Re:
Upon checking, that was the version I was using. When I tried to use the tutorial, and follow along and click on each image, I kept on getting "file not found", so I followed the written instructions myself and got the files I had attached above. Thanks On Tue, 22 Mar 2022 at 11:26, Michael Dykes wrote: > Sorry, I have been away from my computer for some time. > > Thank you very much! > > Michael D > > On Mon, 21 Mar 2022 at 03:48, Phil Holmes wrote: > >> I don't know what version of nwc2ly you're using, but I rewrote the >> original one to use for converting nwc text files to liliypond. There >> are instructions on how to use it here: >> >> http://www.holmessoft.co.uk/homepage/software/NWC2LY/index.htm >> >> This covers creating 4-part choral scores automatically - please see the >> page on "voices". The instructions also link to a zip file with the >> required .exe files and a document with extra commands. >> >> Hope that helps. >> >> On 20/03/2022 23:21, Michael Dykes wrote: >> > I have used the nwc2ly program to begin converting NWC files that my >> > dear friend Larkin who recently passed away to lilypond files. I have >> > found that the biggest "issue" is that since the scores are 4-part >> > choral music, with the original having soprano and tenor voices with >> > stems upward, and alto and bass voices with stems downward; while the >> > converted lilypond file has both soprano and alto with stems the same >> > direction, and the same for tenor and bass. >> > >> > I am not sure how to write a mwe, so I have attached a screen shot >> > from Frescobaldi. I would appreciate any help possible. >> > >> > Michael Dykes >> > > > -- > -In Christ, > -Michael D > -- -In Christ, -Michael D
Re:
Sorry, I have been away from my computer for some time. Thank you very much! Michael D On Mon, 21 Mar 2022 at 03:48, Phil Holmes wrote: > I don't know what version of nwc2ly you're using, but I rewrote the > original one to use for converting nwc text files to liliypond. There > are instructions on how to use it here: > > http://www.holmessoft.co.uk/homepage/software/NWC2LY/index.htm > > This covers creating 4-part choral scores automatically - please see the > page on "voices". The instructions also link to a zip file with the > required .exe files and a document with extra commands. > > Hope that helps. > > On 20/03/2022 23:21, Michael Dykes wrote: > > I have used the nwc2ly program to begin converting NWC files that my > > dear friend Larkin who recently passed away to lilypond files. I have > > found that the biggest "issue" is that since the scores are 4-part > > choral music, with the original having soprano and tenor voices with > > stems upward, and alto and bass voices with stems downward; while the > > converted lilypond file has both soprano and alto with stems the same > > direction, and the same for tenor and bass. > > > > I am not sure how to write a mwe, so I have attached a screen shot > > from Frescobaldi. I would appreciate any help possible. > > > > Michael Dykes > -- -In Christ, -Michael D
music running off the page
Good Afternoon all,
I have some music within a .tex file, and I had compiled it a while back
(several months ago) and all was well. Well, now I am using that as a
template and lo and behold the music now in the current document and in
the old one now goes off the edges of the page.
However, in just the music, this does not happen. Note that the text
does not only the music. What can I do? Is this as simple as adjusting
the page margins, and if so why all of a sudden should this occur?
Thanks,
-Michael Dykes
\documentclass[12pt,a4paper,oneside]{article}
\usepackage[left=1.40cm,right=1.40cm,top=2.25cm,bottom=2.55cm]{geometry}
\usepackage{color,enumitem,epsfig}
\usepackage{fancyhdr,multicol,xcolor}
\usepackage{indentfirst}
\usepackage{titling}
\setlength{\droptitle}{-6em}
\newcommand*{\Chapter}{%
\usefont{\encodingdefault}{\rmdefault}{b}{n}%
\fontsize{24}{30}%
\selectfont}
\newcommand*{\Section}{%
\usefont{\encodingdefault}{\rmdefault}{b}{n}%
\fontsize{22}{30}%
\selectfont}
\renewcommand{\P}{\textbf{Priest: }}
\newcommand{\D}{\textbf{Deacon: }}
\newcommand{\R}{\textbf{Reader: }}
\newcommand{\C}{\textbf{Choir: }}
\newcommand{\A}{\textbf{ALL: }}
% % % Top Matter % % % % % % % % % % % % % % % % % % % % % % %
\title{%
\textbf{The Third Antiphon} \\
\large \textbf{Holy Pentecost} \vspace{-4.5em}}
\author{}
\date{}
\begin{document}
\maketitle
% % % % % % % % % % % % % % % % % % % % % % % % % % % % % % % %
\R In Thy strength the king rejoices, O Lord, and exults greatly in Thy
salvation. \textit{\textbf{\textcolor{red}{Ps. 20:1}}}\\
\begin{lilypond}
\version "2.18.0"
\include "english.ly"
\include "gregorian.ly"
\layout {
\context{
\Score \override SpacingSpanner.packed-spacing = ##f
}
\context{
\Lyrics \override LyricHyphen.minimum-distance = #2.5
\override LyricSpace.minimum-distance = #1.5
}
}
\header {
title = \markup\bold\fontsize #1.55
{"Troparion"}
poet = \markup\bold\fontsize #1.25
{"Tone 8"}
composer = \markup\bold\fontsize #1.25
{"Abbreviated ''Bulgarian'' Chant"}
tagline = "Translation - OCA Traditional English"
}
% #(set-global-staff-size 22)
global = {
\key g \major
\override Staff.NoteHead.style = #'altdefault
\override Staff.TimeSignature.stencil = ##f
%\override Staff.BarLine.stencil = ##f
\set Score.defaultBarType = "-"
\bar "|."
}
move = { \bar "" \break }
soprano =
\relative c'' {
\global
% Music follows here.
g4 a b c c b a g2 \bar"|"
b4 a b c c \[b b b\] b a2 a g \bar "|"
g4 a b c c b b b b a2 g \bar"'"
g4 a b c c b b a2 a4 a g2 \bar"||"
g4 a b c c \[b b b\] a2 a4 a g\breve \bar"|."
}
bass =
\relative f {
\global
% Music follows here.
g4 d g c, e g d g2 \bar"|"
g4 d g c, e \[g g g\] g d2 d g \bar"|"
g4 d g c, e g g g g d2 g \bar"|"
g4 d g c, e g g d2 d4 d g2 \bar"||"
g4 d g c, e \[g g g\] d2 d4 d g\breve \bar"|."
}
verse = \lyricmode {
% Lyrics follow here.
Bles -- sed art Thou, O Christ our God;
for Thou hast shown the fish -- er -- men to be most wise
by send -- ing down on them the Ho -- ly Spir -- it
and through them catch -- ing all the world in Thy net.
Glo -- ry to Thee, O good God Who lov -- est man -- kind!
}
\score {
\new ChoirStaff <<
\new Staff \with {
midiInstrument = "string ensemble 1"
instrumentName = \markup \center-column { "Soprano" "Tenor"}
} <<
\new Voice = "soprano" { \voiceOne \soprano }
>>
\new Lyrics \lyricsto "soprano" \verse
\new Staff \with {
midiInstrument = "string ensemble 1"
instrumentName = \markup \center-column { "Alto" "Bass" }
} <<
\clef bass
\new Voice = "bass" { \voiceTwo \bass }
>>
>>
\layout {
ragged-last=##t
#(layout-set-staff-size 23)
\context {
\Lyrics
\override VerticalAxisGroup.staff-affinity = ##f
\override VerticalAxisGroup.staff-staff-spacing =
#'((basic-distance . 0)
(minimum-distance . 2)
(padding . 2))
}
indent = 1.25\cm
\context {
\Staff
\override VerticalAxisGroup.staff-staff-spacing =
#'((basic-distance . 0)
(minimum-distance . 2)
(padding . 2))
}
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 155/4)
}
}
}
%{
convert-ly (GNU LilyPond) 2.18.2 convert-ly: Processing `'...
Applying conversion: 2.17.0, 2.17.4, 2.17.5, 2.17.6,
extending extender in lyric music
\version "2.18.0"
\include "english.ly"
\include "gregorian.ly"
\layout {
\context{
\Score \override SpacingSpanner.packed-spacing = ##f \version "2.18.0"
}
\context{
\Lyrics \override LyricHyphen.minimum-distance = #2.5
\override LyricSpace.minimum-distance = #1.5
}
}
\header {
title = \markup\bold\fontsize #2.0
{"Resurrectional Prokeimenon"}
subtitle = \markup\bold\fontsize #1.5
{""}
subsubtitle = ""
poet = \markup\bold\fontsize #1.25
{"Tone 7"}
composer = \markup\bold\fontsize #1.25
{"Common Court Chant"}
tagline = "Translation - OCA Traditional English"
}
% #(set-global-staff-size 22)
global = {
\key f \major
\override Staff.NoteHead.style = #'altdefault
\override Staff.TimeSignature.stencil = ##f
%\override Staff.BarLine.stencil = ##f
\set Score.defaultBarType = "-"
\bar "|."
}
move = { \bar "" \break }
soprano =
\transpose f g{
\relative c'' {
\global
% Music follows here.
a4 g2 g4 a \[bf bf bf\] a2 g2 \bar "!"
bf4 bf a \bar "" bf(c) bf(a) g1 a2 g f\breve \bar "|."
}
}
bass = \transpose f g{
\relative c {
\global
% Music follows here.
f4 c2 c4 f \[e e e\] f2 c \bar "!"
c4 c c \bar "" c2 e4(f) c1 f2 a, d\breve \bar "|."
}
}
verse = \lyricmode {
% Lyrics follow here.
The Lord shall give strength to His
peo -- ple!
The Lord shall bless __ His __ peo -- ple
with peace.
}
psalmVerse = \markup \column {\large{Stichos:}
\large\bold{" Offer to the Lord, you sons of God!
Offer young rams to the Lord!"}
}
\score {
\new ChoirStaff <<
\new Staff \with {
midiInstrument = "string ensemble 1"
instrumentName = \markup \center-column { "Soprano" "Tenor"}
} <<
\new Voice = "soprano" { \voiceOne \soprano }
>>
\new Lyrics \lyricsto "soprano" \verse
\new Staff \with {
midiInstrument = "string ensemble 1"
instrumentName = \markup \center-column { "Alto" "Bass" }
} <<
\clef bass
\new Voice = "bass" { \voiceTwo \bass }
>>
>>
\layout {
ragged-last=##t
#(layout-set-staff-size 22)
\context {
\Lyrics
\override VerticalAxisGroup.staff-affinity = ##f
\override VerticalAxisGroup.staff-staff-spacing =
#'((basic-distance . 0)
(minimum-distance . 2)
(padding . 2))
}
indent = 1.25\cm
\context {
\Staff
\override VerticalAxisGroup.staff-staff-spacing =
#'((basic-distance . 0)
(minimum-distance . 2)
(padding . 2))
}
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 150/4)
}
}
}
\psalmVerse
I am trying to extend the extenders in "bless" and "His" above and am
not sure how to do this. Any help is appreciated.
-Michael Dykes
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Re: angled bar lines
Message: 7
Date: Wed, 10 Aug 2016 16:43:10 -0400
From: "Philip (Michael) Dykes"<thedoctor81...@gmail.com>
To:lilypond-user@gnu.org
Subject: Angled bar lines
Message-ID:<98176f98-5650-cb65-9a9e-0f2f6929d...@gmail.com>
Content-Type: text/plain; charset="utf-8"; Format="flowed"
Hi I need to get a section at the beginning of a piece of liturgical
music I have (Only Begotten Son) in which /*sometimes*/ a certain thing
is sung but /not /normally sung indicated. The typical manner I have
seen this done is via the use of angled bar lines the same as that of
the angled repeat bar lines I have seen in frescobaldi and such but
without the repeat signs. Is there a way to do that? I really hope there
is.
Thanks,
-Michael Dykes
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Message: 8
Date: Wed, 10 Aug 2016 23:27:44 +0200
From: Malte Meyn<lilyp...@maltemeyn.de>
To:lilypond-user@gnu.org
Subject: Re: Angled bar lines
Message-ID:<1b04e3ff-511c-178e-974d-90ba1b792...@maltemeyn.de>
Content-Type: text/plain; charset=windows-1252; format=flowed
Am 10.08.2016 um 22:43 schrieb Philip (Michael) Dykes:
Hi I need to get a section at the beginning of a piece of liturgical
music I have (Only Begotten Son) in which /*sometimes*/ a certain thing
is sung but /not /normally sung indicated. The typical manner I have
seen this done is via the use of angled bar lines the same as that of
the angled repeat bar lines I have seen in frescobaldi and such but
without the repeat signs. Is there a way to do that? I really hope there
is.
You have to define your own bar line style using \defineBarLine:
\version "2.18.2"
\defineBarLine "[" #'("|" "[" ".")
\defineBarLine "]" #'("]" "" ".")
\relative {
c'1 \bar "[" c \bar "]" \break
c \bar "[" \break
c \bar "]" c
}
Thanks, that is*exactly* what I was looking for!
-MD
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Angled bar lines
Hi I need to get a section at the beginning of a piece of liturgical music I have (Only Begotten Son) in which /*sometimes*/ a certain thing is sung but /not /normally sung indicated. The typical manner I have seen this done is via the use of angled bar lines the same as that of the angled repeat bar lines I have seen in frescobaldi and such but without the repeat signs. Is there a way to do that? I really hope there is. Thanks, -Michael Dykes ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: lilypond-user Digest, Vol 154, Issue 123
When I type the code: make Haendel/Oratorio/Messiah in my Documents/Messiah folder I get the error message: fatal error: failed files: "Haendel/Oratorio/Messiah/main.ly" Makefile:148: recipe for target 'Haendel/Oratorio/Messiah' failed make: *** [Haendel/Oratorio/Messiah] Error 1 On 09/22/2015 02:40 PM, lilypond-user-requ...@gnu.org wrote: make Haendel/Oratorio/Messiah ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Compiling Nenuvar Editions
I have now downloaded his entire zip file and am using the code
suggested by Simon (I think) which is:
thedoctor818@TARDIS:~/Documents/nenuvar-master/Haendel$ m
and keep getting the error message:
make: *** No rule to make target 'Haendel/Oratorio/Messiah'. Stop.
I am trying this in the directory: Documents/Haendel
I also tried this in Documents/Haendel/Oratorio/Messiah but to no avail.
Thanks for all the help with this as I am not sure what to do here.
On 09/23/2015 12:01 PM, lilypond-user-requ...@gnu.org wrote:
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When replying, please edit your Subject line so it is more specific
than "Re: Contents of lilypond-user digest..."
Today's Topics:
1. Re:?new text-spanner? development (David Kastrup)
2. Re:?new text-spanner? development (David Nalesnik)
3. Re:lilypond-user Digest, Vol 154, Issue 123 (Michael Dykes)
4. Labeling harmony using Roman numerals from a blind user
(Daniel Contreras)
5. Compiling Nenuvar Editions (was: Re: lilypond-user Digest,
Vol 154, Issue 123) (Simon Albrecht)
6. Scheme function to output \bookpart {} ? (Simon Albrecht)
--
Message: 1
Date: Wed, 23 Sep 2015 13:54:39 +0200
From: David Kastrup <d...@gnu.org>
To: Simon Albrecht <simon.albre...@mail.de>
Cc: David Nalesnik <david.nales...@gmail.com>,lilypond-user
<lilypond-user@gnu.org>
Subject: Re: ?new text-spanner? development
Message-ID: <87a8sd9wqo@fencepost.gnu.org>
Content-Type: text/plain; charset=utf-8
Simon Albrecht <simon.albre...@mail.de> writes:
Hello,
as the other thread was becoming a monster, I start up a new one.
I?ve now got a version of text-span-spread.ly, as I call it, and it
compiles now. However, a new problem appeared, which I assume has to
do with variable scope and seems to be over my head: The first call to
the \startTextSpan music function sets the texts for _all_ the
subsequent calls. Even more suspiciously, the tweak to font-shape in
line 725 (ugh?) is also applied to all these instances.
I?m sorry to call for help so soon again, but I just don?t have enough
experience and background to troubleshoot this with any degree of
efficiency. Any hints are welcome! :-)
Well, I don't know who is responsible for this particular idiom
encountered frequently in here, but the following open-coded loop is
both opaque and inefficient (namely O(n^2) as _appending_ to a list is
an O(n) operation):
extractLyricEventInfo =
#(define-scheme-function (lst) (ly:music?)
"Given a music expression @var{lst}, return a list of pairs. The
@code{car} of each pair is the text of any @code{LyricEvent}, and the
@code{cdr} is a boolean representing presence or absence of a hyphen
associated with that @code{LyricEvent}."
;; TODO: include duration info, skips?
(let ((grist (extract-named-music lst '(LyricEvent
(let mill ((grist grist) (flour '()))
(if (null? grist)
flour
(let* ((text (ly:music-property (car grist) 'text))
(hyphen (extract-named-music (car grist) 'HyphenEvent))
(hyphen? (not (null? hyphen
(mill (cdr grist)
(append flour (list (cons text hyphen?)
Open-coded, you are much better off writing:
(let ((grist (extract-named-music lst '(LyricEvent
(let mill ((grist grist) (flour '()))
(if (null? grist)
(reverse! flour)
(let* ((text (ly:music-property (car grist) 'text))
(hyphen (extract-named-music (car grist) 'HyphenEvent))
(hyphen? (not (null? hyphen
(mill (cdr grist)
(cons (cons text hyphen?) flour))
Since cons is O(1) and the final reverse! O(n) is only done once, you
arrive at O(n) for all. But why open-code in the first place?
