Re: Fungus sanity check please . . .

2002-03-23 Thread Angel Ramos

Hi Gang!
I live in Arecibo,  Puerto Rico, my home is 2 miles from the sea shore. 
This is how I decided to get rid of the fungii problem
I had  a couple years ago with a 50mm lens, that went to Pentax 
heaven. The humidity here ( been an island) is a constant
from 75 % to 100% RH.  As David wrote, I do not leave my cameras, or 
lenses in any  camera bag.  All my bags are left
open and empty when not in use.  Where do I store my photographic gear 
when not in use?  I bought a  dessicator
cabinet from Fisher Scientific (www.fisherscientific.com). I tried to 
find a used one with no luck.  This one is a basic,
more economical I could find with the capacity I wanted. It measures 
about 45.5cm High, 34.5cm  Wide and 34.5cm Deep.
 It is made in lexan and has a door seal.  I paid around $330 including 
shipping.  You can argue that it is expensive but,
hey!, I have more than 4 grand in lenses and cameras.  I was able to fit 
all my lenses including  a 400mm AF -F5.6 SD
Tokina lens, an FA  F2.8 100mm, an FA* F1.4 85mm, all my other lenses ( 
total of 22 lenses  5 of them for mid format
cameras I have). Also inside the cabinet are my 4 Pentax bodies, when 
not in use.  The cabinet has 2 trays and the bottom
area.  It comes with a tray for indicating silica gel, which I ( I am a 
chemist) got from labs I visit.  I use the microwave oven
to regenerate the silica.   I am going to buy new fresh silica from 
Fisher also.  My plans is to buy another cabinet for my 2 medium
format bodies, I can not afford to loose any of the equipment due to 
fungus or ( if you have never seen this, I have!) fungus
eating bugs!.   I had this into the prism area of my now dead Pentax ME 
Super some years ago.The humidity
inside the chamber is kept at 35 to 40 % RH as measured with a small 
digital RH meter I bought in Wind and Weather for
25 bucks (www.windandweather.com) which is inside the cabinet.

If  any of you need details just let me know.

Angel

David Chang-Sang wrote:

Hi Stan,

First let me say that I use your site ALL the time as a reference when I'm
looking for used Pentax lenses on Ebay or other places.  It's a god send..
thank you.

Now.. your fungus problem.
All I could find on the web that seemed to sort of validate your point was
the following:

http://www.biotech.ufl.edu/EM/data/lenseatingfungi.html  which is a
biotech/biomed account of some instances amongst some collegues at
university of florida

http://www.chem.helsinki.fi/~toomas/photo/fungus/  an interesting page on
lens fungus with images and a particularly interesting statement that may
help you in your arguement:

If you use your equipment in damp environments, let it dry as soon as you
return into a drier room. Never leave your equipment in a closed
(splashproof) camera bag when it need not be there. Leather lens cases are
known to be especially bad, because leather is a natural product where fungi
can grow before they proceed on to the lens

The mere fact that the fungus can transfer from a leather lens case to a
lens may suggest it's ability to move/transfer from lens to lens should
lenses be stored together.


Most of the pages/sites I spotted are good at explaining why fungus grows
and how to stop it but not one of them actually stated that it does actually
spread from lens to lens.

Hope this helps.

Cheers
Dave
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Stan Halpin
Sent: Wednesday, March 20, 2002 8:12 PM
To: PDML
Subject: Fungus sanity check please . . .


I recently bought a used lens on eBay. It arrived with slightly smeared
glass. I cleaned the lens, front and back, and looked through and saw little
squiggly lines 1mm or so in length a few places around the edge of the front
element. Cleaned the front some more to be sure, and confirmed that the
little squiggly fuzzy lines are on the back side of the front element.
Fungus I said. Actually what I said first was something else that rhymes
with hoover. As Wendy would say.

So I email the seller and tell him I don't want fungus. Fine, he says, send
it back. I could clean it, I says, but I could not be sure of sanitizing it,
and I don't want the fungus to spread to my other lenses. How about a
professional cleaning?

The seller is willing to have me get an estimate for a professional CLA of
the lens. But he is also ridiculing the notion that a lens which is all
fungused up is in any way a danger to other lenses. Like, how would the
fungus get out to 'infect' the other lenses!?!?

Tell me I am not crazy! Tell me I am not repeating a myth, that fungus is
contagious and destructive. Even better, give me the URL of an
authoritative source on this topic.

Thanks.

Stan
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Anyone know what this is?

