Musical Theatre-Style Bar Numbers

[Calvin Ransom]

Hello everyone,
I’m transposing a musical theatre book and sometimes the bar numbers contain 
letters then go back to normal numbering.
Here is an example for the Bar Numbering that I am looking for:

1 2 3 3a 3b 3c 4 5 6

Does anyone know how to do this?

Regards,
Calvin Ransom

Re: I would like to move the sustainOff

[Lukas-Fabian Moser]

Hi,

Am 19.09.21 um 21:31 schrieb Knute Snortum:

SustainOff after a chord comes before the chord, as it shows in the
manual

I'm used to and would like it to be after the chord.
Is there a way to do that?

You could do it with a tweak, but you'd have to do once for each \sustainOff.

%%%
\version "2.22.1"

\relative {
   c'1 \sustainOn | c \tweak X-offset 2 \sustainOff
}
%%%


LilyPond is even flexible enough to accept

sustainOff = \tweak X-offset 2 \sustainOff

to make the tweak stick.

But I think it's usually better to represent the music semantically 
correct: A \sustainOff after the note means that the pedal should be 
released only _after_ the chord is played. For this, David Kastrup's 
\after function is highly useful:


%%%
\version "2.22.1"

after =
#(define-music-function (delay ev main) (ly:duration? ly:music? ly:music?)
   #{ \context Bottom << { s$delay <> $ev } #main >> #})

\relative {
  % For vertical alignment:
  \override Score.SustainPedal.Y-offset = -3

  c'1 \sustainOn | \after 2 \sustainOff c
}
%%%

Lukas

64 bit lilypond on MacOs

[Matthew Lewis]

there was a thread back in February 2021 that recommended Macports for
accessing >2.20.0 on MacOS Catalina and beyond.

https://www.mail-archive.com/lilypond-user@gnu.org/msg143420.html

I'd also recommend using Docker:
https://hub.docker.com/r/jeandeaual/lilypond

mlewis

Re: I would like to move the sustainOff

[jh]

Knute, thank you it's a short piece so this is doable would the bracket 
be a better option for this problem when it's a larger/longer piece?

wondering.
Jay

On 2021-09-19 13:31, Knute Snortum wrote:

On Sun, Sep 19, 2021 at 10:46 AM jh  wrote:


2nd time to ask;
SustainOff after a chord comes before the chord, as it shows in the
manual

I'm used to and would like it to be after the chord.
Is there a way to do that?


You could do it with a tweak, but you'd have to do once for each 
\sustainOff.


%%%
\version "2.22.1"

\relative {
  c'1 \sustainOn | c \tweak X-offset 2 \sustainOff
}
%%%

--
Knute Snortum

Re: I would like to move the sustainOff

[Knute Snortum]

On Sun, Sep 19, 2021 at 10:46 AM jh  wrote:
>
> 2nd time to ask;
> SustainOff after a chord comes before the chord, as it shows in the
> manual
>
> I'm used to and would like it to be after the chord.
> Is there a way to do that?

You could do it with a tweak, but you'd have to do once for each \sustainOff.

%%%
\version "2.22.1"

\relative {
  c'1 \sustainOn | c \tweak X-offset 2 \sustainOff
}
%%%

--
Knute Snortum

Re: Ornamentation in Bach's piece

[Hans Åberg]

> On 19 Sep 2021, at 14:44, 田村淳  wrote:
> 
> Hello Lukas,
> 
>> 2021/09/19 21:14、Lukas-Fabian Moser のメール:
>> 
>> Hi Jun,
>> 
>> Am 19.09.21 um 09:07 schrieb 田村淳:
>>> Is there a snipett to realize this?
>>> This is from the 3rd movement of the Sonata for Viola da Gamba and 
>>> Harpsichord in G-minor, BWV 1029, by J. S. Bach.
>>> 
>>> Thanks in advance for your kind help.
>>> 
>>> Jun
>>> 
>>> 
>> I think that's an instance of
>> 
>> https://gitlab.com/lilypond/lilypond/-/issues/6127
>> 
>> https://lsr.di.unimi.it/LSR/Item?u=1=720
>> 
>> https://gitlab.com/lilypond/lilypond/-/issues/503
>> 
>> Lukas
>> 
> Thank you. My question/request is identical to the issue #6127.
> 
> According to the Wikipedia article 
> https://en.wikipedia.org/wiki/Slide_(musical_ornament), the Schleifer can be 
> used for arbitrary interval while J. S. Bach seems to have used it for third 
> very often. I think that a solution with a fixed symbol for third would be 
> beneficial at least for those who have been typesetting Bach’s music often.

