Re: [lace] Art Fairs

2005-09-26 Thread Dmt11home
I don't know whether the Wall Street Journal went into this, but I am  fairly 
certain that such shows require you to pay a booth fee which would  
undoubtedly be in the hundreds of dollars, if not in the thousands.
 
It would be hard to assemble enough lace art, let alone sell enough, to pay  
the booth fee. Incidentally, although they are not purveyors of lace art, per  
se, lace is represented at the Pier Antique Show regularly, in that Molly  
Carroll, Peggy Zalamea, Paivi Roberts and Maria Niforos frequently do these  
shows.
 
Devon

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Re: [lace] Art Fairs

2005-09-26 Thread robinlace
From: [EMAIL PROTECTED]
 I don't know whether the Wall Street Journal went into this, but I 
am  fairly 
 certain that such shows require you to pay a booth fee which would  
 undoubtedly be in the hundreds of dollars, if not in the thousands.


This varies tremendously from fair to fair.  And if you're 
demonstrating and not selling, you can often get the fee waived.  After 
all, you're offering them free entertainment.

Robin P.
Los Angeles, California, USA
(formerly  Pittsburgh, Pennsylvania)
[EMAIL PROTECTED]

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Re: [lace] Art Fairs

2005-09-26 Thread Aurelia Loveman
I don't know these names, nor what their connection to lace may be; 
but if they do show lace, ought we not to descend on them forthwith? 
We have an idea about lace and art; it will need a lot of pushing in 
order to make it on to the stage




 although they are not purveyors of lace art, per
se, lace is represented at the Pier Antique Show regularly, in that Molly 
Carroll, Peggy Zalamea, Paivi Roberts and Maria Niforos frequently do these 
shows.


Devon



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[lace] Art Fairs

2005-09-26 Thread Dmt11home
Molly Carroll, Paivi Roberts, Maria Niforos and Peggy Zalamea are  dealers in 
vintage and antique textiles who sell lace at the IOLI and at the  Pier Shows 
that show antiques. But that is entirely different than purveying  lace as 
art. I suspect the tag on the booths for the shows you mention is  
significantly 
higher than what they are paying to be in the antique sales in the  same 
venues.
 
These are the websites of the three shows you mentioned.
 
_http://www.haughton.com/design/dealers.htm_ 
(http://www.haughton.com/design/dealers.htm) 
_http://www.aafnyc.com/art_fair_participant_requirements.asp_ 
(http://www.aafnyc.com/art_fair_participant_requirements.asp) 
_http://www.sanfordsmith.com/modex.htm_ 
(http://www.sanfordsmith.com/modex.htm) 
 
These appear to be extremely high class affairs. The exhibitors are  
galleries, not individual artists at these shows. But, I think the biggest  
critical 
problem is that there really are not many pieces of lace art that  people are 
prepared to sell. I can't imagine that you, Aurelia, are willing to  put a 
price on several fans and place them out on a table for people to buy. The  
purpose of these shows is to sell art, not just to show it.
 
Excluding Lenka, who seems to have worked out the selling aspect to her  
satisfaction, could we assemble even 15 pieces of actual lace art to put in a  
booth and be prepared to sell? 

 
Interestingly, the following business is one that sells textiles at the  
first mentioned show. _http://www.textilearts.com/_ 
(http://www.textilearts.com/)  
but they  seem more taken with exotic textiles.
 
Devon

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[lace] Art Fairs

2005-09-25 Thread Aurelia Loveman
Well, on Friday I learned something I didn't know (happens to me all 
the time). Friday's Wall St. Journal (yes, those $$ types are 
interested in art too) carried an article entitled Fair Plays, this 
under the heading of Art  Money. It appears that most major cities 
run a type of art show featuring, as the Journal puts it, everything 
from furniture and paintings to textiles.  Textiles! Imagine that! 
Apparently these fairs are run much like the state fairs that we all 
know and don't love --  one-stop shopping takes you past lots and 
lots of art dealers; much easier than going to art auctions. Seems 
that there will be a bunch of them in New York this fall: 
International Art + Design Fair, Oct. 7-11;  AAF Contemporary Art 
Fair (all work priced between $100 and $10,000) at Pier 92, Oct. 
27-30; and Modernism (focuses on 20th-century decorative arts and 
design), Nov. 10-13.


Seems to me that a group of lacemakers could put in an appearance, 
maybe even make something of a splash -- a gentle splash, don't want 
to scare anybody -- but just to get the public accustomed, at first, 
to seeing lace occupying the same universe as photography, vases, 
tapestry, installation-art...


Is anybody going to be in New York on any of those dates?

By the way, some spiders have been referring to art vs. craft. 
Somebody even remarked with pride about lowly craftsmanship. I 
don't think there's any versus about it. Arts and crafts belong to 
each other; the more skillful our eye and hand (the craftsman in us), 
the more reach to our designs (the artist in us). Why else do 
accomplished and experienced lacemakers take workshops and buy books 
and devote themselves to minutiae of study? I remember with awe and 
affection that the very last workshop that Pam Nottingham (a stickler 
for technical perfection if ever there was one!) gave us in this 
country was called (approximately) Designing for Bucks Point Lace.


See you at the Fair! --  Aurelia

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