2002-03-23 Thread William Kane

Hey gang

   Here's an intersting piece of metal and glass that says Honeywell
Repronar on it.  What in the world is it, and what does it do?  It kinda
looks like a pinhole SLR to me, but the hole is way too big . . . 

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=1339276414

Oh, and it's not my auction,

Illinois Bill
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Re: Anyone know what this is?

2002-03-23 Thread Rfsindg

Part of an old slide duplicating system isn't it?
Sometimes you see them for sale on a copy stand kind of thing.
This one appears separated from the stand/bellows/lens.

Regards,  Bob S.

[EMAIL PROTECTED] writes:

 Hey gang
 
Here's an intersting piece of metal and glass that says Honeywell
 Repronar on it.  What in the world is it, and what does it do?  It kinda
 looks like a pinhole SLR to me, but the hole is way too big . . . 
 
 http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=1339276414
 
 Oh, and it's not my auction,
 
 Illinois Bill 
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Re: Pentax digital SLR - Not now!

2002-03-23 Thread T Rittenhouse

Hey, Paul, you feel like a chump for buying your computer. In two years you
could get one twice as good for half the money. Of course if you hadn't
bought it you would not be on this list.

Do your friends feel like chumps eveytime they look at the pics they shot
with that now obsolete camera? This is my kid's second birthday party, but
I was a real using this expensive digital camea I took it with. This is my
wife on the way to the hospital to have Jimmy, but I was a real chump to
take it with that now junk digicam.

If they feel that way, I feel sorry for them. However, if they bought it to
impress guys like you, they were real chumps, I admit that.

Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto



- Original Message -
From: Paul F. Stregevsky [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, March 23, 2002 9:32 AM
Subject: RE: Pentax digital SLR - Not now!


 In fact, as films improve, our results get better and better.

 Meanwhile, everyone I know whose digicam is more than two years old feels
 like a chump.

 JCO wrote:
 Best thing about them oldies is they aren't obsolete (yet) even after 40
 years. I don't  think we'll be able to say that about ANY digital SLR for
a
 long time if ever. Can you imagine where digital cameras will be in 10
 years from now let alone forty?


 Paul Franklin Stregevsky
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Rikenon 50 comments (was: Re: Rikenon 50/1.4?)

2002-03-23 Thread Paul F. Stregevsky

Mark Cassino wrote:
I could swear I read somewhere that the Rikenon 50mm f2.0 was the
sharpest lens ever made for 35mm slrs - but for the life of me I have not
been able to locate where I read that.

Mark,
First of all, how did you expose the statue shot at 
http://pug.komkon.org/01mar/rospug.html?
Now, on the Rikenon lenses.

There is no contradiction in your description of the Rikenon 50/1.4's edge 
sharpness. It's quite possible for a lens to have bite (contrast) without 
having ultrahigh resolution (detail). I often touch up my digital scans by 
sharpening, but all it does is to enhance the edge sharpness, and hence 
perceived contrast.

A Google search for Rikenon 50 turned up these superlatives about the 
Rikenon 50/1.4, 50/2, and 50/2.8. I think I'll hold on to the XR Rikenon 
50/2 that just arrived with my XR-P:

On the XR Rikenon 50/1.4:
 From
http://www.photographyreview.com/35mm+Primes/Contax+Planar+T*+50mm+f1.4/PRD_83431_3111crx.aspx
Reviewed by: Ken, Expert, from Hong Kong; Photography Experience: 11-20 
years, People
Summary: Test report of all manual focus 50/1.4 from a UK photographic 
magazine which published 10 years ago has revealed that this carl zeiss 
50/1.4 is NOT the best. It is placed on the second. The real winner is the 
new Rikenon Program 50/1.4 by RICOH. Surprise? If you can find a Rikenon P 
50/1.4 and take photo at aperture from f1.4 to f4, you will see how superb 
the Rikenon can perform at such wide aperture. Please don't mix up with 
Ricoh 55/1.2, as 55/1.2 is rubbish.
Strengths: Second best manual focus 50/1.4

On the Rikenon 50/2, in a Leica 50 review at
http://www.photographyreview.com/PRD_83459_3111crx.aspx
Reviewed by: Louis Lam, Intermediate, from HONG KONG, GUANG DONG CHINA
Photography Experience:
11-20 years, Landscapes
Summary:
With such a high price tag ( as expected in Leica's products ), one can 
almost buy TWO 50mm/1.2 lens for the SLR. However, the image quality is 
unique among other manufracturers' offers with the very very exception of 
the RICOH Rikenon 50/2 P lens.
Strengths: Best lens that I have ever owned for 50mm range.
Weaknesses: Too much over priced for such a focal length and such aperture.
Similar Products Used: Nikkor 50/1.4 AIS, MC Rokkor 50/1.4 PG, Prakticar PB 
50/1.4, Rikenon 50/2 P, Seagull 50/1.8, Nikkor 50/1.8 AIS, Zeiss 50

