Re: Unterminated terminated tie
It took some digesting, but it behaves as desired:
[image: image.png]
Thanks!
Mike Dean
On Mon, Apr 17, 2023 at 11:49 PM Jean Abou Samra wrote:
> Le lundi 17 avril 2023 à 16:46 -0700, Mike Dean a écrit :
>
> I am needing to figure out how to best tie a note...
>
> \version "2.24.0"
> \relative c' {
> \key af \major
> \time 2/4
> \tempo "Not fast"
>ef8 c' ~c16 bf af g f ef8 df16 c8 bf16 af g af bf c df ef f g af8 r r4
>\repeat volta 2 {
> c8 c4 ef8 f16 (ef8) f16 (ef) f16 (ef8)
> bf'16 (af8) bf16 (af) bf (af) ef!~
> << { ef2}
> \
> { r8 ef,16 (f g af bf b) }
> >>
>
> I am getting an unterminated tie warning: C:/Users/Mike
> Dean/Documents/musicwork/Lilypond/The-Easy-Winners-melody.ly:19:39
> : warning: unterminated tie bf'16 (af8) bf16 (af) bf (af) ef! ~
> and the tie needs to go from the ef! to the ef2 in the top of the
> simultaneous voice.
> I have a couple of other instances where I need to do likewise, so any
> help will be welcome. Thanks.
>
> Try
>
> \version "2.24.1"
> \language english
>
> \relative c' {
> \key af \major
> \time 2/4
> \tempo "Not fast"
> ef8 c' ~c16 bf af g f ef8 df16 c8 bf16 af g af bf c df ef f g af8 r r4
> \repeat volta 2 {
> c8 c4 ef8 f16 (ef8) f16 (ef) f16 (ef8)
> bf'16 (af8) bf16 (af) bf (af) ef!~
> <<
> { \voiceOne ef2}
> \new Voice { \voiceTwo r8 ef,16 (f g af bf b) }
> >>
> \oneVoice
> }
> }
>
> A tie must end in the same voice as the voice it has been created in. The <<
> \\ >> construct creates a new voice for *all* of the inner expressions.
> Instead, you should use the more verbose form with \new Voice, \oneVoice,
> \voiceTwo and \oneVoice. Note that the first expression in the << >>
> construct doesn't have \new Voice, that's the whole point. That means it
> continues the previous voice context.
>
Re: Unterminated terminated tie
Mark: That has helped some
\version "2.24.0"
\relative c' {
\key af \major
\time 2/4
\tempo "Not fast"
ef8 c' ~c16 bf af g f ef8 df16 c8 bf16 af g af bf c df ef f g af8 r r4
c8 c4 ef8 f16 (ef8) f16 (ef) f16 (ef8)
<< { bf'16 (af8) bf16 (af) bf (af) ef!~ ef2}
\\
{ s2 r8 ef,16 (f g af bf b) }
>>
[image: image.png]
But with the spacer rests, I want to get the beams pointing downward
<< { _[ bf'16 (af8) bf16] _[ (af) bf (af) ef!~ef2] }
\\
{ s2 r8 ef,16 (f g af bf b) }
>>
The above doesn't seem to be the best way of doing it
Mike Dean
On Mon, Apr 17, 2023 at 7:25 PM Mark Stephen Mrotek
wrote:
> Mike,
>
> One way is to start the lower voice one measure earlier and use a spacer.
>
> See below.
>
>
>
> Mark
>
>
>
>
>
>
>
> *From:* lilypond-user-bounces+carsonmark=ca.rr....@gnu.org [mailto:
> lilypond-user-bounces+carsonmark=ca.rr@gnu.org] *On Behalf Of *Mike
> Dean
> *Sent:* Monday, April 17, 2023 4:47 PM
> *To:* Lilypond-User Mailing List
> *Subject:* Unterminated terminated tie
>
>
>
> I am needing to figure out how to best tie a note...
>
>
>
> \version "2.24.0"
>
> \relative c' {
> \key af \major
> \time 2/4
> \tempo "Not fast"
>ef8 c' ~c16 bf af g f ef8 df16 c8 bf16 af g af bf c df ef f g af8 r r4
>\repeat volta 2 {
> c8 c4 ef8 f16 (ef8) f16 (ef) f16 (ef8)
> << { bf'16 (af8) bf16 (af) bf (af) ef!~ ef2}
> \\
> { s2 r8 ef,16 (f g af bf b) }
> >>
>
>
>
> I am getting an unterminated tie warning:
>
> C:/Users/Mike
> Dean/Documents/musicwork/Lilypond/The-Easy-Winners-melody.ly:19:39
> : warning: unterminated tie
>
> bf'16 (af8) bf16 (af) bf (af) ef!
>
> ~
>
> and the tie needs to go from the ef! to the ef2 in the top of the
> simultaneous voice.
>
> I have a couple of other instances where I need to do likewise, so any
> help will be welcome. Thanks.
>
>
>
> Mike Dean
>
Unterminated terminated tie
I am needing to figure out how to best tie a note...
\version "2.24.0"
\relative c' {
\key af \major
\time 2/4
\tempo "Not fast"
ef8 c' ~c16 bf af g f ef8 df16 c8 bf16 af g af bf c df ef f g af8 r r4
\repeat volta 2 {
c8 c4 ef8 f16 (ef8) f16 (ef) f16 (ef8)
bf'16 (af8) bf16 (af) bf (af) ef!~
<< { ef2}
\\
{ r8 ef,16 (f g af bf b) }
>>
I am getting an unterminated tie warning:
C:/Users/Mike
Dean/Documents/musicwork/Lilypond/The-Easy-Winners-melody.ly:19:39 <0>:
warning: unterminated tie
bf'16 (af8) bf16 (af) bf (af) ef!
~
and the tie needs to go from the ef! to the ef2 in the top of the
simultaneous voice.
I have a couple of other instances where I need to do likewise, so any help
will be welcome. Thanks.
Mike Dean
Re: Beat markers in the chords section
Knute: No, I haven't run Lilypond from the command line (I have enough trouble using it with Frescobaldi 3.2) Machine: Windows 10 Pro 64-bit, 16GB memory LP version 2.24 Mike Dean On Thu, Jan 19, 2023 at 12:15 PM Knute Snortum wrote: > On Thu, Jan 19, 2023 at 9:01 AM Mike Dean wrote: > > > > Kieren: it worked great, thanks mauch > > I am having problems when I print to PDF in 2.24/Frescobaldi 3.2: the > program hangs (I'm not sure if it's on the Lilypond side or the Frescobaldi > side --- Frescobaldi says that it's not responding): > > Have you tried invoking LilyPond from the command line? > > https://lilypond.org/doc/v2.24/Documentation/usage/command_002dline-usage > > Also, tell us what kind of computer you're on (Windows, Mac, Linux). > > > -- > Knute Snortum >
Beat markers in the chords section
Hi group:
I'm wondering if there is a way to put beat markers in the chords section
as in the following:
[image: image.png]
The snippet follows:
harmonies = \chordmode { d4:m | d2.:m | d:m | c2. | c | c |
c | d:m | d2:m c4 | d2.:m | d:m | d:m | d:m
d:m | d:m | c | c | c | c |
d:m | d:m | d:m d:m d:m \bar ":|." }
melody = \relative c' {
\key d \minor
\time 3/4
\partial 4
d4 d a' a a2 a8 a g4 g e c2. R2.
r4 r8 g' g g a4 a a a f g a8 d~ d2 R2. R r4 r f8 f
d4 d a a8 a4. a4 g c, c8 c c4c2 R2. r4 r c8 c
d4 f a g e c d d2~ d2.~ d4 r \bar ":|."
}
\score {
<<
\new ChordNames {
\set chordChanges = ##t
\harmonies
}
\new Voice = "one" { \melody }
>>
}
Mike Dean
Re: I ought to have a bar line here...
Ah, success! (Carl: you probably took out the barline repeat I had at the
Trio, but it just now dawned on me to do that)
Thanks for your help!!!
Mike Dean
On Mon, Oct 26, 2020 at 3:03 PM Mike Dean wrote:
> Hi Carl:
> Is \include "english.ly" different from \language "english"?
>
> Part of my residing in the weeds is not being sure where \define command
> (and its relatives like \defineBarLine) ought to go...while the
> compilation didn't crash, the bar line construction was ignored in this case
> Mike Dean
>
>
> On Mon, Oct 26, 2020 at 2:56 PM Carl Sorensen wrote:
>
>> Try this:
>>
>>
>>
>> \version "2.20.00"
>>
>> \include "english.ly"
>>
>> \defineBarLine ".|:-|." #'("|." ".|:" "")
>>
>>
>>
>> {
>>
>> \repeat volta 2 {
>>
>> d2 d8 c d e | f4 f8. e16 d2 | e2 e8 d e f | g4 g8. f16 e2 |
>>
>> a4 a8. g16 f8. g16 a8. f16 | g4 g8. f16 e8. f16 g8. e16 |
>>
>> g4 a8. g16 f8. f16 e8. e16 | d4 g8. g16 g4 r8 g, |
>>
>> c4. g8 c4 d | e4. c8 e4 f | g e f d |}
>>
>> \alternative {
>>
>>{c c8. c16 c4 r }
>>
>>{c c8. c16 c4\mark "Fine" r \bar ".|:-|." }
>>
>> }
>>
>>
>>
>> \break
>>
>> \mark "Trio" a4.-\p r16 e a8. e16 gs8. e16 | a4. r16 e a8. e16 gs8. e16 |
>>
>> a4 c b e | d8. c16 b8. c16 b2 |
>>
>> a4. r16 e a8. e16 gs8. e16 | a4. r16 e a8. e16 gs8. e16 |
>>
>> a4 c b e | a,4 a8. a16 a4 r |
>>
>> }
>>
>>
>>
>> Carl
>>
>>
>>
>>
>>
>> *From: *lilypond-user > gmail@gnu.org> on behalf of Mike Dean
>> *Date: *Monday, October 26, 2020 at 3:30 PM
>> *To: *"lilypond-user@gnu.org"
>> *Subject: *Re: I ought to have a bar line here...
