Re: Lilypond under Leopard (and ccache)
[EMAIL PROTECTED] wrote: Hi, Folks No, I am not asking how to install Lilypond in Leopard. I know there are at least two options: - to compile it from the source, using a set of instructions and macports (that installs/reinstalls almost everything) About compiling it from source: I made it. The problem was the use of ccache. I am not sure why, but lilypond build system does not like it. So, if you are using ccache, it might be a good idea to disable it. Cheers Alberto -- Alberto Simões - Departamento de Informática - Universidade do Minho Campus de Gualtar - 4710-057 Braga - Portugal ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: GDP: NR 1.5 Simultaneous, second draft
Francisco I think all you need about drum staves in NR 1.5 is a @ref to NR 2.5.1.3 Percussion staves. Otherwise you will be duplicating material there. On the wider issue of polyphonic constructs, there is no need to replicate in detail any material already in LM 3.2, but you should add briefly the explicit creation of multiple voices to the techniques listed in Single-staff polyphony. Trevor - Original Message - From: Francisco Vila [EMAIL PROTECTED] To: lilypond-user@gnu.org Sent: Saturday, July 19, 2008 12:00 AM Subject: Re: GDP: NR 1.5 Simultaneous, second draft 2008/7/18 Daniel Hulme [EMAIL PROTECTED]: So, in your example \version 2.11.52 \new DrumStaff \new DrumVoice = 1 { s1 *2 } \new DrumVoice = 2 { s1 *2 } \drummode { sn16 sn8 sn16 sn8 sn8:32~ sn8 sn8 sn4:32~ | (...) I'm really afraid I'm not paying too much attention to this thread in all that relates to Drums, I beg you, if anybody could summarize what is more relevant to put into NR1.5 Simultaneous regarding to this, I'll be very grateful. Please understand that I am no way an expert in all kinds of specialist notation, just I have learnt more about LP syntax these months working on GDP than in two years of doc/web/binary translations. -- Francisco Vila. Badajoz (Spain) http://www.paconet.org ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
'cyclic chain in pure-Y-offset callbacks' warning message
Greetings everybody, when compiling the following minimal snippet, I keep having a warning message that goes: 'programming error: cyclic chain in pure-Y-offset callbacks' Is it possible, by any chance, to avoid this message? \layout { \context { \type Engraver_group \name TopLine \consists Output_property_engraver \consists Axis_group_engraver \consists Mark_engraver \consists Text_engraver \consists Metronome_mark_engraver } \context { \Score \remove Mark_engraver \remove Metronome_mark_engraver \accepts TopLine \override RehearsalMark #'self-alignment-X = #left } } \score { \new TopLine { \tempo this below \mark \markup this above R1 } \new Staff { b1 } } Cheers, Valentin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Slur Problem....
Hi friends, http://www.nabble.com/file/p18556027/Noname.jpg How i can upper the end point of the slur on the g note? Thanks, -- View this message in context: http://www.nabble.com/Slur-Problem-tp18556027p18556027.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: glissandi and line breaks
hello list, no comment on this issue? i guess i'll have to do something i'd have preferred not to do: finish my score with an external program like inkscape. BUT, i can't create svg files with lilypond that are readable by inkscape. searching the web i found some old threads about problems with the svg output. any updated info about this? thanks, lj on 2008-07-17 at 19:10 luis jure wrote: dear list, i'm trying to resolve a tricky passage involving double stop glissandi spanning several measures. i found a solution involving three different voices. the difficult part is that due to music spacing, i need a line break in middle of the glissando. this works well with parallel glissandi (top staff in the attached example), but it doesn't look so good with divergent glissandi (lower staff). it seems the glissando line has no memory where it was before the line break. is there a way to improve this? should i consider this a sort of bug? here's my (dirty) code (a very simplified example of the real musical situation): \version 2.11.50 global = { \time 4/4 } ViolinI = \new Voice \with { \remove Forbid_line_break_engraver } { \time 4/4 \relative c' { % c 1 c'8 c c c c c c c c8 c c c c c c c c8 c c c c c { \stemDown g=''' a,4 % c 2 \override NoteHead #'transparent = ##t d, d d d \break % c 3 d \revert NoteHead #'transparent d c'4 } \new Voice \with { \remove Forbid_line_break_engraver } { \override Stem #'stencil = ##f \override NoteHead #'transparent = ##t \override Glissando #'breakable = ##t g='''4*6\glissando c,4 } \new Voice \with { \remove Forbid_line_break_engraver } { \override Stem #'stencil = ##f \override NoteHead #'transparent = ##t \override Glissando #'breakable = ##t a=''4*6\glissando d,4 } c8 c c c c8 c c c c c c c c8 c c c c c c c c8 c c c c c c c } } ViolinII = \new Voice \with { \remove Forbid_line_break_engraver } { \time 4/4 \relative c' { % c 1 c'8 c c c c c c c c8 c c c c c c c c8 c c c c { \stemDown g='''8 \once \override NoteHead #'transparent = ##t d, g='''8 % c 2 \override NoteHead #'transparent = ##t d,4 d d d % c 3 d \revert NoteHead #'transparent d c'4 } \new Voice \with { \remove Forbid_line_break_engraver } { \override Stem #'stencil = ##f \override NoteHead #'transparent = ##t \override Glissando #'breakable = ##t g='''8*13\glissando d,4 } \new Voice \with { \remove Forbid_line_break_engraver } { s4 \override Stem #'stencil = ##f \override NoteHead #'transparent = ##t \override Glissando #'breakable = ##t g='''8*11\glissando c,4 } c,8 c c c c8 c c c c c c c c8 c c c c c c c c8 c c c c c c c } } \score { \new StaffGroup \new Staff = violin1 { \global \ViolinI } \new Staff = violin2 { \global \ViolinII } \layout { } } ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Slur Problem....
