 
 necessary to

wash the piece?

I'm wondering *why* they want you to wash it. Can't be for
pre-shrinkage, since you've already worked on it. So, I assume it's 
either
for cleanliness or it's some kind of blocking.

Some people's hands leave a
greyish discolouration on fine whitework; 
maybe the washing is intended to
counteract that. I don't have that 
problem, so if I do fine white embroidery
I don't need to wash for that 
reason. As for the blocking, that is a personal
thing so if you're 
happy with the way the piece looks and you don't want to
do it, don't.

On the other hand - when you say silk fabric does not wash
well it 
sounds like a general rule that you've learned, and not something
you've discovered through experimenting on this particular cloth. I've 
had
silk dresses you could throw in the washing machine.

I happened to have some
silk organza sitting right beside me, so just 
now I cut off a bit and washed
it. I ran it under water, rubbed it 
firmly on a bar of soap, rubbed it with
my fingers and rinsed it 
throughly. Other than a bit of ravelling at the cut
edges (no more than 
would have happened with fine cotton) the silk looks just
like it did 
when I started. So, perhaps you're worrying unnecessarily?

Hope
this helps.

Adele
North Vancouver, BC
(west coast of Canada)

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Re: [lace] Hand or machine- emerging sensibilities?/judging

2007-12-12 Thread Rochelle Sutherland
I'm a judge in Australia and this is a real problem. The piece is judged
overall, so mounting is certainly taken into consideration. You can't know in
our competitions if something has been mounted by another person unless you
are told by the stewards. They should have asked or be informed when the piece
was entered in the show or competition. If we are told we ignore the mounting
because it is not the work of the entrant. Otherwise we have to judge it as
the whole work. Unless it is heirloom sewing where machine work is accepted by
most judges, we favour hand mounting over machine mounting. 

The biggest
problem for us in Australia is patchwork quilts where the quilt has been
machine quilted. We have trouble when people don't declare they have sent the
quilt to a professional for quilting. Some quilters have long arm quilting
machines at home now so we have to give the benefit of the doubt and trust
people to be honest. When they have declared it to be professionally quilted,
we only judge the patchwork. There are sometimes challenges which can be very
unpleasant.

As for size, I know small pieces against large pieces is hard,
but I do dock pieces hard for mistakes. I once had a crochet tablecloth and
although there were no mistakes the tension and starting circles weren't as
neat as they could be. I had to give it a lower mark than other smaller
pieces. There was a challenge to it, but it comes back to doing something
exactly so each time, and if there is one example or thirty there must be that
consistancy.

I am a hard judge on lace, because I am not swayed by fine
thread or big pieces, but most people who have been judged by me haven't had a
problem with it. I am able to speak to competitors after judging most
competitions with CWA and actively encourage people to challenge or to ask me
to rejudge pieces and give them feedback. I really believe in trying to
promote excellence and pushing people to try harder each time in a nice way.
---
Rochelle Sutherland 

Lachlan (9 yrs), Duncan (8 yrs) and Iain (6 yrs)
www.houseofhadrian.com.au



  And in a competition on the continent, would
this possibility be 
 taken into account, or do the rules state the lace must
be finished by 
 the
 lacemaker.
I can't answer this question but it is an
interestin one and I will ask 
other people here.


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Re: [lace] Can anyone identify this lace?

2007-08-09 Thread Rochelle Sutherland
Both needlelaces, but the stitches are mixed. The tulle areas are tulle stitch
from point de gaze. The picot bars are early venetian. The block filling
stitches are halas and the diagonal diamond filling stitches and the solid
areas are double brussels from venetian gros point. The simple cordonnet is
point de gaze. Definately art nouveau style.

I think we could all agree they
are worked to a very high standard. Lovely pieces.
 
---
Rochelle Sutherland

Lachlan (9 yrs), Duncan (7 yrs) and Iain (6 yrs)

www.houseofhadrian.com.au
- Original Message 
From: [EMAIL PROTECTED] [EMAIL PROTECTED]
To:
lace@arachne.com
Sent: Thursday, 9 August, 2007 4:52:37 PM
Subject: [lace] Can
anyone identify this lace?


Gentle Spiders,

On my Campaign for Modern Lace
Site at the Arachne Webshots,
_http://home-and-garden.webshots.com/album/244348757BRJzVK_
(http://home-and-garden.webshots.com/album/244348757BRJzVK)  there  have been
two new pictures 
posted. They are the second and third pictures on  that
album, the first still 
shows me. I am looking for more information about
their origin, who might 
have designed them, etc. The second one, possibly a
collar, looks like it might 
have been the work of Hrdlicka, although I  can't
find the specific pattern 
among the various ones I have seen published.  The
first, a fan, featuring a 
woman in medieval hat and peacocks, I haven't  a
clue about. Both appear to be 
needlelace.
I would be interested in hearing
any ideas.

Devon




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Re: [lace] Halas lace

2007-07-11 Thread Rochelle Sutherland
This book is a very good manual showing how to work most of the major stitches 
used in Halas, if not all, and has very clear instructions. I would strongly 
recommend it to anyone who is interested in learning Halas. With some basic 
knowledge of needlelace you can work through this book easily. It is available 
from a number of suppliers in Australia and a few in UK. I have had 25 
workshops with the author and am happy to answer any questions anyone has about 
Halas. If  I can't answer them, I can call Marie and ask her. She is not on 
email unfortunately.
 
