Re: [mb-style] Recording times

2011-12-10 Thread lorenz pressler
Am 10.12.2011, 08:04 Uhr, schrieb Alex Mauer ha...@hawkesnest.net:

 how can i enter the time of a vinyl only release then?

 You’d enter it on the recordings associated with that release.

i can't see the benefit and logic behind this.
you should not enter it as duration of the track because it is unreliable  
but then you should (i guess you should?) exactly the same unreliable data  
as recording time. makes no sense to me and just adds addidtional work to  
the editor.

-- 
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Re: [mb-style] Recording times

2011-12-10 Thread Alex Mauer
On 12/10/2011 11:48 AM, lorenz pressler wrote:
 Am 10.12.2011, 08:04 Uhr, schrieb Alex Mauerha...@hawkesnest.net:

 how can i enter the time of a vinyl only release then?

 You’d enter it on the recordings associated with that release.

 i can't see the benefit and logic behind this.
 you should not enter it as duration of the track because it is unreliable
 but then you should (i guess you should?) exactly the same unreliable data
 as recording time. makes no sense to me and just adds addidtional work to
 the editor.

Because you’d only have to enter it once (for the recording), instead of 
once for the recording and once for every associated track.


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Re: [mb-style] Recording times

2011-12-10 Thread Paul Taylor
On 10/12/2011 19:39, Alex Mauer wrote:
 On 12/10/2011 11:48 AM, lorenz pressler wrote:
 Am 10.12.2011, 08:04 Uhr, schrieb Alex Mauerha...@hawkesnest.net:

 how can i enter the time of a vinyl only release then?
 You’d enter it on the recordings associated with that release.
 i can't see the benefit and logic behind this.
 you should not enter it as duration of the track because it is unreliable
 but then you should (i guess you should?) exactly the same unreliable data
 as recording time. makes no sense to me and just adds addidtional work to
 the editor.
 Because you’d only have to enter it once (for the recording), instead of
 once for the recording and once for every associated track.


Thats a moot point because I think it's generally agreed that when you 
enter a tracktime for a new track/recording it should set the recording 
time as well.But this has nothing to do with removing recording times 
from analog releases

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Re: [mb-style] Recording times

2011-12-10 Thread Alex Mauer
On 12/10/2011 01:48 PM, Paul Taylor wrote:
 Thats a moot point because I think it's generally agreed that when you
 enter a tracktime for a new track/recording it should set the recording
 time as well.But this has nothing to do with removing recording times
 from analog releases

The point is, it only has to be set in one place, not several. This is 
equally applicable when correcting durations as when adding new ones.

—Alex Mauer “hawke”


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Re: [mb-style] Recording times

2011-12-09 Thread lorenz pressler
Am 24.11.2011, 12:12 Uhr, schrieb Rupert Swarbrick rswarbr...@gmail.com:

 It seems to me that a recording is always going to be given a length
 that is equal to one of the track lengths it gets on a release. As a
 result, does this extra fragment of information actually mean anything
 to anyone?

if i have two tracks of the same recording where one of them has an insane  
amount of silence in front or tail i set the recording length to the  
shorter one instead of the average. however i could live with average  
values on recording times.

but i would oppose dropping tracktimes for analogue media. you can't  
measure it exactly and it will be probably only an aproximation, so what?  
how can i enter the time of a vinyl only release then?

cheers,

-- 
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Re: [mb-style] Recording times

2011-12-09 Thread Johannes Weißl
Hello Lorenz,

On Fri, Dec 09, 2011 at 06:03:27PM +0100, lorenz pressler wrote:
 if i have two tracks of the same recording where one of them has an insane  
 amount of silence in front or tail i set the recording length to the  
 shorter one instead of the average. however i could live with average  
 values on recording times.

I also think it is the correct way to take the shorted track time for
the recording time, see my comment on MBS-2021 [1]. Taking the average
doesn't make any sense, because for your example it has a duration that
is always wrong. Since we only merge for silence at the beginning or
end, the shortest track length comes closest to the real recording
time.