The Harvard Concise discusses it in the article on double appoggiatura, 
essentially a variation of two merged appoggiaturas a third apart. The symbol 
itself is called a direct, custos in Latin, in early manuscripts used at the 
end of staff to warn about the next note.

I would like to move the sustainOff

[jh]

2nd time to ask;
SustainOff after a chord comes before the chord, as it shows in the 
manual


I'm used to and would like it to be after the chord.
Is there a way to do that?

jay

--
Thank you Sound & Silence

Beginning May 1, 2021 a new address; 1814 Lake Washington Blvd. So.,
Seattle, Wa. 98144

_206-328-7694 or messages at 206-308-8189_

www.soundand.com

and an online short (45 minute) concert of new material on Wayward in 
Limbo



https://www.waywardmusic.org/?p=6082

I am looking for 2-3 dancers various abilities/disciplines for a piece
Called The Box it was scheduled for November  but we know how that has
gone. However I am interested in making videos of the moves and having
dancers work on them and the music before we can get into the same
room... Paid rehearsals and the door divided evenly by participants.
Spread the word please.

Re: Extending the width of a glissando

[Lukas-Fabian Moser]

Hi Peter,


Am 19.09.21 um 18:02 schrieb Peter Toye:
I need to extend the width of a glissando so that it's visible. There 
isn't room between the dot and the accidental for any meaningful 
symbol. As you can see, I've tried various tweaks but none of them has 
any effect.


\version "2.22.1"

\language "english"

{

  \override Glissando.style = #'zigzag

  %  \override Glissando.X-extent = #'( -10 . 10)

  %  \override Glissando.gap = #5

  % \override SpacingSpanner.shortest-duration-space = #50

  cs'4. \glissando c'8

}


This is discussed in the manual:


https://lilypond.org/doc/v2.23/Documentation/notation/spanners.html#using-the-spanner_002dinterface


Lukas

Extending the width of a glissando

[Peter Toye]

I need to extend the width of a glissando so that it's visible. There isn't 
room between the dot and the accidental for any meaningful symbol. As you can 
see, I've tried various tweaks but none of them has any effect.


\version "2.22.1"
\language "english"
{
  \override Glissando.style = #'zigzag
  %  \override Glissando.X-extent = #'( -10 . 10)
  %  \override Glissando.gap = #5
  % \override SpacingSpanner.shortest-duration-space = #50
  cs'4. \glissando c'8 
}
 
Regards,

Petermailto:lilyp...@ptoye.com
www.ptoye.com

Re: Gissando

[Peter Toye]

Thanks Knute,

I posted it in the bug-lilypond list - I'll forward that directly to you and 
Carlos.


Best regards,

Peter
mailto:lilyp...@ptoye.com
www.ptoye.com

-
Sunday, September 19, 2021, 4:54:14 PM, Knute Snortum wrote:

> Do you know what you want to change the documentation to?  If you post
> the verbiage and the list agrees, I can create a pull request for you.

> --
> Knute Snortum


> On Sat, Sep 18, 2021 at 9:39 AM Peter Toye  wrote:


>> Hi Carlos

>> I've had a similar problem, and I think the documentation  for glissandoMap 
>> is a bit misleading as it seems to imply hat you need a gliss line for each 
>> note. I've suggested a documentation patch to clarify.

>> Best regards,

>> Peter

>> mailto:lilyp...@ptoye.com

>> www.ptoye.com

>> -

>> Tuesday, September 14, 2021, 9:34:22 PM, lilypond-user-requ...@gnu.org wrote:

>> Send lilypond-user mailing list submissions to
>>         lilypond-user@gnu.org

>> To subscribe or unsubscribe via the World Wide Web, visit
>>         https://lists.gnu.org/mailman/listinfo/lilypond-user
>> or, via email, send a message with subject or body 'help' to
>>         lilypond-user-requ...@gnu.org

>> You can reach the person managing the list at
>>         lilypond-user-ow...@gnu.org

>> When replying, please edit your Subject line so it is more specific
>> than "Re: Contents of lilypond-user digest..."