---
Rochelle Sutherland

Lachlan (9 yrs), Duncan (7 yrs) and Iain (6 yrs)

www.houseofhadrian.com.au






- Original Message 
From: Noelene Lafferty [EMAIL PROTECTED]
To: Lace Arachne lace@arachne.com
Sent: Thursday, 12 July, 2007 7:00:22 AM
Subject: RE: [lace] Halas lace


Shaliz,
The Australian book Ilske speaks of is called

Hungarian Needlepoint Halas Lace, An Australian Interpretation by Marie
Laurie.
I don't know if anyone in the USA stocks it.   It is available by mail order
from
Josco Lace Supplies here:
email address: [EMAIL PROTECTED]
website: www.joscolace.com.au

Noelene in Cooma
[EMAIL PROTECTED]

 normally nowhere because the Halas-Lace manufactur is a place where
 lacemakers work for money. There is a lady in Australia who made a
 little book about this lace after being in Kishkunhalas.
 Greetings
 Ilske

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Re: [lace] re: what is it? object not for tatting

2007-05-15 Thread Rochelle Sutherland
I spoke to Mum last night who did her tailoring certificates. She has used one 
in the past for opening up seams. It had no handle, you just put your thumb 
into the holes depending on the angle you needed. 

Reflex hammers are rubber, I use one regularly in my practise.
---
Rochelle Sutherland

Lachlan (9 yrs), Duncan (7 yrs) and Iain (6 yrs)
 
www.houseofhadrian.com.au

 


- Original Message 
From: [EMAIL PROTECTED] [EMAIL PROTECTED]
To: Alice Howell [EMAIL PROTECTED]; the Mouzons [EMAIL PROTECTED]; 
lace@arachne.com
Sent: Tuesday, 15 May, 2007 8:50:33 PM
Subject: Re: [lace] re: what is it? object not for tatting


OK...  how about that thingie that the doctor taps your knee with to check 
your reflexes...

-- Original message -- 
From: Alice Howell [EMAIL PROTECTED] 
I think we 
 need to explore non-sewing uses. 

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Re: [lace] Kerry Taylor Auctions - May 29, 2007 and lace knitting

2007-05-14 Thread Rochelle Sutherland
I read somewhere that you can knit faster and with a more even tension knitting 
Scottish style so I tried it. Even with needles not quite long enough I could 
knit nearly a third faster than English style. So guess who is upgrading to 
long needles. It's the sheaths that interest me because then I could knit 
standing up while the kids are at soccer practise, etc, without the weight 
hanging on my arms. And I was really surprised to see the shapes of these 
knitting sheaths.
 
---
Rochelle Sutherland

Lachlan (9 yrs), Duncan (7 yrs) and Iain (6 yrs)
 
www.houseofhadrian.com.au

 


- Original Message 
From: [EMAIL PROTECTED] [EMAIL PROTECTED]
To: lace@arachne.com
Sent: Monday, 14 May, 2007 8:54:32 PM
Subject: Re: [lace] Kerry Taylor Auctions - May 29, 2007 and lace knitting


I knit 'Scottish' style with the right needle stuck ynder my arm and the left 
needle working against the right.  I always need long needles however small 
my piece of knitting, e.g. doll's clothes

Patricia in Wales
[EMAIL PROTECTED]   

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Re: [lace] What is it? object not for tatting

2007-05-14 Thread Rochelle Sutherland
Agreed. I think Bev might be on the right track. I seem to recall seeing a 
'something' run along a seam while a seamstress was working on a suit. It might 
have been a school trip demonstration. I was old enough to know about pressing 
seams and I must have seen the result of the seam opening out. It did have a 
handle on that sort of angle. It was used on wool suiting, and opened the 
inside of the seam down the middle. 
 
---
Rochelle Sutherland

Lachlan (9 yrs), Duncan (7 yrs) and Iain (6 yrs)
 
www.houseofhadrian.com.au

 


- Original Message 
From: Alice Howell [EMAIL PROTECTED]
To: Brenda Paternoster [EMAIL PROTECTED]
Cc: lace@arachne.com
Sent: Tuesday, 15 May, 2007 8:42:16 AM
Subject: Re: [lace] What is it? object not for tatting


No..don't think so.  I just checked out several
webpages on plannishing hammers.  They all refer to
working metal with the hammer...and they usually have
a flat surface, or just gently curved, to impact the
metal surface.  Bakelite would not have been the
material of choice to work metal, and it's shaped
wrong.  I think we have to look elsewhere for the
answer.  Thanks to Terry for trying, though!!

Alice in Oregon


--- Brenda Paternoster [EMAIL PROTECTED]
wrote:

 Terry walked past as I was puzzling over it and he
 said - it's a 
 plannishing hammer, minus the handle.
 
 Bakalite would be too brittle for banging anything
 hard, but as it's 
 very small it could just be intended for tapping
 something gently ???

