aucun objet
Hello, I have installed lilypond 1.6.0-2 on my MAC under OSX 10.1.5. Apparently the installation succeeded but the following message appears when I try to run Lylipond. Can you help me? Didier [localhost:~] didierla% /sw/bin/ly2dvi -P /documents/muslyli/test1.ly Running LilyPond... zsh: command not found: lilypond error: LilyPond failed on the input file (exit status 1). Traceback (most recent call last): File /sw/bin/ly2dvi, line 1000, in ? run_lilypond (files, dep_prefix) File /sw/bin/ly2dvi, line 512, in run_lilypond error ( \n \ File /sw/bin/ly2dvi, line 144, in error raise _ (Exiting ... ) Exiting ... [localhost:~] didierla% ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: \key
Paul Scott [EMAIL PROTECTED] writes: change your f's to fis and it'll be fine. Ok. That doesn't seem logical to me and it's clearly more work Want an f? Get an f. Want a fis, get a fis. Quite logical. What do you mean by more work? How would you think to produce an f (natural) in your example? Jan. -- Jan Nieuwenhuizen [EMAIL PROTECTED] | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: path to lilypond executable?
Didier LAIREZ [EMAIL PROTECTED] writes: I have installed lilypond 1.6.0-2 on my MAC under OSX 10.1.5. Apparently the installation succeeded but the following message appears when I try to run Lylipond. Can you help me? Maybe... [localhost:~] didierla% /sw/bin/ly2dvi -P /documents/muslyli/test1.ly Running LilyPond... zsh: command not found: lilypond It looks like you do no have /sw/bin in your path. Try: PATH=/sw/bin:$PATH ly2dvi /documents/muslyli/test1.ly Btw: this is something that has been bothering me. I think that ly2dvi (and lilypond-book etc) should run the lilypond that belongs to them, not the one that just so happens to be first in the path. Jan. -- Jan Nieuwenhuizen [EMAIL PROTECTED] | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: \key
Jan Nieuwenhuizen wrote: Paul Scott [EMAIL PROTECTED] writes: change your f's to fis and it'll be fine. Ok. That doesn't seem logical to me and it's clearly more work Want an f? Get an f. Want a fis, get a fis. Quite logical. It would be quite logical if there were an equal probability of notes in a composition being in or out of the current key. What do you mean by more work? How would you think to produce an f (natural) in your example? Even though it's not exactly comparing apples to apples, in Finale the entered notes are automatically in the current key and extra clicking raises or lowers the pitch. In my example I would type 'f' plus some modifier to get f natural or f double sharp. It would take more typing to get an accidental just as it takes more work to get an accidental when copying by hand. Paul p.s. I am getting two copies of everything from this thread. The first one of each pair lacks the last three identification lines. ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: \key
Paul Scott [EMAIL PROTECTED] writes: It would be quite logical if there were an equal probability of notes in a composition being in or out of the current key. Maybe it's a language question. In Dutch, the name of an f-sharp is a fis; it's quite unnatural (an uncommon) to refer to an f-sharp as 'f', regardless of what key it's in. Even though it's not exactly comparing apples to apples, in Finale the entered notes are automatically in the current key and extra clicking raises or lowers the pitch. In my example I would type 'f' plus some modifier to get f natural or f double sharp. Ah. Are you certain that, if you think about it, you are not confusing `quite logical' with `more like Finale happens to do it'? It may indeed be a bit apples and oranges, in LilyPond (or text entry, ftm), you have to name a note. Then, it's not logical to use give a wrong name. If you select a note in a GUI program, it's logical for the program to suggest the most probable one. I think we used to have a special entry mode for this, called it `viola mode' (I don't know the key we're in, but the sheet music I'm copying from says `f' at this point, not `#f' :-), but I can't seem to find it anymore. p.s. I am getting two copies of everything from this thread. The first one of each pair lacks the last three identification lines. You shoud set your Mail-Followup-To: header. Jan. -- Jan Nieuwenhuizen [EMAIL PROTECTED] | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: \key