>> Today's Topics:

>>    1. Re: Slashed grace notes (Thomas Morley)
>>    2. Having problems with phrasing and ties combined (Carlos Martinez)
>>    3. Re: Having problems with phrasing and ties combined (Brian Barker)
>>    4. midi sound quality help needed (Kenneth Wolcott)
>>    5. hairpins (Carlos Martinez)
>>    6. Gissando (Carlos Martinez)
>>    7. Re: Having problems with phrasing and ties combined
>>       (Leo Correia de Verdier)

>> --

>> Message: 1
>> Date: Tue, 14 Sep 2021 21:17:08 +0200
>> From: Thomas Morley 
>> To: Paul Hodges 
>> Cc: Xavier Scheuer , Carlos Martinez
>>         ,  lilypond-user Mailing List
>>         
>> Subject: Re: Slashed grace notes
>> Message-ID:
>>         
>> Content-Type: text/plain; charset="UTF-8"

>> Am Di., 14. Sept. 2021 um 11:35 Uhr schrieb Paul Hodges :

>> I have successfully used https://lsr.di.unimi.it/LSR/Snippet?id=1048 to add 
>> slashes to beamed grace notes - thanks!

>> But I have the problem now that I am being required to place the slashed 
>> grace notes before a bar line.  I can do this normally using \afterGrace on 
>> the previous note or rest, but then I don't get the slash, of course.  I 
>> tried to add the slash by defining "\start[stop]AfterGraceMusic" in the 
>> manner used in the snippet for SlashedGrace and Acciacatura, but this didn't 
>> work.

>> Is there a simple solution?

>> Paul

>> On 12/09/2021 19:04:16, "Xavier Scheuer"  wrote:

>> On Sat, 11 Sept 2021 at 22:04, Carlos Martinez 
>>  wrote:

>> Hi,

>> I am finding out that slashed grace notes don’t show the slash when they are 
>> grouped ?

>> Any suggestions?

>> Hello,

>> I think it is standard practice to have slashed grace note only for a single 
>> note.
>> But if you really want to have slashed for grouped have a look at:
>> https://lsr.di.unimi.it/LSR/Item?id=1048
>> https://lsr.di.unimi.it/LSR/Item?id=721

>> Cheers,
>> Xavier

>> --
>> Xavier Scheuer 

>> Why not use \slash as defined by the LSR-snippet directly?
>> Makes for:

>> {
>>   \afterGrace b1 { \slash 40 1 0.5 c'16 d' } e'1
>> }

>> Cheers,
>>   Harm

>> --

>> Message: 2
>> Date: Tue, 14 Sep 2021 14:55:05 -0500
>> From: Carlos Martinez 
>> To: "lilypond-user Mailing List (lilypond-user@gnu.org)"
>>         
>> Subject: Having problems with phrasing and ties combined
>> Message-ID:
>>         
>> Content-Type: text/plain;       charset=utf-8

>> I need to use a phrasing slur and tie the chord

>> \slashedGrace { e8\downbow } 2~8 8--\downbow |%m144

>> When I tried to add the phrasing slurs it doe snot work

>> \slashedGrace { e8\downbow } ~2\(8 8\)--\downbow |

>> But I am getting an error

>> I can’t seem to get what the problem is?

>> Help is appreciated thanks!

>> --

>> Message: 3
>> Date: Tue, 14 Sep 2021 21:08:21 +0100
>> From: Brian Barker 
>> To: 
>> Cc: Carlos Martinez 
>> Subject: Re: Having problems with phrasing and ties combined
>> Message-ID:
>>         <613a8f0700a19...@re-prd-rgout-003.btmx-prd.synchronoss.net> (added 
>> by
>>         postmas...@btinternet.com)
>> Content-Type: text/plain; charset="us-ascii"; format=flowed

>> At 14:55 14/09/2021 -0500, Carlos Martinez wrote:

>> ...
>> \slashedGrace { e8\downbow } ~2\(8 8\)--\downbow |

>> But I am getting an error

>> Er, what error?!

>> I can't seem to get what the problem is?

>> In your e-mail message, that prime after the first "fis" is a smart
>> apostrophe (close quote) instead of the straight prime it 

Re: \addlyrics in ossia staff

[Peter Toye]

Thanks David,


Lukas-Fabian got there first!