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Re: [lace] Kerry Taylor Auctions - is now knitting sheath

2007-05-14 Thread Rochelle Sutherland
Yes, that is more what I was expecting, long thin cylinders, but as I type I 
wonder if that is only the tip that we can see and the main shape is hidden . I 
just assumed that they were long and thin to stick into the belt or the tie of 
the apron. The ones on the auction site were unusual shapes.
 
---
Rochelle Sutherland

Lachlan (9 yrs), Duncan (7 yrs) and Iain (6 yrs)

www.houseofhadrian.com.au






- Original Message 
From: bevw [EMAIL PROTECTED]
To: Rochelle Sutherland [EMAIL PROTECTED]
Cc: lace@arachne.com
Sent: Tuesday, 15 May, 2007 10:07:15 AM
Subject: Re: [lace] Kerry Taylor Auctions - is now knitting sheath

Here is a link to the story of knitting in the Dales, E. Yorkshire - on this 
page there is a picture of the knitting sheath in use.
The knitter appears to be making a sock :)
http://www.daelnet.co.uk/features/knitting/history5.htm
I tried a google search for a maker of authentic knitting tools - for Rochelle, 
wouldn't one in a select Australian native wood be lovely! - I didn't find a 
source immediately though. 


On 5/14/07, Rochelle Sutherland [EMAIL PROTECTED] wrote:
I read somewhere that you can knit faster and with a more even tension knitting 
Scottish style so I tried it. Even with needles not quite long enough I could 
knit nearly a third faster than English style. So guess who is upgrading to 
long needles. It's the sheaths that interest me because then I could knit 
standing up while the kids are at soccer practise, etc, without the weight 
hanging on my arms. And I was really surprised to see the shapes of these 
knitting sheaths. 



-- 
Bev in Sooke BC (on beautiful Vancouver Island, west coast of Canada)



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Re: [lace] Kerry Taylor Auctions - May 29, 2007 and lace knitting

2007-05-13 Thread Rochelle Sutherland
Thanks for putting this site up, Jeri. I love wading through it. Imagine 
working there. 

I do have a question out there for the knitters, especially the lace knitters. 
On the auction site for their March sale, lot 256, they have some carved wooden 
knitting sheaths. These are nothing like I imagined a knitting sheath for 
shetland lace kntting and general knitting on long needles. Can anyone explain 
what they are and why they are shaped that way? 
 
---
Rochelle Sutherland

Lachlan (9 yrs), Duncan (7 yrs) and Iain (6 yrs)
 
www.houseofhadrian.com.au

 


- Original Message 
From: [EMAIL PROTECTED] [EMAIL PROTECTED]
To: lace@arachne.com
Sent: Saturday, 12 May, 2007 2:14:09 AM
Subject: [lace] Kerry Taylor Auctions - May 29, 2007


Dear Lacemakers,

Some of you enjoy looking at the auction offerings of this company.  I've 
stripped out a lot of commercial content, but given enough information for you 
to 
follow-up.

http://www.kerrytaylorauctions.com/

Jeri Ames in Maine USA
Lace and Embroidery Resource Center 

Our forthcoming sale is now available to view on our website, complete with 
pictures.  

Vintage Fashion, Accessories, Textiles  Fans including the Margaret Little 
fan collection, 

approximately 250 lots including fashion 1840s-1980s with a large selection 
of accessories including hats and bags, designers include early, Ossie Clark, 
Givenchy, Zandra Rhodes, Jean Varon, lace, textiles, trimmings

Tuesday, May 29th at 10.30am 


.





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Re: [lace]Scottish Lace

2007-02-05 Thread Rochelle Sutherland
I thought Hollie point was much further down in England. My understanding was 
Southern England, but I can stand corrected. I am actually a needlelacer by 
preference, so I have done Hollie point, enjoyed it, sort of. Bit fine and and 
two dimensional for me, but a nice change every so often. As an aside, am I 
correct in thinking that the only quilting near Scotland was Durham quilting, 
and that crochet didn't have much input at all?

 
---
Rochelle Sutherland

Lachlan (8 yrs), Duncan (7 yrs) and Iain (6 yrs)
 
www.houseofhadrian.com.au

 


- Original Message 
From: beth [EMAIL PROTECTED]
To: lace@arachne.com
Sent: Monday, 5 February, 2007 7:28:50 PM
Subject: Re: [lace]Scottish Lace


There's Hollie Point needlelace as well as the various laces mentioned.

Still not much bobbin lace but, as has been said, if the local skills were 
with the needle(s) - lace knitting, fine embroidery - why would they bother 
to take up a completely different craft (particularly one that needed more 
and completely different equipment)?

Beth

in a frosty Cheshire, NW England (even our very sheltered back yard got down 
below zero last night, which rarely happens)

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Re: [lace] Scottish Lace - Hamilton lace

2007-02-05 Thread Rochelle Sutherland
Hi Jean and spiders,

I forgot you were in Glasgow. What a pity they had a pillow there but in such a 
state. I got upset years ago about the state of some beautiful Aryshire baby's 
bonnets in our local museum and made complaint. They promptly handed me the job 
and I've been there ever since. Good thing you didn't speak up, they would have 
collared you too. 

