[MCN-L] Posting to new groups.io list

2021-05-19 Thread Richard Light
Hi,

I tried posting to the new address from Thunderbird, but nothing
appeared. There are apparently no messages at all, despite it having
been 'up' for a month:

As a follow-up I tried submitting a message via their web interface, and
got this message:

It will be interesting to see whether, and when, this approval happens. 
At present, the new home for the MCN list has all the hallmarks of a
non-operative setup.

Richard

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*Richard Light*
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Re: [MCN-L] LAM interoperability SIG

2016-02-26 Thread Richard Light



On 2016-02-23 10:18 PM, Stefano Cossu wrote:

Hi there,

1. At the moment we are not exchanging data with other institutions in a
"smart" way. The recent work on our new DAMS will bring more
opportunity in this direction though. The key for this is having adopted
RDF as the lingua franca for our DAMS.

Before we tackle inter-institutional interoperability, we want to
better connect departments within the museum and heterogeneous data
sets such as library, archives and collections. This will have more
obvious and immediate advantages for us.
Harmonizing library, museum and archive catalogue data into RDF (if 
that's what you mean) would be a significant achievement.  Clearly, it 
would be of much wider value than within your own institution. Certainly 
it's an aspiration which this group should support you in/help you with.



2. CIDOC CRM seems to be the most comprehensive and flexible ontology
to encompass the widest range possible of cultural heritage items.
However, CIDOC CRM cannot be practically used as a cataloging ontology,
but rather as a harmonization tool. It should sit between the cataloger
and the consumer, and accessed only to machines that can handle its full
complexity.
The approach I have adopted is to generate Linked Data RDF on the fly, 
starting in my case from native museum catalogue data encoded in XML 
records [1].  The idea is that each object in the [Wordsworth Trust] 
collection is published with its own unique, persistent, useful URL.  I 
would commend this strategy as a good way to get started: stake a claim 
for your collection in the Web information space.


I'm working to improve the RDF, and one way of doing that would be to 
include more CIDOC-CRM structure in it.  The other, bigger, problem I 
see is that all the data is just string values.  What we desperately 
need are more shared Linked Data frameworks (for people, places, events, 
...), whose URLs we can begin to embody in our catalogue data.


If you see 'interchange' as a selective publication exercise, rather 
than a mass-data-shifting one, then there is no down-side to just 
publishing that subset of your catalogue data which is useful for 
sharing.  Museum records are full of internal management stuff which has 
no place being published, just as bibliographic records contain lots of 
technical MARC data that won't be of interest to a general public.  One 
useful thing we can do is to agree what story we are trying to tell, and 
work back from that conclusion to a view on what data is required for 
sharing.


(Also, dynamically rendering catalogue data on request ensures that it 
is always up to date.)



There are several publishing schemata that map to CIDOC-CRM and expose
only the concepts meaningful to a human end user. There is not, as far
as I know, a cataloging schema that is encoded in RDF and maps to CIDOC
CRM. I am aware of ongoing efforts to serialize the Getty's AAT (which
contains CDWA terms) into RDF [1], but having a separate, formalized
cataloging ontology based on CDWA would be a great advancement in this
area.
Note that all three Getty 'vocabularies' (should one now say 
'ontologies'?) are fully published as Linked Data, and so are available 
as RDF.


Best wishes,

Richard Light

[1] e.g. http://collections.wordsworth.org.uk/Object/WTcoll/id/GRMDC.C144.9
which resolves to
http://collections.wordsworth.org.uk/Object/WTcoll/id/rdf/GRMDC.C144.9
when RDF is requested



3. We use Fedora [2] which is completely content-agnostic and allows to
build any sort of content model. Fedora and its satellite
projects encourage the use of PCDM [3] as a very basic and
broad-scoped ontology on top of which more domain-specific ontologies
can be layered to satisfy any kind of content modeling.

4. My team (5 people) is in charge of designing and implementing our
collection information systems. A separate department, Digital
Experience and Access, acts as a broker for end users' (staff and
public) needs and is in constant dialog with us. I act as an
interpreter who translates semi-technical requirements into
specifications.


[1] http://www.getty.edu/research/tools/vocabularies/lod/index.html
[2] http://fedorarepository.org
[3] https://github.com/duraspace/pcdm/wiki

On Thu, 18 Feb 2016 16:33:51 +
"Delmas-Glass, Emmanuelle" <emmanuelle.delmas-gl...@yale.edu> wrote:


Dear all,

In order to get us started with the LAM interoperability SIG, we
would like to get your feedback on a few questions.