Best regards,

Peter
mailto:lilyp...@ptoye.com
www.ptoye.com

-
Sunday, September 19, 2021, 3:21:27 PM, David Kastrup wrote:

> Peter Toye  writes:

>> I'm trying to set a passage of vocal music with a short solo line. But
>> the example below shows that the lyric is not attached to the correct
>> staff. Any ideas how to get it right simply?

Re: Gissando

[Knute Snortum]

Do you know what you want to change the documentation to?  If you post
the verbiage and the list agrees, I can create a pull request for you.

--
Knute Snortum


On Sat, Sep 18, 2021 at 9:39 AM Peter Toye  wrote:
>
> Hi Carlos
>
>
> I've had a similar problem, and I think the documentation  for glissandoMap 
> is a bit misleading as it seems to imply hat you need a gliss line for each 
> note. I've suggested a documentation patch to clarify.
>
>
> Best regards,
>
>
> Peter
>
> mailto:lilyp...@ptoye.com
>
> www.ptoye.com
>
>
> -
>
> Tuesday, September 14, 2021, 9:34:22 PM, lilypond-user-requ...@gnu.org wrote:
>
>
> Send lilypond-user mailing list submissions to
> lilypond-user@gnu.org
>
>
> To subscribe or unsubscribe via the World Wide Web, visit
> https://lists.gnu.org/mailman/listinfo/lilypond-user
> or, via email, send a message with subject or body 'help' to
> lilypond-user-requ...@gnu.org
>
>
> You can reach the person managing the list at
> lilypond-user-ow...@gnu.org
>
>
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of lilypond-user digest..."
>
>
>
> Today's Topics:
>
>
>1. Re: Slashed grace notes (Thomas Morley)
>2. Having problems with phrasing and ties combined (Carlos Martinez)
>3. Re: Having problems with phrasing and ties combined (Brian Barker)
>4. midi sound quality help needed (Kenneth Wolcott)
>5. hairpins (Carlos Martinez)
>6. Gissando (Carlos Martinez)
>7. Re: Having problems with phrasing and ties combined
>   (Leo Correia de Verdier)
>
>
>
> --
>
>
> Message: 1
> Date: Tue, 14 Sep 2021 21:17:08 +0200
> From: Thomas Morley 
> To: Paul Hodges 
> Cc: Xavier Scheuer , Carlos Martinez
> ,  lilypond-user Mailing List
> 
> Subject: Re: Slashed grace notes
> Message-ID:
> 
> Content-Type: text/plain; charset="UTF-8"
>
>
> Am Di., 14. Sept. 2021 um 11:35 Uhr schrieb Paul Hodges :
>
>
> I have successfully used https://lsr.di.unimi.it/LSR/Snippet?id=1048 to add 
> slashes to beamed grace notes - thanks!
>
>
> But I have the problem now that I am being required to place the slashed 
> grace notes before a bar line.  I can do this normally using \afterGrace on 
> the previous note or rest, but then I don't get the slash, of course.  I 
> tried to add the slash by defining "\start[stop]AfterGraceMusic" in the 
> manner used in the snippet for SlashedGrace and Acciacatura, but this didn't 
> work.
>
>
> Is there a simple solution?
>
>
> Paul
>
>
>
>
> On 12/09/2021 19:04:16, "Xavier Scheuer"  wrote:
>
>
> On Sat, 11 Sept 2021 at 22:04, Carlos Martinez 
>  wrote:
>
>
> Hi,
>
>
> I am finding out that slashed grace notes don’t show the slash when they are 
> grouped ?
>
>
> Any suggestions?
>
>
> Hello,
>
>
> I think it is standard practice to have slashed grace note only for a single 
> note.
> But if you really want to have slashed for grouped have a look at:
> https://lsr.di.unimi.it/LSR/Item?id=1048
> https://lsr.di.unimi.it/LSR/Item?id=721
>
>
> Cheers,
> Xavier
>
>
> --
> Xavier Scheuer 
>
>
>
> Why not use \slash as defined by the LSR-snippet directly?
> Makes for:
>
>
> {
>   \afterGrace b1 { \slash 40 1 0.5 c'16 d' } e'1
> }
>
>
> Cheers,
>   Harm
>
>
>
>
> --
>
>
> Message: 2
> Date: Tue, 14 Sep 2021 14:55:05 -0500
> From: Carlos Martinez 
> To: "lilypond-user Mailing List (lilypond-user@gnu.org)"
> 
> Subject: Having problems with phrasing and ties combined
> Message-ID:
> 
> Content-Type: text/plain;   charset=utf-8
>
>
> I need to use a phrasing slur and tie the chord
>
>
> \slashedGrace { e8\downbow } 2~8 8--\downbow |%m144
>
>
> When I tried to add the phrasing slurs it doe snot work
>
>
>
> \slashedGrace { e8\downbow } ~2\(8 8\)--\downbow |
>
>
> But I am getting an error
>
>
> I can’t seem to get what the problem is?
>
>
> Help is appreciated thanks!
>
>
>
>
>
> --
>
>
> Message: 3
> Date: Tue, 14 Sep 2021 21:08:21 +0100
> From: Brian Barker 
> To: 
> Cc: Carlos Martinez 
> Subject: Re: Having problems with phrasing and ties combined
> Message-ID:
> <613a8f0700a19...@re-prd-rgout-003.btmx-prd.synchronoss.net> (added by
> postmas...@btinternet.com)
> Content-Type: text/plain; charset="us-ascii"; format=flowed
>
>
> At 14:55 14/09/2021 -0500, Carlos Martinez wrote:
>
> ...
> \slashedGrace { e8\downbow } ~2\(8 8\)--\downbow |
>
> But I am getting an error
>
>
> Er, what error?!
>
>
> I can't seem to get what the problem is?
>
>
> In your e-mail message, that prime after the first "fis" is a smart
> apostrophe (close quote) instead of the straight prime it should be.
> Is that your problem?
>
>
> Brian Barker
>
>
>
>
>
> --
>
>
> Message: 4
> Date: Tue, 14 Sep 2021 13:13:00 -0700
> From: Kenneth Wolcott 
> To: Lily Pond 
> Subject: midi sound 