Interesting the continental influence in Pitsligo. Wasn't that bit late for the 
migrations of lacemakers from Europe? I thought there were a few 'waves' of 
migration of lacemakers but much earlier than that. Does anyone know any more 
about that, or am I wrong?

I'm also wondering, as people turn out deceased estates, whether we might find 
some examples of it now that were not available previously. Maybe by promoting 
the type, it might be more easily recognised.

Can't wait to hear about Ballantrae, I guess it's the UK Guild mag? 
 
---
Rochelle Sutherland

Lachlan (8 yrs), Duncan (7 yrs) and Iain (6 yrs)
 
www.houseofhadrian.com.au

 


- Original Message 
From: Jean Leader [EMAIL PROTECTED]
To: lace@arachne.com
Sent: Monday, 5 February, 2007 10:05:29 PM
Subject: Re: [lace] Scottish Lace - Hamilton lace


I've visited Hamilton Museum (it's not far from Glasgow). It has lace 
pillows and bobbins (all of the typical English Midlands type) and 
some lace but only one piece that is said to be Hamilton lace. I took 
Jeri Ames there back in 2002 and we were both very unhappy with the 
scrambled mess on the lace pillow, enough to put anyone off 
lacemaking, but I haven't been back since.

Over ten years ago I tried to follow up the references about Scottish 
lace that Mrs Palliser quotes but got nowhere. My feeling is that any 
bobbin lacemaking in Scotland was probably of the 'opportunistic' 
type - when lace sold well someone set up a 'lace industry' but when 
the slump came (as it always did) the lacemaking faded away. I'm not 
quite sure why it survived in New Pitsligo - perhaps because it was 
taught in the school there as part of the normal curriculum. This is 
what I wrote about New Pitsligo lace in an article about Scottish 
lace for a German lace magazine:

In the nineteenth century lacemaking developed as a cottage industry 
in New Pitsligo, a village in north-eastern Aberdeenshire. It is 
uncertain who introduced lacemaking but it was encouraged by the 
minister, Rev.W.Webster who came to the village in 1841. He helped to 
improve the standard of the lace by bringing in teachers, compiled a 
specimen book and also found buyers for the lace including Queen 
Victoria. A report on Scottish Home Industries (1895) says that in 
the summer 50-60 and in the winter 150-160 persons are engaged in 
making lace. Women giving pretty steady attention to the work should 
make from 4s. to 5s. a week. The report is illustrated and includes a 
picture of a New Pitsligo lacemaker working at a bolster pillow 
outside her cottage. The lace was mainly Torchon, worked with the 
footside on the left indicating a continental influence, but there 
were local names for the patterns such as Lady's Fan, Jumpin Jecks 
and Ox-eye. The workers also referred to the movements of the bobbins 
as knit and twist instead of the more usual cross and twist. Lace is 
still made in New Pitsligo but now only as a hobby.

And Rochelle, there is another Scottish lace - Ballantrae lace - but 
you'll have to wait for the July issue of 'Lace'.

Now back to all the things on my list (this wasn't).

Jean in Glasgow, Scotland

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Re: [lace] Scottish Lace -New Pitsligo -long

2007-02-05 Thread Rochelle Sutherland
Thank you one and all, this has been really interesting.

 
---
Rochelle Sutherland

Lachlan (8 yrs), Duncan (7 yrs) and Iain (6 yrs)
 
www.houseofhadrian.com.au

 


- Original Message 
From: Lorri Ferguson [EMAIL PROTECTED]
To: lace@arachne.com
Sent: Tuesday, 6 February, 2007 3:39:30 PM
Subject: Re: [lace] Scottish Lace -New Pitsligo -long


This is what is written in a report of which I have a copy (obtained by
inter-library loan) titled Scottish Home Industries: An Account Written by
Provost Alexander Ross of Inverness in 1895.
 Scottish Home Industries Association was formed at the end of the last
century to work at traditional crafts.  The Association arranged for the sale
of these products in London and ensured a fair return for the work.



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Re: [lace] Innismacsaint lace

2007-02-04 Thread Rochelle Sutherland
I have three pages of information on Innishmacsaint in a book Victorian 
Needlework : techniques and design, Flora Klickmann (ed) ISBN 0 486 42154 6. It 
gives you a pattern of a flounce that you could repeat if you wanted to, as 
well as instructions that are enough for a person who was doing needlelace all 
the time. Others might struggle with it. It is not as 'stiff' and formal as 
Venetian gros point, being a copy, but I think it's charming. It's something 
I've always wanted to do, will get there one day. I've always wondered, why 
weren't there any Scottish laces? Were my ancestors too busy spinning and 
weaving to get to lace making? Or did the Scots do Beds and Bucks and torchons?

 
---
Rochelle Sutherland

Lachlan (8 yrs), Duncan (7 yrs) and Iain (6 yrs)
 
www.houseofhadrian.com.au

 


- Original Message 
From: Elizabeth Ligeti [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, 5 February, 2007 11:50:08 AM
Subject: [lace] Innismacsaint lace


As I understand it,  Innismacsaint lace is a type on Needlelace that looks 
like the Venetian Gros Point - but the Irish lacemakers used many more 
different filling stitches.  However, It has the raised cordonette of the 
Gros Point.
I have not been able to find out very much about it - just the odd reference 
here or there, and a couple of photos of the lace.