>>
>>
>>
>> Still stumped
>>
>> \version "2.20.0"
>>
>> {
>>
>> \alternative {
>>{c c8. c16 c4 r }
>>{c c8. c16 c4\mark "Fine" r
>> \markup \vspace #1
>>
>> \defineBarLine ".|:-|." #'("|." ".|:" #f)
>> \markup \bold \typewriter "\".|:-|.\""
>> \bar ".|:-|." }
>> }
>> \break
>>
>> \repeat volta 2 {
>> \bar ".|:"\mark "Trio" a4.\p r16 e a8. e16 gs8. e16 | a4. r16 e a8. e16
>> gs8. e16 |
>>
>> }
>>
>> has generated the following errors
>>
>> *Starting lilypond-windows.exe 2.20.0
>> [March-of-the-Russian-Imperial-Guard.ly]...*
>>
>> Processing `C:/Users/Mike
>> Dean/AppData/Local/Temp/frescobaldi-ou5fxqul/tmpkydf0fg6/March-of-the-Russian-Imperial-Guard.ly'
>>
>> Parsing...
>>
>> C:/Users/Mike
>> Dean/AppData/Local/Temp/frescobaldi-ou5fxqul/tmpkydf0fg6/March-of-the-Russian-Imperial-Guard.ly:27:1
>> : error: markup outside of text script or \lyricmode
>>
>>
>>
>> \markup \vspace #1
>>
>>
>>
>> C:/Users/Mike
>> Dean/AppData/Local/Temp/frescobaldi-ou5fxqul/tmpkydf0fg6/March-of-the-Russian-Imperial-Guard.ly:30:1
>> : error: markup outside of text script or \lyricmode
>>
>>
>>
>> \markup \bold \typewriter "\".|:-|.\""
>>
>>
>>
>> Interpreting music...[8][16][24]
>>
>> C:/Users/Mike
>> Dean/AppData/Local/Temp/frescobaldi-ou5fxqul/tmpkydf0fg6/March-of-the-Russian-Imperial-Guard.ly:36:55
>> : warning: barcheck failed at: 1/2
>>
>> \bar ".|:"\mark "Trio" a4.\p r16 e a8. e16 gs8. e16
>>
>> | a4. r16 e a8. e16 gs8. e16 |
>>
>>
>>
>>
>>
>> So maybe I'll have to draw it in the PDF, since I seem to be at the point
>> that my understanding of LilyPond is enough to get me stuck in the weeds?
>>
>>
>>
>> (the first of Aaron's suggestions did not generate a bar line before the
>> Triowould enclosing the piece in two separate pairs of braces be
>> useful?)
>>
>>
>> Mike Dean
>>
>>
>>
>>
>>
>> On Sun, Oct 25, 2020 at 7:19 AM Aaron Hill
>> wrote:
>>
>> On 2020-10-25 6:25 am, Christian Masser wrote:
>> > Aaron Hill schrieb am So., 25. Okt. 2020,
>> > 04:38
>> >
>> >> You have to use a special bar line type when it breaks across a line:
>> >>
>> >>
>> >> \version "2.20.0"
>> >> \paper { indent = 0 line-width = 3\cm ragged-right = ##f }
>> >>
>> >> \markup \bold \typewriter "\".|:-||\""
>> >> { R1 \bar ".|:-||" \break R1 }
>> >>
>> >
>> > Out of pure interest: does anyone know why this seems to be "in the
>> > wrong
>> > order"? Why does the ". |:" of the second line come in front of the
>> > "||"
>> > which - viewed from a musical standpoint - should happen before?
>>
>> Near as I can tell, the naming convention is "primary-secondary". Only
>> a bar line breaking across a line will show both styles. Otherwise, it
>> is the style before the hyphen that is used.
>>
>>
>> -- Aaron Hill
>>
>>
Re: I ought to have a bar line here...
Hi Carl:
Is \include "english.ly" different from \language "english"?
Part of my residing in the weeds is not being sure where \define command
(and its relatives like \defineBarLine) ought to go...while the compilation
didn't crash, the bar line construction was ignored in this case
Mike Dean
On Mon, Oct 26, 2020 at 2:56 PM Carl Sorensen wrote:
> Try this:
>
>
>
> \version "2.20.00"
>
> \include "english.ly"
>
> \defineBarLine ".|:-|." #'("|." ".|:" "")
>
>
>
> {
>
> \repeat volta 2 {
>
> d2 d8 c d e | f4 f8. e16 d2 | e2 e8 d e f | g4 g8. f16 e2 |
>
> a4 a8. g16 f8. g16 a8. f16 | g4 g8. f16 e8. f16 g8. e16 |
>
> g4 a8. g16 f8. f16 e8. e16 | d4 g8. g16 g4 r8 g, |
>
> c4. g8 c4 d | e4. c8 e4 f | g e f d |}
>
> \alternative {
>
>{c c8. c16 c4 r }
>
>{c c8. c16 c4\mark "Fine" r \bar ".|:-|." }
>
> }
>
>
>
> \break
>
> \mark "Trio" a4.-\p r16 e a8. e16 gs8. e16 | a4. r16 e a8. e16 gs8. e16 |
>
> a4 c b e | d8. c16 b8. c16 b2 |
>
> a4. r16 e a8. e16 gs8. e16 | a4. r16 e a8. e16 gs8. e16 |
>
> a4 c b e | a,4 a8. a16 a4 r |
>
> }
>
>
>
> Carl
>
>
>
>
>
> *From: *lilypond-user gmail@gnu.org> on behalf of Mike Dean
> *Date: *Monday, October 26, 2020 at 3:30 PM
> *To: *"lilypond-user@gnu.org"
> *Subject: *Re: I ought to have a bar line here...
>
>
>
> Still stumped
>
> \version "2.20.0"
>
> {
>
> \alternative {
>{c c8. c16 c4 r }
>{c c8. c16 c4\mark "Fine" r
> \markup \vspace #1
>
> \defineBarLine ".|:-|." #'("|." ".|:" #f)
> \markup \bold \typewriter "\".|:-|.\""
> \bar ".|:-|." }
> }
> \break
>
> \repeat volta 2 {
> \bar ".|:"\mark "Trio" a4.\p r16 e a8. e16 gs8. e16 | a4. r16 e a8. e16
> gs8. e16 |
>
> }
>
> has generated the following errors
>
> *Starting lilypond-windows.exe 2.20.0
> [March-of-the-Russian-Imperial-Guard.ly]...*
>
> Processing `C:/Users/Mike
> Dean/AppData/Local/Temp/frescobaldi-ou5fxqul/tmpkydf0fg6/March-of-the-Russian-Imperial-Guard.ly'
>
> Parsing...
>
> C:/Users/Mike
> Dean/AppData/Local/Temp/frescobaldi-ou5fxqul/tmpkydf0fg6/March-of-the-Russian-Imperial-Guard.ly:27:1
> : error: markup outside of text script or \lyricmode
>
>
>
> \markup \vspace #1
>
>
>
> C:/Users/Mike
> Dean/AppData/Local/Temp/frescobaldi-ou5fxqul/tmpkydf0fg6/March-of-the-Russian-Imperial-Guard.ly:30:1
> : error: markup outside of text script or \lyricmode
>
>
>
> \markup \bold \typewriter "\".|:-|.\""
>
>
>
> Interpreting music...[8][16][24]
>
> C:/Users/Mike
> Dean/AppData/Local/Temp/frescobaldi-ou5fxqul/tmpkydf0fg6/March-of-the-Russian-Imperial-Guard.ly:36:55
> : warning: barcheck failed at: 1/2
>
> \bar ".|:"\mark "Trio" a4.\p r16 e a8. e16 gs8. e16
>
> | a4. r16 e a8. e16 gs8. e16 |
>
>
>
>
>
> So maybe I'll have to draw it in the PDF, since I seem to be at the point
> that my understanding of LilyPond is enough to get me stuck in the weeds?
>
>
>
> (the first of Aaron's suggestions did not generate a bar line before the
> Triowould enclosing the piece in two separate pairs of braces be
> useful?)
>
>
> Mike Dean
>
>
>
>
>
> On Sun, Oct 25, 2020 at 7:19 AM Aaron Hill
> wrote:
>
> On 2020-10-25 6:25 am, Christian Masser wrote:
> > Aaron Hill schrieb am So., 25. Okt. 2020,
> > 04:38
> >
> >> You have to use a special bar line type when it breaks across a line:
> >>
> >>
> >> \version "2.20.0"
> >> \paper { indent = 0 line-width = 3\cm ragged-right = ##f }
> >>
> >> \markup \bold \typewriter "\".|:-||\""
> >> { R1 \bar ".|:-||" \break R1 }
> >>
> >
> > Out of pure interest: does anyone know why this seems to be "in the
> > wrong
> > order"? Why does the ". |:" of the second line come in front of the
> > "||"
> > which - viewed from a musical standpoint - should happen before?
>
> Near as I can tell, the naming convention is "primary-secondary". Only
> a bar line breaking across a line will show both styles. Otherwise, it
> is the style before the hyphen that is used.
>
>
> -- Aaron Hill
>
>
Re: I ought to have a bar line here...
Still stumped
\version "2.20.0"
{
\alternative {
{c c8. c16 c4 r }
{c c8. c16 c4\mark "Fine" r
\markup \vspace #1
\defineBarLine ".|:-|." #'("|." ".|:" #f)
\markup \bold \typewriter "\".|:-|.\""
\bar ".|:-|." }
}
\break
\repeat volta 2 {
\bar ".|:"\mark "Trio" a4.\p r16 e a8. e16 gs8. e16 | a4. r16 e a8. e16
gs8. e16 |
}
has generated the following errors
Starting lilypond-windows.exe 2.20.0
[March-of-the-Russian-Imperial-Guard.ly]...
Processing `C:/Users/Mike
Dean/AppData/Local/Temp/frescobaldi-ou5fxqul/tmpkydf0fg6/March-of-the-Russian-Imperial-Guard.ly'
Parsing...