[1] http://tickets.musicbrainz.org/browse/MBS-2021


Johannes

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Re: [mb-style] Recording times

2011-12-09 Thread Alex Mauer
On 12/09/2011 11:03 AM, lorenz pressler wrote:
 but i would oppose dropping tracktimes for analogue media. you can't
 measure it exactly and it will be probably only an aproximation, so what?
 how can i enter the time of a vinyl only release then?

You’d enter it on the recordings associated with that release.

—Alex Mauer “hawke”


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Re: [mb-style] Recording times

2011-11-27 Thread Per Øyvind Øygard
On 27 November 2011 23:42, jacobbrett jacobbr...@hotmail.com wrote:

 Frederic Da Vitoria wrote

 2011/11/24, Nicolás Tamargo de Eguren reosarevok@:
 On Thu, Nov 24, 2011 at 1:12 PM, Rupert Swarbrick rswarbrick@
 wrote:
 Paul Taylor ijabz@ writes:
 snip: lots of text that I agree with
 Treating analog different to digital is a bad idea. But it might be
 worth revisiting why we need track times AND recording times for CD's,
 when do they actually differ ?

 This raises a question for me: is there any point in a recording having
 a stored length? And if so, what should it mean? Has this been decided
 and written down anywhere?

 It seems to me that a recording is always going to be given a length
 that is equal to one of the track lengths it gets on a release. As a
 result, does this extra fragment of information actually mean anything
 to anyone?

 I at first expected recording length to be the average of all the
 track lengths for that recording to be honest. That sounded more
 reasonable to me. So yeah, is there a reason why it is user-entered?

 This is just a detail, but using the longest length would seem better to
 me.
 The choice is not always clear-cut, though I would go with the most common
 recording length, skewing the results firstly towards the main release
 (commonly album/EP), then supporting EP/single, then other (compilation
 etc.). Obviously, one would only compare the same master (as opposed to a
 significantly different remaster that cuts the tracks audio earlier/later).

This is my preferred method too. Probably doesn't much difference in
the end, but it strikes me as a cleaner approach than simply
averaging.

As for use cases, I find the duration rather important to weed out
edits and mixes when merging recordings.

-- 
Per / Wizzcat

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Re: [mb-style] Recording times

2011-11-25 Thread Nikki
Oliver Charles wrote:
 Really you can put any value here, because recording duration is fairly
 meaningless. I think the most sensible might actually be the mode. But
 I'm in the camp of getting rid of it, too.

We can't get rid of it entirely because it's needed for standalone 
recordings (and what would be shown on an artist's recordings page and 
in recording search results?).

Nikki

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Re: [mb-style] Recording times

2011-11-25 Thread Nicolás Tamargo de Eguren
On Fri, Nov 25, 2011 at 1:13 PM, Nikki aei...@gmail.com wrote:
 Oliver Charles wrote:
 Really you can put any value here, because recording duration is fairly
 meaningless. I think the most sensible might actually be the mode. But
 I'm in the camp of getting rid of it, too.

 We can't get rid of it entirely because it's needed for standalone
 recordings (and what would be shown on an artist's recordings page and
 in recording search results?).

I don't want to get rid of it, but make it not editable if it is on a
release would make sense IMO.

 Nikki

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Re: [mb-style] Recording times

2011-11-25 Thread Frederic Da Vitoria
2011/11/25, Nicolás Tamargo de Eguren reosare...@gmail.com:
 On Fri, Nov 25, 2011 at 1:13 PM, Nikki aei...@gmail.com wrote:
 Oliver Charles wrote:
 Really you can put any value here, because recording duration is fairly
 meaningless. I think the most sensible might actually be the mode. But
 I'm in the camp of getting rid of it, too.

 We can't get rid of it entirely because it's needed for standalone
 recordings (and what would be shown on an artist's recordings page and
 in recording search results?).

 I don't want to get rid of it, but make it not editable if it is on a
 release would make sense IMO.

I disagree. If you don't want to use it no problem with me, but don't
prevent those who find it useful from doing it.