1. Use cases: as a museum, library or archive, whenever you tried to
integrate your data with other institutions, what worked, what
didn't, and why?

2. Interoperable metadata schemas and/or ontologies: what is out
there that can help bring collection data and bibliographical data
together? What do you think about them, what are the challenges and
how do you plan or wish to utilize them?

3. Existing interoperability tools: what software platforms do you
use? If you could design your o

Re: [MCN-L] Walters Art Museum goes CC0

2015-07-31 Thread Richard Light


Hi,

While that's great news, AFAICT the data is still only accessible via a 
[custom] API, for which a key is required.  Are there plans for bulk 
downloads and/or Linked Data support?


Richard

On 30/07/2015 16:47, Sarah Stierch wrote:

In an unprecedented move. In 2012 the Walters Art Museum went CC BY SA 3.0 for 
their image licensing. Today, they go CC0 - releasing both images and metadata 
under the most free of Creative Commons licenses, making a public domain 
declaration.

http://openglam.org/2015/07/30/walter-art-museum-goes-cc0/


Sarah Stierch
-
Museumist specializing in open culture and grantwriting
www.sarahstierch.com http://www.sarahstierch.com/



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Re: [MCN-L] Links in TMS notes field

2015-01-07 Thread Richard Light


A technique I have found useful when pasting content from Word (into a 
standard web page) is to use a simple text editor such as Notepad as an 
intermediary.  Copy the text in Word, paste it into Notepad, re-select 
and re-copy it, then paste into the target field/form.


If you want to retain simple HTML markup, while losing the horrors of 
Word style information, it may be that a rich text editor could 
usefully take the place of Notepad as the intermediary.  Advice, anyone?


Richard

On 07/01/2015 14:41, Ben Rubinstein wrote:
Veering slightly off topic, but if you do anything en-masse based on 
the TextEntryHTML field of the TextEntries, be prepared for some 
hidden horrors - if users paste text in directly from Word or similar 
programmes, you can get some really unpleasant mark-up in there.  In 
many applications you won't want to dump it directly to a web page.


Ben

On 07/01/2015 14:25, Smith, Jeffrey wrote:

John,

We have simply dropped in the required href text and used the web 
page to render it correctly. The text entry functionality is not an 
HTML editor (though that would be nice), but you can copy the text 
from an HTML source, paste it into a text entry field, and TMS will 
save a version in the table's TextEntryHTML field. I'veattached a 
sample row from our database.


-Original Message-
From: mcn-l-boun...@mcn.edu [mailto:mcn-l-boun...@mcn.edu] On Behalf 
Of Gordy, John

Sent: Wednesday, January 07, 2015 9:13 AM
To: mcn-l@mcn.edu
Subject: [MCN-L] Links in TMS notes field

Calling on the MCN Collective Hive Mind
At an individual object level in TMS there is a Notes tab and 
within Notes there are Text Entries
Text Entries are a rich text field and any bracketed text is 
rendered to the page. Does anyone know how to create hyperlinks 
within the Text Entries?
I know it can be done. We even have examples of links within our own 
entries but they were created prior to the RTF formatting Thanks in 
advance John Gordy Chief of Digital Outreach National Gallery of Art



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[MCN-L] FW: Soliciting Terms for Nomenclature 4.0

2014-05-15 Thread Richard Light
Hi,

I'm delighted to hear that Nomenclature is still thriving and 
developing.  Am I right in thinking that it is still entirely a dead 
trees publication, with no online manifestation at all? Might this be 
the time to take a big leap forward, and publish Nomenclature 4.0 as 
Linked Open Data, maybe as a SKOS ontology? Where the Getty lead, and 
all that ...

Richard

On 15/05/2014 14:12, John T. Hart wrote:
 Please excuse any cross-postings.

 Fellow Museum Professional(s):
 Since its inception in 1978 many of us have come to use Chenall's 
 Nomenclature to categorize and organize our museum collections. Now in its 
 third edition, the Nomenclature Task Force of AASLH is preparing to undertake 
 a project to release Nomenclature 4.0, but we can't do it without your input 
 and help! We are asking you, as the frontline of museum collections, to 
 recommend new terms, alternative categories for objects, and new definitions 
 of objects. It's easy to do and won't take but a few minutes and can all be 
 done online. If you go to this link: 
 (http://community.aaslh.org/nomenclature-submissions/) you can choose the 
 best option for what you'd like to submit and add information to the form, 
 provide us with your contact information in case we have any questions or 
 need to follow up with you, hit submit and you're all done. It's that easy! 
 We are open to any suggestions you have and rest assured we give thought to 
 each and every recommendation sent in to us.
   