On Sun, Jul 20, 2008 at 11:25 AM, PT.Guitar [EMAIL PROTECTED] wrote: Hi friends, http://www.nabble.com/file/p18556027/Noname.jpg How i can upper the end point of the slur on the g note? Thanks, Something like this override should do the trick: \version 2.11.52 { \once \override Slur #'positions = #'(2 . 2) d''4( g') g' } The values to positions are in staff spaces with 0 being the middle of the staff if I'm recalling properly. The 2 for the first value is likely what the value lilypond is using for that side based on where the slur is starting. You can feel free to adjust it a little bit downward if you like since I'm not sure how high you would like it to be. -Anthony ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Slur Problem....
Hi, Thanks, Thanks Yes its's that... Solved... Anthony Boyd-2 wrote: On Sun, Jul 20, 2008 at 11:25 AM, PT.Guitar [EMAIL PROTECTED] wrote: Hi friends, http://www.nabble.com/file/p18556027/Noname.jpg How i can upper the end point of the slur on the g note? Thanks, Something like this override should do the trick: \version 2.11.52 { \once \override Slur #'positions = #'(2 . 2) d''4( g') g' } The values to positions are in staff spaces with 0 being the middle of the staff if I'm recalling properly. The 2 for the first value is likely what the value lilypond is using for that side based on where the slur is starting. You can feel free to adjust it a little bit downward if you like since I'm not sure how high you would like it to be. -Anthony ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- View this message in context: http://www.nabble.com/Slur-Problem-tp18556027p18557173.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Problem with German Chord Names of moll chords
Hello, I am trying to display the moll chords lower case, as it is quite common this way in germany. I have read that is available for a long time now in [1]. I also have found it mentioned in the help files and used in [2]. But I am not very successful in using it. Below you find an example of what I am doing. I someone has an idea on this, I would be really happy :) Regards, Philip [1] http://osdir.com/ml/gnu.lilypond.announce/2003-04/msg1.html [2] http://www.mail-archive.com/lilypond-user@gnu.org/msg28601.html === \version 2.11.43 \include Deutsch.ly \score{ \new ChordNames{ \set chordRootNamer = #(chord-name-german-markup #t) \set chordNoteNamer = #note-name-german-markup \set chordChanges = ##t \chordmode {\germanChords h1:m h1:m d1:m } } \new Voice = one { \key d \major \time 4/4 \relative c' {h1 h1 d1} } \layout{ indent = 0.0\cm \context { \Score \remove Bar_number_engraver } \context{ \Staff \override VerticalAxisGroup #'Y-extent = #'(-3 . 2) \override VerticalAxisGroup #'minimum-Y-extent = ##f } } } ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: clefs not shown
2008/6/17 Stefan Thomas [EMAIL PROTECTED]: why are the clefs not shown in the below quoted example? Greetings Stefan, A month ago you reported this bug, that has been added as http://code.google.com/p/lilypond/issues/detail?id=640 May I ask why you needed to remove the Bar_engraver? Was it just out of curiosity or were you trying to typeset a real score? If you can provide us with a real-world example of a score that require this feature, I will keep the issue opened; otherwise Han-Wen proposes to close it. Cheers, Valentin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Repost: Re: \tag can't follow \lyricsto
Valentin Villenave v.villenave at gmail.com writes: 2008/7/16 Nicolas Sceaux nicolas.sceaux at free.fr: You can conditionnaly insert music using a music function. Awesome! Can you (or Roman) write a LSR snippet with this great function? Cheers, Valentin (Previous message seems to have gone AWOL) Snippet is now available on http://lsr.dsi.unimi.it/LSR/Item?id=493 ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: glissandi and line breaks
Hi Luis, 2008/7/20 luis jure [EMAIL PROTECTED]: hello list, no comment on this issue? i guess i'll have to do something i'd have preferred not to do: finish my score with an external program like inkscape. You could use 'before-line-breaking and 'after-line-breaking depending on which part of the broken glissando you want to tweak, but it would involve quite a bit of trial and error to get the positions right. Have a look at NR Section 6.7.2, `Difficult tweaks' for some inspiration. Regards, Neil ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: adding a location to the lilypond path