Re: \addlyrics in ossia staff

[David Kastrup]

Peter Toye  writes:

> I'm trying to set a passage of vocal music with a short solo line. But
> the example below shows that the lyric is not attached to the correct
> staff. Any ideas how to get it right simply?

\version "2.22.1"
\language "english"
{
  \new Staff = "Tutti" {
<<
  \new Voice = "TuttiVoice" {
\relative {
  c'4 d e f |
  << {
g f e d |
c d e f |
}
{
  \new Staff ="ossia" \with {
\remove "Time_signature_engraver"
firstClef = ##f
alignAboveContext = "Tutti"
  }
  \relative {
b'4 a g f |
e f g a |
  } \addlyrics \with { alignBelowContext = "ossia" } {
So -- lo so -- lo so -- lo so -- lo
  }
}
  >>
  g f e d |
}
  }
  \new Lyrics \lyricsto "TuttiVoice" {
Tut -- ti tut -- ti  tut -- ti tut -- ti
Tut -- ti tut -- ti  tut -- ti tut -- ti
  }
>>
  }
}


-- 
David Kastrup

Re: \addlyrics in ossia staff

[Peter Toye]

Hello Lukas-Fabian,


Thanks. I knew I'd missed something.
 
With regard to the quotes - I was following the latest documentation.  

Best regards,

Peter
mailto:lilyp...@ptoye.com
www.ptoye.com

-
Sunday, September 19, 2021, 2:28:00 PM, Lukas-Fabian Moser wrote:

> Hi Peter,

> Am 19.09.21 um 15:15 schrieb Peter Toye:
>> I'm trying to set a passage of vocal music with a short solo line. But the 
>> example below shows that the lyric is not attached to the correct staff. Any 
>> ideas how to get it right simply?
> That's a matter of naming the ossia staff and using alignBelowContext for the 
> lyrics.
> But I modified your snippet a bit: I removed a number of superfluous brace 
> pairs { }, and it's not necessary anymore to put quotes "" around context 
> names.

> \version "2.22.1"

> \language "english"

> \new Staff = tutti-staff
> <<
>   \new Voice = tutti-voice
>   \relative {
>     c'4 d e f |
>     <<
>   {
>     g f e d |
>     c d e f |
>   }
>   \new Staff = ossiastaff \with {
>     \remove "Time_signature_engraver"
>     firstClef = ##f
>     alignAboveContext = tutti-staff
>   } \relative {
>     b'4 a g f |
>     e f g a |
>   }
>   \addlyrics \with { alignBelowContext = ossiastaff } {
>     So -- lo so -- lo so -- lo so -- lo
>   }
>     >>
>     g f e d |
>   }

>   \new Lyrics \lyricsto tutti-voice {
>     Tut -- ti tut -- ti  tut -- ti tut -- ti
>     Tut -- ti tut -- ti  tut -- ti tut -- ti
>   }
>>>

> Actually, I don't think removing the Time_signature_engraver is really 
> correct for an ossia staff, because if a time signature change were to happen 
> during an ossia, it should be printed in the ossia staff. But I admit that 
> it's quite hard to design ossia staves in a "universally correct" way, and 
> it's probably best to use shortcuts like you did in music not containig 
> complications like these.