 If you have any questions, please feel free to contact me directly and I will 
 try to answer your question(s) myself or share them with the Task Force to 
 address them.
   
 Thank you for your help and your time!
   
 John
   
 John Hart, Jr.
 Museum Registrar and AASLH Nomenclature Task Force Member
 Sullivan Museum and History Center
 Norwich University
 158 Harmon Drive
 Northfield, VT 05663
 (802) 485-3289


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[MCN-L] LODLAM Patterns - Call for Participation

2013-08-09 Thread Richard Light
This initiative chimes with work being undertaken by the CIDOC 
Documentation Standards Working Group. We have made a start at defining 
some specific issues to address [1], though not much progress has 
subsequently been made on actually addressing them.

Richard Light

[1] 
http://network.icom.museum/cidoc/working-groups/documentation-standards/docstandards-lddp/

On 07/08/2013 20:06, Richard Urban wrote:
 We invite you to join a collaborative effort to identify design patterns for 
 Linked Data in Libraries, Archives, and Museums (LODLAM). A LODLAM design 
 pattern identifies common problems, solutions, and examples found in current 
 LAM metadata standards and emerging Linked Data approaches.

 Participants are invited to use the LODLAM Proto-Patterns wiki 
 (http://lodlampatterns.org/protopattern) as platform for identifying 
 potential problems, solutions, and contexts. In the wiki these patterns can 
 be edited, refined, classified, and further developed over time.

 The results of this study will be used to understand what patterns exist in 
 our current environment and what patterns are desirable as we move towards 
 Linked Data approaches.  In other disciplines, design patterns have proven to 
 be useful for broadening the debate about technical standards and as 
 instructional tools.  Your participation in this study will guide the 
 development of a representation pattern library (http://lodlampatterns.org) 
 that can be useful to Linked Data users, developers, students, and metadata 
 creation professionals.

 Richard J. Urban, Assistant Professor
 College of Communication and Information
 School of Library and Information Studies
 Florida State University
 Florida's iSchool
 rurban at fsu.edu
 @musebrarian
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[MCN-L] Using barcodes and tablets

2013-05-30 Thread Richard Light

On 30/05/2013 16:32, bryan kennedy wrote:
 The key here is that the QR code is equivalent to the URL and the URL
 is equivalent to the database entry for the thing. I think we're working to
 re-invent the URL sometimes. It's a great canonical identifier for things,
 as long as you remember Cool URIs don't change -
 http://www.w3.org/Provider/Style/URI.html  . But this does require a
 develop for the web first mentality, which I understand is far from the
 norm in the collections management world.
Excellent post, Bryan. I would strongly support the idea of using URLs 
as canonical identifiers.  Interesting that you provide an updateable 
HTML view of the information, rather than a read only one.

While no museum collection I know of has started off with URLs like 
yours for collections objects, it is possible to retro-fit a Linked Data 
view on to existing catalogue frameworks. Thus for example:

http://collections.wordsworth.org.uk/Object/WTcoll/id/GRMDC.C104.4

is a persistent identifier for the Wordsworth Trust's object with 
accession/identity number GRMDC.C104.4. In addition, you can take 
advantage of content negotiation to get added value from this single 
identifier, so that it delivers you XML, RDF or even an image, via 303 
See Other redirects to:

http://collections.wordsworth.org.uk/Object/WTcoll/id/xml/GRMDC.C104.4
http://collections.wordsworth.org.uk/Object/WTcoll/id/rdf/GRMDC.C104.4
http://collections.wordsworth.org.uk/Object/WTcoll/id/jpeg/GRMDC.C104.4

respectively.

Richard
-- 
*Richard Light*


[MCN-L] websites from Mimsy

2011-10-25 Thread Richard Light


On 25/10/2011 02:53, lenore wrote:
 You might be interested, though, in a survey of the 200
 or so AAMD websites that Willoughby has undertaken over the past 3 years.
 This survey has focused on the online access to collections offered by
 museums and, disappointingly, almost all of the online access to collections
 offered by these museums are replete with flaws, both conceptual and
 technological.  If you'd like a copy of the report (which includes a
 critique of the problems as well as suggestions for improvements) -- it's
 scheduled for publication later this year or early next year -- please let
 me know.
Lenore,

I'm sure that the whole group would be interested in this report.  
Please tell the list when it's available.

Do failure to publish as Linked Data and failure to tell stories 
feature in the critique?