Regards from Liz in Very hot  Melbourne, Oz, where it is expected to reach 
38°C ( around 100°F) today. (Yuk!)
[EMAIL PROTECTED]

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Re: [lace]Scottish Lace -Hamilton Lace

2007-02-04 Thread Rochelle Sutherland
Pitsligo I have heard of and am trying to track down now that I've been
reminded of it. The search I just did on Hamilton hasn't turned up any
pictures, but it has revealed that the Hamilton lace was popular and that
commoners and ladies alike made it. That died out, as things seem to, only to
be replaced by a sort of ' tambour bobbinette' that surged to popluarity and
was everywhere for a few years. If anyone can shed any light on that type of
lace, I would like to know more about it too. That's potentially three
Scottish laces, besides the Aryshire work and lace knitting. 

Thanks one and
all.

 
---
Rochelle Sutherland

Lachlan (8 yrs), Duncan (7 yrs) and Iain (6
yrs)

www.houseofhadrian.com.au






- Original Message 
From: Lorri
Ferguson [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; [EMAIL PROTECTED];
[EMAIL PROTECTED]
Sent: Monday, 5 February, 2007 2:25:18 PM
Subject: Re:
[lace]Scottish Lace -Hamilton Lace


About 4 yrs. ago I did a search for
Scottish lace info when I was asked by the local Scottish Games people to
demonstrate at the games.  There was not much to be found, although a
University in Mississippi has some books on Scottish hand crafts.
Hamilton
Lace seems to be named for the Duchess of Hamilton who organized a charitable
school in the 18th C.  (see Dictionary of Lace by Earnshaw).  There was also a
small 'home lace industry' in New Pitsligo.  The only patterns or pictures I
have seen are defiantly Torchon style and quite course and very open.
Earnshaw states:  Scottish Lace  There were no commercial centres for
lacemaking in Scotland, and lace does not even appear to have been worn in any
quantity.  There are references in the sixteenth centruy only to pearling, to
'cuttit out work' and to lacis as made by Mary Queen of Scots during her long
imprisonment.
The cobwebby knitted laces of the Shetland marriage shawls can
be traced back to the 1840s  and Scotland was noted for its beautiful
Ayrshire work.
 
I would still be interested in any further information
on Scottish laces.  There is a web site (a newspaper I think) with an article
about New Pitsligo lace-making.  
see
http://www.buchanie.co.uk/archived/2004/Week_45/village/lace-making.asp
There
is also a booklet Lace-making in Hamilton by Jessie H Lochhead, M.A.,
published by? 'Hamilton Public Libraries and Museum Committee 1971'   The copy
I got on inter-library loan came from the Univ. of Chicago Library.
 
The
Canadian Lacemaker Gazette Vol. 13 No 3 had an article on New Pitsligo Lace by
Sandi Milliken with a pricking of the pattern Bird's Eye with a diagram by
Bev Walker.  Margaret Merner was kind enough to send me a copy at the time I
ask here on Arachne about Scottish laces.  In 2004, I was told Sandi had
taught a class on the New Pitsligo lace at IOLI in the mid 1990s, had planned
to write a book about it but became ill and died in 2002.  In 1993, Sandi and
Trish Fisher (WV) had made a trip to New Pitsligo, staying 2 weeks with a
local lacemaker/teacher.  Trish states New Pitsligo lace IS much like Torchon
but has it's own special rules and quirks.
 
Lorri
Graham, WA  USA
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Re: [lace] Lace in fashion

2006-09-21 Thread Rochelle Sutherland
Anyone who wants one, I'll design it, no problem. No
bobbin lace, I'm not that clever. I love the new lace
fashions and am wearing them to the max.

--- Aurelia Loveman [EMAIL PROTECTED] wrote:

 Bags (purses) being the hot fashion item this year,
 one of us ought 
 to come up with a design for a lace bag. --  Aurelia
 
 
 Browsing through my Harper's Bazaar that arrived
 today (DH got the 
 subscription free for me - likeI'm a fashion
 plate!!), I saw that 
 Burberry have a lace overcoat and a lace skirt in
 their ad, not to 
 my taste.  The top with the skirt has crochet
 collar and cuffs. 
 Then on page 130 entitled Dark Romance it says
 moody lace and 
 tulle are making a comeback The lace items include
 a dress, skirt, 
 Louis Vuitton clutch bag ($12,800) and black lace
 covered shoes with 
 very high heels by Christian Louboutin ($570).
 
 Janice Blair
 Crystal Lake, 50 miles northwest of Chicago,
 Illinois, USA
 http://www.lacemakersofillinois.org/
 
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---
  Rochelle Sutherland
  
  Lachlan (7 yrs), Duncan (6 yrs) and Iain (5 yrs)
  
  www.houseofhadrian.com.au
  
  


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Re: [lace] Needlelace theory

2006-07-26 Thread Rochelle Sutherland
Dear All,

I agree with both types from what I have seen in my
museum, but I wondered if it was just the level of
skill in my country area, where people were mainly
concerned with surviving the elements. The crochetting
and knitted lace though are amazing. (Also in line
with the country of origin of the people who settled
here, mainly anglo saxon.)