Jan Nieuwenhuizen wrote: Paul Scott [EMAIL PROTECTED] writes: It would be quite logical if there were an equal probability of notes in a composition being in or out of the current key. Maybe it's a language question. In Dutch, the name of an f-sharp is a fis; it's quite unnatural (an uncommon) to refer to an f-sharp as 'f', regardless of what key it's in. The language point of view would be the same for English. Even though it's not exactly comparing apples to apples, in Finale the entered notes are automatically in the current key and extra clicking raises or lowers the pitch. In my example I would type 'f' plus some modifier to get f natural or f double sharp. Ah. Are you certain that, if you think about it, you are not confusing `quite logical' with `more like Finale happens to do it'? By quite logical I meant the least work. Finale and some other GUI programs do it that way to save work. I have just installed RoseGarden and I see that it has a 'Follow key' button. It may indeed be a bit apples and oranges, in LilyPond (or text entry, ftm), you have to name a note. Then, it's not logical to use give a wrong name. Agreed that there is a logic problem there but saving work is also logical. Perhaps entering in solfeggio mode would be useful but I was not trained that way. If you select a note in a GUI program, it's logical for the program to suggest the most probable one. I think we used to have a special entry mode for this, called it `viola mode' (I don't know the key we're in, but the sheet music I'm copying from says `f' at this point, not `#f' :-), but I can't seem to find it anymore. That might useful but at least now I know the rules and can do what I need to get the work done. Thanks for your work in this. p.s. I am getting two copies of everything from this thread. The first one of each pair lacks the last three identification lines. You shoud set your Mail-Followup-To: header. Are you referring some particular software. I use Mozilla mail-news and don't know what that option means. Why would this only be happening in this thread? Thanks, Paul ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: \key
Paul == Paul Scott [EMAIL PROTECTED] writes: p.s. I am getting two copies of everything from this thread. The first one of each pair lacks the last three identification lines. You shoud set your Mail-Followup-To: header. Paul Are you referring some particular software. I use Mozilla mail-news Paul and don't know what that option means. Why would this only be Paul happening in this thread? Because in this list, the default behavior is to reply to the poster, not to the list, so most of us use an option that in some mail apps is called followup, and in others is called 'reply to all'. So when we reply to your post, it is sent to both you and the list. Most threads you get only from the list, because you weren't the poster. If you don't want this, you can include a header in your mail that says something like: Mail-Followup-To: [EMAIL PROTECTED] But I just deal with getting both copies, myself. -- Laura (mailto:[EMAIL PROTECTED] , http://www.laymusic.org/ ) (617) 661-8097 fax: (801) 365-6574 233 Broadway, Cambridge, MA 02139 ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: stem fix 2
Why not use the official solution: \property Staff.NoteCollision \set #'merge-differently-dotted = ##t /Mats Rune Zedeler wrote: a4 \\ \once \property Voice.Dots \override #'transparent = ##t a4.*2/3 It probably even ruins the spacing because it adds space for an invisible dot. Ofcourse the solution to this is to replace the property-setting with \once \property Voice.Dots \override #'molecule-callback = \turnOff Sorry for not thinking late at night :-) Good night! -Rune ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: path to lilypond executable?
Didier LAIREZ [EMAIL PROTECTED] writes: [cc list] Thank you! it is running now! Unfortunately the dvi output is not yet correct. May be it's now a latex problem. How did you install lilypond, did you use fink? Did you install fink's tex package? Did you log out after installing it? You should source the file lilypond-profile, maybe in /sw/etc/lilypond-profile (or lilypond-login depending on your shell). Jan. -- Jan Nieuwenhuizen [EMAIL PROTECTED] | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Using multiple versions of lilypond
1.6.2 is installed and, as expected, some of the features that I had available with previous versions do not work any more. I would like to do some debugging in this field and the first problem I come across is how to have multiple versions of lilypond installed and how to switch among them. I would like to stay with the binary sistributions (Debian) of 1.2.17, 1.4.12 and 1.6.XX since most of my problems are related to how LateX processes the .tex file produced by lilypond, but having the most recent unstable version available could probably be useful too. And, yes, I use lilypond as a standalone program and write my own envelope files for LateX; ly2dvi is not flexible enough for the kind of typesetting i do. Any pointer appreciated. Thank you for your help. Antonio ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: stem fix 2
Mats Bengtsson wrote: Why not use the official solution: \property Staff.NoteCollision \set #'merge-differently-dotted = ##t ?!?!?! What do you mean? #'merge-differently-dotted does the opposite of what we need - effectively ruining my hack. Please post full example if you have some smart way of typesetting a // a WITHOUT merging the noteheads. -Rune ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Lyrics spacing with lilypond 1.6.4
Hello,
thanks quite a lot for your answer!