C:/Users/Mike
Dean/AppData/Local/Temp/frescobaldi-ou5fxqul/tmpkydf0fg6/March-of-the-Russian-Imperial-Guard.ly:27:1
<0>: error: markup outside of text script or \lyricmode
\markup \vspace #1
C:/Users/Mike
Dean/AppData/Local/Temp/frescobaldi-ou5fxqul/tmpkydf0fg6/March-of-the-Russian-Imperial-Guard.ly:30:1
<1>: error: markup outside of text script or \lyricmode
\markup \bold \typewriter "\".|:-|.\""
Interpreting music...[8][16][24]
C:/Users/Mike
Dean/AppData/Local/Temp/frescobaldi-ou5fxqul/tmpkydf0fg6/March-of-the-Russian-Imperial-Guard.ly:36:55
<2>: warning: barcheck failed at: 1/2
\bar ".|:"\mark "Trio" a4.\p r16 e a8. e16 gs8. e16
| a4. r16 e a8. e16 gs8. e16 |
So maybe I'll have to draw it in the PDF, since I seem to be at the point
that my understanding of LilyPond is enough to get me stuck in the weeds?
(the first of Aaron's suggestions did not generate a bar line before the
Triowould enclosing the piece in two separate pairs of braces be
useful?)
Mike Dean
On Sun, Oct 25, 2020 at 7:19 AM Aaron Hill wrote:
> On 2020-10-25 6:25 am, Christian Masser wrote:
> > Aaron Hill schrieb am So., 25. Okt. 2020,
> > 04:38
> >
> >> You have to use a special bar line type when it breaks across a line:
> >>
> >>
> >> \version "2.20.0"
> >> \paper { indent = 0 line-width = 3\cm ragged-right = ##f }
> >>
> >> \markup \bold \typewriter "\".|:-||\""
> >> { R1 \bar ".|:-||" \break R1 }
> >>
> >
> > Out of pure interest: does anyone know why this seems to be "in the
> > wrong
> > order"? Why does the ". |:" of the second line come in front of the
> > "||"
> > which - viewed from a musical standpoint - should happen before?
>
> Near as I can tell, the naming convention is "primary-secondary". Only
> a bar line breaking across a line will show both styles. Otherwise, it
> is the style before the hyphen that is used.
>
>
> -- Aaron Hill
>
>
Re: I ought to have a bar line here...
Okay, I tried that, but the desire to start the trio on a new staff is not
met:
[image: image.png]
Hoping this wouldn't require a break-visibility command intervention.
Mike Dean
On Sat, Oct 24, 2020 at 5:51 PM Mark Stephen Mrotek
wrote:
> Mike,
>
>
>
> When I remove the “\break” the empty staff disappears.
>
>
>
> Mark
>
>
>
> *From:* lilypond-user [mailto:lilypond-user-bounces+carsonmark=
> ca.rr@gnu.org] *On Behalf Of *Mike Dean
> *Sent:* Saturday, October 24, 2020 5:05 PM
> *To:* lilypond-user@gnu.org
> *Subject:* I ought to have a bar line here...
>
>
>
> ...between the end of the first section and the start of the Trio, but
> have stumped myself in properly coding it (I went to alternative endings to
> ensure that I had a repeat sign)
>
> (PDF and .ly file attached, beside the snippet below)
>
> \version "2.20.00"
>
> \repeat volta 2 {
> d2 d8 c d e | f4 f8. e16 d2 | e2 e8 d e f | g4 g8. f16 e2 |
> a4 a8. g16 f8. g16 a8. f16 | g4 g8. f16 e8. f16 g8. e16 |
> g4 a8. g16 f8. f16 e8. e16 | d4 g8. g16 g4 r8 g, |
> c4. g8 c4 d | e4. c8 e4 f | g e f d |}
> \alternative {
>{c c8. c16 c4 r }
>{c c8. c16 c4\mark "Fine" r \bar "|." }
> }
>
> \break
> \repeat volta 2 {
> \bar ".|:"\mark "Trio" a4.\p r16 e a8. e16 gs8. e16 | a4. r16 e a8. e16
> gs8. e16 |
> a4 c b e | d8. c16 b8. c16 b2 |
> a4. r16 e a8. e16 gs8. e16 | a4. r16 e a8. e16 gs8. e16 |
> a4 c b e | a,4 a8. a16 a4 r |
> }
>
>
> Mike Dean
>
I ought to have a bar line here...
...between the end of the first section and the start of the Trio, but have
stumped myself in properly coding it (I went to alternative endings to
ensure that I had a repeat sign)
(PDF and .ly file attached, beside the snippet below)
\version "2.20.00"
\repeat volta 2 {
d2 d8 c d e | f4 f8. e16 d2 | e2 e8 d e f | g4 g8. f16 e2 |
a4 a8. g16 f8. g16 a8. f16 | g4 g8. f16 e8. f16 g8. e16 |
g4 a8. g16 f8. f16 e8. e16 | d4 g8. g16 g4 r8 g, |
c4. g8 c4 d | e4. c8 e4 f | g e f d |}
\alternative {
{c c8. c16 c4 r }
{c c8. c16 c4\mark "Fine" r \bar "|." }
}
\break
\repeat volta 2 {
\bar ".|:"\mark "Trio" a4.\p r16 e a8. e16 gs8. e16 | a4. r16 e a8. e16
gs8. e16 |
a4 c b e | d8. c16 b8. c16 b2 |
a4. r16 e a8. e16 gs8. e16 | a4. r16 e a8. e16 gs8. e16 |
a4 c b e | a,4 a8. a16 a4 r |
}
Mike Dean
March-of-the-Russian-Imperial-Guard.pdf
Description: Adobe PDF document
\version "2.20.00"
\language "english"
#(set-default-paper-size "letter")
\header {
title = "March of the Russian Imperial Guard"
subtitle = "(Marche de la garde imperiale Russe"
composer = "Unknown (at this point)"
arranger = "Transcribed by Mike Dean"
}
\relative c'' {
\key c \major
\tempo "Allegro"
\time 4/4
\partial 8
g8\f | c4. g8 c4 d | e4. c8 e4 f | g e f d | c c8. c16 c4 r8 g |
c4. g8 c4 d | e4. c8 e4 f | g e f d | c c8. c16 c4 r |
\repeat volta 2 {
d2 d8 c d e | f4 f8. e16 d2 | e2 e8 d e f | g4 g8. f16 e2 |
a4 a8. g16 f8. g16 a8. f16 | g4 g8. f16 e8. f16 g8. e16 |
g4 a8. g16 f8. f16 e8. e16 | d4 g8. g16 g4 r8 g, |
c4. g8 c4 d | e4. c8 e4 f | g e f d |}
\alternative {
{c c8. c16 c4 r }
{c c8. c16 c4\mark "Fine" r \bar "|." }
}
\break
\repeat volta 2 {
\bar ".|:"\mark "Trio" a4.\p r16 e a8. e16 gs8. e16 | a4. r16 e a8. e16 gs8. e16 |
a4 c b e | d8. c16 b8. c16 b2 |
a4. r16 e a8. e16 gs8. e16 | a4. r16 e a8. e16 gs8. e16 |
a4 c b e | a,4 a8. a16 a4 r |
}
\repeat volta 2 {
e'4.\f f16 e d4 g?8 f | e4. f16 e d4 g8 f
e2 d8. e16 c8. e16 | d4 \tuplet 5/4 { c16 d c b c } b4 r
a4.\p r16 e a8. e16 gs8. e16 | a4. r16 e a8. e16 gs8. e16 |
a4 c b e | a,4 a8. a16 a4 r8
\once \override Score.RehearsalMark.break-visibility = #end-of-line-visible
\once \override Score.RehearsalMark.self-alignment-X = #RIGHT
\mark "D.C. al Fine"
}
}
Re: Forzando in Lilypond 2.20
Robin: That worked (especially after putting it in each hand in the piano score. Thanks Mike Dean On Sat, Oct 3, 2020 at 1:18 PM Robin Bannister wrote: > Mike Dean wrote: > > Now to hide the warning 3/4 before the start of the Trio (I can take > the \time > > 3/4 > > out, but that also takes out the time sig at the start of the > > Trio)looking at the LSR did not give me anything to get a handle on > > Check out > https://lists.gnu.org/archive/html/lilypond-user/2016-06/msg00073.html > > You may not need to bother with '\once' > > > Cheers, > Robin >
Re: Forzando in Lilypond 2.20
Martin: Perfect!!! Thanks Now to hide the warning 3/4 before the start of the Trio (I can take the \time 3/4 out, but that also takes out the time sig at the start of the Trio)looking at the LSR did not give me anything to get a handle on Mike Dean On Sat, Oct 3, 2020 at 2:08 AM Martín Rincón Botero < martinrinconbot...@gmail.com> wrote: > Mike, to make the fermata appear at the end of the line and not at the > beginning of the next line try using \once \override Score.RehearsalMark > #'break-visibility = > #begin-of-line-invisible before the \mark. > > Cheers, > Martín. > On 3. Oct 2020, 04:34 +0200, antlists , wrote: > > > the > >
Re: Forzando in Lilypond 2.20
\version 2.20
{
g'4 e8 c d b |
c4_\markup Fine r \bar ":|." \mark\markup{\musicglyph #"scripts.ufermata"}
}
%End Minuet section
\break
\relative c''{
\time 3/4
\partial 4
\repeat volta 2 {
e8\mp \mark "Trio" }
Not really sure how to get the fermata over the repeat bar line rather than
over the clef on the next line ... I did figure out how to get the Trio
mark
I'm also not sure where to put this override to remove the warning time
signature (checking the snippet repository didn't give me any clues)
\once \overrideTimeSignatureSettings = ##(#f #t #t)
Mike Dean
On Thu, Oct 1, 2020 at 2:00 PM antlists wrote:
> On 01/10/2020 19:27, Carl Sorensen wrote:
> > Variables can only be defined at top level, not inside a score.
> >
> > https://lilypond.org/doc/v2.20/Documentation/notation/file-structure
> >
> I just shove all of this sort of stuff in an include file, and include
> it at the top.
>
> I've come across things like sffz and so on, so as I come across them
> they go in this include file and they're there for next time I need them.
>
> Cheers,
> Wol
>
>
JHaydn-Minuetpiano.pdf
Description: Adobe PDF document
Re: Forzando in Lilypond 2.20
Thanks, Carl, for the clarification..