-- 
Frederic Da Vitoria
(davitof)

Membre de l'April - « promouvoir et défendre le logiciel libre » -
http://www.april.org

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Re: [mb-style] Recording times

2011-11-25 Thread Nicolás Tamargo de Eguren
On Fri, Nov 25, 2011 at 4:29 PM, Frederic Da Vitoria
davito...@gmail.com wrote:
 2011/11/25, Nicolás Tamargo de Eguren reosare...@gmail.com:
 On Fri, Nov 25, 2011 at 1:13 PM, Nikki aei...@gmail.com wrote:
 Oliver Charles wrote:
 Really you can put any value here, because recording duration is fairly
 meaningless. I think the most sensible might actually be the mode. But
 I'm in the camp of getting rid of it, too.

 We can't get rid of it entirely because it's needed for standalone
 recordings (and what would be shown on an artist's recordings page and
 in recording search results?).

 I don't want to get rid of it, but make it not editable if it is on a
 release would make sense IMO.

 I disagree. If you don't want to use it no problem with me, but don't
 prevent those who find it useful from doing it.

But how is it useful? We don't really have a definition for it. What I
mean with not editable doesn't mean not editable and blank, btw,
it means not editable with values automatically calculated from
linked track times

 --
 Frederic Da Vitoria
 (davitof)

 Membre de l'April - « promouvoir et défendre le logiciel libre » -
 http://www.april.org

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Re: [mb-style] Recording times

2011-11-25 Thread Frederic Da Vitoria
2011/11/25, Frederic Da Vitoria davito...@gmail.com:
 2011/11/25, Nicolás Tamargo de Eguren reosare...@gmail.com:
 On Fri, Nov 25, 2011 at 4:29 PM, Frederic Da Vitoria
 davito...@gmail.com wrote:
 2011/11/25, Nicolás Tamargo de Eguren reosare...@gmail.com:
 On Fri, Nov 25, 2011 at 1:13 PM, Nikki aei...@gmail.com wrote:
 Oliver Charles wrote:
 Really you can put any value here, because recording duration is
 fairly
 meaningless. I think the most sensible might actually be the mode.
 But
 I'm in the camp of getting rid of it, too.

 We can't get rid of it entirely because it's needed for standalone
 recordings (and what would be shown on an artist's recordings page and
 in recording search results?).

 I don't want to get rid of it, but make it not editable if it is on a
 release would make sense IMO.

 I disagree. If you don't want to use it no problem with me, but don't
 prevent those who find it useful from doing it.

 But how is it useful? We don't really have a definition for it. What I
 mean with not editable doesn't mean not editable and blank, btw,
 it means not editable with values automatically calculated from
 linked track times

 Sorry, I'm mixing this thread with the one on

oops, probably clicked in the wrong place. I was saying I had mixed
this thread with the one about removing durations for analog releases.
Yes, I agree recording durations should not be editable. They should
be calculated from the tracks. Now that I think more intelligently, I
agree the average seems the best method. Not a weighted average, but
the half sum of the minimum and maximum values.

-- 
Frederic Da Vitoria
(davitof)

Membre de l'April - « promouvoir et défendre le logiciel libre » -
http://www.april.org

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Re: [mb-style] Recording times

2011-11-25 Thread Frederic Da Vitoria
2011/11/25, Nicolás Tamargo de Eguren reosare...@gmail.com:
 On Fri, Nov 25, 2011 at 4:29 PM, Frederic Da Vitoria
 davito...@gmail.com wrote:
 2011/11/25, Nicolás Tamargo de Eguren reosare...@gmail.com:
 On Fri, Nov 25, 2011 at 1:13 PM, Nikki aei...@gmail.com wrote:
 Oliver Charles wrote:
 Really you can put any value here, because recording duration is fairly
 meaningless. I think the most sensible might actually be the mode.
 But
 I'm in the camp of getting rid of it, too.

 We can't get rid of it entirely because it's needed for standalone
 recordings (and what would be shown on an artist's recordings page and
 in recording search results?).

 I don't want to get rid of it, but make it not editable if it is on a
 release would make sense IMO.

 I disagree. If you don't want to use it no problem with me, but don't
 prevent those who find it useful from doing it.

