Re: MD re: A More Inclusive Truth

2001-06-23 Thread RISKYBIZ9

To John and Platt
From Rog

 
 Roger:  I agree both Gould and Platt live in flatland or SOM, and that they
 are very one dimensional.
 
 JB Did you really mean Platt? See his latest post (20th June).

ROG: No, I meant Wright.  Sorry Platt.  Platt was the one that first 
suggested we were approaching the topic from flatland.
 
 ROG: It always seemed to me that Pirsig's static patterns were more moral
 because they were more versatile, dynamic and creative.  They experience
 more and in a universe where experience is morality, greater sustainable and
 growable experience is more moral.  Intellect is highest because it is most
 creative. Many disagree with me here, of course.
 
 JB: I don't quite follow you here. Static patterns more dynamic? Do you mean
 his metaphysics??

ROG: I said that confusingly.  I meant that the more versatile and creative 
and dynamic with a little d. The static patterns are intellectual 
constructs derived from Dynamic Quality or pure experience.  The intellectual 
patterns refer to those experiences that are most creative and moral. Am I 
making any sense?
 
JB: I do like your aphorism experience is morality. I'll have to think about
 that one. I agree that value, morality, quality ... are experienced, and in
 that sense I look at life as a journey of exploration, where the most
 important encounters are experiential, and talking about these is fun but
 hardly crucial.
 
 I am not sure I agree that Intellect is highest because it is most
 creative. Perhaps we are just quibbling over words, but when Pirsig
 suggested a level of art, I think he was pointing, rather vaguely, to a
 level above intellect. He went on to equate this, if I remember correctly,
 with dynamic quality, but this is perhaps just too simple, for the dynamic
 occurs at every level (ie the hot stove). 

ROG: I don't think Pirsig's metaphysics ever really gets its hands around 
ART.  Or maybe it is just problems with my interpretation. I thought he 
addressed ART better in ZMM.


 ROG: I would say that evolution does imply progress , just not at any given
 step.  Progress (and lack of progress) is inevitable, but not at the
 individual or species level, just at the Evolutionary level.  And this
 applies to virtually any definition of progress.  This make any sense?
 
 JB: Yes, it does.
 
 Though I also would say that progress applies just as strongly at the
 individual level. The individual becomes the microcosm through which the
 evolutionary fall out is winnowed, and what emerges as having quality may be
 garnered. As I said in my response to Platt, quality emerges in parallel
 with life, and I am here extending that argument to say that quality
 'evolves' in response to needs. But by needs I do not mean just food and
 shelter, and so on, but higher level needs such as meaning. Without
 individuals to embody this level of quality, we return to Whitehead's
 aimless hurrying of material, endlessly, meaninglessly. So I take the
 individual pursuit of quality very seriously. I think this was Teilhard de
 Chardin's argument, though I have never read him. Perhaps we do disagree on
 this?

ROG: I think we are in agreement here too.
 
Rog

PS -- Where were you three weeks ago Glenn?


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Re: MD re: A More Inclusive Truth

2001-06-21 Thread HisSheedness

Hey everyone. 

John B said:

 I am not sure I agree that Intellect is highest because it is most
 creative. Perhaps we are just quibbling over words, but when Pirsig
 suggested a level of art, I think he was pointing, rather vaguely, to a
 level above intellect. He went on to equate this, if I remember correctly,
 with dynamic quality, but this is perhaps just too simple, for the dynamic
 occurs at every level (ie the hot stove). 

Regarding the first sentence, it's always been my belief since reading Lila 
that intellect was above society because ideas change society.  think if it 
were the other way around.  Galileo's theory of the earth revolving around 
the sun would have been morally negated by society because it would be a case 
of intellect trying to suppress society. And there are obviously many other 
examples of that, of which i am too damn lazy to think of and write, 
especially when ive got my new radiohead and paganini cds to listen to(!!!).

Part of this idea about the code of art was told to me by someone on this 
mailing list whom i can't remember at the moment.  ANyway, i see the code of 
art as the collective production of the intellectual level.  Every level 
produces something higher than itself in evolution:  inorganic compounds 
produced biological organisms, humans produced societies, societies produced 
ideas, and then ideas produce art.  IMO this fifth level is only mentioned 
once and isnt discussed in detail because it has no practical value in 
dealing with the other four, other than what i just mentioned up there.  it 
seems to me as simply a collection of developed ideas existing but not 
directly involved with the lower levels in terms of morals.  Im trying right 
now to envision how you guys are going to ream me on what i just said, but i 
guess ill just have to wait.  do your worst.  

Until then,
rasheed (packt like sardines in a crushd tin box)



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