Best wishes,

Richard
-- 
*Richard Light*


[MCN-L] Database access for curators?

2010-06-24 Thread Richard Light
In message 
AANLkTikv88IgCKH20tsDA1YIfZHyEjcEfuQ98qeeYhWg at mail.gmail.com, Perian 
Sully perian at emphatic.org writes

Likewise, I can't tell you how many times I've gotten into discussions with
curators who want to delete the description field (used by registration for
identification purposes) in favor of a more contextual, historical curated
description. I have had to go into backups to restore the identifying
description and re-incorporate it. These days, I'm in favor of a curator's
description (or history, or curator's notes) field that the curators can
use, in addition to a physical description field for the registration staff.

Interesting how experience varies on this issue. I'm not sure whether 
it's a North America/U.K. difference, or simply one between larger 
museums who can afford to have IT staff to argue with the curators, and 
the sort of smaller museums I tend to deal with.

Anyway, I agree that there is a distinction to be made between an 
identifying description, and one designed to bring out an object's 
cultural and/or historical significance.  The latter is presumably 
destined for consumption by the public, and it would clearly be more 
helpful to include it, for example, in a summary record on your web 
site.

In our Modes data structure we have gone a step further, and provided a 
repeatable Commentary element, each with a defined Audience. This allows 
multiple semi-structured descriptions of an object, each targeted at a 
specific sector of the public.  This helps address the perennial problem 
of how museums can generate interesting web pages directly from the 
information held within their collections management system.

Richard
-- 
Richard Light



[MCN-L] image file names

2010-06-09 Thread Richard Light
In message AD775DE5635C2042BF1DCB7EED36A83B850A1D at jlm-net.jlm.local, 
Perian Sully psully at magnes.org writes

Funnily enough, I was just about to draft up a file naming standards
document and post it online. Other than some of the inherent
difficulties with trying to align the digital filenames with the
accession number (particularly when you don't have an accession number
yet), what are some other arguments in favor of using a unique
identifier instead of the accession number?

One obvious argument is that it allows a single image to feature more 
than one object.

Richard Light

-Original Message-
From: mcn-l-bounces at mcn.edu [mailto:mcn-l-bounces at mcn.edu] On Behalf Of
Images
Sent: Tuesday, June 08, 2010 12:03 PM
To: Museum Computer Network Listserv
Subject: [MCN-L] image file names

We're reviewing how we name our image files and I'm hoping that some of
you may have worked through this same issue. Currently, we use our
accession number, however as this contains periods it has been
identified as potentially problematic. For example, accession # 42.3.11
= VAG-42.3.11.jpg. One suggestion is to change the decimals to zeros but
we are concerned that this makes the image file name difficult to read.
Have any of you found a good solution to a problem  like this? Any
thoughts or samples of your naming structure would be most appreciated!

thanks very much
Danielle


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[MCN-L] Jane Austen Manuscripts Online

2010-05-27 Thread Richard Light
In message 4BFE618E.2030603 at kcl.ac.uk, Tanner, Simon 
simon.tanner at kcl.ac.uk writes
One of our CCH projects just went live:

http://www.janeausten.ac.uk/index.html

Thought you'd like it and want to share it.

Interesting.  You say:

The project is therefore establishing the more advanced standards that 
will be adopted by the TEI for encoding the complexity of modern working 
manuscripts, in particular the temporal or genetic nature of these 
documents.

Is further information available on your use of TEI?

Richard
-- 
Richard Light



[MCN-L] Google Apps

2010-03-17 Thread Richard Light
In message 
747cfaf51003161530h6aa82e8aj27f8e5ee4cd14314 at mail.gmail.com, Ari 
Davidow aridavidow at gmail.com writes
 After using Google Apps and Google Docs for a couple of weeks on a
 specific project, I have to ask:  Why on earth would anyone ever again
 spend a dime on Microsoft Office?

Well, one response is that we have MS Office and everyone knows how to
use it. Staff here have several times tried working with Google Apps
(and with Zoho Apps, which seem better-featured and less buggy) and
they hate 'em all. Hate the way the hosted apps track changes, hate
the way they handle comments. This isn't true of all staff, but of
enough, that this is still not an option for us.

For us, at least, until hosted applications replace the way we
currently do things with either a close functional equivalent, or
something that people generally like better (and find easy to learn),
it's still an ideal; not yet a realistic change.

I came to the same conclusion some time ago, but with Open Office as the 
replacement software.  It behaves in a manner which is closer to MS 
Office, and might be easier for the average user to switch to.

Richard

-- 
Richard Light