Re: piano pedal
Mark Stephen Mrotek carsonm...@ca.rr.com writes:
Hello,
Using the documentation
http://lilypond.org/doc/v2.18/Documentation/notation/piano
I have attached the sustain commands to the left staff.
When the lower voice moves to the right staff the sustain markings change
style and location.
What must be done?
See
\version 2.18.0
global = {
\key c \major
\time 4/4
}
right = \relative c'' {
\global
c'1 | c |
}
left = \relative c' {
\global
\set PianoStaff.pedalSustainStyle = #'bracket
c,4\sustainOn e\sustainOff \sustainOn
g\sustainOff \sustainOn c\sustainOff |
\change Staff = right
e\sustainOff \sustainOn g\sustainOff \sustainOn
c\sustainOff \sustainOn g\sustainOff \sustainOn |
}
\score {
\new PianoStaff
\new Staff = right \right
\new Staff = left { \clef bass \left }
\layout {
\context { \Staff
\remove Piano_pedal_engraver
\remove Piano_pedal_align_engraver
}
\context { \PianoStaff
\consists Piano_pedal_engraver
\consists Piano_pedal_align_engraver
}
}
}
Note that you still get a warning here, but that warning appears
warranted to me given the input.
--
David Kastrup
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Continuous integration
Hi, just out of interest: Does anyone have experiences with using continuous integration systems (like e.g. Jenkins) for working with music? Urs ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
RE: piano pedal
David, Thank you for your reply and the commands. Where in the documentation can I find more on the method (the why and how it works) you presented? Thank you for your kind attention. Mark -Original Message- From: David Kastrup [mailto:d...@gnu.org] Sent: Monday, August 04, 2014 11:38 PM To: Mark Stephen Mrotek Cc: lilypond-user@gnu.org Subject: Re: piano pedal Mark Stephen Mrotek carsonm...@ca.rr.com writes: Hello, Using the documentation http://lilypond.org/doc/v2.18/Documentation/notation/piano I have attached the sustain commands to the left staff. When the lower voice moves to the right staff the sustain markings change style and location. What must be done? See ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
RE: piano pedal
On Tue, Aug 5, 2014 at 7:36 AM, Mark Stephen Mrotek
carsonm...@ca.rr.com wrote:
David,
Thank you for your reply and the commands.
Where in the documentation can I find more on the method (the why and
how it
works) you presented?
Thank you for your kind attention.
Mark
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Monday, August 04, 2014 11:38 PM
To: Mark Stephen Mrotek
Cc: lilypond-user@gnu.org
Subject: Re: piano pedal
Mark Stephen Mrotek carsonm...@ca.rr.com writes:
Hello,
Using the documentation
http://lilypond.org/doc/v2.18/Documentation/notation/piano
I have attached the sustain commands to the left staff.
When the lower voice moves to the right staff the sustain
markings
change style and location.
What must be done?
See
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David and Mark,
The warning doesn't have to be there since there's an unnecessary
\sustainOff after the e in measure 2 (or a missing \sustainOn after
the c \sustainOff in measure 1):
\version 2.18.0
global = {
\key c \major
\time 4/4
}
right = \relative c'' {
\global
c'1 | c |
}
left = \relative c' {
\global
\set PianoStaff.pedalSustainStyle = #'bracket
c,4\sustainOn e\sustainOff \sustainOn
g\sustainOff \sustainOn c\sustainOff \sustainOn |
\change Staff = right
e\sustainOff \sustainOn g\sustainOff \sustainOn
c\sustainOff \sustainOn g\sustainOff \sustainOn |
}
\score {
\new PianoStaff
\new Staff = right \right
\new Staff = left { \clef bass \left }
\layout {
\context { \Staff
\remove Piano_pedal_engraver
\remove Piano_pedal_align_engraver
}
\context { \PianoStaff
\consists Piano_pedal_engraver
\consists Piano_pedal_align_engraver
}
}
}
Regards,
Abraham
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RE: piano pedal
Abraham,
Thanks, I shall look more closely.
