[LUTE] Re: Sonic Research ST-122 tuner
For day-to-day, I am very happy with my Pickboy QT-01. Its primary advantage is that it is very small and fits in my lute case. -- -mark. To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Sonic Research ST-122 tuner
It is a very accurate tuner, but for day to day work I prefer the Korg Orchestral model. If you need to do keyboard tuning as well and don't mind fussing with the interface it is very accurate, however. To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: lute sighting
Bathrobe hanging from the pegbox? Mathias "Bernd Haegemann" schrieb: > from "Little Britain" > > http://www.lute-academy.be/docstore/litbrit.jpg To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Italian terms
Davide, Fabio & Gian Luca Thank you all for your prompt reply. Monica - Original Message - From: "davide.rebuffa" To: "Monica Hall" Sent: Thursday, August 12, 2010 8:55 PM Subject: Re: [LUTE] Italian terms Hi Monica, the term paletta means guitar pegbox (while for the lute we use cavigliere.) Ponticello reggicorde is used for moveble guitar bridges like archtops or metal strings guitar in use in the fifties and sixties. best regards, davide - Original Message - From: "Monica Hall" To: "Lutelist" Sent: Thursday, August 12, 2010 9:36 PM Subject: [LUTE] Italian terms Is there any Italian speaking lutenist who can tell me the meaning of these Italian terms in relation to the lute... Paletta - as in manico-tastiera e palletta - could it be the peg box? and Ponticello reggicorde - some sort of bridge? Cheers Monica -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Italian terms
Monica Hall ha scritto: Paletta - as in manico-tastiera e palletta - could it be the peg box? Yes, it's the part that houses the tuning pegs. Ponticello reggicorde - some sort of bridge? Yes, "ponticello" (or "ponte") means bridge. Best wishes, Fabio Rizza To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Italian terms
Is there any Italian speaking lutenist who can tell me the meaning of these Italian terms in relation to the lute... Paletta - as in manico-tastiera e palletta - could it be the peg box? and Ponticello reggicorde - some sort of bridge? Cheers Monica -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Some English tunes from the Skene mandore MS (c1620)
The Skene mandore MS is renowned for its settings of Scottish tunes - often rather strange pentatonic melodies. But there are plenty of tunes that would have been popular in England too. I'm supposing that the six here are in fact English and am happy to stand corrected! Number 3, "O Sillie Soul alace" sounds very familiar indeed. John Skene (d1644) was an amateur musician. The mandore tablatures are a mess and there are parallel octaves all over the shop. http://www.youtube.com/watch?v=Jm_XHOsgUkQ Dauney's "Ancient Scotish [sic] Melodies" from the 19th century, has transcriptions by George F. Graham of the tunes. The transcriptions omit some notes clearly visible in the tablatures, omit all ornaments and are, I would say, pretty unreliable. But they (and Dauney's book) are very interesting in themselves and a place to start to try and make sense of the haphazard notation. The Skene in question is John Skene of Hallyards and his father was a judge who (evidently) took on the prosecution of witches with great energy. The Hallyards Castle is now (it seems) a ruin near a sewage farm near the runway at Edinburgh airport! Stuart To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Trabaci, Giovanni Maria - Galliard 1