(map (lambda (elt)
(let* ((text (ly:music-property elt 'text))
(hyphen (extract-named-music elt 'HyphenEvent))
(hyphen? (pair? hyphen)))
(cons text hyphen)))
(extract-named-music lst 'LyricEvent)))
For something that is one-on-one, this is far more transparent. And
even for something that is one-to-some (namely resulting in possibly 0,
1, or more elements), (append-map (lambda (elt) ...) ...) tends to be
much clearer.
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Re: Compiling Nenuvar Editions
Please forgive my ignorance but I have updated to Lily 2.19.27-1 and downloaded the Scorlatti file. However, not sure for lack of a better way of wording it "where to install it"/where to put the font files and which folder(s) I need to out where. Again forgive my ignorance here. -MD Message: 4 Date: Wed, 23 Sep 2015 19:50:58 +0200 From: Michael Gerdau <m...@qata.de> To: lilypond-user@gnu.org Cc: Michael Dykes <thedoctor81...@gmail.com> Subject: Re: Compiling Nenuvar Editions Message-ID: <1946334.bza5fid5Jh@hamiller> Content-Type: text/plain; charset="us-ascii" Since this seems to be more complicated than anticipated, I have now downloaded his entire zip file and am using the code suggested by Simon (I think) which is: thedoctor818@TARDIS:~/Documents/nenuvar-master/Haendel$ m and keep getting the error message: make: *** No rule to make target 'Haendel/Oratorio/Messiah'. Stop. I am trying this in the directory: Documents/Haendel I also tried this in Documents/Haendel/Oratorio/Messiah but to no avail. here a full rundown of what I did. 1. I'm on Linux with make installed. Not sure about other OS'es. You also need a commandline (bash in my case) 2. I've downloaded the whole zip from https://github.com/nsceaux/nenuvar As of yesterday it was almost 8MB in size. 3. I've extracted this zip. That created a directory nenuvar-master in the current directory. I cd'd into it (cd nenuvar-master) [it is completely irrelevant where in your filesystem this located as everything below nenuvar-master is self contained -- in other words nenuvar-master is freely relocateable] 4. Inside .../nenuvar-master I issued make Haendel/Oratorio/Messiah and that created said score (with some warnings) All references to files are relative to .../nenuvar-master I'm pretty sure compiling the score requires LP 2.19.x to compile out-of-the-box. I'm using 2.19.27. I haven't tested 2.18.2 but would not be surprised if that fails. As I already wrote in another mail, you could get a complete list of valid make targets when you issue (inside ../nenuvar-master) grep ":" Makefile | grep -v .PHONY | sed -e "s/:.*//" When you do not get a rather lengthy list (in my case 396 lines) with targets then you are either not in the correct directory or have downloaded the wrong file. Or something completely different ;) Last not least the score requires the scorlatti font. Either get it from http://fonts.openlilylib.org/ or remove the \paper block in common/common.ily lines 18-22 HTH, Michael PS: Please trim your mails in that you copy only the stuff into your mail, that is somewhat relevant to your issue. There is no need to include msg regarding textspanner when you ask about Compiling Nenuvar Editions. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
How to correctly compile the Messiah from Neuvar's Site.
Hi, I am needing help correctly compiling Handel's Messiah from the following website: http://nicolas.sceaux.free.fr/index.php/2009/06/20/40 When I get into the scores.ily and attempt to just compile them I get so many errors: error: unknown escaped string: `\instrumentName' error: unrecognized string, not in text script or \lyricmode etc. So, I thought I should go into the file folder marked "common" and start compiling there. It was going fine until I got to the file marked "layout.ily" and then I get the error message: error: GUILE signaled an error for the expression beginning here the expression being: #(define-public *paper-size* (make-parameter 'a4)) Am I even compiling his .ily files correctly as I have never compiled .ily files? Forgive me if I should already know how to do this. I typically use Frescobaldi to compile all my lily files. Thanks so much! ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Adjusting Lyrics to center them
I am working with Orthodox liturgical music. Below is a one of the
pieces I am working with. In this and all of my current pieces, I would
like the lyrics to fall somewhat closer to the median between the staves
if at all possible. Thanks.
-Michael Dykes
\version 2.16.0
\include english.ly
\include gregorian.ly
\layout {
\context{
\Score \override SpacingSpanner #'packed-spacing = ##f
}
\context{
\Lyrics \override LyricHyphen #'minimum-distance = #2.2
\override LyricSpace #'minimum-distance = #0.8
}
}
\header {
title = \markup {
\override #'(font-name . URW Chancery L) \fontsize #5.0 \bold
{ Octoëchos ~ Hymns of the Resurrection } }
subtitle = \markup {
\override #'(font-name . URW Chancery L) \fontsize #4.5 \bold
{ Apolytikion (Dismissal Troparion) } }
poet = \markup {
\override #'(font-name . Arial Black) \fontsize #1.75 \bold
{ Abbreviated ''Greek'' Chant } }
composer = \markup {
\override #'(font-name . Arial Black) \fontsize #1.75 \bold
{ Tone 2 } }
}
% #(set-global-staff-size 22)
global = {
\key f \major
\override Staff.NoteHead #'style = #'altdefault
\override Staff.TimeSignature #'stencil = ##f
%\override Staff.BarLine #'stencil = ##f
\set Score.defaultBarType = empty
\bar |.
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
g4 a2 a4 a a a a a a bf c2(bf) a2 \divisioMinima
a4 a a a a a a a a a g2 f1 \divisioMaxima
g4 a2 a4 a a a bf c2 bf a \divisioMinima
a4 a a a a g2 g4 g f1 \finalis
a4 a a a a g a bf2(a4 bf) a2 g4 g f\breve \bar |.
}
alto = \relative c' {
\global
% Music follows here.
e4 f2 f4 f f f f f f f f1 f2 \divisioMinima
f4 f f f f f f f f f e2 c1 \divisioMaxima
e4 f2 f4 f f f f4 f2 f f \divisioMinima
f4 f f f f e2 e4 e c1 \finalis
f4 f f f f d f f1 f2 e4 e c\breve \bar |.
}
tenor = \relative c' {
\global
% Music follows here.
bf4 c2 c4 c c c c c c d ef2(d) c2 \divisioMinima
c4 c c c c c c c c c bf2 a1 \divisioMaxima
bf4 c2 c4 c c c d ef2 d c \divisioMinima
c4 c c c c bf2 bf4 bf a1 \finalis
\bar |.
}
bass = \relative c {
\global
% Music follows here.
c4 f2 f4 f f f f f f bf, a2(bf) f' \divisioMinima
f4 f f f f f f f f f c2 f1 \divisioMaxima
c4 f2 f4 f f f bf, a2 bf f' \divisioMinima
f4 f f f f c2 c4 c f1 \finalis
f4 f f f f g f bf2(f4 bf,) c2 c4 c f\breve \bar |.
}
verse = \lyricmode {
% Lyrics follow here.
When Thou didst de -- scend to death, O Life Im -- mor -- tal,
Thou didst slay hell with the splen -- dor of Thy God -- head!
And when from the depths Thou didst raise the dead,
all the Pow -- ers of Heav -- en cried out:
''O Giv -- er of Life! Christ our God,__ Glo -- ry to Thee!''
}
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { S A}
}
\new Voice = soprano { \voiceOne \soprano }
\new Voice = alto { \voiceTwo \alto }
\new Lyrics \lyricsto soprano \verse
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\new Voice = bass { \voiceTwo \bass }
\layout { ragged-last=##t
#(layout-set-staff-size 22)
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 145 4)
}
}
}
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Xavier, let's connect on LinkedIn
LinkedIn Michael Dykes requested to add you as a connection on LinkedIn: -- Xavier, I'd like to add you to my professional network on LinkedIn. - Michael Accept invitation from Michael Dykes http://www.linkedin.com/e/-n369qb-hmbz0tjx-12/XfF2P8ZlFDLFdpPR9J8E0maxV0dzKw8QNl/blk/I713966513_9/0UcDpKqiRzolZKqiRybmRSrCBvrmRLoORIrmkZt5YCpnlOt3RApnhMpmdzgmhxrSNBszYVnPcNdjoSejcNdQALjmJfk4VJml0LczwNe3gOejcMdP4LrCBxbOYWrSlI/eml-comm_invm-b-in_ac-inv28/?hs=falsetok=1tH069tyQna5Y1 View profile of Michael Dykes http://www.linkedin.com/e/-n369qb-hmbz0tjx-12/rso/98580408/aW0A/name/1771797_I713966513_9/?hs=falsetok=1Ll5O5yywna5Y1 -- You are receiving Invitation emails. This email was intended for Xavier Noria. Learn why this is included: http://www.linkedin.com/e/-n369qb-hmbz0tjx-12/plh/http%3A%2F%2Fhelp%2Elinkedin%2Ecom%2Fapp%2Fanswers%2Fdetail%2Fa_id%2F4788/-GXI/?hs=falsetok=20wFTM7l8na5Y1 (c) 2012, LinkedIn Corporation. 2029 Stierlin Ct, Mountain View, CA 94043, USA. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: lilypond-book
David Kastrup dak at gnu.org writes: The Doctor (Michael D) thedoctor81877 at gmail.com writes: I get the attached file after trying it out. However, when I used lilypond-book first *without* option --pdf, and then corrected my mistake by using --pdf afterwards, lilypond-book was of the opinion that nothing needed to be regenerated. I had to delete the 78 directory with the generated files in it before rerunning lilypond-book --pdf again. Perhaps you have remnants from such a faulty run as well blocking your directory? I am not quite sure I am understanding you. I tried running lilypond book without the pdf option, deleted the 78 folder, then ran lilypond book with the pdf option, and then ran pdflatex - but encountered undefined control sequence errors. How can I fix this? Thanks a lot!!! ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: lilypond-book
David Kastrup dak at gnu.org writes: Yes, David, you are quite correct. Thanks to your help, I can now confidently and correctly compile my document(s) using lilypond book. Thanks again!!! ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Editing lilypond files with Geany
Tanguy Léost tanguy.leost at free.fr writes: Hullo. I use Geany, and am currently wanting a very lightweight compiler for Lilypond for my net book. I googled this and found this message and others similar to this, but I need some instructions on how to 'add' Lilypond code recognition to Geany. I am currently using Geany 0.21 on Ubuntu 12.04 Beta1. Any help you can be will be appreciated. Thanks. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Breath marks at the end of a \divisioMaijor or \divisioMaxima
Hullo, I have found the simple method of adding a breath mark (/breath), but so far am unable to accomplish this at the end of a a line (i.e. before a \divisioMaior or a \divisioMaxima). Any help here would be appreciated. Thanks. -Michael D. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Music running off the page
I have an attached piece of music, and some of the measures are, for lack of
a better term, running off the page. Any help will be appreciated.
--
In Christ,
Michael D
\version 2.12.3
\include english.ly
\include gregorian.ly
\header {
title = Anaphora
poet = Znamenny Chant
composer = Arranged by Michael Dykes
footer = anap_zn[3]
ponomarname = Anaphora
ponomartype = OwnWork
ponomarsubtype = Arrangement
ponomarsource = Unknown
ponomarauthor = Michael Dykes
maintainer = Michael Dykes
maintaineremail = thedoctor81...@gmail.com
lastupdated = 2011/06/18
ponomarlang = en
ponomarcomments =
copyright = This score is part of the Ponomar OpenMusic Project
tagline = \markup {
\override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7)
\box \center-column {
\line { \with-url #http://www.ponomar.net; \line { www. \hspace #-1.0 ponomar \hspace #-1.0 .net \hspace #0.5 } • Orthodox Liturgical music that is \italic free to download, use, modify and distribute. }
\line { Typeset using \with-url #http://www.LilyPond.org; \line { LilyPond } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2011. \hspace #0.5 Reference: \footer }
\line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #http://creativecommons.org/licenses/by-sa/3.0; http://creativecommons.org/licenses/by-sa/3.0 } }
}
}
}
% #(set-global-staff-size 22)
global = {
\key f \major
\time 5/4
\revert Score.SpacingSpanner #'packed-spacing
\override Staff.NoteHead #'style = #'altdefault
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
g4 bf(a8 bf c2) bf4 bf bf(a) bf c2 bf8(a) bf4 bf a2(g1) \finalis
bf4 bf8(g) a(bf) c2(bf8 a bf4 a2) g1 \finalis
bf4 bf8(g) a(bf) c4 c bf8(a) bf4 a2(g1) \finalis
a8(bf) c4 bf2(a4) g8(f) g4. \divisioMinima
g8 bf4 bf8 a bf bf bf a bf4 bf8 a bf bf a2 g2 \divisioMaior
g8 bf4 bf8 bf a bf c4 c \divisioMinima
c8(bf) a(bf) c4 bf2(a) g1 \finalis
g4.(a8 bf4) bf bf bf bf2 g \divisioMinima
bf4. bf8 bf a bf2 \divisioMaior
bf4 bf8 bf bf a bf4 a8 a g4 g4. \divisioMinima
g8 g4 g a bf c bf2 \divisioMaior
bf8 a bf c4. bf8 c bf a bf2(a4) a8 a g4(a g8 f g2) \divisioMinima
g4 a(bf c bf a8 bf c4) bf4 a8 bf c2(a8 bf a4) g1 \finalis
g4(a) bf1 \finalis
g4(a bf2 a4 g8 a bf2 a8 bf a4) g1 \finalis
g4 bf(c) bf4. g8 bf4.(a8) bf2 \divisioMinima
g8 a bf4 bf8 a bf4. bf8 c2(bf8 a g1) \divisioMaior
g4 a8(bf) c2 c8(bf) a4 bf2 \divisioMinima
a4 a g8(a bf a bf2 a g\breve \finalis
}
tenor = \relative c' {
\global
% Music follows here.
g4 d'(c8 d ef2) d4 d d(c) d ef2 d8(c) bf4 bf c2(g1) \finalis
d'4 d8(bf) c(d) ef2(d8 c bf4 c a) bf1 \finalis
d4 d8(bf) c(d) ef4 ef d8(c) bf4 c2(g1) \finalis
c8(d) ef4 d2(c4) bf8(a) bf4.\divisioMinima
bf8 d4 d8 c d8 d d c d4 d8 c bf bf c2 g2 \divisioMaior
g8 d'4 d8 d c d ef4 ef \divisioMinima
ef8(d) c(d) ef4 d2(c4 a) g1 \finalis
d'2. d4 d d d2 d \divisioMinima
d4. d8 d c d2 \divisioMaior
d4 d8 d d c bf4 c8 c g4 g4. \divisioMinima
bf8 bf4 bf c d ef d2 \divisioMaior
d8 c d ef4. d8 ef d c d2(c4) c8 c bf4(c bf8 a bf2) \divisioMinima
bf4 c(d ef d c8 d ef4) d c8 d ef2(c8 bf c4) g1 \finalis
bf4(c) d1 \finalis
bf4(c d2 c4 bf8 c d4 bf c8 bf c4) g1 \finalis
g4 g2 g4. g8 g2 g2 \divisioMinima
g8 g g4 g8 g g4. g8 g2.~g1 \divisioMaior
bf4 c8(d) ef2 ef8(d) c4 bf2 \divisioMinima
c4 c bf8(c d c d2 c bf\breve) \finalis
}
bass = \relative c {
\global
% Music follows here.
g'4 g1 g4 g g2 g4 g2 g4 d d f2(g1) \finalis
g4 g g g2.(d4 c2) g' g1\finalis
g4 g g g g d d f2(g1) \finalis
g4 g g2. d4 g4. \divisioMinima
g8 g4 g8 g g g g g g4 g8 g d d f2 g2 \divisioMaior
g8 g4 g8 g g g g4 g \divisioMinima
g g g8(a) bf4(g c,2) g1 \finalis
g'4.(a8 bf4) bf4 bf bf bf2 bf \divisioMinima
g4. g8 g g g2 \divisioMaior
g4 g8 g g g d4 f8 f g4 g4. \divisioMinima
g8 g4 g g g g g2 \divisioMaior
g8 g g g4. g8 g g g g2. g8 g g2.(g2) \divisioMinima
g4 g1~g2 g4 g8 f ef2(f) g1 \finalis
g2 g1 \finalis
g1(~g2 g4 d f2) g,1 \finalis
g'4 g2 g4. g8 g2 g2 \divisioMinima
g8 g g4 g8 g g4. g8 g2(d4 g1) \divisioMaior
g4 g g2 g4 g d2 \divisioMinima
c4 c g1(~g2~g\breve) \finalis
}
verse = \lyricmode {
\override LyricSpace #'minimum-distance = #1.0
\override LyricText #'font-size = #+1
% Lyrics follow here.
A mer -- cy of peace! A sac -- ri -- fice of praise!
and with thy spir -- it.
We lift them up un -- to the Lord.__
It is meet __ and right
to wor -- ship the Fath -- er, and the Son, and the
Ho -- ly Spir -- it:
the Tri -- ni -- ty, One in Es -- sence, and
un -- di -- vi -- ded.
Ho -- ly! Ho -- ly! Ho -- ly! Lord of Sa -- ba -- oth!
Heav -- en and Earth are full of Thy
Re: Multiple Stanzas in the middle of a piece
OK, Marek. Thanks a lot. However, I need the lyrics to be between the 2
staves, and not under the bass stave -- and also, ever since I started
messing around with my original file (which did not have the split lyrics),
the barlines have been off. If you do not mind, please see the original
file: eis_zn[3].ly and the new one, renamed: eis_zn2.ly Thanks again for all
your help!
On Mon, Apr 18, 2011 at 2:39 AM, Marek Klein ma...@gregoriana.sk wrote:
Hi Michael,
2011/4/18 Michael Dykes thedoctor81...@gmail.com
I now know how to do multiple stanzas with a single common section, but I
need the reverse essentially--Single common sections for most of the music,
but 3 stanzas near the middle of the piece. Attached is the source code as
it is now without any changes. I tried making changes, but ended up using
several hours and acheived nothing. Thanks for any help you may provide.
