Re: [Nuke-users] Nuke studio : Sony RAW : Greenscreen :

[J Bills]

FWIW, I've come to trust Resolve a bit more than comp apps for the initial
raw conversion and debayer to DPX or EXR.  I find it has the controls
necessary and handles the highlights and other details well, with
consistent results that everyone across the whole pipe trusts and looks
good.  Less clicks - the defaults are set correctly out of the box for the
most part.

Kind of odd that there's room for interpretation and you get differences in
files exported from Nuke/AE/Resolve, etc.  Would be nice if the defaults
(esp when reading from cam metadata) were more standardized.

FYI - Not everyone agrees with me on this!  (if so I guess adobe+foundry
would change some settings!) so definitely do your own Pepsi challenge.



On Thu, Oct 20, 2016 at 9:45 PM, Deke Kincaid  wrote:

> Nuke uses OCIO.  The nodegraph uses the cpu path and the timeline uses the
> gpu path.  The gpu path for OCIO uses allocationvars, so most color clamps
> depending your ocio config.
>
> http://opencolorio.org/configurations/allocation_vars.html
>
> On Thu, Oct 20, 2016 at 4:53 PM, Phillip Lange 
> wrote:
>
>> HI All,
>>
>> We have a greenscreen project coming up that is being shot on a Sony F55.
>>
>> We will be getting SonyRAW files at 4K to key.
>>
>> The plan is to edit in FCPX then conform and finish in Nuke Studio.
>>
>> Final delivery is at HD Rec709
>>
>> I have a couple of questions for you knowledgeable people out there :
>>
>> Is there a difference between the NukeStudio timeline viewer and the nuke
>> comp viewer ?
>> I ask this because when i drop the exposure right down on our test clip
>> in the comp viewer I see all the nice detail in the high lights but when I
>> do that in the timeline viewer it just goes flat and muddy ???
>>
>> Where to do the Rec709 conversion ???
>> Given each shot will require a comp script I'm thinking that I'll convert
>> to Rec709 color space when the shots are rendered back to Nuke Studios
>> timeline, probably as dpx files as they seem to be the best for playback
>> performance.
>>
>> Does anyone see any problems with this pipeline or have any tips and
>> tricks for working with SonyRAW in Studio  ???
>>
>> thanks
>>
>> Phillip Lange
>> Zspace.
>>
>>
>>
>>
>>
>> ___
>> Nuke-users mailing list
>> Nuke-users@support.thefoundry.co.uk, http://forums.thefoundry.co.uk/
>> http://support.thefoundry.co.uk/cgi-bin/mailman/listinfo/nuke-users
>>
>
>
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Re: [Nuke-users] Nuke studio : Sony RAW : Greenscreen :

[Deke Kincaid]

Nuke uses OCIO.  The nodegraph uses the cpu path and the timeline uses the
gpu path.  The gpu path for OCIO uses allocationvars, so most color clamps
depending your ocio config.

http://opencolorio.org/configurations/allocation_vars.html

On Thu, Oct 20, 2016 at 4:53 PM, Phillip Lange 
wrote:

> HI All,
>
> We have a greenscreen project coming up that is being shot on a Sony F55.
>
> We will be getting SonyRAW files at 4K to key.
>
> The plan is to edit in FCPX then conform and finish in Nuke Studio.
>
> Final delivery is at HD Rec709
>
> I have a couple of questions for you knowledgeable people out there :
>
> Is there a difference between the NukeStudio timeline viewer and the nuke
> comp viewer ?
> I ask this because when i drop the exposure right down on our test clip in
> the comp viewer I see all the nice detail in the high lights but when I do
> that in the timeline viewer it just goes flat and muddy ???
>
> Where to do the Rec709 conversion ???
> Given each shot will require a comp script I'm thinking that I'll convert
> to Rec709 color space when the shots are rendered back to Nuke Studios
> timeline, probably as dpx files as they seem to be the best for playback
> performance.
>
> Does anyone see any problems with this pipeline or have any tips and
> tricks for working with SonyRAW in Studio  ???
>
> thanks
>
> Phillip Lange
> Zspace.
>
>
>
>
>
> ___
> Nuke-users mailing list
> Nuke-users@support.thefoundry.co.uk, http://forums.thefoundry.co.uk/
> http://support.thefoundry.co.uk/cgi-bin/mailman/listinfo/nuke-users
>
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