I wonder if our desire for uniformity in tension has
stifled the charm of old fashioned lace? Maybe we are
too exact, and produce work with the precision of
machines? And are either of those things good things
for lace in general? Have we lost some diversity along
the way? Is evolution of lace and other handicrafts a
good thing? 

I'm not sure I agree about the fine thread being the
problem. I think maybe time constraints were part of
it. Where we would pull out a row and do it again,
they might not have had time to do it. And we can stop
when we feel tired, they were often working very long
hours, and may have had to milk or knead dough or
other heavy hands-on chores before lacing. They simply
may not have had the power and control left in their
hands. It's the control that gives you the tension
with needlelace, not so much the seeing, because if
you were not able to see the bundles of stitches
clearly you would be putting the needle in anywhere
and the piece would be full of mistakes, not just
wobbly. I have thought too that some of my museum
pieces have suffered from shrinkage of the foundation
threads and tapes over the years, and that has taken
some of the tension off, making the fillings go
wobbly.

Wish this fog would go away. Heartily tired of winter.
Rochelle.
--- Brenda Paternoster [EMAIL PROTECTED]
wrote:

 I think that's true of BL too.  If you take a piece
 of fine, old lace, 
 photograph and enlarge it and compare to similar but
 coarser, well made 
 modern lace you nearly always find that the modern
 stuff is neater - 
 even allowing for the fact that the old lace may
 have been washed a 
 number of times.
 
 Brenda
 
 On 26 Jul 2006, at 19:07, Alice Howell wrote:
 
  I heard a comment recently that I wanted to put
 before
  this group.
 
  Modern needlelacers are better needlelacers than
 the
  ones in the past.
 
  The reason was that we are using thread that is
 large
  enough to see each stitch, so we strive to make
 the
  stitches very precise, neat and uniform.  The
 workers
  who made lace with the very tiny thread in the
 past
  could not see the individual stitches and thus did
 not
  make them as neatly.  It was the masses of
 stitches in
  a cluster that was seen.
 
  Comments please.  What do you experienced
 needlelacers
  say to this?
 
  Alice in Oregon -- getting ready for a newspaper
  interview tomorrow.  And then the marathon of
 county fair.
 
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 Brenda
 http://paternoster.orpheusweb.co.uk/
 
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---
  Rochelle Sutherland
  
  Lachlan (7 yrs), Duncan (6 yrs) and Iain (5 yrs)
  
  www.houseofhadrian.com.au
  
  


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Re: [lace] lacemaking and RSIs

2006-07-11 Thread Rochelle Sutherland
Dear All,

I absolutely agree with Jane, because I too am a
physiotherapist. Can I just add one warning? Pilates
as taught properly is very good for you, but a lot of
people teaching 'Pilates' are teaching a watered down
version a best and many people are getting injured in
such classes. A Pilates teacher should have
qualifications, it is a long course, and if they can't
show you a certificate or some proof, be very wary.

Imbalance in the trapezius muscles is very common and
can be easily avoided by pulling the shoulder blades
down and in as Jane described and having regular
breaks from your lacemaking. There is a great little
book out called Rx for Quilters, Susan Delany Mech,
2000, ISBN 1-57120-092-4. Okay, we're not quilters,
but it gives you so much information about posture,
common injuries and exercises, it is well worth it.


--- Jane Atkinson [EMAIL PROTECTED] wrote:

 
 Hi, folks.
 
 Forgive me for lurking on the ether for some months
 without making a
 contribution to Arachne, having joined after I got
 back from America, 
 but
 you usually cover a subject in depth without needing
 any addition from 
 me.
 
 However, something caught my eye when I turned on my
 computer this 
 morning,
 having just been up to plant seedlings on my
 allotment on a nice, soggy 
 day.
 The comment was: I hadn't realized
 lace making could be so tough on the body.
 
 Well, as someone who's suffered a fair share of RSI,
 and torn shoulders 
 -
 not all of it, but some of it, caused by lacemaking
 - I think I can say 
 that
 lacemaking is tough on the body, as we often use the
 wrong muscles.  
 Two
 physiotherapists commented when working on me that
 the muscles in my 
 back
 were out of balance - the ones that should operate
 the arms are the 
 lower
 traps (trapesius, I think) below the shoulder blade,
 but the strong 
 ones in
 my shoulders were the upper traps across the top.
 
 I was given exercises to retrain them, and the thing
 that sorted out my 
 RSI
 was good posture; when we lean over a lace pillow,
 we automatically use 
 the
 wrong muscles when we shift our weight forwards.
 
 Luckily, one of the physios was a close friend, and
 I asked her if 
 there
 were some exercises I could do to keep myself in
 good shape, and she
 recommended Pilates.  This establishes core
 stability around the waist 
 and
 exercises and stretches individual muscles so that,
 if you persevere,
 everything should work right.  I did it for quite a
 while before other 
 life
 got in the way, and will go back to it when I can.
 