 But how is it useful? We don't really have a definition for it. What I
 mean with not editable doesn't mean not editable and blank, btw,
 it means not editable with values automatically calculated from
 linked track times

Sorry, I'm mixing this thread with the one on

-- 
Frederic Da Vitoria
(davitof)

Membre de l'April - « promouvoir et défendre le logiciel libre » -
http://www.april.org

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Re: [mb-style] Recording times

2011-11-25 Thread Davi Figueiredo
There are releases where a track has a long silence apended to it, usually
because it is followed by a hidden track. In these cases, doesn't it make
sense to manually set the recording time to the actual song length?  (an
example:
http://musicbrainz.org/recording/161d6e85-aaa6-4703-a35e-ee77f951f7d8; this
one has an annotation with the actual time, but currently the recording
time includes the silence.)

One alternative would be to change these recordings to track name /
[silence], create a standalone recording which omits the silence and add a
compilation AR between them., but this seems like overkill to me.



2011/11/25 Frederic Da Vitoria davito...@gmail.com

 2011/11/25, Frederic Da Vitoria davito...@gmail.com:
  2011/11/25, Nicolás Tamargo de Eguren reosare...@gmail.com:
  On Fri, Nov 25, 2011 at 4:29 PM, Frederic Da Vitoria
  davito...@gmail.com wrote:
  2011/11/25, Nicolás Tamargo de Eguren reosare...@gmail.com:
  On Fri, Nov 25, 2011 at 1:13 PM, Nikki aei...@gmail.com wrote:
  Oliver Charles wrote:
  Really you can put any value here, because recording duration is
  fairly
  meaningless. I think the most sensible might actually be the mode.
  But
  I'm in the camp of getting rid of it, too.
 
  We can't get rid of it entirely because it's needed for standalone
  recordings (and what would be shown on an artist's recordings page
 and
  in recording search results?).
 
  I don't want to get rid of it, but make it not editable if it is on a
  release would make sense IMO.
 
  I disagree. If you don't want to use it no problem with me, but don't
  prevent those who find it useful from doing it.
 
  But how is it useful? We don't really have a definition for it. What I
  mean with not editable doesn't mean not editable and blank, btw,
  it means not editable with values automatically calculated from
  linked track times
 
  Sorry, I'm mixing this thread with the one on

 oops, probably clicked in the wrong place. I was saying I had mixed
 this thread with the one about removing durations for analog releases.
 Yes, I agree recording durations should not be editable. They should
 be calculated from the tracks. Now that I think more intelligently, I
 agree the average seems the best method. Not a weighted average, but
 the half sum of the minimum and maximum values.

 --
 Frederic Da Vitoria
 (davitof)

 Membre de l'April - « promouvoir et défendre le logiciel libre » -
 http://www.april.org

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[mb-style] Recording times

2011-11-24 Thread Rupert Swarbrick
Paul Taylor ij...@fastmail.fm writes:
snip: lots of text that I agree with
 Treating analog different to digital is a bad idea. But it might be 
 worth revisiting why we need track times AND recording times for CD's, 
 when do they actually differ ?

This raises a question for me: is there any point in a recording having
a stored length? And if so, what should it mean? Has this been decided
and written down anywhere?

It seems to me that a recording is always going to be given a length
that is equal to one of the track lengths it gets on a release. As a
result, does this extra fragment of information actually mean anything
to anyone?


Rupert


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Re: [mb-style] Recording times

2011-11-24 Thread Nicolás Tamargo de Eguren
On Thu, Nov 24, 2011 at 1:12 PM, Rupert Swarbrick rswarbr...@gmail.com wrote:
 Paul Taylor ij...@fastmail.fm writes:
 snip: lots of text that I agree with
 Treating analog different to digital is a bad idea. But it might be
 worth revisiting why we need track times AND recording times for CD's,
 when do they actually differ ?

 This raises a question for me: is there any point in a recording having
 a stored length? And if so, what should it mean? Has this been decided
 and written down anywhere?

 It seems to me that a recording is always going to be given a length
 that is equal to one of the track lengths it gets on a release. As a
 result, does this extra fragment of information actually mean anything
 to anyone?