Mark
From: Abraham Lee [mailto:tisimst.lilyp...@gmail.com]
Sent: Tuesday, August 05, 2014 6:47 AM
To: Mark Stephen Mrotek
Cc: David Kastrup; lilypond-user@gnu.org
Subject: RE: piano pedal
On Tue, Aug 5, 2014 at 7:36 AM, Mark Stephen Mrotek carsonm...@ca.rr.com
wrote:
David, Thank you for your reply and the commands. Where in the documentation
can I find more on the method (the why and how it works) you presented? Thank
you for your kind attention. Mark -Original Message- From: David
Kastrup [mailto:d...@gnu.org] Sent: Monday, August 04, 2014 11:38 PM To: Mark
Stephen Mrotek Cc: lilypond-user@gnu.org Subject: Re: piano pedal Mark Stephen
Mrotek carsonm...@ca.rr.com writes:
Hello, Using the documentation
http://lilypond.org/doc/v2.18/Documentation/notation/piano I have attached
the sustain commands to the left staff. When the lower voice moves to the
right staff the sustain markings change style and location. What must be
done?
See ___ lilypond-user mailing list
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David and Mark,
The warning doesn't have to be there since there's an unnecessary \sustainOff
after the e in measure 2 (or a missing \sustainOn after the c \sustainOff
in measure 1):
\version 2.18.0
global = {
\key c \major
\time 4/4
}
right = \relative c'' {
\global
c'1 | c |
}
left = \relative c' {
\global
\set PianoStaff.pedalSustainStyle = #'bracket
c,4\sustainOn e\sustainOff \sustainOn
g\sustainOff \sustainOn c\sustainOff \sustainOn |
\change Staff = right
e\sustainOff \sustainOn g\sustainOff \sustainOn
c\sustainOff \sustainOn g\sustainOff \sustainOn |
}
\score {
\new PianoStaff
\new Staff = right \right
\new Staff = left { \clef bass \left }
\layout {
\context { \Staff
\remove Piano_pedal_engraver
\remove Piano_pedal_align_engraver
}
\context { \PianoStaff
\consists Piano_pedal_engraver
\consists Piano_pedal_align_engraver
}
}
}
Regards,
Abraham
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Re: piano pedal
Mark Stephen Mrotek carsonm...@ca.rr.com writes: David, Thank you for your reply and the commands. Where in the documentation can I find more on the method (the why and how it works) you presented? URL:http://www.lilypond.org/doc/v2.19/Documentation/notation/modifying-context-plug_002dins URL:http://www.lilypond.org/doc/v2.19/Documentation/notation/changing-context-default-settings URL:http://www.lilypond.org/doc/v2.19/Documentation/learning/adding-and-removing-engravers At first glance, I don't really see a clearcut instruction for this task in particular. -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
RE: piano pedal
David, Thank you for the references. I shall read them today. I want the pedal indication to be bracket style. I previously used \set Staff.pedalSustainStyle = #'bracket. Should this command used? If not, which one and placed where? Thank you for your kind attention. Mark -Original Message- From: David Kastrup [mailto:d...@gnu.org] Sent: Tuesday, August 05, 2014 7:05 AM To: Mark Stephen Mrotek Cc: lilypond-user@gnu.org Subject: Re: piano pedal Mark Stephen Mrotek carsonm...@ca.rr.com writes: David, Thank you for your reply and the commands. Where in the documentation can I find more on the method (the why and how it works) you presented? URL:http://www.lilypond.org/doc/v2.19/Documentation/notation/modifying-cont ext-plug_002dins URL:http://www.lilypond.org/doc/v2.19/Documentation/notation/changing-conte xt-default-settings URL:http://www.lilypond.org/doc/v2.19/Documentation/learning/adding-and-rem oving-engravers At first glance, I don't really see a clearcut instruction for this task in particular. -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: piano pedal
- Original Message - From: Mark Stephen Mrotek carsonm...@ca.rr.com To: 'David Kastrup' d...@gnu.org Cc: lilypond-user@gnu.org Sent: Tuesday, August 05, 2014 3:15 PM Subject: RE: piano pedal David, Thank you for the references. I shall read them today. I want the pedal indication to be bracket style. I previously used \set Staff.pedalSustainStyle = #'bracket. Should this command used? If not, which one and placed where? Thank you for your kind attention. Mark David's code has \set PianoStaff.pedalSustainStyle = #'bracket which seems like it should do the job? -- Phil Holmes ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Whole-measure rests that specify rhythmic value
Hi,
2014-08-04 23:57 GMT+02:00 Micah Walter micahjwal...@gmail.com:
I have a whole measure rest. I would like the dotted half-note glyph, which
specifies the rhythmic value, but I would also like it to be centered like
an ordinary whole-measure rest. I have tried overriding the stencil, but to
no avail. Do you have any suggestions?