Actually, I do have the 3 stanzas here, but not in the proper place. They
should be after the \divisioMinima in the secnd section of notes.
You have to use skips in your second and third stanzas... see attachment.
HTH
Marek
--
Marek Klein
http://gregoriana.sk
--
In Christ,
Michael D
\version 2.12.3
\include english.ly
\include gregorian.ly
% XS: necessary, see below
\paper{
page-count = #1
}
\header {
title = Eisodikon~Come, let us Worship
poet = Znamenny Chant~Tone 2
composer = Arranged by Michael Dykes
}
% #(set-global-staff-size 22)
global = {
\key f \major
\revert Score.SpacingSpanner #'packed-spacing
\override Staff.BarLine #'stencil = ##f
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
g4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
g4 bf a bf \divisioMinima
bf4^\markup {\bold *}
bf c2 c4 bf a g2(f) \divisioMinima
bf2 bf8(a) g4 bf2 a4 g1 \divisioMaior
g4 a bf bf bf \divisioMinima
bf4 bf c c c \divisioMinima
c8(bf a bf) c4 bf2(a4 bf8 a g4) a g\breve \finalis
}
tenor = \relative c' {
\global
% Music follows here.
g4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
bf4 d c d \divisioMinima
d4 d ef2 ef4 d c c2(a) \divisioMinima
d2 d8(c) bf4 d2 c4 bf1 \divisioMaior
bf4 c d d d \divisioMinima
d4 d ef ef ef \divisioMinima
ef8(d c d) ef4 d2(c4 d8 c d4) c4 bf\breve \finalis
}
bass = \relative c {
\global
% Music follows here.
g'4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
g4 g g g \divisioMinima
g4 g f2 f4 f f c2(d) \divisioMinima
g2 g4 g d2 f4 g1 \divisioMaior
g4 g g g g \divisioMinima
g4 g f f f \divisioMinima
f2 f4 g2 d1 g g,\breve \finalis
}
verse = \lyricmode {
\override LyricSpace #'minimum-distance = #1.0
\override LyricText #'font-size = #+1
% Lyrics follow here.
O come, let __ us __ wor -- ship,
and fall __ down __ be -- fore Christ; __
O Son of God,
Who art ri -- sen from the dead, __
Save us __ who sing to Thee:
Al -- le -- lu -- i -- a,
Al -- le -- lu -- i -- a,
Al __ le -- lu __ i -- a!
}
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = voice oohs
instrumentName = \markup \center-column { S }
shortInstrumentName = \markup \center-column { S }
}
\new Voice = soprano { \voiceOne \soprano }
\new Lyrics \with {
\override VerticalAxisGroup #'nonstaff-relatedstaff-spacing
#'minimum-distance = #6
} \lyricsto soprano \verse
\new Staff \with {
midiInstrument = voice oohs
instrumentName = \markup \center-column { T B }
shortInstrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\new Voice = bass { \voiceTwo \bass }
\layout { ragged-last=##t
#(layout-set-staff-size 22)
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 130 4)
}
}
}
\version 2.12.3
\include english.ly
\include gregorian.ly
% XS: necessary, see below
\paper{
page-count = #1
}
\header {
title = Eisodikon~Come, let us Worship
poet = Znamenny Chant~Tone 2
composer = Arranged by Michael Dykes
footer = obs_zn[3].ly
ponomarname = Only-Begotten Son
ponomartype = OwnWork
ponomarsubtype = Arrangement
ponomarsource = Unknown
ponomarauthor = Michael Dykes
maintainer = Michael Dykes
maintaineremail = thedoctor81...@gmail.com
lastupdated = 2011/04/10
ponomarlang = en
ponomarcomments =
copyright = This score is part of the Ponomar OpenMusic Project
tagline = \markup {
\override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7)
\box \center-column {
\line { \with-url #http://www.ponomar.net; \line { www. \hspace #-1.0 ponomar \hspace #-1.0 .net \hspace #0.5 } • Orthodox Liturgical music that is \italic free to download, use, modify and distribute. }
\line { Typeset using
Re: Multiple Stanzas in the middle of a piece
Hullo Marek. Almost perfect. However, I just now realized that for the 3rd stanza the word Theo -- to -- kos, __ needs to be scored differently (i.e. with different music). Bascially the music is exactly the same, except for those words, the kos of Theotokos needs to fall on the f2 - the same f2 that is slurred in the 'other' two 'stanzas. I just now realized that issue. Is there any way for me to use lilypond to score the 1 3 stanza musically as is (w/ the slur from g(f) - sop, c(a) - ten, and c(d) - bass) but omit those slurs in the 2nd so that the kos falls on the f - sop, a - ten, and d - bass? Many thanks for all your help thus far. If I can get this, it will be *exactly *what I am looking for. On Mon, Apr 18, 2011 at 3:18 AM, Marek Klein ma...@gregoriana.sk wrote: Is this what you need? Marek 2011/4/18 Michael Dykes thedoctor81...@gmail.com OK, Marek. Thanks a lot. However, I need the lyrics to be between the 2 staves, and not under the bass stave -- and also, ever since I started messing around with my original file (which did not have the split lyrics), the barlines have been off. If you do not mind, please see the original file: eis_zn[3].ly and the new one, renamed: eis_zn2.ly Thanks again for all your help! -- In Christ, Michael D ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Difficulty in jedit with LilyPondTools
Nick Payne nick.payne at internode.on.net writes: In the options for Lilypondtool in jEdit (Plugins / Plugin Options /LilypondTool / Commands), do you have the correct path to the Lilypond binary. You should also have the jEdit SideKick plugin installed and the option Parse on keystroke checked. Nick Hullo Nick, and thanks. However, I do not know how to find my path to the Lilypond binary. Could you possibly help me with that? Thanks again. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Difficulty in jedit with LilyPondTools
Thanks, Nick. That solved one prob, but brought up another. Not I get the errorjava.io IOException:error=20 when I try to compile. Any thoughts? Thanks again. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Error #20
Nick Payne nick.payne at internode.on.net writes: Hullo Nick. Now, I get the following error: java.io IOException:error=20, not a directory. Any ideas? Thanks for your time and patience, since I am new to this program. I really appreciated it. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Multiple Stanzas in the middle of a piece
I now know how to do multiple stanzas with a single common section, but I
need the reverse essentially--Single common sections for most of the music,
but 3 stanzas near the middle of the piece. Attached is the source code as
it is now without any changes. I tried making changes, but ended up using
several hours and acheived nothing. Thanks for any help you may provide.
Actually, I do have the 3 stanzas here, but not in the proper place. They
should be after the \divisioMinima in the secnd section of notes.
--
In Christ,
Michael D
\version 2.12.3
\include english.ly
\include gregorian.ly
% XS: necessary, see below
\paper{
page-count = #1
}
\header {
title = Eisodikon~Come, let us Worship
poet = Znamenny Chant~Tone 2
composer = Arranged by Michael Dykes
footer = obs_zn[3].ly
ponomarname = Only-Begotten Son
ponomartype = OwnWork
ponomarsubtype = Arrangement
ponomarsource = Unknown
ponomarauthor = Michael Dykes
maintainer = Michael Dykes
maintaineremail = thedoctor81...@gmail.com
lastupdated = 2011/04/10
ponomarlang = en
ponomarcomments =
copyright = This score is part of the Ponomar OpenMusic Project
tagline = \markup {
\override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7)
\box \center-column {
\line { \with-url #http://www.ponomar.net; \line { www. \hspace #-1.0 ponomar \hspace #-1.0 .net \hspace #0.5 } • Orthodox Liturgical music that is \italic free to download, use, modify and distribute. }
\line { Typeset using \with-url #http://www.LilyPond.org; \line { LilyPond } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2011. \hspace #0.5 Reference: \footer }
\line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #http://creativecommons.org/licenses/by-sa/3.0; http://creativecommons.org/licenses/by-sa/3.0 } }
}
}
}
% #(set-global-staff-size 22)
global = {
\key f \major
\revert Score.SpacingSpanner #'packed-spacing
% \override Staff.NoteHead #'style = #'altdefault
% \override Staff.TimeSignature #'stencil = ##f
% \override Staff.BarLine #'stencil = ##f
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
g4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
g4 bf a bf \divisioMinima
bf4^\markup {\bold *}
bf c2 c4 bf a g2(f) \divisioMinima
bf2 bf8(a) g4 bf2 a4 g1 \divisioMaior
g4 a bf bf bf \divisioMinima
bf4 bf c c c \divisioMinima
c8(bf a bf) c4 bf2(a4 bf8 a g4) a g\breve \finalis
}
tenor = \relative c' {
\global
% Music follows here.
}
bass = \relative c {
\global
% Music follows here.
}
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = voice oohs
instrumentName = \markup \center-column { S }
shortInstrumentName = \markup \center-column { S }
}
\new Voice = soprano {\voiceOne \soprano }
\relative c'' {
g4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
g4 bf a bf \divisioMinima
\set melismaBusyProperties = #'()
bf4^\markup {\bold *}
bf c2 c4 bf a g2(f) \divisioMinima
\unset melismaBusyProperties
bf2 bf8(a) g4 bf2 a4 g1 \divisioMaior
g4 a bf bf bf \divisioMinima
bf4 bf c c c \divisioMinima
c8(bf a bf) c4 bf2(a4 bf8 a g4) a g\breve \finalis
}
\new Staff \with {
midiInstrument = voice oohs
instrumentName = \markup \center-column { T B }
shortInstrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\relative c' {
g4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
bf4 d c d \divisioMinima
\set melismaBusyProperties = #'()
d4 d ef2 ef4 d c c2(a) \divisioMinima
\unset melismaBusyProperties
d2 d8(c) bf4 d2 c4 bf1 \divisioMaior
bf4 c d d d \divisioMinima
d4 d ef ef ef \divisioMinima
ef8(d c d) ef4 d2(c4 d8 c d4) c4 bf\breve \finalis
}
\new Voice = bass { \voiceTwo \bass }
\relative c {
g'4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
g4 g g g\divisioMinima
\set melismaBusyProperties = #'()
g4 g f2 f4 f f c2(d) \divisioMinima
\unset melismaBusyProperties
g2 g4 g d2 f4 g1 \divisioMaior
g4 g g g g \divisioMinima
g4 g f f f \divisioMinima
f2 f4 g2 d1 g g,\breve \finalis
}
\new Lyrics \with {
\override VerticalAxisGroup #'nonstaff-relatedstaff-spacing
#'minimum-distance = #6
} \lyricsto soprano {
O come, let __ us __ wor -- ship,
and fall __ down __ be -- fore Christ; __
O Son of God,
Who art ri -- sen from the dead, __
Save us __ who sing to Thee:
Al -- le -- lu -- i -- a,
Al -- le -- lu -- i -- a,
Al __ le -- lu __ i -- a!
}
\new Lyrics \lyricsto soprano {
Who art won -- drous
3 Lyric lines
I am attempting to have a section of my piece have 3 lyric lines, but only
in the middle of the piece. Here is my best attempt thus far, which as you
can see, results in errors that I am not sure how to fix. Thanks for all
your help, as usual.
--
In Christ,
Michael D
\version 2.13.58
\include english.ly
\include gregorian.ly
% XS: necessary, see below
\paper{
page-count = #1
print-all-headers = ##t
}
\header {
title = Eisodikon~Come, let us Worship
poet = Znamenny Chant~Tone 2
composer = Arranged by Michael Dykes
footer = obs_zn[3].ly
ponomarname = Only-Begotten Son
ponomartype = OwnWork
ponomarsubtype = Arrangement
ponomarsource = Unknown
ponomarauthor = Michael Dykes
maintainer = Michael Dykes
maintaineremail = thedoctor81...@gmail.com
lastupdated = 2011/04/10
ponomarlang = en
ponomarcomments =
copyright = This score is part of the Ponomar OpenMusic Project
tagline = \markup {
\override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7)
\box \center-column {
\line { \with-url #http://www.ponomar.net; \line { www. \hspace #-1.0 ponomar \hspace #-1.0 .net \hspace #0.5 } • Orthodox Liturgical music that is \italic free to download, use, modify and distribute. }
\line { Typeset using \with-url #http://www.LilyPond.org; \line { LilyPond } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2011. \hspace #0.5 Reference: \footer }
\line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #http://creativecommons.org/licenses/by-sa/3.0; http://creativecommons.org/licenses/by-sa/3.0 } }
}
}
}
% #(set-global-staff-size 22)
global = {
\key f \major
\revert Score.SpacingSpanner #'packed-spacing
\override Staff.NoteHead #'style = #'altdefault
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
g4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
g4 bf a bf \divisioMinima
bf4^\markup {\bold *}
bf c2 c4 bf a g2(f) \divisioMinima
bf2 bf8(a) g4 bf2 a4 g1 \divisioMaior
g4 a bf bf bf \divisioMinima
bf4 bf c c c \divisioMinima
c8(bf a bf) c4 bf2(a4 bf8 a g4) a g\breve \finalis
}
tenor = \relative c' {
\global
% Music follows here.
}
bass = \relative c {
\global
% Music follows here.
}
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = voice oohs
instrumentName = \markup \center-column { S }
shortInstrumentName = \markup \center-column { S }
}
\new Voice = soprano {\voiceOne \soprano }
\relative c'' {
g4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
g4 bf a bf \divisioMinima
\set melismaBusyProperties = #'()
bf4^\markup {\bold *}
bf c2 c4 bf a g2(f) \divisioMinima
\unset melismaBusyProperties
bf2 bf8(a) g4 bf2 a4 g1 \divisioMaior
g4 a bf bf bf \divisioMinima
bf4 bf c c c \divisioMinima
c8(bf a bf) c4 bf2(a4 bf8 a g4) a g\breve \finalis
}
\new Staff \with {
midiInstrument = voice oohs
instrumentName = \markup \center-column { T B }
shortInstrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\relative c' {
g4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
bf4 d c d \divisioMinima
\set melismaBusyProperties = #'()
d4 d ef2 ef4 d c c2(a) \divisioMinima
\unset melismaBusyProperties
d2 d8(c) bf4 d2 c4 bf1 \divisioMaior
bf4 c d d d \divisioMinima
d4 d ef ef ef \divisioMinima
ef8(d c d) ef4 d2(c4 d8 c d4) c4 bf\breve \finalis
}
\new Voice = bass { \voiceTwo \bass }
\relative c {
g'4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
g4 g g g\divisioMinima
\set melismaBusyProperties = #'()
g4 g f2 f4 f f c2(d) \divisioMinima
\unset melismaBusyProperties
g2 g4 g d2 f4 g1 \divisioMaior
g4 g g g g \divisioMinima
g4 g f f f \divisioMinima
f2 f4 g2 d1 g g,\breve \finalis
}
\new Lyrics \with {
\override VerticalAxisGroup #'nonstaff-relatedstaff-spacing
#'minimum-distance = #6
} \lyricsto soprano {
O come, let __ us __ wor -- ship,
and fall __ down __ be -- fore Christ; __
O Son of God,
Who art ri -- sen from the dead, __
Save us __ who sing to Thee:
Al -- le -- lu -- i -- a,
Al -- le -- lu -- i -- a,
Al __ le -- lu __ i -- a!
}
\new Lyrics \lyricsto tenor {
Who art won -- drous in Thy saints, __
}
\new Lyrics \lyricsto tenor {
Through the prayers of the Theo -- to -- kos, __
}
\layout { ragged-last=##t
#(layout-set-staff-size 22)
}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make
Re: Lyrics - vertical alignments
Yes, Xavier that helps a lot. That does the trick. Thanks a lot!!!
On Sun, Apr 10, 2011 at 8:22 AM, Xavier Scheuer x.sche...@gmail.com wrote:
On 10 April 2011 06:40, Michael Dykes thedoctor81...@gmail.com wrote:
I have read this - well most of this section before, but when I try it I
still get the same results. Perhaps someone could help me out a little,
please?
Normally
\new Lyrics \with {
\override VerticalAxisGroup #'staff-affinity = #CENTER
}
should do the trick.
But the result does not appear centered in this case. I suspect it is
due to the fact that you have a voice with stems up in the lower staff
(Tenor) and no voice with stems down in the upper staff (Alto).
So in this case I would simply increase the minimum distance between
the Lyrics and the related Staff (upper staff).
\new Lyrics \with {
\override VerticalAxisGroup #'nonstaff-relatedstaff-spacing
#'minimum-distance = #6
}
HTH.
Cheers,
Xavier
--
Xavier Scheuer x.sche...@gmail.com
--
In Christ,
Michael D
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Multiple Stanzas
I have an attached file (as always, I know) - and I where the lyrics say
Who art ri-sen from the dead - just under those words ONLY I wish to
place 2 other sets of lyrics, namely:
Who art won-drous in Thy saints
and
Through the prayers of the Theo-to-kos
I have been looking at the section on stanzas, but so far have not found
this particular challenge. Any help, or someone to point me to the right
place would be appreciated. Thanks.