> Lukas

Re: \addlyrics in ossia staff

[Lukas-Fabian Moser]

Hi Peter,


Am 19.09.21 um 15:15 schrieb Peter Toye:
I'm trying to set a passage of vocal music with a short solo line. But 
the example below shows that the lyric is not attached to the correct 
staff. Any ideas how to get it right simply?


That's a matter of naming the ossia staff and using alignBelowContext 
for the lyrics.


But I modified your snippet a bit: I removed a number of superfluous 
brace pairs { }, and it's not necessary anymore to put quotes "" around 
context names.



\version "2.22.1"

\language "english"

\new Staff = tutti-staff
<<
  \new Voice = tutti-voice
  \relative {
    c'4 d e f |
    <<
  {
    g f e d |
    c d e f |
  }
  \new Staff = ossiastaff \with {
    \remove "Time_signature_engraver"
    firstClef = ##f
    alignAboveContext = tutti-staff
  } \relative {
    b'4 a g f |
    e f g a |
  }
  \addlyrics \with { alignBelowContext = ossiastaff } {
    So -- lo so -- lo so -- lo so -- lo
  }
    >>
    g f e d |
  }

  \new Lyrics \lyricsto tutti-voice {
    Tut -- ti tut -- ti  tut -- ti tut -- ti
    Tut -- ti tut -- ti  tut -- ti tut -- ti
  }
>>


Actually, I don't think removing the Time_signature_engraver is really 
correct for an ossia staff, because if a time signature change were to 
happen during an ossia, it should be printed in the ossia staff. But I 
admit that it's quite hard to design ossia staves in a "universally 
correct" way, and it's probably best to use shortcuts like you did in 
music not containig complications like these.



Lukas

\addlyrics in ossia staff

[Peter Toye]

I'm trying to set a passage of vocal music with a short solo line. But the 
example below shows that the lyric is not attached to the correct staff. Any 
ideas how to get it right simply?
 
\version "2.22.1"
\language "english"
{
  \new Staff = "Tutti" {
    <<
      \new Voice = "TuttiVoice" {
        \relative {
          c'4 d e f |
          << {
            g f e d |
            c d e f |
            }
            {
              \new Staff \with {
                \remove "Time_signature_engraver"
                firstClef = ##f
                alignAboveContext = "Tutti"
              }
              \relative {
                b'4 a g f |
                e f g a |
              } \addlyrics {
                So -- lo so -- lo so -- lo so -- lo
              }
            }
          >>
          g f e d |
        }
      }
      \new Lyrics \lyricsto "TuttiVoice" {
        Tut -- ti tut -- ti  tut -- ti tut -- ti
        Tut -- ti tut -- ti  tut -- ti tut -- ti
      }
    >>
  }
}
 
Regards,

Petermailto:lilyp...@ptoye.com
www.ptoye.com

Re: Ornamentation in Bach's piece

[田村淳]

Hello Lukas,

> 2021/09/19 21:14、Lukas-Fabian Moser のメール:
> 
> Hi Jun,
> 
> Am 19.09.21 um 09:07 schrieb 田村淳:
>> Is there a snipett to realize this?
>> This is from the 3rd movement of the Sonata for Viola da Gamba and 
>> Harpsichord in G-minor, BWV 1029, by J. S. Bach.
>> 
>> Thanks in advance for your kind help.
>> 
>> Jun
>> 
>> 
> I think that's an instance of
> 
> https://gitlab.com/lilypond/lilypond/-/issues/6127 
> 
> https://lsr.di.unimi.it/LSR/Item?u=1=720 
> 
> https://gitlab.com/lilypond/lilypond/-/issues/503 
> 
> Lukas
> 
Thank you. My question/request is identical to the issue #6127.