Mark: I was coding (from memory) what was one of the Minuets in Hob.IX:8
("12 Minuets for Clavecin or Pianoforte", as it turned out after a lot of
spade work; I had thought to be a work by Mozart in his Divertimenti).
Having obtained the sheet music, I was fixing up what I had coded earlier
Mike Dean
On Thu, Oct 1, 2020 at 11:27 AM Carl Sorensen wrote:
> Variables can only be defined at top level, not inside a score.
>
>
>
> https://lilypond.org/doc/v2.20/Documentation/notation/file-structure
>
>
>
>
>
> Carl Sorensen
>
Re: Forzando in Lilypond 2.20
Having stumbled across entering in \fz directly, I didn't explore any
further using #(make-dynamic-script).
But since you mentioned, looking at examples in the Notation manual, I
understood that it should go before the relative command.
Precisely, I had this sequence:
\score {
fz = #(make-dynamic-script "fz")
\relative c''{
\tempo "Allegretto"
\time 3/4
\partial 4
and that is what generated the error
Mike Dean
On Thu, Oct 1, 2020 at 10:32 AM David Kastrup wrote:
> Mike Dean writes:
>
> > Two questions in typesetting a piece by Haydn:
> > 1. Does Fz needs to be defined (unlike sfz)?
> > 2. where should
> > fz = #(make-dynamic-script "fz")
> > be placed in order not to generate an error?
> >
> > C:/Users/Mike
> > Dean/AppData/Local/Temp/frescobaldi-lis_ksvl/tmpgdr3w9ef/J-Haydn-Minuet
> in
> > C-correct.ly:14:1 <0>: error: not a note name: fz
> >
> >
> > fz = #(make-dynamic-script "fz")
>
> Well, apparently line 14 in your file is not a good place. Since you
> don't show any other line, it's hard to say anything just why it is not
> a good place.
>
> --
> David Kastrup
>
Forzando in Lilypond 2.20
Two questions in typesetting a piece by Haydn: 1. Does Fz needs to be defined (unlike sfz)? 2. where should fz = #(make-dynamic-script "fz") be placed in order not to generate an error? C:/Users/Mike Dean/AppData/Local/Temp/frescobaldi-lis_ksvl/tmpgdr3w9ef/J-Haydn-Minuet in C-correct.ly:14:1 <0>: error: not a note name: fz fz = #(make-dynamic-script "fz") C:/Users/Mike Dean/AppData/Local/Temp/frescobaldi-lis_ksvl/tmpgdr3w9ef/J-Haydn-Minuet in C-correct.ly:14:4 <1>: error: syntax error, unexpected '=', expecting '}' fz = #(make-dynamic-script "fz") C:/Users/Mike Dean/AppData/Local/Temp/frescobaldi-lis_ksvl/tmpgdr3w9ef/J-Haydn-Minuet in C-correct.ly:38:1 <2>: error: syntax error, unexpected '}' Mike Dean
Re: Forzando in Lilypond 2.20
Well, \fz did work without a prior definition (pleasant surprise for me, since I didn't find a reference to it in the manual nor the LSR) Mike Dean On Wed, Sep 30, 2020 at 8:31 PM Mike Dean wrote: > Two questions in typesetting a piece by Haydn: > 1. Does Fz needs to be defined (unlike sfz)? > 2. where should > fz = #(make-dynamic-script "fz") > be placed in order not to generate an error? > > C:/Users/Mike > Dean/AppData/Local/Temp/frescobaldi-lis_ksvl/tmpgdr3w9ef/J-Haydn-Minuet in > C-correct.ly:14:1 : error: not a note name: fz > > > fz = #(make-dynamic-script "fz") > > > C:/Users/Mike > Dean/AppData/Local/Temp/frescobaldi-lis_ksvl/tmpgdr3w9ef/J-Haydn-Minuet in > C-correct.ly:14:4 : error: syntax error, unexpected '=', > expecting '}' > > fz > > = #(make-dynamic-script "fz") > > > C:/Users/Mike > Dean/AppData/Local/Temp/frescobaldi-lis_ksvl/tmpgdr3w9ef/J-Haydn-Minuet in > C-correct.ly:38:1 : error: syntax error, unexpected '}' > > > > Mike Dean >
Re: Stacking two text lines
It worked!! Thanks, Aaron!!
(I have to wrestle with the placement of the text in a \score block, as
I've combined the two Gavottes into one document)
Hopefully the order ought to be:
\score {
Music expression
}
\header { title }
\markup {someText} << when the movement stood by itself, placing it before
the {music expression} worked, but, not at all in a \score block
Mike Dean
On Sun, May 26, 2019 at 5:42 AM Mike Dean wrote:
> I'll give it a try, and report back. Thanks, Aaron.
> Mike Dean
>
>
> On Sun, May 26, 2019 at 2:37 AM Aaron Hill
> wrote:
>
>> On 2019-05-25 9:52 pm, Mike Dean wrote:
>> > Hi group:
>> > I am extracting a solo line from Gavotte II (Cello Sonata #6, J.S.
>> > Bach)
>> > and at the end of Gavotte II are these instructions:
>> >
>> > 2nd time poco rall.
>> > Gavotte I D.C.
>> >
>> > I am struggling with how to attach that to the final measure (and a
>> > half):
>> >
>> > a, a\p-. b-. cs-. | d2
>>
>> \markup is quite powerful in LilyPond; and you can use it just about
>> anywhere. But more important to your scenario, you can use it for
>> TextScripts and RehearsalMarks. See the following:
>>
>>
>> \version "2.19.82"
>>
>> someText = \markup
>>\abs-fontsize #8 \override #'(baseline-skip . 1.5)
>>\right-column { A BB CCC }
>>
>> \fixed c' {
>>| c'4 \tuplet 3/2 { b8 a g } e2^\markup \someText
>>| f4 \tuplet 3/2 { g8 a b } c'2
>> \once \override Score.RehearsalMark.self-alignment-X = #RIGHT
>> \mark \markup \someText
>> }
>>
>>
>>
>> -- Aaron Hill___
>> lilypond-user mailing list
>> lilypond-user@gnu.org
>> https://lists.gnu.org/mailman/listinfo/lilypond-user
>>
>
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Stacking two text lines
I'll give it a try, and report back. Thanks, Aaron.
Mike Dean
On Sun, May 26, 2019 at 2:37 AM Aaron Hill wrote:
> On 2019-05-25 9:52 pm, Mike Dean wrote:
> > Hi group:
> > I am extracting a solo line from Gavotte II (Cello Sonata #6, J.S.
> > Bach)
> > and at the end of Gavotte II are these instructions:
> >
> > 2nd time poco rall.
> > Gavotte I D.C.
> >
> > I am struggling with how to attach that to the final measure (and a
> > half):
> >
> > a, a\p-. b-. cs-. | d2
>
> \markup is quite powerful in LilyPond; and you can use it just about
> anywhere. But more important to your scenario, you can use it for
> TextScripts and RehearsalMarks. See the following:
>
>
> \version "2.19.82"
>
> someText = \markup
>\abs-fontsize #8 \override #'(baseline-skip . 1.5)
>\right-column { A BB CCC }
>
> \fixed c' {
>| c'4 \tuplet 3/2 { b8 a g } e2^\markup \someText
>| f4 \tuplet 3/2 { g8 a b } c'2
> \once \override Score.RehearsalMark.self-alignment-X = #RIGHT
> \mark \markup \someText
> }
>
>
>
> -- Aaron Hill___
> lilypond-user mailing list
> lilypond-user@gnu.org
> https://lists.gnu.org/mailman/listinfo/lilypond-user
>
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Stacking two text lines
Hi group: I am extracting a solo line from Gavotte II (Cello Sonata #6, J.S. Bach) and at the end of Gavotte II are these instructions: 2nd time poco rall. Gavotte I D.C. I am struggling with how to attach that to the final measure (and a half): a, a\p-. b-. cs-. | d2 Mike Dean ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: version 2.18 is too old...
For what it's worth, following are two bug reports Frescobaldi auto-emailed... Traceback (most recent call last): File "C:\Program Files (x86)\Frescobaldi\frescobaldi_app\process.py", line 105, in _done del self._schedule[0] IndexError: list assignment index out of range Traceback (most recent call last): File "C:\Program Files (x86)\Frescobaldi\frescobaldi_app\process.py", line 62, in _finished self._done(exitCode == 0) File "C:\Program Files (x86)\Frescobaldi\frescobaldi_app\process.py", line 69, in _done self.cleanup() File "C:\Program Files (x86)\Frescobaldi\frescobaldi_app\process.py", line 73, in cleanup self.process.deleteLater() AttributeError: 'Process' object has no attribute 'process' With respect to the version too old error, the fact that the compilation resulted in a fatal error is rather problematic. Mike Dean On Mon, Oct 29, 2018 at 12:05 PM Mike Dean wrote: > 1. Yes, it did > Having downloaded LilyPond 2,19.82, the compilation attempt 'crashed and > burned' at the start: > > Starting lilypond-windows.exe [May-Jesus-Christ-Be-Praised.ly]... > > Exited with return code -1073741819. > > Mike Dean > > > On Mon, Oct 29, 2018 at 12:01 PM Sam Bivens wrote: > >> Hi Mike, >> >> Does your version statement in the file youre compiling say 2.18.2? >> >> Sam >> >> >> On Mon, Oct 29, 2018, 11:55 Mike Dean wrote: >> >>> Error message: >>> >>> Starting lilypond-windows.exe 2.18.2 [May-Jesus-Christ-Be-Praised.ly]... >>> >>> Processing >>> `C:/Users/Mike/Documents/musicwork/May-Jesus-Christ-Be-Praised.ly' >>> >>> Parsing... >>> >>> error: program too old: 2.18.2 (file requires: 2.20.0) >>> >>> Would version 2.19.82 be a workaround? >>> Mike Dean >>> ___ >>> lilypond-user mailing list >>> lilypond-user@gnu.org >>> https://lists.gnu.org/mailman/listinfo/lilypond-user >>> >> ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: version 2.18 is too old...