--
In Christ,
Michael D
\version 2.13.58
\include english.ly
\include gregorian.ly
% XS: necessary, see below
\paper{
page-count = #1
print-all-headers = ##t
}
% #(set-global-staff-size 22)
global = {
\key f \major
\revert Score.SpacingSpanner #'packed-spacing
\override Staff.NoteHead #'style = #'altdefault
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
}
move = { \bar \break }
sopranoOne = \relative c'' {
\global
% Music follows here.
g4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
g4 bf a bf \divisioMinima
bf4^\markup {\bold *}
bf c2 c4 bf a g2(f) \divisioMinima
bf2 bf8(a) g4 bf2 a4 g1 \divisioMaior
g4 a bf bf bf \divisioMinima
bf4 bf c c c \divisioMinima
c8(bf a bf) c4 bf2(a4 bf8 a g4) a g\breve \finalis
}
sopranoTwo = \relative c'' {
\global
% Music follows here.
bf4 bf c2 c4 bf a g2(f) \divisioMinima
}
sopranoThree = \relative c'' {
\global
% Music follows here.
bf4 bf c2 c4 c bf a g2 f \divisioMinima
}
tenorOne = \relative c' {
\global
% Music follows here.
g4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
bf4 d c d \divisioMinima
d4 d ef2 ef4 d c c2(a) \divisioMinima
d2 d8(c) bf4 d2 c4 bf1 \divisioMaior
bf4 c d d d \divisioMinima
d4 d ef ef ef \divisioMinima
ef8(d c d) ef4 d2(c4 d8 c d4) c4 bf\breve \finalis
}
tenorTwo = \relative c'' {
\global
% Music follows here.
d,4 d ef2 ef4 d c c2(a) \divisioMinima
}
tenorThree = \relative c'' {
\global
% Music follows here.
d,4 d d ef2 ef4 ef d c2(a) \divisioMinima
}
bassOne = \relative c {
\global
% Music follows here.
g'4 g2 g8(f) g(a) bf4 bf \divisioMinima
bf4 a8(bf) c4(bf a) g8 a bf4(a g1) \divisioMaior
g4 g g g\divisioMinima
g4 g f2 f4 f f c2(d) \divisioMinima
g2 g4 g d2 f4 g1 \divisioMaior
g4 g g g g \divisioMinima
g4 g f f f \divisioMinima
f2 f4 g2 d1 g g,\breve \finalis
}
bassTwo = \relative c'' {
\global
% Music follows here.
g,4 g f2 f4 f f c2(f) \divisioMinima
}
bassThree = \relative c'' {
\global
% Music follows here.
g,4 g f2 f4 f f f c2 f \divisioMinima
}
verseOne = \lyricmode {
\override LyricSpace #'minimum-distance = #1.0
\override LyricText #'font-size = #+1
% Lyrics follow here.
O come, let us wor -- ship,
and fall __ down __ be -- fore Christ; __
O Son of God,
Who art ri -- sen from the dead, __
Save us __ who sing to Thee:
Al -- le -- lu -- i -- a,
Al -- le -- lu -- i -- a,
Al __ le -- lu __ i -- a!
}
verseTwo = \lyricmode {
\override LyricSpace #'minimum-distance = #1.0
\override LyricText #'font-size = #+1
% Lyrics follow here.
Who art won -- drous in Thy saints,
}
verseThree = \lyricmode {
\override LyricSpace #'minimum-distance = #1.0
\override LyricText #'font-size = #+1
% Lyrics follow here.
through the prayers of the The -- o -- to -- kos,
}
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = voice oohs
instrumentName = \markup \center-column { S }
shortInstrumentName = \markup \center-column { S }
}
\new Voice = soprano { \voiceOne \sopranoOne }
\new Lyrics \with {
\override VerticalAxisGroup #'nonstaff-relatedstaff-spacing
#'minimum-distance = #6
} \lyricsto soprano \verseOne
\new Staff \with {
midiInstrument = voice oohs
instrumentName = \markup \center-column { T B }
shortInstrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenorOne }
\new Voice = bass { \voiceTwo \bassOne }
\header {
title = Eisodikon~Come, let us Worship
poet = Znamenny Chant~Tone 2
composer = Arranged by Michael Dykes
footer = obs_zn[3].ly
ponomarname = Only-Begotten Son
ponomartype = OwnWork
ponomarsubtype = Arrangement
ponomarsource = Unknown
ponomarauthor = Michael Dykes
maintainer = Michael Dykes
maintaineremail = thedoctor81...@gmail.com
lastupdated = 2011/04/10
ponomarlang = en
ponomarcomments =
copyright = This score is part of the Ponomar OpenMusic Project
tagline = \markup {
\override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7)
\box \center-column {
\line { \with-url #http://www.ponomar.net; \line { www. \hspace #-1.0 ponomar \hspace #-1.0 .net \hspace #0.5 } • Orthodox Liturgical music that is \italic free to download, use, modify and distribute. }
\line
Lyrics - vertical alignments
I have a score (attached) that has the lyrics placed rather high, that is
not centered between the staves. I have looked into the manual a lot, and
still have yet to come up with a solution. Help please. Thanks in advance.
--
In Christ,
Michael D
\version 2.12.3
\include english.ly
\include gregorian.ly
\header {
title = The Hymn of Orthodoxy~Only-Begotten Son
poet = Znamenny Chant~Tone 2
composer = Arranged by Michael Dykes
footer = obs_zn[3].ly
ponomarname = Only-Begotten Son
ponomartype = OwnWork
ponomarsubtype = Arrangement
ponomarsource = Unknown
ponomarauthor = Michael Dykes
maintainer = Michael Dykes
maintaineremail = thedoctor81...@gmail.com
lastupdated = 2011/04/07
ponomarlang = en
ponomarcomments =
copyright = This score is part of the Ponomar OpenMusic Project
tagline = \markup {
\override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7)
\box \center-column {
\line { \with-url #http://www.ponomar.net; \line { www. \hspace #-1.0 ponomar \hspace #-1.0 .net \hspace #0.5 } • Orthodox Liturgical music that is \italic free to download, use, modify and distribute. }
\line { Typeset using \with-url #http://www.LilyPond.org; \line { LilyPond } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2011. \hspace #0.5 Reference: \footer }
\line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #http://creativecommons.org/licenses/by-sa/3.0; http://creativecommons.org/licenses/by-sa/3.0 } }
}
}
}
% #(set-global-staff-size 22)
global = {
\key f \major
\revert Score.SpacingSpanner #'packed-spacing
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
a4 a a a a a a a a a g a2 g4 f g2 \finalis
f4 f f g2 g4 g g g f g a(g) f(g) a2 \divisioMinima
g4 g g a bf2 a4 a a a a g a2(g) f1 \divisioMaior
f4 g a2 a4 a a a a a a a a g a(g f2) g2 \divisioMinima
f4 f f g2 g4 g g g f g a(g) f(g) a2 \divisioMinima
g4 g a bf2 a4 a g a2 g f1 \divisioMaior
f4 g a2 a4 a a g a(g) f2 g \divisioMinima
g2 g4 g g g g g g g f g a(g f g) a1 \divisioMaxima
g2(a bf2. a4 g2 f) g1 \finalis
a2. g4 a(g f2) g1 \divisioMaxima
g2(f4) g a(g f g) a1 \finalis
g4(a) bf2(a2.) g4 a2(g f1) \finalis
a2.(g4 f2 g) a\breve \finalis
}
tenor = \relative c' {
\global
% Music follows here.
c4 c c c c c c c c c c c2 c4 a c2 \finalis
a4 a a c2 c4 c c c a c c2 a4(c) c2 \divisioMinima
bf4 bf bf c d2 c4 c c c c c c1 a \divisioMaior
a4 c c2 c4 c c c c c c c c c c2(a) c \divisioMinima
a4 a a c2 c4 c c c a c c2 a c \divisioMinima
bf4 bf c d2 c4 c c c2 c a1 \divisioMaior
a4 c c2 c4 c c c c2 a c \divisioMinima
c2 c4 c c c c c c c a c c2(a) c1 \divisioMaxima
bf2(c d2. c a2) bf1 \finalis
c2. c4 c2(a) c1 \divisioMaxima
c2(a4) c c2(a4 c) c1 \finalis
bf4(c) d2(c2.) bf4 c1(a) \finalis
c1(a2 c) c\breve \finalis
}
bass = \relative c {
\global
% Music follows here.
f4 f f f f f f f f f c f2 f4 d c2 \finalis
d4 d d c2 c4 c c c d c f2 d4(f) f2 \divisioMinima
g4 g g f bf,2 f'4 f f f f c f2(c) d1 \divisioMaior
d4 c f2 f4 f f f f f f f f c f2(d) c \divisioMinima
d4 d d c2 c4 c c c d c f2 d f \divisioMinima
g4 g f bf,2 f'4 f c f2 c d1 \divisioMaior
d4 c f2 f4 f f c f2 d c \divisioMinima
c2 c4 c c c c c c c d c f2(d) c1 \divisioMaxima
g'2(f bf,2. f' d2) g g,1 \finalis
f2. c4 f2(d) c1 \divisioMaxima
c2(f4) c f2.(c4) f1 \finalis
g4(f) bf,2(f'2.) f4 f1(d) \finalis
f1(d2 c) f f, \breve \finalis
}
verse = \lyricmode {
\override LyricSpace #'minimum-distance = #1.0
\override LyricText #'font-size = #+1
% Lyrics follow here.
Both now and
\override LyricHyphen #'minimum-distance = #1.4
ev -- er, and
\override LyricHyphen #'minimum-distance = #1.4
un -- to a -- ges of a -- ges. A -- men.
On -- ly- Be -- got -- ten Son and Im -- mor -- tal Word __ of __ God,
Who for our sal -- va -- tion didst will to be in -- carn -- ate,
of the Ho -- ly The -- o -- to -- kos and Ev -- er- Vir -- gin Ma -- ry,
Who with -- out change, didst be -- come man, and wast cru -- ci -- fied,
O Christ our God, tramp -- ling down death by death.
Who art one of the Ho -- ly Tri -- ni -- ty,
glor -- i -- fied with the Fa -- ther, and the Ho -- ly Spir -- it:
Save __ us!
Lord, have mer -- cy.
Lord,__ have mer -- cy.
To __ Thee, __ O Lord. __
A -- men.
}
\score {
\new ChoirStaff
\new Staff \with {
\override VerticalAxisGroup #'minimum-Y-extent = #'(1.5 . 4)
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { S }
}
\new Voice = soprano { \voiceOne \soprano }
\new Lyrics \lyricsto soprano \verse
\new Staff \with {
midiInstrument
Re: Lyrics - vertical alignments
I have read this - well most of this section before, but when I try it I still get the same results. Perhaps someone could help me out a little, please? On Sun, Apr 10, 2011 at 12:36 AM, Carl Sorensen c_soren...@byu.edu wrote: On 4/9/11 10:27 PM, Michael Dykes thedoctor81...@gmail.com wrote: Sorry. I re-wrote and re-compiled the file, with a newer version (2.13.58) and the lyrics are farther down, but still not centered b/t the staves. Thanks. It is attached. Please keep the replies on list, so they can be of benefit to all. On Sun, Apr 10, 2011 at 12:23 AM, Carl Sorensen c_soren...@byu.edu wrote: On 4/9/11 9:48 PM, Michael Dykes thedoctor81...@gmail.com wrote: I have a score (attached) that has the lyrics placed rather high, that is not centered between the staves. I have looked into the manual a lot, and still have yet to come up with a solution. Help please. Thanks in advance. Michael, You need to report the version of LilyPond that you are using, because lyrics are handled differently in different versions. Looking at your .ly file, I see a version of 2.12.3. Unfortunately, I can't help with lyric spacing on 2.12.3. Lyrics are handled differently in 2.12 and 2.13.5x. I'm only familiar with the new methods. On 2.13.58, the \override VerticalAxizGroup #'minimum-Y-extent command is no longer used to control spacing. Please read the section in the documentation on flexible vertical spacing variables (Notation Reference 4.4.1). There is an example there that shows how to center lyrics between staves. HTH, Carl -- In Christ, Michael D ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Forcing extender lines
How do I force extender lines to be printed? Attached is my example, and I
want (near and at the end) the words Thee and Lord to have extenders after
them as I have indicated in my lyrics, but am not sure how to achieve this.
Help please. Thanks in advance.
--
In Christ,
Michael D
\version 2.12.3
\include english.ly
\include gregorian.ly
\header {
title = The Hymn of Orthodoxy~Only-Begotten Son
poet = Znamenny Chant~Tone 2
composer = Arranged by Michael Dykes
footer = obs_zn[3].ly
ponomarname = Only-Begotten Son
ponomartype = OwnWork
ponomarsubtype = Arrangement
ponomarsource = Unknown
ponomarauthor = Michael Dykes
maintainer = Michael Dykes
maintaineremail = thedoctor81...@gmail.com
lastupdated = 2011/04/07
ponomarlang = en
ponomarcomments =
copyright = This score is part of the Ponomar OpenMusic Project
tagline = \markup {
\override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7)
\box \center-column {
\line { \with-url #http://www.ponomar.net; \line { www. \hspace #-1.0 ponomar \hspace #-1.0 .net \hspace #0.5 } • Orthodox Liturgical music that is \italic free to download, use, modify and distribute. }
\line { Typeset using \with-url #http://www.LilyPond.org; \line { LilyPond } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2011. \hspace #0.5 Reference: \footer }
\line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #http://creativecommons.org/licenses/by-sa/3.0; http://creativecommons.org/licenses/by-sa/3.0 } }
}
}
}
% #(set-global-staff-size 22)
global = {
\key f \major
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
a4 a a a a a a a a a g a2 g4 f g2 \finalis
f4 f f g2 g4 g g g f g a(g) f(g) a2 \divisioMinima
g4 g g a bf2 a4 a a a a g a2(g) f1 \divisioMaior
f4 g a2 a4 a a a a a a a a g a(g f2) g2 \divisioMinima
f4 f f g2 g4 g g g f g a(g) f(g) a2 \divisioMinima
g4 g a bf2 a4 a g a2 g f1 \divisioMaior
f4 g a2 a4 a a g a(g) f2 g \divisioMinima
g2 g4 g g g g g g g f g a(g f g) a1 \divisioMaxima
g2(a bf2. a4 g2 f) g1 \finalis
a2. g4 a(g f2) g1 \divisioMaxima
g2(f4) g a(g f g) a1 \finalis
g4(a) bf2(a2.) g4 a2(g f1) \finalis
a2.(g4 f2 g) a\breve \finalis
}
tenor = \relative c' {
\global
% Music follows here.
c4 c c c c c c c c c c c2 c4 a c2 \finalis
a4 a a c2 c4 c c c a c c2 a4(c) c2 \divisioMinima
bf4 bf bf c d2 c4 c c c c c c1 a \divisioMaior
a4 c c2 c4 c c c c c c c c c c2(a) c \divisioMinima
a4 a a c2 c4 c c c a c c2 a c \divisioMinima
bf4 bf c d2 c4 c c c2 c a1 \divisioMaior
a4 c c2 c4 c c c c2 a c \divisioMinima
c2 c4 c c c c c c c a c c2(a) c1 \divisioMaxima
bf2(c d2. c a2) bf1 \finalis
c2. c4 c2(a) c1 \divisioMaxima
c2(a4) c c2(a4 c) c1 \finalis
bf4(c) d2(c2.) bf4 c1(a) \finalis
c1(a2 c) c\breve \finalis
}
bass = \relative c {
\global
% Music follows here.
f4 f f f f f f f f f c f2 f4 d c2 \finalis
d4 d d c2 c4 c c c d c f2 d4(f) f2 \divisioMinima
g4 g g f bf,2 f'4 f f f f c f2(c) d1 \divisioMaior
d4 c f2 f4 f f f f f f f f c f2(d) c \divisioMinima
d4 d d c2 c4 c c c d c f2 d f \divisioMinima
g4 g f bf,2 f'4 f c f2 c d1 \divisioMaior
d4 c f2 f4 f f c f2 d c \divisioMinima
c2 c4 c c c c c c c d c f2(d) c1 \divisioMaxima
g'2(f bf,2. f' d2 g g,1) \finalis
f2. c4 f2(d) c1 \divisioMaxima
c2(f4) c f2.(c4) f1 \finalis
g4(f) bf,2(f'2.) f4 f1(d) \finalis
f1(d2 c) f f, \breve \finalis
}
verse = \lyricmode {
\override LyricSpace #'minimum-distance = #1.0
\override LyricText #'font-size = #+1
% Lyrics follow here.
Both now and
\override LyricHyphen #'minimum-distance = #1.4
ev -- er, and
\override LyricHyphen #'minimum-distance = #1.4
un -- to a -- ges of a -- ges. A -- men.
On -- ly- Be -- got -- ten Son and Im -- mor -- tal Word __ of __ God,
Who for our sal -- va -- tion didst will to be in -- carn -- ate,
of the Ho -- ly The -- o -- to -- kos and Ev -- er- Vir -- gin Ma -- ry,
Who with -- out change, didst be -- come man, and wast cru -- ci -- fied,
O Christ our God, tramp -- ling down death by death.
Who art one of the Ho -- ly Tri -- ni -- ty,
glor -- i -- fied with the Fa -- ther, and the Ho -- ly Spir -- it:
Save __ us!
Lord, have mer -- cy.
Lord,__ have mer -- cy.
To __ Thee,__ O Lord.__
A -- men.
}
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { S }
}
\new Voice = soprano { \voiceOne \soprano }
\new Lyrics \lyricsto soprano \verse
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { T B
Breves
Hullo all. I have figured out how to fix my earlier prob, but now I have another question if I may. In the new testing version of Lilypond, how do I print a breve with 2 vertical lines on both sides of it? Thanks. -- In Christ, Michael D ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Difficulty in jedit with LilyPondTools
I just started using JEdit and the LilypondTools provided as a plug-in for that editor. Everytime I use it though, I keep getting the follwoing error: java.io IOException:error=2, No such file or directory - Any help resolving this would be appreciated. Thanks. -- In Christ, Michael D ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Box getting off-center
I am now in a project that is working to set, and upload the vast repertoire
of Orthodox liturgical music that exists. I harmonize, and arrange some of
it, then send it along to a colleague to adds certain fields to my
Lilyponded arrangements. He is mainly adding a boxed in area at the bottom
of the last page that contains copyright info, and other pertinent stuff.