 In the meanwhile, I use the allotment to exercise
 the muscles that I 
 don't
 use in lacemaking.  As someone coming in for
 arthritis, too, I had a 
 long
 session last year with an occupational therapist,
 and she saw the 
 allotment
 as a good way of exercising 'gross motor' muscles -
 when I get up there 
 in
 the Spring and start clearing weeds and building
 compost, I do feel so 
 much
 better for it.  And it's useful and satisfying
 exercise - my edible 
 Pilates.
 
 What it doesn't exactly help with are the arthritic
 hands - but you 
 can't
 have everything.  There I was told to cut my work
 load by half; pretty 
 well
 impossible although I did cut out one or two things
 that others could 
 do.
 
 Stand straight and tall, and put one hand on the
 other shoulder so you 
 can
 feel the muscles; then lift up the free arm and see
 if you can feel the
 muscles moving.  You shouldn't, really!  Pilates
 will teach you to 
 engage
 the lower traps by holding your shoulder blades
 down, releasing the 
 tension
 in the upper muscles.
 
 I have arrived at a Lace Guild Convention in upper
 back agony, which I 
 put
 down to hefting heavy teaching bags using under-used
 muscles.  You do 
 have
 to keep fit for lacemaking; and for the travel that
 comes as a lovely 
 bonus
 (a recent trip to the 10th International Vamberk
 Festival really showed
 that, as a stressful journey was followed by a
 migraine, not something 
 I
 usually suffer from.  There, I was fortunate in
 sharing a room with a
 skilful masseuse, who soon put me right - but that
 is not something one 
 can
 normally rely on!).
 
 All I can say is: if you want to keep lacemaking,
 keep fit.
 
 While I'm on, I've wanted to report that I've just
 updated my website,
 lace.nildram.co.uk, with a report under 'feedback'
 on my teaching trip 
 to
 Chicago and Philadelphia in the Spring.  And having
 just written about
 Vamberk for a web magazine, I guess I'd better do
 something about that,
 too - just have to get some lace made first.
 
 Best wishes to you all, and thanks for fascinating
 reading, Jane 
 Atkinson
 
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---
  Rochelle Sutherland
  
  Lachlan (7 yrs), Duncan (6 yrs) and Iain (5 yrs)
  
  www.houseofhadrian.com.au

Re: [lace] Re: 8 Times its Weight in Gold

2006-06-05 Thread Rochelle Sutherland
Dear Joyce,

I think I can place the time that that was the price
of lace.

It was in Europe, and around the era when lace was
resticted to being worn by the upper classes only,
particularly around France and Venice, I think
(mid-late 18th c). I am not sure that it applied to
bobbin lace, I have an idea it was needlelace. The
taxes were imposed on it prevented the lower classes
from purchasing it, and the workers saw practically
none of it, because it all went into the coffers of
the country. It's part of the reason why lacemakers
were prevented from leaving the country they worked
in, they produced too valuable a commodity.

I'm dragging this out of a ten year old memory bank so
if anyone can add to it, please do.

It also gets to me a bit that we are such highly
skilled workers, and yet our product is worth a
pittance, when others charge like wounded bulls. Think
about your last haircut, the hairdresser only spent a
short amount of time with you and yet you paid her
more than most of us would be able to sell a product
that took a full days work. It doesn't seem right to me.

---
  Rochelle Sutherland
  
  Lachlan (7 yrs), Duncan (6 yrs) and Iain (5 yrs)
  
  www.houseofhadrian.com.au
  
  


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Re: [lace] lace in fashion, my porcelain lace

2006-02-08 Thread Rochelle Sutherland
--- Cherry Knobloch [EMAIL PROTECTED] wrote:

 The model on the cover is actress Penelope Cruz.

I thought so. Is she getting married in it, or is she
modelling one of a selection? Has anyone got the mag
or flicked through it to see? There might be
more...even more 'exceptional'...examples of lace cut-outs...

---
  Rochelle Sutherland
  
  Lachlan (7 yrs), Duncan (6 yrs) and Iain (5 yrs)
  
  www.houseofhadrian.com.au
  
  




 
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RE: [lace] lace in fashion

2006-02-07 Thread Rochelle Sutherland
Wow, there's a design feature I hadn't considered. I'm
not sure it's flattering even on the best figure.

I think from the tiny pic I saw on the website that
Patty could be right.

--- Patricia Dowden [EMAIL PROTECTED] wrote:

 Hi Spiders,
 
 Yeah, I have seen the cover.  It looks to be some
 kind of needle lace
 concoction.  There may be tapes, a la Battenberg,
 but it is relatively
 coarse.  It does, however seem to be handmade.
 
 Patty
 
 ... to wear to the banquet at the next lace event?!
 On the cover of the February 'Marie Claire' - a
 beautiful young woman
 wears a lace-backed dress (note, some interpretation
 on the term
 'back'). I saw it in passing at the grocery
 checkout, then went to the
 marieclaire-dot-com site - go to current issue to
 see a small picture
 of the cover. Something then went haywire with my
 browser and it
 shutdown - must have been the 'back' - but, my, what
 an interesting
 way to use lace as part of a garment.
 If someone else has seen the magazine cover, perhaps
 they could
 comment on the style of lace?
 --
 bye for now
 Bev in Sooke BC (on Vancouver Island, west coast of
 Canada)
 Cdn. floral bobbins
 www.woodhavenbobbins.com
 
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---
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  Lachlan (7 yrs), Duncan (6 yrs) and Iain (5 yrs)
  
  www.houseofhadrian.com.au
  
  




 
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Re: [lace] lace in fashion

2006-02-07 Thread Rochelle Sutherland
I'm with you, Bev. I think it's quite something. And
with a good dance partner would look really something
on the dance floor. I'm assuming she can swing her
hips  when she dances.

