[LUTE] Re: Realizing a passible continuo line...

2020-02-04 Thread David van Ooijen
   Don't arpeggiate.

   [1]https://davidvanooijen.wordpress.com/continuo-playing-on-baroque-lut
   e-lesson-four-first-practical-step/

   On Wed, 5 Feb 2020 at 03:36, Mark Probert <[2]probe...@gmail.com>
   wrote:

 Hi, all.
 A bit of an open-ended question here. Suppose I given a piece of
 early
 Baroque music, take Monteverdi's duet "Ardo e scoprir"[1] by way of
 specific example, and I want to create a passable continuo line to
 support the singers (potentially with me singing one of lines).
 I come armed with my lute, an a-historic Dm 13c lute, a certain
 amount
 of theory, but no real clue apart from "play the indicated root" and
 "arpeggiate the triads".
 Given this is akin to asking "how do you realize a bass," can anyone
 point me in the direction of how you start such a journey on a lute?
 And if the theory is much different using a Dm lute rather than
 theorbo?
 Many thanks
   .. mark.
 [1]
 [3]https://www3.cpdl.org/wiki/index.php/Ardo_e_scoprir,_ahi_lasso,_i
 o_non_ardisco_(Claudio_Monteverdi)
 To get on or off this list see list information at
 [4]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

   ***
   David van Ooijen
   [5]davidvanooi...@gmail.com
   [6]https://davidvanooijen.wordpress.com
   ***

   --

References

   1. 
https://davidvanooijen.wordpress.com/continuo-playing-on-baroque-lute-lesson-four-first-practical-step/
   2. mailto:probe...@gmail.com
   3. 
https://www3.cpdl.org/wiki/index.php/Ardo_e_scoprir,_ahi_lasso,_io_non_ardisco_(Claudio_Monteverdi)
   4. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   5. mailto:davidvanooi...@gmail.com
   6. http://www.davidvanooijen.nl/



[LUTE] Re: Realizing a passible continuo line...

2020-02-04 Thread howard posner


> On Feb 4, 2020, at 6:31 PM, Mark Probert  wrote:
> 
> Suppose I given a piece of early 
> Baroque music, take Monteverdi's duet "Ardo e scoprir"[1] by way of 
> specific example, and I want to create a passable continuo line to 
> support the singers (potentially with me singing one of lines). 
> 
> I come armed with my lute, an a-historic Dm 13c lute, a certain amount 
> of theory, but no real clue apart from "play the indicated root" and 
> "arpeggiate the triads”. 

Neither of those is necessarily a good idea, especially if by “play the 
indicated root” you mean assuming the bass note is the root of the chord. But 
if you know the basic rules (you’re familiar with the rule of the octave?) you 
can get most of the harmonies right without too much trouble.

> Given this is akin to asking "how do you realize a bass," can anyone 
> point me in the direction of how you start such a journey on a lute? 

If you want to learn how to do it, I’d start with Nigel North’s "Continuo 
Playing on the Lute, Archlute and Theorbo.” If you just want to slap something 
together for a specific piece, you might get a realized version (which will 
probably be intended for piano) and alter it to suit your needs. 

> And if the theory is much different using a Dm lute rather than theorbo?

The theory doesn’t change. A major chord is a major chord and a suspension is a 
suspension. You’ll have higher notes than a theorbo has, but less volume and 
sustain. Sometimes this means playing a busier accompaniment to keep the sound 
going (good luck with that if you’re singing at the same time).



To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Realizing a passible continuo line...

2020-02-04 Thread Mark Probert


Hi, all.

A bit of an open-ended question here. Suppose I given a piece of early 
Baroque music, take Monteverdi's duet "Ardo e scoprir"[1] by way of 
specific example, and I want to create a passable continuo line to 
support the singers (potentially with me singing one of lines). 

I come armed with my lute, an a-historic Dm 13c lute, a certain amount 
of theory, but no real clue apart from "play the indicated root" and 
"arpeggiate the triads". 

Given this is akin to asking "how do you realize a bass," can anyone 
point me in the direction of how you start such a journey on a lute? 
And if the theory is much different using a Dm lute rather than theorbo?

Many thanks

  .. mark.

[1] 
https://www3.cpdl.org/wiki/index.php/Ardo_e_scoprir,_ahi_lasso,_io_non_ardisco_(Claudio_Monteverdi)



To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: Ballard 1612

2020-02-04 Thread Andreas Schlegel
   Dear Stewart

   Have a look on my CD-book on the von Erlach Lute Book:

   [1]https://accordsnouveaux.ch/en/the-von-erlach-lute-book

   and scroll down to the index. You will see there some colours and then
   read my introduction.