Attached is one file He did, and another that I submitted, and He added the
copyright info, and etc. However, while the file He did completely himself
looks fine, mine has the box partly off the page. Can anyone help? Thanks.
--
In Christ,
Michael D
\version 2.12.3
\include english.ly
\include gregorian.ly
\header {
title = First Typical Antiphon
subtitle = Psalm 102
poet = Znamenny Chant
composer = Arranged by Michael Dykes
footer = 1ant_zn[3].ly
ponomarname = First Typical Antiphon
ponomartype = OwnWork
ponomarsubtype = Arrangement
ponomarsource = Unknown
ponomarauthor = Michael Dykes
maintainer = Michael Dykes
maintaineremail = thedoctor81...@gmail.com
lastupdated = 2011/03/24
ponomarlang = en
ponomarcomments =
copyright = This score is part of the Ponomar OpenMusic Project
tagline = \markup {
\override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7)
\box \center-column {
\line { \with-url #http://www.ponomar.net; \line { www. \hspace #-1.0 ponomar \hspace #-1.0 .net \hspace #0.5 } • Orthodox Liturgical music that is \italic free to download, use, modify and distribute. }
\line { Typeset using \with-url #http://www.LilyPond.org; \line { LilyPond } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2011. \hspace #0.5 Reference: \footer }
\line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #http://creativecommons.org/licenses/by-sa/3.0; http://creativecommons.org/licenses/by-sa/3.0 } }
}
}
}
#(set-global-staff-size 22)
global = {
\key f \major
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
g4 a bf2(a4 g) a bf c(bf a2) \divisioMinima
a4(bf c bf8 a) bf2 a c4 bf8(a) g1 \divisioMaior
g2 a4 bf2(a4 g) a bf c(bf a2) \divisioMinima
bf4 c bf a a a a g a bf2(a4) a g1 \divisioMaior
g2 a4 bf2(a4 g) a bf c(bf a2) \divisioMinima
a4 bf c bf a2 g4(a) bf(a) g a1 \divisioMaior
c4 bf c2(bf4 a) a2 a4 bf c2(bf4 ) a g2 \divisioMinima
a4(bf) c(bf) a2 g4 f a2(bf4 a) g1 \divisioMaior
g4 g g g a a g g a g a2 \divisioMinima
a4 bf bf a a a a a2 g1 \divisioMaior
g2 bf4 c2(bf8 a g4) a8(g) a8(bf) c4(bf a g2) \divisioMinima
g4 bf2 bf4 bf bf8(a) g(a) bf2 \divisioMaior
bf8(g) a(bf) c4(bf8 a) g4 a2 \divisioMinima
bf2 a g4.(f8) a2 bf8(a bf4) a(g8 f a\breve) \finalis
}
tenor = \relative c' {
\global
% Music follows here.
g4 a bf2(a4 g) a bf c(bf a2) \divisioMinima
a4(bf c bf8 a) bf2 a c4 bf8(a) g1 \divisioMaior
bf2 c4 d2(c4 bf) c d ef(d c2) \divisioMinima
d4(ef d) c c c c c c d2(c4) c bf1 \divisioMaior
bf2 c4 d2(c4 bf) c d ef(d c2) \divisioMinima
c4 d ef d c2 bf4(c) d(c) bf c1 \divisioMaior
ef4 d ef2(d4 c) c2 c4 d ef2(d4) c bf2 \divisioMinima
c4(d) ef(d) c2 bf4 a c2(d4 c) bf1 \divisioMaior
bf4 bf bf bf c c bf bf c bf c2 \divisioMinima
c4 d d c c c c c2 bf1 \divisioMaior
bf2 d4 ef2(d8 c bf4) c8(bf) c8(d) ef4(d c bf2) \divisioMinima
bf4 d2 d4 d d8(c) bf(c) d2 \divisioMaior
d8(bf) c(d) ef4(d8 c) bf4 c2 \divisioMinima
d2 c bf4.(a8) c2 d8(c d4) c(bf8 a c\breve) \finalis
}
bass = \relative c {
\global
% Music follows here.
g'4 a bf2(a4 g) a bf c(bf a2) \divisioMinima
a4(bf c bf8 a) bf2 a c4 bf8(a) g1 \divisioMaior
g2 g4 g1 g4 g f1 \divisioMinima
f4 f f f f f f f f d2(f4) f g1 \divisioMaior
g2 g4 g1 g4 g f1 \divisioMinima
f4 f f f f2 f f f4 f1 \divisioMaior
f4 f f1 f2 f4 f f2. f4 g2 \divisioMinima
g2 f f f4 f d2.(g4) f1 \divisioMaior
g4 g g g f f f f f f d2 \divisioMinima
d4 d d d d d d f2 g1 \divisioMaior
g2 g4 g1 g4 g g2.~g2 \divisioMinima
g4 g2 g4 g g g g2 \divisioMaior
g4 g f2 f4 f2 \divisioMinima
d2 d d1 d2 d4 g f f,\breve \finalis
}
verse = \lyricmode {
% Lyrics follow here.
\override LyricSpace #'minimum-distance = #1.2
\override LyricText #'font-size = #+1
Bless the Lord,__ O my soul,__
bles -- sed art Thou, O Lord.
Bless the Lord,__ O my soul,__
and all that is with -- in me bless His Ho -- ly Name.
Bless the Lord,__ O my soul,__
and for -- get not all His
\override LyricHyphen #'minimum-distance = #1.8
be -- ne -- fits.
Who
\override LyricHyphen #'minimum-distance = #1.8
for -- gives __ all your in -- i -- quit -- ies,
Who heals __ all your dis -- eas -- es.
The Lord is com -- pas -- sion -- ate and mer -- ci -- ful,
long suf -- fer -- ing and of great good
Spacing in my chant template
Hullo all. I have resolved my earlier problem in my chant template that I am
working on; however, unlike Tone 1 (whose spacing looks full and even, Tone
2, in particular, looks bunched-up). What can I do to fix this? Attached
is my working example. Thanks.
--
In Christ,
Michael D
\version 2.12.2
\include english.ly
#(set-default-paper-size letter)
#(set-global-staff-size 23)
#(ly:set-option (quote no-point-and-click))
% XS: necessary, see below
\paper{
print-all-headers = ##t
}
global = {
\key g \major
\time 10/4
\override Staff.TimeSignature #'stencil = ##f
\set Score.defaultBarType = empty
\bar |:
\cadenzaOn
}
%% XS: variables ending by One are related to SCORE NUMBER 1:
%% Sticheron Template ~ Tone 1
%% Variables ending by Two are related to SCORE NUMBER 2:
%% Sticheron Template ~ Tone 2
%% Variables ending by Three are related to SCORE NUMBER 3:
%% Sticheron Template ~ Tone 3
%% Variables ending by Four are related to SCORE NUMBER 4:
%% Sticheron Template ~ Tone 4
%% Variables ending by Five are related to SCORE NUMBER 5:
%% Sticheron Template ~ Tone 5
%% Variables ending by Six are related to SCORE NUMBER 6:
%% Sticheron Template ~ Tone 6
%% Variables ending by Seven are related to SCORE NUMBER 7:
%% Sticheron Template ~ Tone 7
%% Variables ending by Eight are related to SCORE NUMBER 8:
%% Sticheron Template ~ Tone 8
sopranoOne = \relative c'' {
\global
% Music follows here.
\repeat volta 2
{a2 b2 a\breve fs4 g fs e2 \bar |
e4 g\breve fs4 g2 a fs \bar |
a\breve g2 fs \bar |
g\breve fs2 g a g fs1 \bar:|}
a\breve g4 fs g a2 g4 fs2 e4 d e1 \bar||
}
sopranoTwo = \relative c'' {
\global
\repeat volta 2
{a2 b a\breve c4 b4 b b b a2 \bar |
a\breve g2 a4 b4 a2 \bar |
a4 b c2 b4 a\breve g4 a b2 b4 b g2 \bar |
g4 b2 a4 g\breve fs4 g a1 \bar :|}
g2 a4 b a g b4 b a4 g a2. g4 fs1 \bar ||
}
sopranoThree = \relative c'' {
\global
\repeat volta 2
{a2 b\breve b4 c b2 a4 b a2 \bar |
a2 b\breve b2 g a4 b a g fs1 \bar :|}
b\breve a4 b fs g a b g2 fs1 \bar ||
}
sopranoFour = \relative c'' {
\global
}
sopranoFive = \relative c'' {
\global
}
sopranoSix = \relative c'' {
\global
}
sopranoSeven = \relative c'' {
\global
}
sopranoEight = \relative c'' {
\global
}
altoOne = \relative c' {
\global
% Music follows here.
\repeat volta 2
{fs2 g fs\breve d4 d d b2 \bar |
b4 d\breve e4 e2 fs d \bar |
fs\breve d2 d \bar |
d\breve d2 d d d d1 \bar:|}
e\breve c4 c d4 d2 d4 d2 cs4 b b1 \bar||
}
altoTwo = \relative c' {
\global
\repeat volta 2
{fs2 g fs\breve a4 g4 g g g fs2 \bar |
fs\breve e2 fs4 g fs2 \bar |
fs4 g a2 g4 fs\breve e4 fs g2 fs4 e d2 \bar |
d4 g2 g4 d\breve d4 d fs1 \bar :|}
d2 fs4 g fs e g4 g fs4 e fs2. e4 d1 \bar ||
}
altoThree = \relative c' {
\global
\repeat volta 2
{fs2 g\breve g4 a g2 fs4 g fs2 \bar |
fs2 g\breve g2 e fs4 g fs e d1 \bar :|}
g\breve fs4 g d d d d cs2 d1 \bar ||
}
altoFour = \relative c' {
\global
}
altoFive = \relative c' {
\global
}
altoSix = \relative c' {
\global
}
altoSeven = \relative c' {
\global
}
altoEight = \relative c' {
\global
}
tenorOne = \relative c' {
\global
% Music follows here.
\repeat volta 2
{d2 d d\breve a4 b a g2 \bar |
g4 b\breve a4 b2 d a \bar |
d\breve b2 a \bar |
b\breve a2 b c b a1 \bar :|}
c\breve b4 b b4 c2 b4 a2 a4 a g1 \bar||
}
tenorTwo = \relative c' {
\global
\repeat volta 2
{d2 d d\breve d4 d d b4 cs d2 \bar |
d\breve d2 d4 d d2 \bar |
d4 d d2 d4 d\breve d4 d d2 d4 c b2 \bar |
b4 d2 c4 b\breve a4 b d1 \bar :|}
b2 d4 d d d d d d d d2. cs4 a1 \bar ||
}
tenorThree = \relative c' {
\global
\repeat volta 2
{d2 d\breve d4 d d2 d4 d d2 \bar |
d2 d\breve d2 b d4 d cs cs a1 \bar :|}
b\breve d4 b a g fs g a2 a1 \bar ||
}
tenorFour = \relative c' {
\global
}
tenorFive = \relative c' {
\global
}
tenorSix = \relative c' {
\global
}
tenorSeven = \relative c' {
\global
}
tenorEight = \relative c' {
\global
}
bassOne = \relative c {
\global
% Music follows here.
\repeat volta 2
{d2 g d\breve d4 b d e2 \bar |
e4 g\breve e4 e2 d d \bar |
d\breve d2 d \bar |
g\breve d2 g fs g d1 \bar:|}
e\breve e4 fs g fs2 g4 d2 a4 a e'1 \bar||
}
bassTwo = \relative c {
\global
\repeat volta 2
{d2 g d\breve fs4 g a g4 g d2 \bar |
d\breve d2 d4 d d2 \bar |
d4 g fs2 g4 d\breve d4 d g2 g4 g g2 \bar |
g4 g2 g4 g\breve a4 g d1 \bar :|}
g2 d4 d d d g, a b cs d2. a4 d1 \bar ||
}
bassThree = \relative c {
\global
\repeat volta 2
{d2 g\breve g4 fs g2 d4 d d2 \bar |
d2 g\breve g2 g d4 d a a d1 \bar :|}
g\breve d4 d c b a g a2 d1 \bar ||
}
bassFour = \relative c {
\global
}
bassFive = \relative c{
\global
}
bassSix = \relative c{
\global
}
bassSeven = \relative c{
\global
}
bassEight = \relative c{
\global
}
%% XS: SCORE NUMBER 1
%%
%% Prokeimenon ~ Tone 1
%%
\score {
\new ChoirStaff
\new
Barline at the beginning of a piece
Hullo all. I am creating chant templates for the 8 tones, and need repeat
barlines at the beginning of each section. I know how to acheive that in the
gregorian.ly style, but how do I do this if I do not have that feature on?
i.e. no gregorian.sty and cadenzaOn? Before, I would type:
\repeat volta 2
{
music stuff
}
with the following underneath global:
global = {
\key f \major
\override Staff.TimeSignature #'stencil = ##f
%\override Staff.BarLine #'stencil = ##f
\set Score.defaultBarType = empty
\bar |:
}
But, do I still do this now? Thanks.
--
In Christ,
Michael D
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Converting .nwc files to .ly
How do I take a nwc (under wine) file convert it to a ly file? I have tried Rosegarden (the results are not good -- note values are off, lyrics are not in the correct place, etc), and with Denemo, I just get a score with key signature and that's all. Thanks in advance for the help. -- In Christ, Michael D ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Several parts to one piece?
Sorry to be barraging the list; but I have several pieces) that consist of
several parts, and I need to compile them as a whole piece, but have each
part end and begin separately. How, can I accomplish this?
--
In Christ,
Michael D
\version 2.12.2
\include english.ly
\include gregorian.ly
\header {
title = Octoëchos ~ Hynns of the Resurrection
subtitle = Stichera on ''Lord, I Call'' ~ Tone 2
composer = Great Vespers/Matins
poet = Kievan Chant
}
global = {
\key g \major
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
}
move = { \bar \break }
sopranoOne = \relative c'' {
\global
% Music follows here.
a4 a a a a a a2 \divisioMinima
a4 b b a g2 a g fs1 \finalis
}
sopranoTwo = \relative c'' {
\global
% Music follows here.
a4(b) a4 a a a c b2 b4 a2 \divisioMinima
a4 a a a a a a a a a g2(a b) a2 \divisioMinima
a4 b c2 b4 a a a a b2 g \divisioMinima
g4 g a b2 a4 g g g g g g g g g g2(fs) g
a2 \divisioMaior
a4 a g2 a4 b a2 \divisioMaxima
a4 g b2 a4 a g2(a2) g f1 \finalis
}
altoOne = \relative c' {
\global
% Music follows here.
}
altoTwo = \relative c' {
\global
% Music follows here.
}
tenorOne= \relative c' {
\global
% Music follows here.
}
tenorTwo= \relative c' {
\global
% Music follows here.
}
bassOne = \relative c {
\global
% Music follows here.
d4 d d d d d d2 \divisioMinima
d4 g g d g2 fs2 g4 e d1 \finalis
}
bassOne = \relative c {
\global
% Music follows here.
d2 d4 d d d d g2 g4 d2 \divisioMinima
d4 d d d d d d d d d g2(fs4 g) d2 \divisioMinima
a4 g c2 d4 d d d d g2 g \divisioMinima
g4 g g g2 g4 g g g g g g g g g g2(d4)
d d2 \divisioMaior
d4 d g2 g4 g d2 \divisioMaxima
d4 d g2 fs4 fs g2(fs) g4(e) d1 \finalis
}
verseOne = \lyricmode {
% Lyrics follow here.
Bring my soul out of pri -- son,
that I may give thanks to Thy Name.
}
\verseTwo =\lyricmode {
%Lyrics follow here.
Come, __ let us wor -- ship the Word of God,
be -- got -- ten of the Fa -- ther before all
a -- ges;
and in -- car -- nate of the Vir -- gin
Ma -- ry;
of His own will He suf -- fered the Cross and
sub -- mit -- ted to bu -- ri -- al,
then He rose from the dead;
and saved me who had gone __ a -- stray!
}
\score {
\transpose g f
\new ChoirStaff
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { S A }
}
\new Voice = soprano { \voiceOne \sopranoOne }
\new Voice = alto { \voiceTwo \altoOne }
\new Lyrics \lyricsto soprano \verse
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenorOne }
\new Voice = bass { \voiceTwo \bassOne }
\layout { ragged-last=##f }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}
}
}
\score {
\transpose g f
\new ChoirStaff
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { S A }
}
\new Voice = soprano { \voiceOne \sopranoTwo }
\new Voice = alto { \voiceTwo \altoTwo }
\new Lyrics \lyricsto soprano \verse
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenorTwo }
\new Voice = bass { \voiceTwo \bassTwo }
\layout { ragged-last=##f }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}
}
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Adding space (padding) between notes
I am trying to fit some markups in my score, and would like for all of them
to be on the same line. Is there a way (without shortening the markups) to
widen the first measure, or put padding between the first two notes of the
score. Thanks.