Unfortunately I did send an out-of-phase input file (I experimented with
different settings). Now I rerun the example at home with the final block
\score {
\simultaneous {
\addlyrics
\context Staff = mel
{
\melody }
\context Lyrics \text
}
\midi { \tempo 4=120}
\paper { papersize = a4 }
}
and obtained just one line with several overlaps in the text.
An additional question: The midi output doesn't seem to produce any
sound when played with Winamp on Win2000. What might be the reason?
Best regards
Alois
PS.: I append the complete song for reference; hope that I don't waste
too much bandwidth:
\header {
title = Der schlafende Apfel
tagline =
}
\paper{ papersize = a4 }
\include paper20.ly
\include deutsch.ly
melody = \notes
\relative c'' {
\property Score.midiInstrument = alto sax
\property Score.midiInstrument = banjo
\key g \major
\time 2/4
d8 d e e | d4 h | c8 c a a |
g2
| d'8 d e e | d d h4 | c8 c a a | g2
\bar |.
}
text = \lyrics {
\context LyricsVoice = Soprano-1
\property LyricsVoice .stanza = 1:
\property LyricsVoice .stz = (1)
Lie- ber, lie- ber Ap- fel, bist so schön und
rund und die Mut- ter hat ge- sagt, Äp- fel sind ge -- sund.
}
{
\context LyricsVoice = Soprano-2
\property LyricsVoice .stanza = 2:
\property LyricsVoice .stz = (2)
Lie- ber, lie- ber Ap- fel, spring doch gleich vom Baum!
Schau, ich halt die Schür- ze schon un- ten an dem Saum.
}
\score {
\simultaneous {
\addlyrics
\context Staff = mel
{
\melody }
\context Lyrics \text
}
\midi { \tempo 4=120}
\paper { papersize = a4 }
}
Jan Nieuwenhuizen schrieb:
Alois Steindl [EMAIL PROTECTED] writes:
this week I tried the cygwin port of the new version 1.6.4 with a
little song. Since the letters of the lyrics overlap each other, I
assume that I have to set some flag to change the spacing rule (from
note-length proportional to (maximum) word-width). Is there any
flag for archieving sufficient space (except placing many breaks,
which the yields very large space for long notes with short text)?
\header {
%title = Der schlafende Apfel
tagline =
}
This file should work fine, as long as you uncomment your paper
block:
\midi { \tempo 4=120}
%\paper { linewidth = 13.0 \cm }
}
like so:
\paper { linewidth = 13.0 \cm }
}
I suspect that you have been looking at previous versions, because
the file you sent doesn't generate paper output.
Jan.
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Re: Talking about stems...
On Sat, 28 Sep 2002 17:28:29 Paul Dumais wrote: Is there a way to produce any sort of unusual stems? For example: a stem with an arrow head on it. This is usefull for noting flamenco guitar music. An arrow pointing upwards on the stem of a chord means a (down) stroke with the a right-hand finger. There are many effects on a guitar, flamenco or not, done with the right hand that are often noted with special stems (arrows, zigzags, etc.) I know that the possibilities are endless, but any indication on this topic will be appreciated. Putting arrowheads on stems is certainly better than putting arrows in front of stems, which makes such a mess out of flamenco. Take a look at http://www.openguitar.com/files/tengtr.pdf section 3.6 on page 8. You might like that a lot better than messing with arrows at all. I know I do. :-) DaveA ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: \key
On Sun, 29 Sep 2002 03:20:54 -0700 Paul Scott [EMAIL PROTECTED] wrote: Jan Nieuwenhuizen wrote: Paul Scott [EMAIL PROTECTED] writes: Ah. Are you certain that, if you think about it, you are not confusing `quite logical' with `more like Finale happens to do it'? By quite logical I meant the least work. Finale and some other GUI programs do it that way to save work. I have just installed RoseGarden and I see that it has a 'Follow key' button. I don't think that it would save work. The difference between writing f and fis is very small, and avoids problems with the f means #f in D major: - What if you write the piece in D major, then decide to make it G major instead? Now you need to go back and manually change all c to cis. - What if you're writing a piece with many key signatures changes? You'd have to remember where each change was, so that you'd know whether to write fis or f to get an f-sharp. That might be easy in a one-page classical piece, but what about a twenty-page orchestral score of modern music? - What if you're writing a piece in C major and you want to include a melody from a different piece in D major? You'd have to cut and paste, and then go through adding is. Are you referring some particular software. I use Mozilla mail-news and don't know what that option means. Why would this only be happening in this thread? As others have pointed out, we reply to you and the list; that means that you get two copies. That's the normal way we reply to emails; it means that even somebody who isn't on the list gets our replies. Cheers, - Graham ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: stem fix 2