2008/7/18 James E. Bailey [EMAIL PROTECTED]: I'm just curious if it's possible to add a location to my lilypond path. Hi James, you might want to call LilyPond with the --include or -I=/whatever/your/dir/is option, as explained in http://lilypond.org/doc/v2.11/Documentation/user/lilypond-program/Command-line-options. (As stated on http://code.google.com/p/lilypond/issues/detail?id=391 there's a bounty for whoever will be able to make this more convenient and use-able within LilyPond files directly.) Cheers, Valentin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: COntrol Point Tie
2008/7/20 PT.Guitar [EMAIL PROTECTED]: for example i wanna tie these notes above How about: \tieUp ? Cheers, Valentin ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
break decrescendo hairpin
hello list, i need to break a decrescendo hairpin across a line break but i can't find a way, although i think i saw once a solution for this. any help _greatly_ appreciated. thanks in advance, lj ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: break decrescendo hairpin
on 2008-07-20 at 20:04 luis jure wrote: i need to break a decrescendo hairpin across a line break but i can't find a way, although i think i saw once a solution for this. ugh... i kept on searching, and of course \remove Forbid_line_break_engraver does the trick... sorry for the noise :-( ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Lilypond-book and the moreverb latex package
Hello, If anybody from you has used lilypond-book with LaTeX and has used the moreverb package to put verbatim files with tabs, please say, I am experiencing conflicts with the lilypond-book output and the verbatim option, namely this code of the lp-book output: \end{verbatim}{% (...) } gives me the error «too many }'s» on the second brace, if I don't use the moreverb package this error does not happen. As always, thank you! -- Francisco Vila. Badajoz (Spain) http://www.paconet.org ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Spurious time signature
Hi, I am giving the last touch to a piano score I have recently completed and find that an acciaccatura causes a spurious time signature (Lilypond v.2.10.25). A slightly boiled-down snippet producing the crucial two measures from the code is given at the end. The problem is that the acciaccatura on beat 1 of the second measure in the left hand somehow causes a repeated appearance of the signature 4/4: The first appearance is correct at the beginning of the measure before the acciaccatura, but then there is a second 4/4 after it. Is there something wrong with my input or is it a bug? What can I do about it? Thanks, Thomas \version 2.10.25 i = \context Staff { \context Voice = i \voiceOne \override Staff.TimeSignature #'style = #'() \clef treble \key c \major \relative { \time 6/4 #(set-octavation 1) as''' es des as4 es es,8. es es,16 as es des as4 es es,8 es es,16 as as, as es des as4 as es des as8. as es des as16 \time 4/4 as es as,4~^\markup { \italic a tempo} as es as,8[~ as es as,32 #(set-octavation 0) ces, bes a] g8[~ g32 fis' f e] dis8[~ dis32 #(set-octavation 1) ces' bes a] #(set-octavation 0) } } ii = \context Staff { \context Voice = ii \voiceTwo \override Staff.TimeSignature #'style = #'() \clef bass \key c \major \time 4/4 \relative { \time 6/4 d, a' d2 b fis' b as es' as4 fes ces' fes \time 4/4 \acciaccatura es,8 } es, es4 \clef treble es' ges' bes'4 \clef bass #(set-octavation -1) e,,! e,!4 #(set-octavation 0) \clef treble b! e'! g'! } \score { \context PianoStaff \context Staff=upper \i \context Staff=lower \ii \layout { \context { \Score } \context{ \Staff } } } -- Protest against the arrest of Japanese anti-whaling campaigners: http://www.email.greenpeace.org/snbyoobl_dzlyawqa.html --- Thomas Ruedas Department of Terrestrial Magnetism Carnegie Institution of Washington http://www.dtm.ciw.edu/ruedas/ ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: glissandi and line breaks
on 2008-07-20 at 20:54 Neil Puttock wrote: Have a look at NR Section 6.7.2, `Difficult tweaks' for some inspiration. thanks neil, i'll try to study the code and see if i can find a way to adapt it to my needs, but i think it's still a bit over my head. best, lj ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user