--
In Christ,
Michael D
\version 2.12.2
\include english.ly
\include gregorian.ly
\header {
title = Horologion ~ The Divine Liturgy
subtitle = The Dismissal
poet = Common Court Chant Variant
}
global = {
\key f \major
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
\override Score.SpacingSpanner #'packed-spacing = ##f
\override TextScript #'staff-padding = #4
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
\once \override Score.RehearsalMark #'self-alignment-X = #LEFT
\mark \markup { \italic \small P: The blessing of the Lord ... }
f,2 f1 \finalis
\once \override Score.RehearsalMark #'self-alignment-X = #LEFT
\mark \markup { \italic \small P: Glory to Thee, O Christ God ... }
f4 f f g a a a a a a a a a a a a a \divisioMinima
a4 a a a a a a a a g a2 a4 a a2 \divisioMaior
f4 g a a a a a a a g a2 a1 \divisioMaxima
bf2 a4(g) f1 \finalis
}
alto = \relative c' {
\global
% Music follows here.
f2 f1 \finalis
f4 f f e f f f f f f f f f f f f f \divisioMinima
f4 f f f f f f f f e f2 f4 f f2 \divisioMaior
f4 e f f f f f f f c f2 f1 \divisioMaxima
bf,2 c2 f1 \finalis
}
tenor = \relative c' {
\global
% Music follows here.
f,2 f1 \finalis
f4 f f g a a a a a a a a a a a a a \divisioMinima
a4 a a a a a a a a g a2 a4 a a2 \divisioMaior
f4 g a a a a a a a g a2 a1 \divisioMaxima
bf2 a4(g) f1 \finalis
}
bass = \relative c {
\global
% Music follows here.
f2 f1 \finalis
f4 f f e f f f f f f f f f f f f f \divisioMinima
f4 f f f f f f f f e f2 f4 f f2 \divisioMaior
f4 e f f f f f f f c f2 f1 \divisioMaxima
bf,2
_\markup {\italic \small P: May Christ our true God ... }
c2 f1 \finalis
}
verse = \lyricmode {
% Lyrics follow here.
A -- men.
\override LyricHyphen #'minimum-distance = #2.8
Glor -- y to the Fa -- ther, and to the Son, and to the
Ho -- ly Spir -- it;
now and ev -- er, and un -- to a -- ges
\override LyricHyphen #'minimum-distance = #1.6
of a -- ges. A -- men.
Lord, have mer -- cy.
Lord, have mer -- cy.
Lord, have mer -- cy.
Fa -- ther,__ bless!
}
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { S A }
}
\new Voice = soprano { \voiceOne \soprano }
\new Voice = alto { \voiceTwo \alto }
\new Lyrics \lyricsto soprano \verse
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\new Voice = bass { \voiceTwo \bass }
\layout { ragged-last=##f }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}
}
}
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mark-ups
I have a piece that I need to use the markups for, but currently it is
stretching the measures way too much, and I am not sure what to do about
it. Any help would be appreciated.
--
In Christ,
Michael D
\version 2.12.2
\include english.ly
\include gregorian.ly
\header {
title = Horologion ~ The Divine Liturgy
subtitle = The Dismissal
poet = Common Court Chant Variant
}
global = {
\key f \major
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
f,2
^\markup {\italic \tiny The blessing of the Lord ... }
f1 \finalis
f4
^\markup {\italic \tiny Glory to Thee, O Christ God ... }
f f g a a a a a a a a a a a a a \divisioMinima
a4 a a a a a a a a g a2 a4 a a2 \divisioMaior
f4 g a a a a a a a g a2 a1 \divisioMaxima
bf2 a4(g) f1 \finalis
}
alto = \relative c' {
\global
% Music follows here.
f2 f1 \finalis
f4 f f e f f f f f f f f f f f f f \divisioMinima
f4 f f f f f f f f e f2 f4 f f2 \divisioMaior
f4 e f f f f f f f c f2 f1 \divisioMaxima
bf,2 c2 f1 \finalis
}
tenor = \relative c' {
\global
% Music follows here.
f,2 f1 \finalis
f4 f f g a a a a a a a a a a a a a \divisioMinima
a4 a a a a a a a a g a2 a4 a a2 \divisioMaior
f4 g a a a a a a a g a2 a1 \divisioMaxima
bf2 a4(g) f1 \finalis
}
bass = \relative c {
\global
% Music follows here.
f2 f1 \finalis
f4 f f e f f f f f f f f f f f f f \divisioMinima
f4 f f f f f f f f e f2 f4 f f2 \divisioMaior
f4 e f f f f f f f c f2 f1 \divisioMaxima
bf,2 c2 f1 \finalis
}
verse = \lyricmode {
% Lyrics follow here.
A -- men.
Glor -- y to the Fa -- ther, and to the Son, and to the
Ho -- ly Spir -- it;
now and ev -- er, and un -- to a -- ges
\override LyricHyphen #'minimum-distance = #1.6
of a -- ges. A -- men.
Lord, have mer -- cy.
Lord, have mer -- cy.
Lord, have mer -- cy.
O Lord, bless!
}
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { S A }
}
\new Voice = soprano { \voiceOne \soprano }
\new Voice = alto { \voiceTwo \alto }
\new Lyrics \lyricsto soprano \verse
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\new Voice = bass { \voiceTwo \bass }
\layout { ragged-last=##f }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}
}
}
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mark-ups
I think I figured out my mark-up problem, but I still would like for the
markup to begin at the beginning of the measure. Is that possible? Thanks.
--
In Christ,
Michael D
\version 2.12.2
\include english.ly
\include gregorian.ly
\header {
title = Horologion ~ The Divine Liturgy
subtitle = The Dismissal
poet = Common Court Chant Variant
}
global = {
\key f \major
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
\override Score.SpacingSpanner #'packed-spacing = ##f
\override TextScript #'staff-padding = #4
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
f,2
^\markup {\italic \small The blessing of the Lord ... }
f1 \finalis
f4 f f
^\markup {\italic \small Glory to Thee, O Christ God ... }
g a a a a a a a a a a a a a \divisioMinima
a4 a a a a a a a a g a2 a4 a a2 \divisioMaior
f4 g a a a a a a a g a2 a1 \divisioMaxima
bf2 a4(g) f1 \finalis
}
alto = \relative c' {
\global
% Music follows here.
f2 f1 \finalis
f4 f f e f f f f f f f f f f f f f \divisioMinima
f4 f f f f f f f f e f2 f4 f f2 \divisioMaior
f4 e f f f f f f f c f2 f1 \divisioMaxima
bf,2 c2 f1 \finalis
}
tenor = \relative c' {
\global
% Music follows here.
f,2 f1 \finalis
f4 f f g a a a a a a a a a a a a a \divisioMinima
a4 a a a a a a a a g a2 a4 a a2 \divisioMaior
f4 g a a a a a a a g a2 a1 \divisioMaxima
bf2 a4(g) f1 \finalis
}
bass = \relative c {
\global
% Music follows here.
f2 f1 \finalis
f4 f f e f f f f f f f f f f f f f \divisioMinima
f4 f f f f f f f f e f2 f4 f f2 \divisioMaior
f4 e f f f f f f f c f2 f1 \divisioMaxima
bf,2
_\markup {\italic \small May Christ our true God ... }
c2 f1 \finalis
}
verse = \lyricmode {
% Lyrics follow here.
A -- men.
\override LyricHyphen #'minimum-distance = #2.4
Glor -- y to the Fa -- ther, and to the Son, and to the
Ho -- ly Spir -- it;
now and ev -- er, and un -- to a -- ges
\override LyricHyphen #'minimum-distance = #1.6
of a -- ges. A -- men.
Lord, have mer -- cy.
Lord, have mer -- cy.
Lord, have mer -- cy.
Fa -- ther,__ bless!
}
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { S A }
}
\new Voice = soprano { \voiceOne \soprano }
\new Voice = alto { \voiceTwo \alto }
\new Lyrics \lyricsto soprano \verse
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\new Voice = bass { \voiceTwo \bass }
\layout { ragged-last=##f }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}
}
}
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Printing a hyphen
I would like to know how to print a hyphen, that is for example to have the following printed: Most-blessed with Most and Blessed on different notes, and the hyphen between those two notes. Thanks for the help again. -- In Christ, Michael D ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Adding repeat bars at the beginning of a chant piece
I have a piece of Orthodox Chant that requires a repeat at the very
beginning of the piece. Attached is the piece with all of the music and the
repeat at the end of where the repeated music ends, but I also need the
repeat sign at the beginning of this piece. Any help would be appreciated.
Thanks.
--
In Christ,
Michael D
\version 2.12.2
\include english.ly
\include gregorian.ly
\header {
title = Horologion ~ The Divine Liturgy
subtitle = Blessed be the Name of the Lord
poet = Kievan and Znamenny Chant
}
global = {
\key g \major
\override Staff.TimeSignature #'stencil = ##f
%\override Staff.BarLine #'stencil = ##f
\set Score.defaultBarType = empty
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
\repeat volta 2
{g4 g g g g g g g g g fs g a2 a g1}
g4 g g a b b b b2 \divisioMaior
b4 b b c b2(a4 b) a2 g1 \finalis
}
alto = \relative c' {
\global
% Music follows here.
}
tenor = \relative c' {
\global
% Music follows here.
}
bass = \relative c {
\global
% Music follows here.
\repeat volta 2
{g'4 g g g g g g g g g d g c,2 d g1}
g4 g g d g g g g2 \divisioMaior
g4 g g c, g'2(fs4 g) d2 g1 \finalis
}
verse = \lyricmode {
% Lyrics follow here.
Bles -- sed be the Name of the Lord hence -- forth and
for -- ev -- er -- more.
Bles -- sed be the Name of the Lord hence -- forth and
for -- ev -- er -- more.
}
\score {
\transpose g f
\new ChoirStaff
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { S A }
}
\new Voice = soprano { \voiceOne \soprano }
\new Voice = alto { \voiceTwo \alto }
\new Lyrics \lyricsto soprano \verse
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\new Voice = bass { \voiceTwo \bass }
\layout { ragged-last=##f }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}
}
}
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Re: Templates for Chant again
I have an attached file that works very well, except (since I am not too
terribly familiar with this template) I am not sure where how to insert
the commands for midi in all staves. If I can get that, then I will
have *exactly
*what I need. Thanks again for all the help.
--
In Christ,
Michael D
% Version 2.1
% Last edit: March 16, 2006
% The music and words produced by this source code are believed
% to be in the public domain in the United States. The source
% code itself is covered by the Creative Commons Attribution-
% NonCommercial license,
% http://creativecommons.org/licenses/by-nc/2.5/
% Attribution: Geoff Horton
% This is a template for standard 4-part hymns. It contains most
% common options. Comment out the ones you don't need.
\version 2.8.0
\include english.ly
#(set-default-paper-size letter)
#(set-global-staff-size 24)
#(ly:set-option (quote no-point-and-click))
title = Octoëchos ~ Hymns of the Resurrection
subtitle = Sticheron Template ~ Tone 1
composer = Vespers/Matins
meter = Tone 1
arranger =
piece = Kievan Chant
poet =
translator =
musiccopyright =
textcopyright =
world = {
\key g \major
\override Staff.TimeSignature #'stencil = ##f
\cadenzaOn
}
sop = \relative c'' {
\world
% Enter the music here.
a2 b2 a\breve fs4 g fs e2 \bar |
g\breve fs4 g2 a fs \bar |
a\breve g2 fs \bar |
g\breve fs2 g a g fs \bar||
a\breve g2 fs e1 \bar||
}
alto = \relative c' {
\world
% Enter the music here.
d2 g d\breve d4 g d e2 \bar |
g\breve d4 g2 d d \bar |
d\breve d2 d \bar |
g\breve d2 d fs g d \bar||
a\breve b2 b e1 \bar||
}
tenor = \relative c' {
\world
% Enter the music here.
a2 b2 a\breve fs4 g fs e2 \bar |
g\breve fs4 g2 a fs \bar |
a\breve g2 fs \bar |
g\breve fs2 g a g fs \bar||
a\breve g2 fs e1 \bar||
}
bass = \relative c {
\world
% Enter the music here.
d2 g d\breve d4 g d e2 \bar |
g\breve d4 g2 d d \bar |
d\breve d2 d \bar |
g\breve d2 d fs g d \bar||
a\breve b2 b e1 \bar||
}
verseOne = \lyricmode {
\set stanza =
}
\markup {
\column {
\fill-line { \large \bold \title } % title
\fill-line { \caps \piece % piece
\caps \composer % composer
}
\fill-line { \meter % meter
\arranger % arranger
}
\fill-line { \musiccopyright }
}
}
\score {
\context ChoirStaff
\context Staff = upper
\context Voice =
sopranos { \voiceOne \sop }
\context Voice =
altos { \voiceTwo \alto }
\context Staff = lower
\clef bass
\context Voice =
tenors { \voiceOne \tenor }
\context Voice =
basses { \voiceTwo \bass }
\layout {
\context {
\Score
% Turns off bar numbering
\remove Bar_number_engraver
}
\context {
}
}
}
\markup {
\normalsize {
\fill-line {
\hspace #3.0
\line {
\column {
}
}
\hspace #3.0
}
}
}
\markup {
\fill-line {
\column {
\small \caps \poet % poet
\small \caps \translator % translator
}
}
\fill-line { \small \textcopyright }
}
\paper {
ragged-bottom = ##t
top-margin = 0.25\in
bottom-margin = 0.25\in
}
%{
Source info goes here.
“ †(real quotation marks for easy cut-and-pasting)
© for cut-and-pasting.
Revision history:
3-23-06 Added licensing info, revised title layout system
%}
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Setting up a template
I need to set up templates for various chant systems in liliypond. I am not sure how to do this. I have the following, but I want the notes to be space *much* farther apart. How can I accomplish this? Thanks in advance. -- In Christ, Michael D stich_temp_kiev_01 Description: Binary data ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Templates for Chant again
The attached file is *almost* what I want, but the measures are
out-of-place. Any help would be appreciated. Thanks.
--
In Christ,
Michael D
% Version 2.1
% Last edit: March 16, 2006
% The music and words produced by this source code are believed
% to be in the public domain in the United States. The source
% code itself is covered by the Creative Commons Attribution-
% NonCommercial license,
% http://creativecommons.org/licenses/by-nc/2.5/
% Attribution: Geoff Horton
% This is a template for standard 4-part hymns. It contains most
% common options. Comment out the ones you don't need.
\version 2.8.0
\include english.ly
#(set-default-paper-size letter)
#(set-global-staff-size 20)
#(ly:set-option (quote no-point-and-click))
title = Template
composer = None
poet = None
translator = None
meter = None
arranger = None
piece = None
musiccopyright = None
textcopyright = None
world = {
\key g \major
\time 16/4
\override Staff.TimeSignature #'stencil = ##f
}
sop = \relative c' {
\world
% Enter the music here.
a'2 b a\breve fs4 g fs e2 |
g\breve fs4 g2 a fs |
a\breve g2 fs |
g\breve fs2 g a g fs |
a\breve g2 fs e1 \bar |.
}
alto = \relative c' {
\world
% Enter the music here.
d2 g d\breve d4 g d e2 |
g\breve d4 g2 d d |
d\breve d2 d |
g\breve d2 d fs g d |
a\breve b2 b e1 \bar |.
}
tenor = \relative c' {
\world
% Enter the music here.
}
bass = \relative c {
\world
% Enter the music here.
}
verseOne = \lyricmode {
\set stanza = 1.
}
\markup {
\column {
\fill-line { \large \bold \title } % title
\fill-line { \caps \piece % piece
\caps \composer % composer
}
\fill-line { \meter % meter
\arranger % arranger
}
\fill-line { \musiccopyright }
}
}
\score {
\context ChoirStaff
\context Staff = upper
\context Voice =
sopranos { \voiceOne \sop }
\context Voice =
altos { \voiceTwo \alto }
\context Lyrics = one \lyricsto sopranos \verseOne
\context Staff = lower
\clef bass
\context Voice =
tenors { \voiceOne \tenor }
\context Voice =
basses { \voiceTwo \bass }
\layout {
\context {
\Score
% Turns off bar numbering
\remove Bar_number_engraver
}
\context {
\Lyrics
% Prevents lyrics from running too close together
\override LyricSpace #'minimum-distance = #0.6
% Makes the text of lyrics a little smaller
\override LyricText #'font-size = #-1
% Moves lines of lyrics closer together
\override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
}
}
}
\markup {
\normalsize {
\fill-line {
\hspace #3.0
\line {
\bold 3.
\column {
}
}
\hspace #3.0
}
}
}
\markup {
\fill-line {
\column {
\small \caps \poet % poet
\small \caps \translator % translator
}
}
\fill-line { \small \textcopyright }
}
\paper {
ragged-bottom = ##t
top-margin = 0.25\in
bottom-margin = 0.25\in
}
%{
Source info goes here.
“ †(real quotation marks for easy cut-and-pasting)
© for cut-and-pasting.
Revision history:
3-23-06 Added licensing info, revised title layout system
%}
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Invitation to connect on LinkedIn
LinkedIn I'd like to add you to my professional network on LinkedIn. - Michael Michael Dykes Student at Georgia College and State University Macon, Georgia Area Confirm that you know Michael Dykes https://www.linkedin.com/e/-n369qb-gib5bg5w-32/isd/2071971615/07w6YY0R/ -- (c) 2010, LinkedIn Corporation___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Not enough space between certain words
I am working on another liturgical piece of music, and it has a refrain that
ends with the word: Alleluia! In most cases, that word is getting scrunched
up, and the dashes are not visible. The rest of the piece is fine, except
for that part. Could anyone help, please? Attached is the current version of
the file.