\version 2.18.2
\paper {
ragged-right = ##f
}
{
\time 3/4
\tweak X-offset #40
r2.
}
HTH,
Pierre
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Meter change question revision
thank you for the replies. My problem more specifically is that I am trying to change meteres midstream. So the piece is unmetered as handwritten. But it starts in a basic 4/4 but then only specific bars on specific staves change meters. If I could go unmetered and insert bar lines as needed that would be best, other wise I need to change for example the soprano line from 4/4 to 6/4 while the other lines stay the same or change to something like 7/4. The quarter notes all line up so in a sense it is not a polyrhythm nor does it change from simple to compound. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Meter change question revision
On Tue, Aug 5, 2014 at 2:18 PM, Do something Artistic vegasart...@hotmail.com wrote: thank you for the replies. My problem more specifically is that I am trying to change meteres midstream. So the piece is unmetered as handwritten. But it starts in a basic 4/4 but then only specific bars on specific staves change meters. If I could go unmetered and insert bar lines as needed that would be best, other wise I need to change for example the soprano line from 4/4 to 6/4 while the other lines stay the same or change to something like 7/4. The quarter notes all line up so in a sense it is not a polyrhythm nor does it change from simple to compound. Perhaps something from here will help: http://lilypond.org/doc/v2.18/Documentation/notation/displaying-rhythms#polymetric-notation James Worlton ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: See the new music fonts in action
On Sun, Aug 3, 2014 at 8:49 PM, tisimst tisimst.lilyp...@gmail.com wrote: Okay, this is the last call for anyone to vote on the new name for the Amadeus (SCORE look-a-like) music font. I'll announce the new name tomorrow. In case you forgot, here's the survey link: http://kwiksurveys.com/s.asp?sid=l49o0rvfccqd8ow396917 http://kwiksurveys.com/s.asp?sid=l49o0rvfccqd8ow396917 Thanks, Abraham -- View this message in context: http://lilypond.1069038.n5.nabble.com/See-the-new-music-fonts-in-action-tp164898p165297.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user My Ponding Friends, The votes are in and the survey is now closed! The winning name, chosen by the people, for the SCORE look-a-like music font is... *Scorlatti* It was a close race and it was fun to see it take a couple of unexpected turns throughout the week. Actually, *Scordato* was ahead most of the time, so I had already started putting that name in everything, but *Scorlatti* pulled ahead at the last minute. Here are the complete results of the 49 responders (where each could have made 2 choices): - Scorlatti: 16 - Scordato: 15 - Nannerl: 10 - Amadeus: 9 - Partitura: 8 - Schmied: 6 - Scordatura: 6 - Scordare: 6 - Gottlieb: 2 A big thanks to all who participated! Sorry if it wasn't the one you voted for. Let's give a hand to David Kastrup for suggesting this name. And BTW, we are just making some last adjustments to the new music fonts website, so stay tuned! The patch to make it even possible to use other music fonts is also under official review! Regards, Abraham ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Rest invisible after part combine
Hi everyone,
I am working on making some of our church’s sheet music available for overhead
projection but I have run into a small issue that I cannot seem to get right.
The score is an SATB hymn where the women’s and men’s voices are on separate
staves. I have chosen partcombine instead of writing out chords because we want
the midi to output for each voice. The problem I have run into is that my rest
for the soprano and bass line do not print and I am wondering if this is a
limitation of partcombine?
Code:
% -- Common settings
global = {
\numericTimeSignature
\key df \major % -- Change Key as needed.
\time 4/4
\aikenHeads
\partial 2
}
% -- Soprano
sopranoNotes = \relative c' {
\global
r8 d8 d[ f] \bar .|: % U
f2 r4 e8 f | % 1
}
% -- Alto
altoNotes = \relative c' {
\global
r8 a8 a[ d] \bar .|: % U
d4 d8( c) \stemDown c4 c8 d | % 1
}
% -- Tenor
tenorNotes = \relative c {
\global
\clef bass
r8 f8 f[ a] | % U
a4 a a a8 a | % 1
}
% -- Bass
bassNotes = \relative c {
r8 d8 d[ d] | % U
d2 d4\rest d8 d | % 1
}
Partcombine syntax:
\score {
\new Staff \with { printPartCombineTexts = ##f } {
\partcombine \sopranoNotes \altoNotes }
\new Staff \with { printPartCombineTexts = ##f } {
\partcombine \tenorNotes \bassNotes }
}
Thanks in advance for your help.
Stephen
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