I at first expected recording length to be the average of all the
track lengths for that recording to be honest. That sounded more
reasonable to me. So yeah, is there a reason why it is user-entered?
:)


 Rupert

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Re: [mb-style] Recording times

2011-11-24 Thread Frederic Da Vitoria
2011/11/24, Nicolás Tamargo de Eguren reosare...@gmail.com:
 On Thu, Nov 24, 2011 at 1:12 PM, Rupert Swarbrick rswarbr...@gmail.com
 wrote:
 Paul Taylor ij...@fastmail.fm writes:
 snip: lots of text that I agree with
 Treating analog different to digital is a bad idea. But it might be
 worth revisiting why we need track times AND recording times for CD's,
 when do they actually differ ?

 This raises a question for me: is there any point in a recording having
 a stored length? And if so, what should it mean? Has this been decided
 and written down anywhere?

 It seems to me that a recording is always going to be given a length
 that is equal to one of the track lengths it gets on a release. As a
 result, does this extra fragment of information actually mean anything
 to anyone?

 I at first expected recording length to be the average of all the
 track lengths for that recording to be honest. That sounded more
 reasonable to me. So yeah, is there a reason why it is user-entered?

This is just a detail, but using the longest length would seem better to me.

-- 
Frederic Da Vitoria
(davitof)

Membre de l'April - « promouvoir et défendre le logiciel libre » -
http://www.april.org

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Re: [mb-style] Recording times

2011-11-24 Thread Oliver Charles
Frederic Da Vitoria davito...@gmail.com
writes:

 2011/11/24, Nicolás Tamargo de Eguren reosare...@gmail.com:
 On Thu, Nov 24, 2011 at 1:12 PM, Rupert Swarbrick rswarbr...@gmail.com
 wrote:
 Paul Taylor ij...@fastmail.fm writes:
 snip: lots of text that I agree with
 Treating analog different to digital is a bad idea. But it might be
 worth revisiting why we need track times AND recording times for CD's,
 when do they actually differ ?

 This raises a question for me: is there any point in a recording having
 a stored length? And if so, what should it mean? Has this been decided
 and written down anywhere?

 It seems to me that a recording is always going to be given a length
 that is equal to one of the track lengths it gets on a release. As a
 result, does this extra fragment of information actually mean anything
 to anyone?

 I at first expected recording length to be the average of all the
 track lengths for that recording to be honest. That sounded more
 reasonable to me. So yeah, is there a reason why it is user-entered?

 This is just a detail, but using the longest length would seem better to me.

Really you can put any value here, because recording duration is fairly
meaningless. I think the most sensible might actually be the mode. But
I'm in the camp of getting rid of it, too.

- Ollie


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Re: [mb-style] Recording times

2011-11-24 Thread Frederic Da Vitoria
2011/11/24 Oliver Charles oliver.g.charles.w...@gmail.com

 Frederic Da Vitoria davito...@gmail.com
 writes:

  2011/11/24, Nicolás Tamargo de Eguren reosare...@gmail.com:
  On Thu, Nov 24, 2011 at 1:12 PM, Rupert Swarbrick rswarbr...@gmail.com
 
  wrote:
  Paul Taylor ij...@fastmail.fm writes:
  snip: lots of text that I agree with
  Treating analog different to digital is a bad idea. But it might be
  worth revisiting why we need track times AND recording times for CD's,
  when do they actually differ ?
 
  This raises a question for me: is there any point in a recording having
  a stored length? And if so, what should it mean? Has this been decided
  and written down anywhere?
 
  It seems to me that a recording is always going to be given a length
  that is equal to one of the track lengths it gets on a release. As a
  result, does this extra fragment of information actually mean anything
  to anyone?
 
  I at first expected recording length to be the average of all the
  track lengths for that recording to be honest. That sounded more
  reasonable to me. So yeah, is there a reason why it is user-entered?
 
  This is just a detail, but using the longest length would seem better to
 me.

 Really you can put any value here, because recording duration is fairly
 meaningless. I think the most sensible might actually be the mode. But
 I'm in the camp of getting rid of it, too.


We can't really discuss of the meaning or the best way to choose the
durations any more than an atheist and a catholic could discuss the sex of
angels :-)

-- 
Frederic Da Vitoria
(davitof)

Membre de l'April - « promouvoir et défendre le logiciel libre » -
http://www.april.org
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