1. Yes, it did Having downloaded LilyPond 2,19.82, the compilation attempt 'crashed and burned' at the start: Starting lilypond-windows.exe [May-Jesus-Christ-Be-Praised.ly]... Exited with return code -1073741819. Mike Dean On Mon, Oct 29, 2018 at 12:01 PM Sam Bivens wrote: > Hi Mike, > > Does your version statement in the file youre compiling say 2.18.2? > > Sam > > > On Mon, Oct 29, 2018, 11:55 Mike Dean wrote: > >> Error message: >> >> Starting lilypond-windows.exe 2.18.2 [May-Jesus-Christ-Be-Praised.ly]... >> >> Processing >> `C:/Users/Mike/Documents/musicwork/May-Jesus-Christ-Be-Praised.ly' >> >> Parsing... >> >> error: program too old: 2.18.2 (file requires: 2.20.0) >> >> Would version 2.19.82 be a workaround? >> Mike Dean >> ___ >> lilypond-user mailing list >> lilypond-user@gnu.org >> https://lists.gnu.org/mailman/listinfo/lilypond-user >> > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
version 2.18 is too old...
Error message: Starting lilypond-windows.exe 2.18.2 [May-Jesus-Christ-Be-Praised.ly]... Processing `C:/Users/Mike/Documents/musicwork/May-Jesus-Christ-Be-Praised.ly' Parsing... error: program too old: 2.18.2 (file requires: 2.20.0) Would version 2.19.82 be a workaround? Mike Dean ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Tremolo question
Just needed to add the \once command (since I have other tremolos
--tremolii???-- that behave ok)
\version "2.19.80"
\language "english"
\new Staff {
\clef bass
\relative c
\repeat tremolo 8 {
*\once * \override Beam.positions = #'(0 . 1)
bf,16 b' }
[image: Inline image 1]
Without the \once command, the other tremolos are further slanted, which is
not desirable:
[image: Inline image 2]
Thanks again!!
}
Mike Dean
On Fri, Dec 22, 2017 at 9:14 AM, Mike Dean <dean...@aquinas.edu> wrote:
> more looking for slanted tremolo lines (like the 0.1 slant)
>
> Mike Dean
>
> On Fri, Dec 22, 2017 at 9:09 AM, Ben <soundsfromso...@gmail.com> wrote:
>
>> On 12/22/2017 8:24 AM, Mike Dean wrote:
>>
>> The tremolo construct
>> \clef bass \repeat tremolo 8 { bf,16 bf' }
>>
>> produces the output:
>>
>> [image: Inline image 1]
>>
>> is there a setting that can angle the tremolo so that the left end is
>> closer to the lower note?
>> Mike Dean
>>
>>
>> Mike,
>>
>> Not sure it will look "perfect" or "better" but, did you mean something
>> like this?
>>
>> \version "2.19.80"
>>
>> \language "english"
>>
>> \new Staff {
>>
>> \clef bass
>> \relative c
>>
>> \repeat tremolo 8 {
>> \override Beam.positions = #'(0 . 1)
>> bf,16 b' }
>> }
>>
>>
>> Maybe \override Beam.positions = #'(-1 . 1) is what you want?
>> You want a slant or actually closer to the note itself?
>>
>> I think what you had was close...
>>
>> (see attached)
>>
>>
>>
>> ___
>> lilypond-user mailing list
>> lilypond-user@gnu.org
>> https://lists.gnu.org/mailman/listinfo/lilypond-user
>>
>>
>
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Tremolo question
more looking for slanted tremolo lines (like the 0.1 slant)
Mike Dean
On Fri, Dec 22, 2017 at 9:09 AM, Ben <soundsfromso...@gmail.com> wrote:
> On 12/22/2017 8:24 AM, Mike Dean wrote:
>
> The tremolo construct
> \clef bass \repeat tremolo 8 { bf,16 bf' }
>
> produces the output:
>
> [image: Inline image 1]
>
> is there a setting that can angle the tremolo so that the left end is
> closer to the lower note?
> Mike Dean
>
>
> Mike,
>
> Not sure it will look "perfect" or "better" but, did you mean something
> like this?
>
> \version "2.19.80"
>
> \language "english"
>
> \new Staff {
>
> \clef bass
> \relative c
>
> \repeat tremolo 8 {
> \override Beam.positions = #'(0 . 1)
> bf,16 b' }
> }
>
>
> Maybe \override Beam.positions = #'(-1 . 1) is what you want?
> You want a slant or actually closer to the note itself?
>
> I think what you had was close...
>
> (see attached)
>
>
>
> ___
> lilypond-user mailing list
> lilypond-user@gnu.org
> https://lists.gnu.org/mailman/listinfo/lilypond-user
>
>
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Tremolo question
The tremolo construct
\clef bass \repeat tremolo 8 { bf,16 bf' }
produces the output:
[image: Inline image 1]
is there a setting that can angle the tremolo so that the left end is
closer to the lower note?
Mike Dean
___
lilypond-user mailing list
lilypond-user@gnu.org
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Re: Beam question
Original thought: [d g d g] (wound up trying to attach a beam to a quarter rest...) Improved: d [g d g] Correct: d[ g d g] Mike Dean On Thu, Dec 21, 2017 at 3:39 PM, Mike Dean <dean...@aquinas.edu> wrote: > Thanks, Simon! > Not much of an improvement from my original thought of putting square > brackets around the group of notes, but it got me closer to the truth > > Mike Dean > > On Thu, Dec 21, 2017 at 3:35 PM, Simon Albrecht <simon.albre...@mail.de> > wrote: > >> On 21.12.2017 19:38, Mike Dean wrote: >> >>> (Thought: would putting square braces around the last three do it? >>> >> >> That isn’t the right way to think of it. The [] aren’t placed _around_ >> the notes they apply to, but rather attached to the first and last notes as >> _post events_ (just like slurs, ties, fingering, articulations and many >> other things). That’s why one writes >> d[ g d g] >> and not >> d [g d g] >> >> Best, Simon >> > > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Beam question
Thanks, Simon! Not much of an improvement from my original thought of putting square brackets around the group of notes, but it got me closer to the truth Mike Dean On Thu, Dec 21, 2017 at 3:35 PM, Simon Albrecht <simon.albre...@mail.de> wrote: > On 21.12.2017 19:38, Mike Dean wrote: > >> (Thought: would putting square braces around the last three do it? >> > > That isn’t the right way to think of it. The [] aren’t placed _around_ the > notes they apply to, but rather attached to the first and last notes as > _post events_ (just like slurs, ties, fingering, articulations and many > other things). That’s why one writes > d[ g d g] > and not > d [g d g] > > Best, Simon > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Beam question
[image: Inline image 1]
Well, here's hoping that this will clarify...
The simultaneous voice ends on beat 2 in the left hand, and it's those four
eighth notes I desire to beam
(Thought: would putting square braces around the last three do it? Yes, now
it is clearin reading the section I didn't get the correct mental
picture...Thanks!)
Mike Dean
On Thu, Dec 21, 2017 at 1:22 PM, Ben <soundsfromso...@gmail.com> wrote:
> On 12/21/2017 1:16 PM, Mike Dean wrote:
>
> Ben: That serves me right for ripping a text out of context and forgetting
> to put an "8" after the first note in the snippet...
> \version "2.19.80"
> \language "english"
> \clef treble
> \key c \major
> *\time 3/4*
> << { d,8 g d g fs a | d, g d g }
>\\
>{ q | q }>>
>
> Mike Dean
>
> On Thu, Dec 21, 2017 at 1:13 PM, Ben <soundsfromso...@gmail.com> wrote:
>
>> On 12/21/2017 1:05 PM, Mike Dean wrote:
>>
>> In a piece with a double backslash to denote voices
>>
>> \clef treble
>> \key c \major
>> \time 3/4
>> << { d, g d g fs a | d, g d g }
>>\\
>>{ q | q }>>
>>
>> The construct ends after beat 2, leaving the four eighth notes unbeamed.
>> is there something in the manual beaming syntax that I can use to beam the
>> four notes?
>>
>>
>>
>>
>> Hi Mike,
>> I'm afraid your code does not compile due to failed bar checks. I don't
>> see any eighth notes.
>> Can you re-check the code? :) They are all quarter notes in 3/4 time.
>>
>> \version "2.19.80"
>> \language "english"
>> \clef treble
>> \key c \major
>> *\time 3/4*
>> << { d, g d g fs a | d, g d g }
>>\\
>>{ q | q }>>
>>
>> ___
>> lilypond-user mailing list
>> lilypond-user@gnu.org
>> https://lists.gnu.org/mailman/listinfo/lilypond-user
>>
>>
>
> Mike,
>
> Aside from the bar check fails that still occur after you add the 8, I
> just removed them to work from a more clean slate...not a problem...
>
> But, what exactly do you want for beams? I can't follow you. As of now,
> there are 2 sets of 4-note-beamed eighth notes. Looks good.
>
> Where do you want the split exactly? What's the subdivision or screenshot
> of the outcome?
>
>
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Re: Beam question
Ben: That serves me right for ripping a text out of context and forgetting
to put an "8" after the first note in the snippet...
\version "2.19.80"
\language "english"
\clef treble
\key c \major
*\time 3/4*
<< { d,8 g d g fs a | d, g d g }
\\
{ q | q }>>
Mike Dean
On Thu, Dec 21, 2017 at 1:13 PM, Ben <soundsfromso...@gmail.com> wrote:
> On 12/21/2017 1:05 PM, Mike Dean wrote:
>
> In a piece with a double backslash to denote voices
>
> \clef treble
> \key c \major
> \time 3/4
> << { d, g d g fs a | d, g d g }
>\\
>{ q | q }>>
>
> The construct ends after beat 2, leaving the four eighth notes unbeamed.
> is there something in the manual beaming syntax that I can use to beam the
> four notes?
>
>
>
>
> Hi Mike,
> I'm afraid your code does not compile due to failed bar checks. I don't
> see any eighth notes.
> Can you re-check the code? :) They are all quarter notes in 3/4 time.
>
> \version "2.19.80"
> \language "english"
> \clef treble
> \key c \major
> *\time 3/4*
> << { d, g d g fs a | d, g d g }
>\\
>{ q | q }>>
>
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>
>
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Beam question
In a piece with a double backslash to denote voices
\clef treble
\key c \major
\time 3/4
<< { d, g d g fs a | d, g d g }
\\
{ q | q }>>
The construct ends after beat 2, leaving the four eighth notes unbeamed.
is there something in the manual beaming syntax that I can use to beam the
four notes?