hi I have uploaded a new and interesting Duo for 2 lutes ad Quartam Trabaci, Giovanni Maria - Galliard 1 Enjoy Anton 2 Lauten 10-chörig http://www.mediafire.com/?sharekey=2ff9bbd6c00cf4bce5c3dee5769931ec581ba18fc46fe28aa7b01fe6e4055ae3 Arresti, Floriano - Ricercare 2 Lauten ad Quartam http://www.mediafire.com/?sharekey=2ff9bbd6c00cf4bce5c3dee5769931ece85bafcec95ed4d2947708e37b913e74 Agricola, Alexander - De tous bien plaine anonym - J'ay prins amours Banchieri - Suonata Prima Buchner - Tandernack Cabezon - Tiento 1 del Primer Tono Cabezon - Tiento 6 del Primer Tono Cabezon - Tiento 8 del Cuarto Tono Cabezon - Tiento 9 del Quinto Tono Caurroy, Eustache du - Fantasie 31 Cavazzoni, Girolamo - Canzon sopra Falt D'Argens Cima, Giovanni Paolo - Canzon 14 Bull - Doctor Bull's my selfe Farnaby, Giles - Spagnoletta Grillo, Giovanni Battista - Canzona Guami - Canzon Decimasettima Hassler - Canzon 20 Inglott, William - The Leaves be greene Maschera, Florentino - Canzon-La Mazzuola Pellegrini, Vincenzo - La Capricciosa Robin, Munday-Robin Thomas Lupo - Masque 2 Trabaci, Giovanni Maria - Galliard 1 2 Lauten ad secundam http://www.mediafire.com/?sharekey=2ff9bbd6c00cf4bce5c3dee5769931ec1dfabc6e2bda0fe2a601da0f25e869f4 Antegnati - Canzon Nona La Battera Cabezon - Diferencias sobre la Gallarda Milanesa Cabezon - Quaeramus (Mouton) Cabezon - Tiento 3 del Primer Tono Cima, Giovanni Paolo - Canzon 1 Cima, Giovanni Paolo - Canzon 4 Cima, Giovanni Paolo - Canzon 10 Decapella-Ung soir Guillot Gabrieli, Andrea - Rricercar del 12 tono Gabrielli, Giovanni - Canzon Terza Giles Farnaby - Mask Maschera, Florentino - Canzon IV Maschera, Florentino - Canzon XII 2 Lauten Unisono http://www.mediafire.com/?sharekey=2ff9bbd6c00cf4bce5c3dee5769931ec4cc8e15564edcfa13e34c0a955f98962 Ammerbach - Chi passa per questa strada Anonym - La Corrente Balletto Francese Anonym - The Woods so wild Anonym -La Spagna Anonyme - Una mosa falle yo Anonyme - Revelies vous Banchieri - Fantasia secunda Battiferri - Ricercare 10 Byrd - Monsieurs Alman Cabezon - Si par suffrir Cabezon - Tiento 2 del Primer Tono Cabezon - Tiento 5 del Primer Tono Cabezon - Tiento 7 del Cuarto Tono Cabezon - Tiento del Primer Tono Caurroy, Eustache du - Fantasie 9 Cavaccio, Giovanni - Canzona-La Foresta Cavazzoni, Girolamo - Canzon sopra Il belle bon Cavazzoni, Girolamo - Recercar 2 Compère, Loyset - O bone Jesu Compère, Loyset - Scaramelle fa la galle Clemens non Papa - Au joly bocquet croist la violette Erbach - Canzon 8 Farnaby, Giles - His Humor Farnaby, Giles - loth to depart Ghizeghem-Anonimus - De tous biens plaine Guami Gioseffo - Canzon La Guamina Gussago - Sonata 7 La Sguizzerotta Hassler, Hans Leo - Canzon I Hassler, Hans Leo - Canzon II Hassler, Hans Leo - Canzon IV Hassler, Hans Leo - Canzon V Janequin - Le Chant Des Oyseaux Japart - Tan bien mison pensa Johnson - Johnsons Medley Lauder, James - Mylord Pavin Macque, Giovanni de - Canzon 4 Monte, Philipp de - Fantasia sopra que me servent Morton - Nʹaray je jamais mieulx que jʹay Mouton, Jean - Canzon in c Naich, Ubert - Che Giova Saettar Palestrina - 8 Ricercari Passereau-Il est bel et bon Reade, Richard - Pavan & Galiarde Schmid d. J.- Anchor che col partire Schmid d. J. - Bella d'amor Soderino, Agostino - La Brivia Schmid, Bernhard d. Ã.- Ung gai bergier Taeggio - Canzon - La Lombarda Tomkins - In Nomine Vila, Pere Albert - Tiento 1 Vila, Pere Albert - Tiento 2 Ward-Duo (2Lyra Viols) Wert - Era il Belviso suo Willaert -Motette-Dulcis 2 Lauten (einstimmig-single line-for studying and teaching purposes) http://www.mediafire.com/?sharekey=24enp6t87q71d Guami - Ricercar 2 Guami - Ricercar 10 3 Lauten a,a,g-Laute http://www.mediafire.com/?sharekey=2ff9bbd6c00cf4bce5c3dee5769931ecad2b71be7ffe8c9aa7b01fe6e4055ae3 MPC - Passameze (CCLXXXVI) 3 Lauten ad Quartam http://www.mediafire.com/?sharekey=2ff9bbd6c00cf4bce5c3dee5769931ec03da445f908cb26a79b5ba589d1986ba Biancardius, Franciscus - Laudate Dominum Engelmann, Georg - Galliarda Sunon Jenkins - Fantasia No.7 Lasso - Lagrime di San Pietro 1 linkliste ganzer Ordner Monte - I begl'occhi und'io Schein, Johann Hermann - Canzon 24 3 Lauten für a,g,d-Laute http://www.mediafire.com/?sharekey=2ff9bbd6c00cf4bce5c3dee5769931ec36081df009b8685064328c9cace34742 Anonymus - Barafostus Dreame Cabezon - Diferencias sobre el Canto del Cavarello Franzoni, Amante - Canzona Ghiselin - La Spagna Malvezzi, Cristofano - Sinfonia a 6 Senfl, Ludwig - Das Geläut zu Speyer 3 Lauten Unisono-Einstimmig (single line-for studying and teaching purposes) http://www.mediafire.com/?sharekey=2ff9bbd6c00cf4bce5c3dee5769931ec399dcfc9ef2dc4b49d4bfef7ef5beeff Bull, John In Nomine Byrd 3 Fantasie a3 Caurroy-Fantasie-30 Caurroy-Vingtneufiesme Fantasie Gibbons, Orlando - Fantasien Lasso-Domine, non est exaltatum cor meum Lasso-Haec quae ter triplici Lupo - Fantasia Lupo - Pavan-1 Lupo - Pavan-2 Lupo - Pavan-3 Morley, Thomas - Canzonets-for-3-Voices Nola (da) Giovanni -Chi la Galiar
[LUTE] Re: Facsimiles
I'll second that! It's not difficult read both French and Italian tab and it is self defeating to turn Italian tab upside down because you may eventually have to unlearn everything you've got used to. German tab is a bit more difficult. Monica - Original Message - From: "Monica Hall" To: "Edward Mast" Sent: Thursday, August 12, 2010 12:17 PM Subject: Re: [LUTE] Re: Facsimiles - Original Message - From: "Edward Mast" To: "vance wood" Cc: "Lute List" Sent: Wednesday, August 11, 2010 10:43 PM Subject: [LUTE] Re: Facsimiles What you say makes good sense, Vance. Ned On Aug 11, 2010, at 5:39 PM, vance wood wrote: I think trying to make an argument that one form of tab. is better than another is both counter-productive and epistemologically unsound. The fact will in the end remain, that a serious Lute student will have to be at the least familiar with Italian, French and German tab (if not fluent) unless they find themselves in the unenviable position of having to trust on a third party to translate, one to the other, or do it themselves. Myself; I am not fluent in German tab but I can sight read both French and Italian equally well, or poorly depending on your assessment of my abilities. It is for this reason I believe it is best to learn as much as possible from facsimiles and or photo copies of original materials rather than depend on the work modern scholars, or publishers, who may or may not have supplied their opinions or rendered their own mistakes. Not to demean these efforts but to simply state that the original source is often better for educational purposes than the il! luminated modern version. - Original Message - From: To: "Sauvage Valéry" Cc: "'Sean Smith'" ; "'lute-cs.dartmouth.edu'" Sent: Wednesday, August 11, 2010 4:05 PM Subject: [LUTE] Re: Facsimiles A student should learn italian tab as soon as possible, too late they say, oh, I do prefer french tab...) I found it difficult to read both, and began with 'french-like' forms (French with numerals as well as french with letters). Each of the publishers had arguments for their form, all of them entirely rational, none of them conclusive. I find single-glyph symbols easier to work with, and since the number of frets obliges two-glyph symbols with numerals (eg, 14, 15 .. 25), but has single-glyph symbols in the alfabet, there is an argument which slightly favors the use of letters; but nothing really compelling to favor italian-ordered vs french-ordered layout. chacun à son goût... -- Dana Emery To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] lute sighting
from "Little Britain" http://www.lute-academy.be/docstore/litbrit.jpg To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