On Sun, 29 Sep 2002 19:12:48 Han-Wen Nienhuys wrote: [EMAIL PROTECTED] writes: What do you mean? #'merge-differently-dotted does the opposite of what we need - effectively ruining my hack. Please post full example if you have some smart way of typesetting a // a WITHOUT merging the noteheads. Yes. Simply add some code to note-collision.cc. :) /usr/share/doc/lilypond/examples/input/test/force-hshift.fly /usr/share/doc/lilypond/examples/input/test/force-hshift.ly /usr/share/doc/lilypond/examples/input/test/hshift.fly /usr/share/doc/lilypond/examples/input/test/hshift.ly /usr/share/doc/lilypond/examples/input/test/note-shift.ly /usr/share/doc/lilypond/examples/input/test/note-shift.sly I hope this isn't gone. DaveA ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: font problems
Brishen Viaud [EMAIL PROTECTED] writes: Yes you were both right, it was old fonts causing the problem. I had run the 'clean-fonts' script a few times, and had tried to go through manually and get rid of some of the fonts but I had obviousliy missed some. Now that I've removed them Im getting great results. Thanks! But that means the clean-fonts script leaves some fonts on the system. Do you know what fonts it failed to remove? We could maybe improve the script. Jan. -- Jan Nieuwenhuizen [EMAIL PROTECTED] | GNU LilyPond - The music typesetter http://www.xs4all.nl/~jantien | http://www.lilypond.org ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: \key
Laura Conrad wrote: Paul == Paul Scott [EMAIL PROTECTED] writes: p.s. I am getting two copies of everything from this thread. The first one of each pair lacks the last three identification lines. You shoud set your Mail-Followup-To: header. Paul Are you referring some particular software. I use Mozilla mail-news Paul and don't know what that option means. Why would this only be Paul happening in this thread? Because in this list, the default behavior is to reply to the poster, You are clearly talkling about human behavior not software behavior. I am subscribed to several Debian lists where Reply doesn't go to the list as it does with the other lists I am subscribed to. For the Debian lists I change the addressee to the list address after I hit Reply as I am doing with lilypond-user. On the Debian lists a non-subscribed user will specifically request a personal reply. Mail-Followup-To: [EMAIL PROTECTED] Again, this must apply to certain e-mail software. I am not of aware of this option with Mozilla. But I just deal with getting both copies, myself. I guess it's not so bad if the only duplicates I get are the ones sent to me in this manner and not everything from the list. Thanks, Paul ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
Re: Using multiple versions of lilypond
Jan Nieuwenhuizen wrote:
Well, that's currently not easily possible without doing some work.
However, there should be no need to run different versions: newer
(stable) versions should be better. If not, please file a full bug
report.
Here is a problem I've got and wasn't able to solve.
Subject: Circled reharsal marks.
With 1.2.17 I could produce beautiful circled rehearsal marks with the
following
code
\mark {\\font\\twelverm=cmbx12\\twelverm{%
\\hspace{-3mm}%
\\raisebox{-1mm}{%
\\setlength{\\unitlength}{1mm}%
\\begin{picture}(7,7)%
\\put(3.5,3.5){\\circle{7.0}\\makebox(0,0){A}}%
\\end{picture}%
}%
}};
With 1.4.12 the circled rehearsal marks were still produced but a large amount
of whitespace was inseted in the score between the mark and the first note
following. With 1.6.2 the rehearsal mark is not printed at all but the extra
whitespace is still there.
Thank you for your help,
Antonio
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Re: Talking about stems...
I see what you mean: using letter codes instead of weird stems. I'll give it a try. It's certainly easier to produce with Lilypond (or with any software, for that matter). Thanks, -- Paul ___ Lilypond-user mailing list [EMAIL PROTECTED] http://mail.gnu.org/mailman/listinfo/lilypond-user