Mike Dean
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Re: retrying in and out polyphony
Carl: Thanks!
I finished the engraving of the piano score of "Jesus Paid It All",
although I still haven't solved starting and ending hairpins in
simultaneous voices as of yet (I think that it may not start outside of of
such a section and end inside it)....
Mike Dean
On Wed, Dec 20, 2017 at 12:33 AM, Mike Dean <dean...@aquinas.edu> wrote:
> In this multi-voice context, I'm not sure where to put the hairpin
> decrescendo to not generate a warning
>
> Mike Dean
>
> On Tue, Dec 19, 2017 at 11:36 PM, Mike Dean <dean...@aquinas.edu> wrote:
>
>> So far , it has helped!
>> In this construct, though, do I need to put the meter change in each part
>> of this system (4/4 in measure 6, 3/4 in measure 7)
>> (English accidentals used)
>> <<
>> \relative c' {
>> \once \stemDown c2. | c4. bf8 af bf |
>> \once \stemDown c2. | c4. bf8 af bf |
>> \once \stemDown c2. |
>> }
>> \\
>> \relative c {
>> 2.\pp (| 2.)-> \mp \> |
>> <e? g>2.\pp (| 2.)-> \mp \> |
>> <e? g>2.\pp
>> }
>> >>
>> Next two measures
>> \time 4/4
>> c4 c8 bf af gf
>> ---
>> 1
>>
>> \time 3/4
>> < e g! c >2 \> < d! f b! >4 | < e g c >4. < f a >8 /mp
>>
>> Mike Dean
>>
>> On Tue, Dec 19, 2017 at 7:03 PM, Carl Sorensen <c_soren...@byu.edu>
>> wrote:
>>
>>>
>>>
>>> From: Mike Dean <mike.d...@aquinas.edu>
>>>
>>> Measures 1,3,5 are chords, while measures 2,4,6 has the temporary
>>> polyphony and trying to fit what I want to do into the example is a
>>> struggle...
>>>
>>> I use \stemDown to put the stem down and merge it with the chord:
>>>
>>> {
>>> \clef bass
>>> \time 3/4
>>> <<
>>> \relative c' {
>>> \once \stemDown c2. |
>>> c4. bes8 aes bes
>>> } \\
>>> \relative c {
>>> 2.( |
>>> 2.)
>>> }
>>> >>
>>> }
>>>
>>>
>>> HTH,
>>>
>>> Carl
>>>
>>>
>>>
>>>
>>
>
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Re: retrying in and out polyphony
In this multi-voice context, I'm not sure where to put the hairpin
decrescendo to not generate a warning
Mike Dean
On Tue, Dec 19, 2017 at 11:36 PM, Mike Dean <dean...@aquinas.edu> wrote:
> So far , it has helped!
> In this construct, though, do I need to put the meter change in each part
> of this system (4/4 in measure 6, 3/4 in measure 7)
> (English accidentals used)
> <<
> \relative c' {
> \once \stemDown c2. | c4. bf8 af bf |
> \once \stemDown c2. | c4. bf8 af bf |
> \once \stemDown c2. |
> }
> \\
> \relative c {
> 2.\pp (| 2.)-> \mp \> |
> <e? g>2.\pp (| 2.)-> \mp \> |
> <e? g>2.\pp
> }
> >>
> Next two measures
> \time 4/4
> c4 c8 bf af gf
> ---
> 1
>
> \time 3/4
> < e g! c >2 \> < d! f b! >4 | < e g c >4. < f a >8 /mp
>
> Mike Dean
>
> On Tue, Dec 19, 2017 at 7:03 PM, Carl Sorensen <c_soren...@byu.edu> wrote:
>
>>
>>
>> From: Mike Dean <mike.d...@aquinas.edu>
>>
>> Measures 1,3,5 are chords, while measures 2,4,6 has the temporary
>> polyphony and trying to fit what I want to do into the example is a
>> struggle...
>>
>> I use \stemDown to put the stem down and merge it with the chord:
>>
>> {
>> \clef bass
>> \time 3/4
>> <<
>> \relative c' {
>> \once \stemDown c2. |
>> c4. bes8 aes bes
>> } \\
>> \relative c {
>> 2.( |
>> 2.)
>> }
>> >>
>> }
>>
>>
>> HTH,
>>
>> Carl
>>
>>
>>
>>
>
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Re: retrying in and out polyphony
So far , it has helped!
In this construct, though, do I need to put the meter change in each part
of this system (4/4 in measure 6, 3/4 in measure 7)
(English accidentals used)
<<
\relative c' {
\once \stemDown c2. | c4. bf8 af bf |
\once \stemDown c2. | c4. bf8 af bf |
\once \stemDown c2. |
}
\\
\relative c {
2.\pp (| 2.)-> \mp \> |
<e? g>2.\pp (| 2.)-> \mp \> |
<e? g>2.\pp
}
>>
Next two measures
\time 4/4
c4 c8 bf af gf
---
1
\time 3/4
< e g! c >2 \> < d! f b! >4 | < e g c >4. < f a >8 /mp
Mike Dean
On Tue, Dec 19, 2017 at 7:03 PM, Carl Sorensen <c_soren...@byu.edu> wrote:
>
>
> From: Mike Dean <mike.d...@aquinas.edu>
>
> Measures 1,3,5 are chords, while measures 2,4,6 has the temporary
> polyphony and trying to fit what I want to do into the example is a
> struggle...
>
> I use \stemDown to put the stem down and merge it with the chord:
>
> {
> \clef bass
> \time 3/4
> <<
> \relative c' {
> \once \stemDown c2. |
> c4. bes8 aes bes
> } \\
> \relative c {
> 2.( |
> 2.)
> }
> >>
> }
>
>
> HTH,
>
> Carl
>
>
>
>
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retrying in and out polyphony
Since the png pix is too big.. I am engraving a manuscript I wrote a number of years ago, and am having problems conceptualizing temporary polyphony (2.18 manual, pages 159-160) Link: https://drive.google.com/file/d/0ByAN66y33JJGOHhodExjWjQ5OExFVHJpWmhpenpoZERvQV84/view?usp=sharing Measures 1,3,5 are chords, while measures 2,4,6 has the temporary polyphony and trying to fit what I want to do into the example is a struggle... Mike Dean ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Converting musicxml files
Thanks--Mike
(I was that close to just starting from scratch in LilyPond.)
\version "2.19.80"
\language "english"
#(set-default-paper-size "letter")
\header {
title = "Pastoral: The Great Physician"
composer = "John Hart Stockton"
arranger = "arr. Mike Dean"
}
\score {
\relative c'' {
\clef treble
\key c \major
\time 6/8
\tempo "Moderately"
\override Score.BarNumber.break-visibility = #end-of-line-invisible
\set Score.barNumberVisibility = #(every-nth-bar-number-visible 5)
\set Score.markFormatter = #format-mark-circle-numbers
\override BreathingSign.text = \markup {
\musicglyph #"scripts.caesura.straight" }
c4. b |
c e,4 f8 |
g a g f4 a8 |
g4 c,8 c'4 b8 |
%5
a g a e4 f8 |
g f g e4 c8 |
d4. g |
g4 f8 e4 g8 |
c4. g |
%10
e8 d e c4 g'8 |
a4. f4 a8 |
g4 c,8 c'4 b8 |
a4. e~ |
e8 d e c4 g'8 |
%15
f4 e8 d4. |
c2.~ |
c4 r8 r4 g'8 \bar "||" \mark \default
g4 e8 c4 d8 |
e4 f8 g4 g'8 |
%20
g4 c,8 e4 c8 |
d4. c4 g8 |
g4 e8 c4 d8 |
e4 f8 g4 g'8 |
g4 c,8 e4 c8 |
%25
d4. c |
g8 a b c4 b8 |
b4 a8 g4 r8 |
g a b c4 b8 |
b4 a8 g4 r8 |
%30
g4 e8 c4 d8 |
e4 f8 g4 g'8 |
g4 c,8 e4 c8 |
d4. c~ \bar "||" \mark \default
c g |
%35
e8 d e c4 g'8 |
a8.( g16 f8 f8. g16) a8 |
g4 c,8 c'4 b8 |
a4. e~ |
e8 d e c4 g'8 |
%40
f4 e8 d c' b |
c g' f e d c |
b c d e4 c8 |
c g' f e d c |
b c b a4 e8~ |
%45
e d e c c' b |
a4 b8 c4 d8 |
e4 c8 e4 b8 |
a b a g4 b8 |
e,2. |
%50
e4 fs8 gs4 a8 |
b4. b |
d8 c b a b c |
b4. e~ |
e8 d c b4 e8 |
%55
a,4. d~ |
d8 c b a4 d8 |
g,4. g |
b8 a g f d g \bar "||" \mark \default
c4. g |
%60
e8 d e c4 g'8 |
a4 f8~ f8. g16 a8 |
g4 c,8 c'4 b8 |
a4. e |
fs8 e fs d4 a'8 |
%65
b4. g4 b8 |
a4 d,8 d'4 cs8 |
b4. fs~ |
fs8 e fs d d' cs |
b4 a8 g4 fs8 |
%70
e4.~ e4 a8 \bar "||" \mark \default
\key d \major
a4 fs8 d4 e8 |
fs4 g8 a4 a'8 |
a4 d,8 fs4 d8 |
e4. d4 a8 |
%75
a4 fs8 d4 e8 |
fs4 g8 a4 a'8 |
a4 d,8 fs4 d8 |
e4. d~ |
d~ d8 r r |
%80
a' b cs d4 a8 |
cs4 b8 a4 r8 |
a b cs e d a |
cs4 b8 a4 r8 |
a4 fs8 d4 e8 |
%85
fs4 g8 a4-\fermata \breathe r8 |
a,4 d,8 fs4 d8 |
e4. d~ \bar "||" \mark \default
d a' |
fs8 e fs d4 a'8 |
%90
b4. g4 b8 |
a4 d,8 d'4 cs8 |
b4. fs |
fs8 e fs d4 a'8 |
g4<> _\markup \italic\bold {"rit." } fs8 e4. |
%95
d2.~ |
d4.~ d8 r r \bar "|."