--- bevw [EMAIL PROTECTED] wrote:

 Not to worry Clay, I for one value your opinion even
 if it isn't the
 same as mine at the moment. I still think the dress
 is rather fetching
 on the right person - and to be practical, it is
 quite something to
 admire from the back - which is where a lot of
 people would be viewing
 the bride, during the ceremony, 

---
  Rochelle Sutherland
  
  Lachlan (7 yrs), Duncan (6 yrs) and Iain (5 yrs)
  
  www.houseofhadrian.com.au
  
  




 
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Re: [lace] cleaning laces

2006-02-06 Thread Rochelle Sutherland
In Australia, we can buy a solid soap called
'Sunlight' which is recommended for textiles
conservation. The UK conservators are apparently able
to buy a liquid with the same composition, but a
different name.

--- Ilske Thomsen [EMAIL PROTECTED]
wrote:

 Hello Carolina,
 When I am washing my laces I use a washing powder I
 could only get in 
 this shop where thay sell only natural things.

---
Rochelle Sutherland

Lachlan (7yrs), Duncan (6yrs) and Iain (5yrs)
www.houseofhadrian.com.au



 
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Re: [lace] Lace without a corner

2006-01-30 Thread Rochelle Sutherland
I got back to Viv off list but thought I would wade in
after all. The simplest way, which may not appeal to
everyone I admit, is to have gathered corners, and you
only need to make the length of each side, and a bit
extra to make sure the lace will go around the corners
sitting flat.

Just another option from a knitted lace person where
we don't have corners on edgings.

---
Rochelle Sutherland

Lachlan (7yrs), Duncan (6yrs) and Iain (5yrs)
www.houseofhadrian.com.au



 
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Re: [lace] drawn-thread handkerchief... #2

2006-01-21 Thread Rochelle Sutherland
Wow, beautiful.

By it's size I would say cloth as opposed to hanky.
The patterns are very like the sol lace patterns from
further south, meditterrean area, early last century
off the top of my head. Correst me if I'm wrong. 

So Edwardian is probably right, Scandinavian is
doubtful.


--- Clay Blackwell [EMAIL PROTECTED] wrote:

 Let's try THIS one...
 
 http://tinyurl.com/bs79k
 
 And, in case that one doesn't work, the item number
 for the auction is...
 
 6246335686
 
 Clay
 
 
 Clay Blackwell
 [EMAIL PROTECTED]
 
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Re: [lace] drawn-thread handkerchief... #2

2006-01-21 Thread Rochelle Sutherland
Please disregard spelling mistakes. Trying not to burn
dinner.

--- Rochelle Sutherland [EMAIL PROTECTED]
wrote:

 Wow, beautiful.
 
 By it's size I would say cloth as opposed to hanky.
 The patterns are very like the sol lace patterns
 from
 further south, meditterrean area, early last century
 off the top of my head. Correst me if I'm wrong. 
 
 So Edwardian is probably right, Scandinavian is
 doubtful.

---
Rochelle Sutherland

Lachlan (7yrs), Duncan (6yrs) and Iain (5yrs)
www.houseofhadrian.com.au



 
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Re: [lace] drawn-thread handkerchief... #2

2006-01-21 Thread Rochelle Sutherland
--- Brenda Paternoster [EMAIL PROTECTED]
wrote:
 I have a piece of drawn thread embroidery which
 looks very similar, 
 though mine is salmon pink with linen with cream
 embroidery.  It has 
 the same circles and crosses and zig-zag diagonal
 footedge. my instinctive feeling is
 that it's from the 
 Mediterranean area.  

Yes, it is. I have seen them in those colours and in
white on white. The big crosses are the give away.

---
Rochelle Sutherland

Lachlan (7yrs), Duncan (6yrs) and Iain (5yrs)
www.houseofhadrian.com.au



 
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Re: [lace] RE:drawn thread handkerchief

2006-01-21 Thread Rochelle Sutherland
The fabric certainly looks light enough.

--- Helen Bell [EMAIL PROTECTED] wrote:

 Could it be a pall cloth?
 
 Cheers,
 Helen, Aussie in Denver
 
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Lachlan (7yrs), Duncan (6yrs) and Iain (5yrs)
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[lace] Thistle bookmark

2006-01-19 Thread Rochelle Sutherland
I replied to this but I think it went direct to
celticdreamweave, (sorry, I'm still learning the
system). I would be interested in seeing the thistle
bookmark made up in white or colours. It may even
convert me to bobbinlace.

---
Rochelle Sutherland

Lachlan (7yrs), Duncan (6yrs) and Iain (5yrs)
www.houseofhadrian.com.au



 
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