--
In Christ,
Michael D
\version 2.12.2
\include english.ly
\include gregorian.ly
\header {
title = Menaion ~ 06 January ~ The Theophany of our Lord.
subtitle = Second Antiphon
composer = Tone 2
poet = Lesser Znamenny Chant
}
global = {
\key f \major
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
f,4 f a a bf2(a) \divisioMinima
f4 f f g a a a a a a f g2 f2 \divisioMaior
f4 a a a a a a a a f g2 f \divisioMinima
a2 g4 a bf2 bf a4(bf a g) f2 g a(g) f1 \divisioMaxima
f4 f f f g a a bf2 bf4 a2 \divisioMinima
f4 f f g a a a f g2 g4 g f2 \divisioMaior
f4 a a a a a a a a f g2 f \divisioMinima
a2 g4 a bf2 bf a4(bf a g) f2 g a(g) f1 \divisioMaxima
f4 f g a a a a a a a a a a g a bf2 bf4 a2 \divisioMinima
f4 f f g a a a a a a a a f g2 g4 g f2 \divisioMaior
f4 a a a a a a a f g2 f \divisioMinima
a2 g4 a bf2 bf a4(bf a g) f2 g a(g) f1 \divisioMaxima
a4 g a bf2 bf4 bf bf a2 \divisioMinima
f4 a f g2 g f \divisioMaior
f4 a a a a a a a a f g2 f \divisioMinima
a2 g4 a bf2 bf a4(bf a g) f2 g a(g) f1 \divisioMaxima
}
alto = \relative c' {
\global
% Music follows here.
f4 f f f bf,(d) f2 \divisioMinima
f4 f f f f f f f f f f c2 f \divisioMaior
f4 f f f f f f f f f c2 f \divisioMinima
f2 f4 f bf,2 d f1 f2 d c1 f \divisioMaxima
f4 f f f f f f bf,2 d4 f2 \divisioMinima
f4 f f f f f f f c2 c4 c f2 \divisioMaior
f4 f f f f f f f f f c2 f \divisioMinima
f2 f4 f bf,2 d f1 f2 d c1 f \divisioMaxima
f4 f f f f f f f f f f f f f f bf,2 d4 f2 \divisioMinima
f4 f f f f f f f f f f f f c2 c4 c f2 \divisioMaior
f4 f f f f f f f f c2 f \divisioMinima
f2 f4 f bf,2 d f1 f2 d c1 f \divisioMaxima
f4 f f bf,2 bf4 bf d f2 \divisioMinima
f4 f f c2 c f2 \divisioMaior
f4 f f f f f f f f f c2 f \divisioMinima
f2 f4 f bf,2 d f1 f2 d c1 f \divisioMaxima
}
tenor = \relative c' {
\global
% Music follows here.
f,4 f a a bf2(a) \divisioMinima
f4 f f g a a a a a a f g2 f2 \divisioMaior
f4 a a a a a a a a f g2 f \divisioMinima
a2 g4 a bf2 bf a4(bf a g) f2 g a(g) f1 \divisioMaxima
f4 f f f g a a bf2 bf4 a2 \divisioMinima
f4 f f g a a a f g2 g4 g f2 \divisioMaior
f4 a a a a a a a a f g2 f \divisioMinima
a2 g4 a bf2 bf a4(bf a g) f2 g a(g) f1 \divisioMaxima
f4 f g a a a a a a a a a a g a bf2 bf4 a2 \divisioMinima
f4 f f g a a a a a a a a f g2 g4 g f2 \divisioMaior
f4 a a a a a a a f g2 f \divisioMinima
a2 g4 a bf2 bf a4(bf a g) f2 g a(g) f1 \divisioMaxima
a4 g a bf2 bf4 bf bf a2 \divisioMinima
f4 a f g2 g f \divisioMaior
f4 a a a a a a a a f g2 f \divisioMinima
a2 g4 a bf2 bf a4(bf a g) f2 g a(g) f1 \divisioMaxima
}
bass = \relative c {
\global
% Music follows here.
f4 f f f bf,(d) f2 \divisioMinima
f4 f f f f f f f f f f c2 f \divisioMaior
f4 f f f f f f f f f c2 f \divisioMinima
f2 f4 f bf,2 d f1 f2 d c1 f \divisioMaxima
f4 f f f f f f bf,2 d4 f2 \divisioMinima
f4 f f f f f f f c2 c4 c f2 \divisioMaior
f4 f f f f f f f f f c2 f \divisioMinima
f2 f4 f bf,2 d f1 f2 d c1 f \divisioMaxima
f4 f f f f f f f f f f f f f f bf,2 d4 f2 \divisioMinima
f4 f f f f f f f f f f f f c2 c4 c f2 \divisioMaior
f4 f f f f f f f f c2 f \divisioMinima
f2 f4 f bf,2 d f1 f2 d c1 f \divisioMaxima
f4 f f bf,2 bf4 bf d f2 \divisioMinima
f4 f f c2 c f2 \divisioMaior
f4 f f f f f f f f f c2 f \divisioMinima
f2 f4 f bf,2 d f1 f2 d c1 f \divisioMaxima
}
verse = \lyricmode {
% Lyrics follow here.
I hath loved the Lord,
be -- cause He hath heard my voice and my sup -- pli -- ca -- tion.
O Son of God, Who was bap -- tized in the Jor -- dan, save us who
sing to Thee,__ Al -- le -- lu -- ia!
Be -- cause He hath in -- clined His ear to me,
there -- fore I shall call on Him as long as I live.
O Son of God, Who was bap -- tized in the Jor -- dan, save us who
sing to Thee,__ Al -- le -- lu -- ia!
The snares of death hath en -- comp -- assed me; the pangs of
She -- ol laid hold on me;
I suf -- fered dis -- tress and anguish, then I called on the
Name of the Lord.
O Son of God, Who was bap -- tized in the Jor -- dan, save us who
sing to Thee,__ Al -- le -- lu -- ia!
Gra -- cious and right -- eous is the Lord;
our God is mer -- ci -- ful.
O Son of God, Who was bap -- tized in the Jor -- dan, save us who
sing to Thee,__ Al -- le -- lu -- ia!
}
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { S A }
Chorded notes
I have a score for some of my Liturgical Music I am working on, need the bass to have a C (2nd space-bass clef) quarter note, *and *two eighth note C's (the first 2nd space, and the second, middle C) to show to options for the bass which then continues over the next few measures with octave bass lines. How do I achieve this? I looked in the manuals, but so far I have not found any references to this situation. Thanks. -- In Christ, Michael D ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Problems with text placement
Here is a prob that I have been sturggling with in many pieces. Adding text
above a line, as I did below in the Great Eketenia. I also need to do that
elsewhere (say the Trisagion (Holy God)-also see below), but have texts
longer than the lenght of the measure. Is there a way to extend measures?
For the Triasion, above the 1st measure, I need:
Deacon: O Lord save the pious
and after the divisiominor, I need:
and hear us.
Also for some pieces I need text above an entire piece, as in the Esodikon
(Come, let us Worship), where above the entire piece I need:
Deacon: Wisdom! Let us attend!
Any help is very welcome. Thanks in advance.
--
In Christ,
Michael D
\version 2.12.2
\include english.ly
\include gregorian.ly
\paper { page-count = 1 }
\header {
title = Horologion ~ The Divine Liturgy
subtitle = The Great Ektenia (Litany)
poet = Kievan Chant
}
global = {
\key g \major
\time 10/4
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
\override Score.SpacingSpanner #'packed-spacing = ##f
\override TextScript #'staff-padding = #6
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
g1 g1 \finalis
g2.
^\markup {\italic \tiny In peace, let us pray... }
fs4 a2 g1 \divisioMaxima
b2
^\markup {\italic \tiny For the peace from above... }
(a4) b c2(b4 a) g1 \divisioMaxima
g2.
^\markup {\italic \tiny For the peace of the whole world...}
fs4 a2 g1 \divisioMaxima
b2
^\markup {\italic \tiny For this holy house... }
(a4) b c2(b4 a) g1 \divisioMaxima
g2.
^\markup {\italic \tiny For our lord, the Most Blessed...}
fs4 a2 g1 \divisioMaxima
b2
^\markup {\italic \tiny For this God-protected land... }
(a4) b c2(b4 a) g1 \divisioMaxima
g2.
^\markup {\italic \tiny For this city ... }
fs4 a2 g1 \divisioMaxima
b2
^\markup {\italic \tiny For favourable weather ... }
(a4) b c2(b4 a) g1 \divisioMaxima
g2.
^\markup {\italic \tiny For travelers ... }
fs4 a2 g1 \divisioMaxima
b2
^\markup {\italic \tiny For our }
(a4) b
c2
^\markup {\italic \tiny deliverance from... }
(b4 a) g1 \divisioMaxima
g2.
^\markup {\italic \tiny Help us, save us ... }
fs4 a2 g1 \divisioMaxima
g4
^\markup {\italic \tiny Remembering our All-holy }
b2(c) b4(a) g1 \finalis
g1
^\markup {\italic \tiny For to Thee...}
g1 \finalis
}
alto = \relative c' {
\global
% Music follows here.
g'1 g1 \finalis
g2. d4 d2 g1 \divisioMaxima
g2(fs4) d c2(d) g1 \divisioMaxima
g2. d4 d2 g1 \divisioMaxima
g2(fs4) d c2(d) g1 \divisioMaxima
g2. d4 d2 g1 \divisioMaxima
g2(fs4) d c2(d) g1 \divisioMaxima
g2. d4 d2 g1 \divisioMaxima
g2(fs4) d c2(d) g1 \divisioMaxima
g2. d4 d2 g1 \divisioMaxima
g2(fs4) d c2(d) g1 \divisioMaxima
g2. d4 d2 g1 \divisioMaxima
g4 g2(c,) d g1 \finalis
g1 g1 \finalis
}
tenor = \relative c' {
\global
% Music follows here.
g1 g1 \finalis
g2. fs4 a2 g1 \divisioMaxima
b2(a4) b c2(b4 a) g1 \divisioMaxima
g2. fs4 a2 g1 \divisioMaxima
b2(a4) b c2(b4 a) g1 \divisioMaxima
g2. fs4 a2 g1 \divisioMaxima
b2(a4) b c2(b4 a) g1 \divisioMaxima
g2. fs4 a2 g1 \divisioMaxima
b2(a4) b c2(b4 a) g1 \divisioMaxima
g2. fs4 a2 g1 \divisioMaxima
b2(a4) b c2(b4 a) g1 \divisioMaxima
g2. fs4 a2 g1 \divisioMaxima
g4 b2(c) b4(a) g1 \finalis
g1 g1 \finalis
}
bass = \relative c {
\global
% Music follows here.
g'1 g1 \finalis
g2. d4 d2 g1 \divisioMaxima
g2(fs4) d c2(d) g1 \divisioMaxima
g2. d4 d2 g1 \divisioMaxima
g2(fs4) d c2(d) g1 \divisioMaxima
g2. d4 d2 g1 \divisioMaxima
g2(fs4) d c2(d) g1 \divisioMaxima
g2. d4 d2 g1 \divisioMaxima
g2(fs4) d c2(d) g1 \divisioMaxima
g2. d4 d2 g1 \divisioMaxima
g2(fs4) d c2(d) g1 \divisioMaxima
g2. d4 d2 g1 \divisioMaxima
g4 g2(c,) d g1 \finalis
g1 g1 \finalis
}
verse = \lyricmode {
% Lyrics follow here.
A -- men.
Lord, have mer -- cy.
Lord, __ have mer -- cy.
Lord, have mer -- cy.
Lord, __ have mer -- cy.
Lord, have mer -- cy.
Lord, __ have mer -- cy.
Lord, have mer -- cy.
Lord, __ have mer -- cy.
Lord, have mer -- cy.
Lord, __ have mer -- cy.
Lord, have mer -- cy.
To Thee, O Lord.
A -- men.
}
\score {
\transpose g f
\new ChoirStaff
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { S A }
}
\new Voice = soprano { \voiceOne \soprano }
\new Voice = alto { \voiceTwo \alto }
\new Lyrics \lyricsto soprano \verse
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\new Voice = bass { \voiceTwo \bass }
\layout { ragged-last=##f page-count = 1}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}
}
}
\version 2.12.2
\include
Prokeimena Project
Xavier, I am trying to extend what you did for me in the Prokeimenon setting
to more than just 2 prokeimena. For the first project, I will be using the
Resurrectional Prokeimena in ALL 8 tones, thus requiring 8 separate staves,
and psalm verses. I started with Tone 3, and copied pasted changing Verse
One to Verse Three, etc.--but keep getting error messages I do not
understand. I have attached my file below. Any help would be appreciated.
--
In Christ,
Michael D
\version 2.12.2
\include english.ly
\include gregorian.ly
% XS: necessary, see below
\paper{
print-all-headers = ##t
}
global = {
\key f \major
\time 7/4
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
}
move = { \bar \break }
%% XS: variables ending by One are related to SCORE NUMBER 1:
%% Prokeimenon ~ Tone 1
%% Variables ending by Two are related to SCORE NUMBER 2:
%% Prokeimenon ~ Tone 2
%% Variables ending by Three are related to SCORE NUMBER 3:
%% Prokeimenon ~ Tone 3
%% Variables ending by Four are related to SCORE NUMBER 4:
%% Prokeimenon ~ Tone 4
%% Variables ending by Five are related to SCORE NUMBER 5:
%% Prokeimenon ~ Tone 5
%% Variables ending by Six are related to SCORE NUMBER 6:
%% Prokeimenon ~ Tone 6
%% Variables ending by Seven are related to SCORE NUMBER 7:
%% Prokeimenon ~ Tone 7
%% Variables ending by Eight are related to SCORE NUMBER 8:
%% Prokeimenon ~ Tone 8
sopranoOne = \relative c' {
\global
% Music follows here.
f4 f f f f g a2 a4 a a2 \divisioMaxima
a2 g4(f g2) f4(a) a g g8(f e4 f e) d2 c1 \finalis
}
sopranoTwo = \relative c' {
\global
a'4 a a a a a a bf1 \divisioMaxima
bf4 bf bf bf a(g) a bf a2(g a4 g f2 g) f1 \finalis
}
sopranoThree = \relative c' {
\global
bf4 bf bf bf bf bf bf bf1 \divisioMaxima
bf4(a) c2(bf4 a) bf4 c bf2 bf2 \times 2/3 {c4(bf a} bf2 a4 g
a2) g1 \finalis
}
altoOne = \relative c' {
\global
% Music follows here.
f4 f f f f c f2 f4 f f2 \divisioMaxima
f2 c1 f2 f4 c c2(f4 c4) d2 c1 \finalis
}
altoTwo = \relative c {
\global
f'4 f f f f f f c1 \divisioMaxima
c4 c c c c2 c4 c f2(c f4 c d2 a2) d1 \finalis
}
altoThree = \relative c {
\global
c4 c c c c c c c1 \divisioMaxima
c2 f2(c) c4 c c2 c c1.(c2) c1 \finalis
}
tenorOne = \relative c {
\global
% Music follows here.
f4 f f f f g a2 a4 a a2 \divisioMaxima
a2 g4(f g2) f4(a) a g g8(f e4 f e) d2 c1 \finalis
}
tenorTwo = \relative c {
\global
a'4 a a a a a a bf1 \divisioMaxima
bf4 bf bf bf a(g) a bf a2(g a4 g f2 g) f1 \finalis
}
tenorThree = \relative c' {
\global
bf4 bf bf bf bf bf bf bf1 \divisioMaxima
bf4(a) c2(bf4 a) bf4 c bf2 bf2 \times 2/3 {c4(bf a} bf2 a4 g
a2) g1 \finalis
}
bassOne = \relative c {
\global
% Music follows here.
f4 f f f f c f2 f4 f f2 \divisioMaxima
f2 c1 f2 f4 c c2(f4 c4) d2 c1 \finalis
}
bassTwo = \relative c {
\global
f4 f f f f f f c1 \divisioMaxima
c4 c c c c2 c4 c f2(c f4 c d2 a2) d1 \finalis
}
bassThree = \relative c {
\global
c4 c c c c c c c1 \divisioMaxima
c2 f2(c) c4 c c2 c c1.(c2) c1 \finalis
verseOne = \lyricmode {
% Lyrics follow here.
Let Thy mer -- cy be up -- on us, O Lord,
as we __ have __ set our hope __ on Thee.
}
verseTwo = \lyricmode {
My might and my song is the Lord,
and He is be -- come __ my sal -- va -- tion.
}
verseThree = \lyricmode {
Sing psalms un -- to our God, sing psalms;
sing __ psalms __ un -- to our King, sing __ psalms.
}
% XS: see NR 2.1.5 for further details
psalmVerseOne = \markup \column {
Rejoice in the Lord,ye righteous;
praise becometh the upright.
}
psalmVerseTwo = \markup \column {
The Lord hath sorely chastened me;
but He hath not given me over unto death.
}
psalmVerseThree = \markup \column {
All ye nations, clap your hands;
shout unto God with a joyful noise.
}
%% XS: SCORE NUMBER 1
%%
%% Prokeimenon ~ Tone 1
%%
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { S A }
}
\new Voice = soprano { \voiceOne \sopranoOne }
\new Voice = alto { \voiceTwo \altoOne }
\new Lyrics \lyricsto soprano \verseOne
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenorOne }
\new Voice = bass { \voiceTwo \bassOne }
% XS: Prokeimenon title here (as subtitle)
% NB: print-all-headers = ##t necessary to print subtitle, see NR 3.2.1
\header {
title = Octoëchos ~ Hymns of the Resurrection
subtitle = Prokeimenon ~ Tone 1
composer = Divine Liturgy
poet = Znamenny Chant
}
\layout { ragged-last = ##f }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}
}
}
% XS: psalm verse one
\psalmVerseOne
%% XS: SCORE NUMBER 2
%%
%% Prokeimenon ~ Tone 2
%%
\score {
\new ChoirStaff
\new Staff \with {
need a header in the middle of a page
Hullo all. I am doing some more of my traditional Orthodox Chant music, and
I have two systems of music representing 2 diff Prokeimena (psalm verses
chanted before the Epistle Reading). Above the second system, I need an
additional header (in the style of the first header, same font, size, etc.)
in order to let people know what the second hymn is. How do I accomplish
this in Lilypond? The second header is: *Prokeimenon for an Hierarch.*
Additionally, I need to add the psalm verses below each system: for the 1st
system it is: *Rejoice in the Lord, ye righteous; praise becometh the
upright. *Then for the 2nd system it is: *Hear these things, all ye nations;
give heed, all ye that dwell in the world.*
I need a bit of help in these regards, plz. Thanks. A file of what I have
tried to do is attached already. Thanks again. Also, now it seems that both
of the Prokeimena have become ``fused'' together, I need them on separate
systems, i.e. where the first double bar is, that needs to be the end of the
1st system, and then should start another system, preferably w/ enough space
in between for the psalm verses I mentioned above, the next header. Thanks
again.