}}
Mike Dean
On Mon, Dec 11, 2017 at 4:51 PM, Jacques Menu Muzhic <imj-muz...@bluewin.ch>
wrote:
> Hello Dean,
>
> Another version that runs fine with 2.19.
>
> JM
>
> —
>
>
> \version "2.19"
>
> % Comment or adapt next line as needed (default is 20)
> #(set-global-staff-size 19.9465)
>
> \header {
> title = "Title"
> composer = "Composer"
> software = "MuseScore 2.1.0"
> encodingDate = "2017-12-11"
> }
>
> \paper {
> paper-width = 22\cm
> paper-height = 28\cm
> top-margin = 0.63\cm
> bottom-margin= 0.63\cm
> left-margin = 0.63\cm
> right-margin = 0.63\cm
> indent = 1.7\cm
> short-indent = 1.3\cm
>
> %page-count = 1
> %system-count= 1
> }
>
> \layout {
> \context {
> \Score
> autoBeaming = ##f % to display tuplets brackets
> }
> }
>
> % Pick your choice from the next two lines as needed
> myBreak = { \break }
> %myBreak = { }
>
> % Pick your choice from the next two lines as needed
> myPageBreak = { \pageBreak }
> %myPageBreak = { }
>
> P_POne_Staff_One_Voice_One = \relative {
> \language "nederlands"
> \key c \major
> \numericTimeSignature \time 6/8
> \clef "treble"
> c''4. b | % 1
> c4. e,4 f8 | % 2
> g8 [ a g ] f4 a8 | % 3
> g4 c,8 c'4 b8 | % 4
> a8 [ g a ] e4 f8 | % 5
> g8 [ f g ] e4 c8 | % 6
> d4. g | % 7
> g4 f8 e4 g8 | % 8
> c4. g | % 9
> \bar
Re: Converting musicxml files
For what it is worth, I ended the Frescobaldi-invoked Lilypond (and didn't get an error log), so I'm not sure if I need to add something to my Frescobaldi 3.0.1/Lilypond 2.19.80 installation to get the conversion working properly (On the other hand, I don't have a need to import musicxml files for the forseeable future) Mike Dean On Mon, Dec 11, 2017 at 12:51 PM, Mike Dean <dean...@aquinas.edu> wrote: > Yes, I meant import...Meanwhile the Frescobaldi-invoked Lilypond is still > running (and can challenge the Energizer Bunny in an 8K) > Richard: Thank you for attaching the output...I am going to take a knee on > the current operation. > > Mike Dean > > On Mon, Dec 11, 2017 at 12:41 PM, Richard Shann <rich...@rshann.plus.com> > wrote: > >> On Mon, 2017-12-11 at 11:22 -0500, Mike Dean wrote: >> > Observation: >> > Frescobaldi 3.0 is not playing nicely at all with musicxml file >> > export >> >> Did you mean *import* ??? >> >> > (no new developments from this >> > page: https://github.com/wbsoft/frescobaldi/issues/910) >> > II'm looking to do the import directly from lilypond, but am not sure >> > how to go about it... >> > the musicxml files (uncompressed and compressed) are attached >> >> I thought it would be interesting to try to convert you musicXML to >> LilyPond with Denemo - attached is the result... >> >> Richard >> > > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Converting musicxml files
Yes, I meant import...Meanwhile the Frescobaldi-invoked Lilypond is still running (and can challenge the Energizer Bunny in an 8K) Richard: Thank you for attaching the output...I am going to take a knee on the current operation. Mike Dean On Mon, Dec 11, 2017 at 12:41 PM, Richard Shann <rich...@rshann.plus.com> wrote: > On Mon, 2017-12-11 at 11:22 -0500, Mike Dean wrote: > > Observation: > > Frescobaldi 3.0 is not playing nicely at all with musicxml file > > export > > Did you mean *import* ??? > > > (no new developments from this > > page: https://github.com/wbsoft/frescobaldi/issues/910) > > II'm looking to do the import directly from lilypond, but am not sure > > how to go about it... > > the musicxml files (uncompressed and compressed) are attached > > I thought it would be interesting to try to convert you musicXML to > LilyPond with Denemo - attached is the result... > > Richard > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Converting musicxml files
Am not sure how long Lilypond is to be running before expecting output (error messages or otherwise), but am hoping that it is not hanging... Mike Dean On Mon, Dec 11, 2017 at 12:10 PM, Mike Dean <dean...@aquinas.edu> wrote: > Hi Martin: > I am not sure if I was doing the steps correctly (was working with > Frescobaldi 3.01 and LP 2.19.42; have since updated to 2.19.80) > Am trying the steps again; in 2.19.42 I got no output > > >1. Menu File > Import MusicXML >2. Select a MusicXML file >3. Execute musicxml2ly > > Expect: The import dialog disappears and a new code window with the > generated ly file should open > Actual: The import dialog disappears but nothing else > > In 2.19.80 LP is running (and says it can take some time...), so will post > another after the process completes > > Mike Dean > > On Mon, Dec 11, 2017 at 12:02 PM, Martin Tarenskeen < > m.tarensk...@zonnet.nl> wrote: > >> >> >> On Mon, 11 Dec 2017, Mike Dean wrote: >> >> Observation:Frescobaldi 3.0 is not playing nicely at all with musicxml >>> file export >>> (no new developments from this page: https://github.com/wbsof >>> t/frescobaldi/issues/910) >>> II'm looking to do the import directly from lilypond, but am not sure >>> how to go about it... >>> the musicxml files (uncompressed and compressed) are attached >>> >> >> Frescobaldi calls musicxml2ly to do the conversion. musicxml2ly is a >> python script that is part of the LilyPond distribution. >> >> I tried your musicxml file and it seems to convert to lilypond files fine >> on my system. Could you be more specific than just "not playing nice at >> all"? >> >> -- >> >> MT > > > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Converting musicxml files
Hi Martin: I am not sure if I was doing the steps correctly (was working with Frescobaldi 3.01 and LP 2.19.42; have since updated to 2.19.80) Am trying the steps again; in 2.19.42 I got no output 1. Menu File > Import MusicXML 2. Select a MusicXML file 3. Execute musicxml2ly Expect: The import dialog disappears and a new code window with the generated ly file should open Actual: The import dialog disappears but nothing else In 2.19.80 LP is running (and says it can take some time...), so will post another after the process completes .... Mike Dean On Mon, Dec 11, 2017 at 12:02 PM, Martin Tarenskeen <m.tarensk...@zonnet.nl> wrote: > > > On Mon, 11 Dec 2017, Mike Dean wrote: > > Observation:Frescobaldi 3.0 is not playing nicely at all with musicxml >> file export >> (no new developments from this page: https://github.com/wbsof >> t/frescobaldi/issues/910) >> II'm looking to do the import directly from lilypond, but am not sure how >> to go about it... >> the musicxml files (uncompressed and compressed) are attached >> > > Frescobaldi calls musicxml2ly to do the conversion. musicxml2ly is a > python script that is part of the LilyPond distribution. > > I tried your musicxml file and it seems to convert to lilypond files fine > on my system. Could you be more specific than just "not playing nice at > all"? > > -- > > MT ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Optional trill or putting parentheses around \trill
Worked wonderfully! Thanks! (Wasn't sure if I could follow the /parenthesize command with /trill...) Mike Dean On Sat, Dec 9, 2017 at 7:42 PM, Andrew Bernard <andrew.bern...@gmail.com> wrote: > Hi Mike > > LSR 421. > > Andrew > > ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Optional trill or putting parentheses around \trill
Not sure there is an easy way to do it... (I don't think I looked in the correct place in the LSR...) Mike Dean ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Is there a better way of assigning an instrument name to Voice?
>From caagr98:
<<
\new Staff = "mel" \with { instrumentName = "Melody" } \melody
\new PianoStaff \with { instrumentName = "Piano" } <<
\new Staff = "upper" \upper
\new Staff = "lower" \lower
>>
>>
Cobbling items from Item 1.6 in the Notation manual [0.02458] and Piano
template (simple) [0.11905]
Mike Dean
On Tue, Apr 4, 2017 at 1:46 PM, Mike Dean <dean...@aquinas.edu> wrote:
> Somewhere in the LSR is a snippet to shrink the size of the melody line
>
> Mike Dean
>
> On Tue, Apr 4, 2017 at 1:39 PM, Mike Dean <dean...@aquinas.edu> wrote:
>
>> After trial by errors and caagr98's (thanks much!!!) help:
>>
>> <<
>> \new Staff = "mel" { \melody }
>> << \set Staff.instrumentName = "Melody" >>
>> \new PianoStaff <<
>> \set PianoStaff.instrumentName = #"Piano "
>> \new Staff = "upper" \upper
>> \new Staff = "lower" \lower
>> >>
>> >>
>>
>> (
>>
>> Mike Dean
>>
>> On Tue, Apr 4, 2017 at 12:56 PM, Mike Dean <dean...@aquinas.edu> wrote:
>>
>>> < < \new Voice = "mel" { \melody }
>>>* \set Voice.instrumentName = #"Melody"*
>>> \new PianoStaff <<
>>> \set PianoStaff.instrumentName = #"Piano "
>>> \new Staff = "upper" \upper
>>> \new Staff = "lower" \lower
>>> >>
>>> >>
>>> Mike Dean
>>>
>>
>>
>
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Re: Is there a better way of assigning an instrument name to Voice?
Somewhere in the LSR is a snippet to shrink the size of the melody line
Mike Dean
On Tue, Apr 4, 2017 at 1:39 PM, Mike Dean <dean...@aquinas.edu> wrote:
> After trial by errors and caagr98's (thanks much!!!) help:
>
> <<
> \new Staff = "mel" { \melody }
> << \set Staff.instrumentName = "Melody" >>
> \new PianoStaff <<
> \set PianoStaff.instrumentName = #"Piano "
> \new Staff = "upper" \upper
> \new Staff = "lower" \lower
> >>
> >>
>
> (
>
> Mike Dean
>
> On Tue, Apr 4, 2017 at 12:56 PM, Mike Dean <dean...@aquinas.edu> wrote:
>
>> < < \new Voice = "mel" { \melody }
>>* \set Voice.instrumentName = #"Melody"*
>> \new PianoStaff <<
>> \set PianoStaff.instrumentName = #"Piano "
>> \new Staff = "upper" \upper
>> \new Staff = "lower" \lower
>> >>
>> >>
>> Mike Dean
>>
>
>
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Re: Is there a better way of assigning an instrument name to Voice?