According to the Wikipedia article 
https://en.wikipedia.org/wiki/Slide_(musical_ornament) 
, the Schleifer can be 
used for arbitrary interval while J. S. Bach seems to have used it for third 
very often. I think that a solution with a fixed symbol for third would be 
beneficial at least for those who have been typesetting Bach’s music often.

Cheers,
Jun

Re: Ornamentation in Bach's piece

[Lukas-Fabian Moser]

Hi Jun,

Am 19.09.21 um 09:07 schrieb 田村淳:

Is there a snipett to realize this?
This is from the 3rd movement of the Sonata for Viola da Gamba and 
Harpsichord in G-minor, BWV 1029, by J. S. Bach.


Thanks in advance for your kind help.

Jun


I think that's an instance of

https://gitlab.com/lilypond/lilypond/-/issues/6127

https://lsr.di.unimi.it/LSR/Item?u=1=720

https://gitlab.com/lilypond/lilypond/-/issues/503

Lukas

Re: Ornamentation in Bach's piece

[田村淳]

> 2021/09/19 18:30、Xavier Scheuer のメール:
> 
> On Sun, 19 Sept 2021 at 09:07, 田村淳 mailto:j.tam...@me.com>> 
> wrote:
> >
> > Hello,
> >
> > Is there a snipett to realize this?
> > This is from the 3rd movement of the Sonata for Viola da Gamba and 
> > Harpsichord in G-minor, BWV 1029, by J. S. Bach.
> 
> Hello,
> 
> It looks like a \prallup
> http://lilypond.org/doc/v2.23/Documentation/notation/list-of-articulations.html#ornament-scripts
>  
> 
> 
> Cheers,
> Xavier
> 
> -- 
> Xavier Scheuer mailto:x.sche...@gmail.com>>
> 

Yes, the symbol is very similar to \prallup but not identical. The symbol has 
one less squiggle than \prallup has, and the right end of the symbol has a 
slope going up toward the note to the right. The example in the previous post 
was from Baerenreiter edition (Neue Bach-Ausgabe).

By using \prallup, I was able to get the following but I’m not so sure whether 
this can be interpreted correctly by baroque music experts or not:



\once \overrideProperty Script.X-offset -2 \once \overrideProperty 
Script.Y-offset 1 f8\prallup

(sorry, this is on different clef)

The “modern” notation would be:

(taken from Bach-Gesellschaft Ausgabe)

Cheers,
Jun

Re: Removing dynamics from PartCombined staff

[Peter Toye]

Valentin,


Thanks - with a few more additions that works fine!

Best regards,

Peter
mailto:lilyp...@ptoye.com
www.ptoye.com

-
Sunday, September 19, 2021, 8:11:45 AM, Valentin Petzel wrote:

> Hello Peter,

> If you want to get rid of all dynamics in the piano reduction altogether, you 
> can simply use

> \new Staff \with {
>         \magnifyStaff #5/7
>         \override DynamicText.stencil = ##f
>         \override DynamicLineSpanner.stencil = ##f
>         \override DynamicTextSpanner.stencil = ##f
> }

> Cheers,
> Valentin

Re: Ornamentation in Bach's piece

[Xavier Scheuer]

On Sun, 19 Sept 2021 at 09:07, 田村淳  wrote:
>
> Hello,
>
> Is there a snipett to realize this?
> This is from the 3rd movement of the Sonata for Viola da Gamba and
Harpsichord in G-minor, BWV 1029, by J. S. Bach.

Hello,

It looks like a \prallup
http://lilypond.org/doc/v2.23/Documentation/notation/list-of-articulations.html#ornament-scripts

Cheers,
Xavier

-- 
Xavier Scheuer 

Re: Removing dynamics from PartCombined staff

[Valentin Petzel]

Hello Peter,

If you want to get rid of all dynamics in the piano reduction altogether, you 
can simply use

\new Staff \with {
\magnifyStaff #5/7
\override DynamicText.stencil = ##f
\override DynamicLineSpanner.stencil = ##f
\override DynamicTextSpanner.stencil = ##f
}

Cheers,
Valentin

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Description: This is a digitally signed message part.

Ornamentation in Bach's piece

[田村淳]

Hello,

Is there a snipett to realize this?
This is from the 3rd movement of the Sonata for Viola da Gamba and Harpsichord 
in G-minor, BWV 1029, by J. S. Bach.

Thanks in advance for your kind help.

Jun