   It's just your topic: Lute books of the first half of the 17th century
   are of course very important sources for popular melodies which
   sometimes survive only in lute books. "Lute pieces" are often „only"
   song settings adapted for the lute - but made in the specific
   lutenistic style. And the so called „timbres" have very often texts of
   very different character: as a Noël (Christmas carol), as a drinking
   song, as a political pamphlet song and so on.

   A lute book which includes such song arrangements tells much more than
   a „normal" source - but very often, we as players of the 21st century
   don't recognise the melodies which were common for nearly all listeners
   in the 17th century - with all their textual implications.

   A nice example from Ballard 1612-B is track 29 of the context-CD.

   Andreas

   Am 03.02.2020 um 00:48 schrieb Stewart McCoy
   <[2]lu...@mail.cs.dartmouth.edu>:

   Many thanks, Andreas. I've downloaded the two appendices, which are a
   mine of information, and which will keep me busy for some time.
   Good luck with your talk to the Lute Society.
   Best wishes,
   Stewart.
   -Original Message- From: Andreas Schlegel
   Sent: Sunday, February 2, 2020 10:53 AM
   To: Stewart McCoy
   Cc: lute list
   Subject: [LUTE] Re: Ballard 1612
There's an important article on that topic by Franà �ois-Pierre Goy:
LA PRATIQUE DE LA PARODIE SPIRITUELLE DANS UN MONASTÈRE TROYEN AU
   XVIIe
SIÈCLE les ï � � Cantiques spirituels faits à  la Visitassion Ste
   Marie ï � �
(F-T Ms. 1686)
The book can be ordered here:
[1][3]http://societe-champenoise-de-musicologie.org/Cahiers_remois_de_
   musi
cologie.html
Scroll to the third book.
There are links to the two annexes which include some Airs with
parodies by Berthod.
On next Saturday I will speak at the Lute Society Meeting and play
   from
the von Erlach lute book. The topic of the „travel" of melodies is
   one
important part of my mini-recital at 11:30.
[2][4]https://www.lutesociety.org/pages/meetings
I hope to see you there!
Andreas
Am 02.02.2020 um 00:37 schrieb Stewart McCoy
<[5]lu...@mail.cs.dartmouth.edu>:
Thanks, Rainer. Much appreciated.
There are some other interesting books to be found at the same
   library.
If
you click on "Rechercher" and do a search for "luth", you'll find more
tablature with a copy of Piccinini.  There is also an interesting
looking collection of songs by Chancy. Most intriguing are three song
collections
(in one volume) by Franà �ois Berthod, who flourished in the 1650s. He
took
songs by well-known French composers, and replaced their words with a
spiritual text. There is a brief Wiki article about him. On the title
page of his books there is a left-handed lute-player with a six-string
(single courses) lute. All the songs are for two voices - treble and
bass - with both parts texted. There are no figures for the bass part,
yet a chordal accompaniment on a lute or theorbo should nevertheless
   be
possible.
I would be interested to know what the songs are, to which Berthod set
his spiritual text. There is no way of knowing from Berthod's
collection, and although the library mentions composers like Bacilly
and Le Camus, they don't seem to say who wrote which songs, and what
the original words were.
Best wishes,
Stewart.
-Original Message- From: Rainer
Sent: Saturday, February 1, 2020 4:09 PM
To: Lute net
Subject: [LUTE] Ballard 1612
[6]https://mazarinum.bibliotheque-mazarine.fr/ark:/61562/mz3446
Click under "Tà �là �charger"
Rainer
To get on or off this list see list information at
[7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Andreas Schlegel
Eckstr. 6
CH-5737 Menziken
Festnetz +41 (0)62 771 47 07
Mobile +41 (0)78 646 87 63
[8]i...@lutecorner.ch
--
   References
1.
   [9]http://societe-champenoise-de-musicologie.org/Cahiers_remois_de_musi
   cologie.html
2. [10]https://www.lutesociety.org/pages/meetings

   Andreas Schlegel
   Eckstr. 6
   CH-5737 Menziken
   Festnetz +41 (0)62 771 47 07
   Mobile +41 (0)78 646 87 63
   [11]i...@lutecorner.ch

   --

References

   1. https://accordsnouveaux.ch/en/the-von-erlach-lute-book
   2. mailto:lu...@mail.cs.dartmouth.edu
   3. http://societe-champenoise-de-musicologie.org/Cahiers_remois_de_musi
   4. https://www.lutesociety.org/pages/meetings
   5. mailto:lu...@mail.cs.dartmouth.edu
   6. https://mazarinum.bibliotheque-mazarine.fr/ark:/61562/mz3446
   7. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   8.