--
In Christ,
Michael D
\version 2.12.2
\include english.ly
\include gregorian.ly
\header {
title = Octoëchos ~ Hymns of the Resurrection
subtitle = Prokeimenon ~ Tone 1
composer = Divine Liturgy
poet = Znamenny Chant
}
global = {
\key f \major
\time 7/4
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
f,4 f f f f g a2 a4 a a2 \divisioMaxima
a2 g4(f g2) f4(a) a g g8(f e4 f e) d2 c1 \finalis
f4 f2 f4 g a2 a \divisioMaxima
a4 a g f g2 f4(a) a g g8(f e4) f e d2 c1 \finalis
}
alto = \relative c' {
\global
% Music follows here.
f4 f f f f c f2 f4 f f2 \divisioMaxima
f2 c1 f2 f4 c c2(f4 c4) d2 c,1 \finalis
f4 f2 f4 f f2 f \divisioMaxima
f4 f c c c2 f f4 c c2 f4 c d2 c1 \finalis
}
tenor = \relative c' {
\global
% Music follows here.
f,4 f f f f g a2 a4 a a2 \divisioMaxima
a2 g4(f g2) f4(a) a g g8(f e4 f e) d2 c1 \finalis
f4 f2 f4 g a2 a \divisioMaxima
a4 a g f g2 f4(a) a g g8(f e4) f e d2 c1 \finalis
}
bass = \relative c {
\global
% Music follows here.
f4 f f f f c f2 f4 f f2 \divisioMaxima
f2 c1 f2 f4 c c2(f4 c4) d2 c,1 \finalis
f4 f2 f4 f f2 f \divisioMaxima
f4 f c c c2 f f4 c c2 f4 c d2 c1 \finalis
}
verse = \lyricmode {
% Lyrics follow here.
Let Thy mer -- cy be up -- on us, O Lord,
as we __ have __ set our hope __ on Thee.
My mouth shall speak wis -- dom,
and the me -- di -- ta -- tion __ of my heart
un -- der -- stand -- ing.
}
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { S A }
}
\new Voice = soprano { \voiceOne \soprano }
\new Voice = alto { \voiceTwo \alto }
\new Lyrics \lyricsto soprano \verse
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\new Voice = bass { \voiceTwo \bass }
\layout { ragged-last=##f }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}
}
}
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Title being cut off
Actually, when I go to my docs, open the pdf it looks fine. However, when I print, I get the subtitle, and only half of the title??? -Michael On Fri, Aug 20, 2010 at 11:14 PM, Michael Dykes thedoctor81...@gmail.comwrote: Hullo. I have several pieces of Orthodox music, in all of them the title is cut-off, i.e. I cannot see the top-half of all the letters in the title, only the bottom-half. Now, when I go back to Fresobaldi, and hit `Lilypond' then wait for the process to be complete, and print from there it looks fine. But, I have uploaded all of the original files to my website, cannot upload them from within Frescobaldi, or do not lik having to go back to Frescobaldi to print. What can I do? Thanks a lot. -- In Christ, Michael D -- In Christ, Michael D ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
My piece of music is spanning 2 pages when it can fit easily on 1
Hullo. I just finished setting the Great Litany to Kievan Chant (Russian
Orthodox). Before, the music fit easily on 1 pg, but after making one small
change, it is now *very widely spaced on 2 pages. How can I fix that.
Attached is the .ly file. Please help. Thanks a lot.*
--
In Christ,
Michael D
\version 2.12.2
\include english.ly
\include gregorian.ly
\header {
title = The Divine Liturgy
subtitle = Great Ektenia
composer = Kievan Chant
}
global = {
\key g \major
\time 10/4
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
\override Score.SpacingSpanner #'packed-spacing = ##f
\override TextScript #'staff-padding = #6
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
g1 g1 \finalis
g2.
^\markup {\italic \tiny In peace, let us pray... }
fs4 a2 g1 \divisioMaxima
b2
^\markup {\italic \tiny For the peace from above... }
(a4) b c2(b4 a) g1 \divisioMaxima
g2.
^\markup {\italic \tiny For the peace of the whole world...}
fs4 a2 g1 \divisioMaxima
b2
^\markup {\italic \tiny For this holy house... }
(a4) b c2(b4 a) g1 \divisioMaxima
g2.
^\markup {\italic \tiny For our lord, the Most Blessed...}
fs4 a2 g1 \divisioMaxima
b2
^\markup {\italic \tiny For this God-protected land... }
(a4) b c2(b4 a) g1 \divisioMaxima
g2.
^\markup {\italic \tiny For this city ... }
fs4 a2 g1 \divisioMaxima
b2
^\markup {\italic \tiny For favourable weather ... }
(a4) b c2(b4 a) g1 \divisioMaxima
g2.
^\markup {\italic \tiny For travelers ... }
fs4 a2 g1 \divisioMaxima
b2
^\markup {\italic \tiny For our }
(a4) b
c2
^\markup {\italic \tiny deliverance from... }
(b4 a) g1 \divisioMaxima
g2.
^\markup {\italic \tiny Help us, save us ... }
fs4 a2 g1 \divisioMaxima
g4
^\markup {\italic \tiny Remembering our All-holy }
b2(c) b4(a) g1 \finalis
g1
^\markup {\italic \tiny For to Thee...}
g1 \finalis
}
alto = \relative c' {
\global
% Music follows here.
g'1 g1 \finalis
g2. d4 d2 g1 \divisioMaxima
g2(fs4) d c2(d) g1 \divisioMaxima
g2. d4 d2 g1 \divisioMaxima
g2(fs4) d c2(d) g1 \divisioMaxima
g2. d4 d2 g1 \divisioMaxima
g2(fs4) d c2(d) g1 \divisioMaxima
g2. d4 d2 g1 \divisioMaxima
g2(fs4) d c2(d) g1 \divisioMaxima
g2. d4 d2 g1 \divisioMaxima
g2(fs4) d c2(d) g1 \divisioMaxima
g2. d4 d2 g1 \divisioMaxima
g4 g2(c,) d g1 \finalis
g1 g1 \finalis
}
tenor = \relative c' {
\global
% Music follows here.
g1 g1 \finalis
g2. fs4 a2 g1 \divisioMaxima
b2(a4) b c2(b4 a) g1 \divisioMaxima
g2. fs4 a2 g1 \divisioMaxima
b2(a4) b c2(b4 a) g1 \divisioMaxima
g2. fs4 a2 g1 \divisioMaxima
b2(a4) b c2(b4 a) g1 \divisioMaxima
g2. fs4 a2 g1 \divisioMaxima
b2(a4) b c2(b4 a) g1 \divisioMaxima
g2. fs4 a2 g1 \divisioMaxima
b2(a4) b c2(b4 a) g1 \divisioMaxima
g2. fs4 a2 g1 \divisioMaxima
g4 b2(c) b4(a) g1 \finalis
g1 g1 \finalis
}
bass = \relative c {
\global
% Music follows here.
g'1 g1 \finalis
g2. d4 d2 g1 \divisioMaxima
g2(fs4) d c2(d) g1 \divisioMaxima
g2. d4 d2 g1 \divisioMaxima
g2(fs4) d c2(d) g1 \divisioMaxima
g2. d4 d2 g1 \divisioMaxima
g2(fs4) d c2(d) g1 \divisioMaxima
g2. d4 d2 g1 \divisioMaxima
g2(fs4) d c2(d) g1 \divisioMaxima
g2. d4 d2 g1 \divisioMaxima
g2(fs4) d c2(d) g1 \divisioMaxima
g2. d4 d2 g1 \divisioMaxima
g4 g2(c,) d g1 \finalis
g1 g1 \finalis
}
verse = \lyricmode {
% Lyrics follow here.
A -- men.
Lord, have mer -- cy.
Lord, __ have mer -- cy.
Lord, have mer -- cy.
Lord, __ have mer -- cy.
Lord, have mer -- cy.
Lord, __ have mer -- cy.
Lord, have mer -- cy.
Lord, __ have mer -- cy.
Lord, have mer -- cy.
Lord, __ have mer -- cy.
Lord, have mer -- cy.
To __ Thee, O Lord.
A -- men.
}
\score {
\transpose g f
\new ChoirStaff
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { S A }
}
\new Voice = soprano { \voiceOne \soprano }
\new Voice = alto { \voiceTwo \alto }
\new Lyrics \lyricsto soprano \verse
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\new Voice = bass { \voiceTwo \bass }
\layout { ragged-last=##f }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}
}
}
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Check out my photos on Facebook
Hi, I set up a Facebook profile where I can post my pictures, videos and events and I want to add you as a friend so you can see it. First, you need to join Facebook! Once you join, you can also create your own profile. Thanks, Michael To sign up for Facebook, follow the link below: http://www.facebook.com/p.php?i=741378096k=32D65VWRST6G6BD1PDZ2YVUPS6BAXT4AQPIQr Already have an account? Add this email address to your account: http://www.facebook.com/n/?merge_accounts.phpe=lilypond-user%40gnu.orgc=559489e25c59cdb39fb08f10b227272e === lilypond-user@gnu.org was invited to join Facebook by Michael Dykes. If you do not wish to receive this type of email from Facebook in the future, please click on the link below to unsubscribe. http://www.facebook.com/o.php?k=4c2384u=10165782430mid=2a9e15aG5af31a5be39eG0G8 Facebook, Inc. P.O. Box 10005, Palo Alto, CA 94303 ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
markup ?
With the following file, I want to begin adding text expressions above the
music. While I understand the basics, I am faltering on how to get the
expressions *exactly *how I want them. E.g. I want the following
phrase: ^\markup{\italic
''Blessed is the Kingdom ... ''} to be aligned above the 1st measure of
music, but evenly space, not shifting the music or notes *any *at all. How,
can I accomplish this?
Thanks,
--
In Christ,
Michael D
\version 2.12.2
\include english.ly
\include gregorian.ly
\header {
title = The Divine Liturgy
subtitle = Great Ektenia
composer = Znamenny Chant
}
global = {
\key f \major
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
a4(g a bf c2 bf a g) f1
\finalis
f4(e) f(g) a2(g) f1 \divisioMaxima
a4(g) a(bf) a2(g) f1 \divisioMaxima
f4(e d) e f(g) f1 \divisioMaxima
f4(e f g a2) g4(f) g(a2 g4) f1 \divisioMaxima
a4(g a bf c2) bf4(a) g2(a4 bf) a2 \finalis
f4(e f g) a2 g f1 \finalis
f4 f1 \finalis
}
alto = \relative c' {
\global
% Music follows here.
f1.(~f1 c2) f1 \finalis
f4(c) f2 f1 f \divisioMaxima
f2 f f(c) f1 \divisioMaxima
d2. c4 f2 f1 \divisioMaxima
f4(e f1) d2 c1 f \divisioMaxima
f1. g2 g1 f2 \finalis
d4 c f2 f e f1 \finalis
f4 f1 \finalis
}
tenor = \relative c' {
\global
% Music follows here.
a4(g a bf c2 bf a g) f1 \finalis
f4(e) f(g) a2(g) f1 \divisioMaxima
a4(g) a(bf) a2(g) f1 \divisioMaxima
f4(e d) e f(g) f1 \divisioMaxima
f4(e f g a2) g4(f) g(a2 g4) f1 \divisioMaxima
a4(g a bf c2) bf4(a) g2(a4 bf) a2 \finalis
f4(e f g) a2 g f1 \finalis
f4 f1 \finalis
}
bass = \relative c {
\global
% Music follows here.
f1.(~f1 c2) f1 \finalis
f4(c) f2 f1 f \divisioMaxima
f2 f f(c) f1 \divisioMaxima
d2. c4 f2 f1 \divisioMaxima
f4(e f1) d2 c1 f \divisioMaxima
f1. g2 g1 f2 \finalis
d4 c f2 f e f1 \finalis
f4 f1 \finalis
}
verse = \lyricmode {
% Lyrics follow here.
A -- men.
Lord, __ have mer -- cy.
Lord, __ have mer -- cy.
Lord, __ have mer -- cy.
Lord, __ have mer -- cy.
Lord, __ have mer -- cy.
To __ Thee, O Lord.
A -- men.
}
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { S A }
}
\new Voice = soprano { \voiceOne \soprano }
\new Voice = alto { \voiceTwo \alto }
\new Lyrics \lyricsto soprano \verse
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\new Voice = bass { \voiceTwo \bass }
\layout { ragged-last=##f }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}
}
}
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Help w/transposing
Can someone help me to transpose the following attached file from Gmajor to
Fmajor? I know it must seem simple, but I am working on a larger project
with more complicated music.
Thanks.
--
In Christ,
Michael D
\version 2.12.2
\include english.ly
\include gregorian.ly
\header {
title = The Divine Liturgy
subtitle = Great Ektenia
composer = Znamenny Chant
}
global = {
\key g \major
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
b4(a b c d2 c b a) g1 \divisioMaxima
}
}
alto = \relative c' {
\global
% Music follows here.
g'1.(~g1 d2) g1 \divisioMaxima
}
tenor = \relative c' {
\global
% Music follows here.
b4(a b c d2 c b a) g1 \divisioMaxima
}
bass = \relative c {
\global
% Music follows here.
g'1.(~g1 d2) g1 \divisioMaxima
}
verse = \lyricmode {
% Lyrics follow here.
A -- men.
}
move = { \bar \break }
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { S A }
}
\new Voice = soprano { \voiceOne \soprano }
\new Voice = alto { \voiceTwo \alto }
\new Lyrics \lyricsto soprano \verse
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\new Voice = bass { \voiceTwo \bass }
\layout { ragged-last=##f }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}
}
}
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Having trouble with lyrics on an unmetered chant tone
Hullo. I am using lilypond for the first time, am finding it to be a
delight. I have successfully set a few of the Resurrectional Apolytikia (or
Troparia) in Tones 1-4 using a variety of Russian-based chants in 2 voices.
Now, I am working on Tone V in the Kievan Chant. I am finding that when I
use a syll -- a -- ble that lilypond does not always give me the hyphen I
ask for. attached is my current 'code' (for lack of a better word for it)
for the Tone V. I wish to get a hyphen in the words ``glorious''
``Resurrection'' at the places where there is currently an underscore
[except in the last syllable of Resurrection where I have the slur
indicated]. Any help would be appreciated.
--
In Christ,
Michael D
\version 2.12.2
\include english.ly
\include gregorian.ly
\header {
title = Octoechoes ~ Tone 5
subtitle = Ressurectional Apolytikion
composer = Kievan Chant
}
global = {
\key f \major
\time 22/4
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
}
soprano = \relative c'' {
\global
% Music follows here.
g4 g2 g4 g f g a2 f4 f f2 \divisioMinima
a4 a a a a a g a2 g2 \divisioMinima
g2 g4 g g g e f(g f e) d1 \divisioMaior
g4 g g2 g4 g g g f g a2 f4 f f2 \divisioMinima
a4 g a2 g2 \divisioMinima
g4 e f(g f) e d1 \divisioMaior
a'4 a g2 f4 f f f e2(f4 e) d1 \finalis
}
alto = \relative c' {
\global
% Music follows here.
c4 c2 c4 c d c f2 f4 f f2 \divisioMinima
f4 f f f f f f f2 c \divisioMinima
c2 c4 c c c c f(e f c) d1 \divisioMaior
c4 c c2 c4 c c c d c f2 f4 f f2 \divisioMinima
f4 f f2 c \divisioMinima
c4 c f(e f) c d1 \divisioMaior
f4 f e2 f4 f f f c2(a4 c) d1 \finalis
}
tenor = \relative c' {
\global
% Music follows here.
g4 g2 g4 g f g a2 f4 f f2 \divisioMinima
a4 a a a a a g a2 g2 \divisioMinima
g2 g4 g g g e f(g f e) d1 \divisioMaior
g4 g g2 g4 g g g f g a2 f4 f f2 \divisioMinima
a4 g a2 g2 \divisioMinima
g4 e f(g f) e d1 \divisioMaior
a'4 a g2 f4 f f f e2(f4 e) d1 \finalis
}
bass = \relative c {
\global
% Music follows here.
c4 c2 c4 c d c f2 f4 f f2 \divisioMinima
f4 f f f f f f f2 c \divisioMinima
c2 c4 c c c c f(e f c) d1 \divisioMaior
c4 c c2 c4 c c c d c f2 f4 f f2 \divisioMinima
f4 f f2 c \divisioMinima
c4 c f(e f) c d1 \divisioMaior
f4 f e2 f4 f f f c2(a4 c) d1 \finalis
}
verse = \lyricmode {
% Lyrics follow here.
Let us, the faithful; praise and wor -- ship the Word,
Co -- Eternal with the Father and the Spi -- rit,
born for our salvation from the Vir __ gin;
for He willed to be lifted up -- on the Cross in the flesh,
to en -- dure death,
and to raise __ the dead
by His glo __ ri __ ous Re __ ssu __ rec __ tion!
}
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { S A }
}
\new Voice = soprano { \voiceOne \soprano }
\new Voice = alto { \voiceTwo \alto }
\new Lyrics \lyricsto soprano \verse
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\new Voice = bass { \voiceTwo \bass }
\layout { }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}
}
}
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