After trial by errors and caagr98's (thanks much!!!) help:
<<
\new Staff = "mel" { \melody }
<< \set Staff.instrumentName = "Melody" >>
\new PianoStaff <<
\set PianoStaff.instrumentName = #"Piano "
\new Staff = "upper" \upper
\new Staff = "lower" \lower
>>
>>
(
Mike Dean
On Tue, Apr 4, 2017 at 12:56 PM, Mike Dean <dean...@aquinas.edu> wrote:
> < < \new Voice = "mel" { \melody }
>* \set Voice.instrumentName = #"Melody"*
> \new PianoStaff <<
> \set PianoStaff.instrumentName = #"Piano "
> \new Staff = "upper" \upper
> \new Staff = "lower" \lower
> >>
> >>
> Mike Dean
>
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Is there a better way of assigning an instrument name to Voice?
< < \new Voice = "mel" { \melody }
* \set Voice.instrumentName = #"Melody"*
\new PianoStaff <<
\set PianoStaff.instrumentName = #"Piano "
\new Staff = "upper" \upper
\new Staff = "lower" \lower
>>
>>
Mike Dean
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Tie into top voice of multiple voices
Having a hard time querying about this:
\version "2.19.42"
{
*% not at all sure how to resolve the warning about a unresolved tie:*
b''8 as b2->~ |
<< {b1~\repeatTie | b4} \\
{ <ds, fs>-. <b, fs'> | } >> e'8 ds e2 |
}
Mike Dean
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Is there a fairly uncomplicated way of stretching out the word crescendo...
... over seven measures with dashes engraved as necessary. I'm not sure how easily I can find that in the snippet repository... thanks. Mike Dean ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
isolated repeats or other signs
Hi: I am looking for a way to use isolated repeat symbols to bracket an except of music I am setting (specifically, using three such symbols, the excerpt, and three such symbols) Alternatively, could use one double-percent symbol at each end, without the dots... Mike Dean ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
A couple of questions that I'm having trouble finding how to do it in the manuals or in the LSR
(1) how can I get a certain field to break across two (or more) lines?
example:
\version 2.18.0
\header {
copyright = Copyright © 2003 by composer-name. For all countries. All
rights reserved.
}
(2) I'd like to force more space (one or more blank lines) between the
header and the start of the score
\version 2.18.0
\header {
copyright = Copyright © 2003 by composer-name. For all countries. All
rights reserved.
}
\score {
\relative c' {
} }
(3) having some trouble with polyphony. What I'd like to do is to have on
the first note the stems going both up and down, and on the succeeding
notes, the higher notes with the stems pointing up and the lower notes
having stems pointing down. Presently, I have both notes on one stem in the
following snippet,
\score {
\relative c' {
\time 4/4 R1 \! |
r2 r4 d \( | \time 2/4 d' g, \f bf d, | \time 4/4 f bf, 2\ \)
r2\! |
} }
(4) would like to figure out how to get a tempo marking of quarter note =
c. 120 as an example.
(5) I am looking for a way to get the markup to left-align with the tempo
marking, but am not sure how to do it
\score {
\relative c' {
\tempo Lento Lontano, e molto legato
\numericTimeSignature
\time 4/4
r2^\markup { \bold Chorale-like } r4 f\pp\( |
}
}
Thanks! I've rediscovered LilyPond after an absence of a few years...
Mike Dean
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Re: A couple of questions that I'm having trouble finding how to do it in the manuals or in the LSR
Yes, I am compiling as I go along (not always merrily)
Mike Dean
On Mon, Mar 24, 2014 at 1:46 PM, Mike Dean dean...@aquinas.edu wrote:
I guess I haven't figured the two indicators out correctly...
\score {
\tempo \markup { \bold Lento Lontano, e molto legato}
\mark \markup { Chorale-like }
places Chorale-like above the tempo indicator, and aligns with the edge
of the staff.
What I haven't found is getting the Chorale-like line under and aligned
with Lento lontano, as follows
*Lento Lontano, e molto legato*
*Chorale-like*
I think I found it:
\tempo \markup \column { \bold Lento Lontano, e molto legato
Chorale-like}
is producing the desired output
Mike Dean
On Mon, Mar 24, 2014 at 1:05 PM, Marc Hohl m...@hohlart.de wrote:
Am 24.03.2014 15:45, schrieb Mike Dean:
Hi Marc:
Thanks for the feedback!
Hi Mike,
please don't forget to reply to all, so that others can join the
discussion.
I have a further question lining up the two marks in question 5
having implemented your suggestion has resulted in the Chorale-like
markup above the Lento lontano... and the latter is lined up with the
time sig, with the Chorale-like lined up with the edge of the staff...
Why two marks? You should have \tempo and \mark instead.
I'm still trying to get a handle on the paper sizing variables... I
found the ragged-bottom = ##t option, but it didn't add a couple of
blank lines before the \score block, so I'm not doing something quite
right.
Did you try changing the markup-system-spacing?
More about polyphony...the part I am transcribing starts out in unison,
but abruptly switches into a polyphonic format.
What I have is this:
\score {
\relative c' {
| \time 4/4 c2.\) f,4\( |
e d a' g | \time 2/4 f g ( | \time 4/4 f a 2. ) \) g4\( |
In which the polyphony starts in the 2/4 measure and ends with the
dotted half note in the next measure.
What I am having a trouble grasping is how to make the temporary
polyphony work...
Looking at the temporary polyphonic construct:
{ \voiceOne ... }
\new Voice { \voiceTwo ... }
\oneVoice
So would that mean that I can do the following
{ \voiceOne f4 g | \time 4/4 a2. }
\new Voice { \voiceTwo f4 g | \time 4/4 f2. }
\oneVoice g4
And would the temporary polyphony have to start at the beginning of a
measure?
r2 r4 { \voiceOne d4\f | \time 2/4 d' bf \time 4/4 f2 }
\new voice { \voiceTwo d4 | \time 2/4 g d | \time 4/4 bf2 }
\oneVoice r2
So I'm not sure where to put the hairpin diminuendo at the end of the
snippet, if it would have to go on voiceTwo...
Did you actually *compile* the examples you provide?
It probably makes sense to start the polyphony at the beginning of a
measure.
You may also have a look at the ... \\ ... shortcut for small
polyphonic parts.
HTH,
Marc
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Re: A couple of questions that I'm having trouble finding how to do it in the manuals or in the LSR
I guess I haven't figured the two indicators out correctly...
\score {
\tempo \markup { \bold Lento Lontano, e molto legato}
\mark \markup { Chorale-like }
places Chorale-like above the tempo indicator, and aligns with the edge
of the staff.
What I haven't found is getting the Chorale-like line under and aligned
with Lento lontano, as follows
*Lento Lontano, e molto legato*
*Chorale-like*
I think I found it:
\tempo \markup \column { \bold Lento Lontano, e molto legato
Chorale-like}
is producing the desired output
Mike Dean
On Mon, Mar 24, 2014 at 1:05 PM, Marc Hohl m...@hohlart.de wrote:
Am 24.03.2014 15:45, schrieb Mike Dean:
Hi Marc:
Thanks for the feedback!
Hi Mike,
please don't forget to reply to all, so that others can join the
discussion.
I have a further question lining up the two marks in question 5
having implemented your suggestion has resulted in the Chorale-like
markup above the Lento lontano... and the latter is lined up with the
time sig, with the Chorale-like lined up with the edge of the staff...
Why two marks? You should have \tempo and \mark instead.
I'm still trying to get a handle on the paper sizing variables... I
found the ragged-bottom = ##t option, but it didn't add a couple of
blank lines before the \score block, so I'm not doing something quite
right.
Did you try changing the markup-system-spacing?
More about polyphony...the part I am transcribing starts out in unison,
but abruptly switches into a polyphonic format.
What I have is this:
\score {
\relative c' {
| \time 4/4 c2.\) f,4\( |
e d a' g | \time 2/4 f g ( | \time 4/4 f a 2. ) \) g4\( |
In which the polyphony starts in the 2/4 measure and ends with the
dotted half note in the next measure.
What I am having a trouble grasping is how to make the temporary
polyphony work...
Looking at the temporary polyphonic construct:
{ \voiceOne ... }
\new Voice { \voiceTwo ... }
\oneVoice
So would that mean that I can do the following
{ \voiceOne f4 g | \time 4/4 a2. }
\new Voice { \voiceTwo f4 g | \time 4/4 f2. }
\oneVoice g4
And would the temporary polyphony have to start at the beginning of a
measure?
r2 r4 { \voiceOne d4\f | \time 2/4 d' bf \time 4/4 f2 }
\new voice { \voiceTwo d4 | \time 2/4 g d | \time 4/4 bf2 }
\oneVoice r2
So I'm not sure where to put the hairpin diminuendo at the end of the
snippet, if it would have to go on voiceTwo...
Did you actually *compile* the examples you provide?
It probably makes sense to start the polyphony at the beginning of a
measure.
You may also have a look at the ... \\ ... shortcut for small
polyphonic parts.
HTH,
Marc
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Importing the LilyPond macro into OpenOffice 2.1
Hi... I'm looking for steps to incorporate the LilyPond macro into OpenOffice 2.1 in Windows, since the instructions I've found on http://ooolilypond.sourceforge.net/#Installation do not match up... Register the basic macro in OpenOffice.org - Select from the Menu: Tools -- Macros -- Organize Macros -- OpenOffice.org Basic... - Click Organizer... - Go to the tab Libraries - Select the radio button OpenOffice.org - Click Append... - In the file dialog open the file C:\Program Files\basic\script.xlb - In the Append Libraries dialog click OK - Close all open dialog boxes In particular, OpenOffice 2.1 does not have a radio button, nor an Append option (it has New and Import, but I am too new to OpenOffice to determine which one is the right one). Regards, Mike ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