Weaknesses:
Slightly weak at f/1.4 and f/2 while Ricoh Rikenon have done a much better 
job in this aspect.
Similar Products Used:
Ricoh Rikenon P 50/1.4
Minolta MD 50/1.4
Prakticar Zeiss Jena 50/1.4
Canon FD 50/1.4
Minolta AF 50/1.4

On the Rikenon 50/2.8 (a macro?):

Archived posting to the Leica Users Group, 2000/12/02 by Robert Appleby 
[EMAIL PROTECTED]: ...a test which clearly shows another product 
superior to the Leica equivalent.  His detailed review of the the Ricoh 
50/2.8 certainly point to  that lens's superiority to the Elmar:  Its 
optimum performance at f/2,8 is simply better than the Elmar-M 2.8/50 and 
even at its worst setting would kill the older version of the Elmar.

Having shared this, I must now confess that I've just reviewed a 1991 
Amateur Photographer comparision of 50s from all the camera makers and a 
few third-parties. The Rikenon 1.7 and 2.0 were included, and the only 
brand to fare worse at  f/2.8 on a low-contrast target was Seagull. 
Performance of both lenses with high-contrast targets was respectable.

I also have the  magazine's 1984 review of the XR-P and XR Rikenon 
50/1.7.  There, it rated the lens Very Good across the board--in overall 
performance, corner definition, edge definition, image contrast, and 
optical balance. Best centrol, edge, and overall definition were found at 
f/5.6.

Now if only Rikenon lenses included click-stops at half-apertures.

Paul Franklin Stregevsky
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Re: Fungus sanity check please . . .

2002-03-23 Thread Otis Wright, Jr.

I like it. Thanks for sharing.

Otis Wright

Angel Ramos wrote:

 Hi Gang!
 I live in Arecibo,  Puerto Rico, my home is 2 miles from the sea shore.
 This is how I decided to get rid of the fungii problem
 I had  a couple years ago with a 50mm lens, that went to Pentax
 heaven. The humidity here ( been an island) is a constant
 from 75 % to 100% RH.  As David wrote, I do not leave my cameras, or
 lenses in any  camera bag.  All my bags are left
 open and empty when not in use.  Where do I store my photographic gear
 when not in use?  I bought a  dessicator
 cabinet from Fisher Scientific (www.fisherscientific.com). I tried to
 find a used one with no luck.  This one is a basic,
 more economical I could find with the capacity I wanted. It measures
 about 45.5cm High, 34.5cm  Wide and 34.5cm Deep.
  It is made in lexan and has a door seal.  I paid around $330 including
 shipping.  You can argue that it is expensive but,
 hey!, I have more than 4 grand in lenses and cameras.  I was able to fit
 all my lenses including  a 400mm AF -F5.6 SD
 Tokina lens, an FA  F2.8 100mm, an FA* F1.4 85mm, all my other lenses (
 total of 22 lenses  5 of them for mid format
 cameras I have). Also inside the cabinet are my 4 Pentax bodies, when
 not in use.  The cabinet has 2 trays and the bottom
 area.  It comes with a tray for indicating silica gel, which I ( I am a
 chemist) got from labs I visit.  I use the microwave oven
 to regenerate the silica.   I am going to buy new fresh silica from
 Fisher also.  My plans is to buy another cabinet for my 2 medium
 format bodies, I can not afford to loose any of the equipment due to
 fungus or ( if you have never seen this, I have!) fungus
 eating bugs!.   I had this into the prism area of my now dead Pentax ME
 Super some years ago.The humidity
 inside the chamber is kept at 35 to 40 % RH as measured with a small
 digital RH meter I bought in Wind and Weather for
 25 bucks (www.windandweather.com) which is inside the cabinet.

 If  any of you need details just let me know.

 Angel

 David Chang-Sang wrote:

 Hi Stan,
 
 First let me say that I use your site ALL the time as a reference when I'm
 looking for used Pentax lenses on Ebay or other places.  It's a god send..
 thank you.
 
 Now.. your fungus problem.
 All I could find on the web that seemed to sort of validate your point was
 the following:
 
 http://www.biotech.ufl.edu/EM/data/lenseatingfungi.html  which is a
 biotech/biomed account of some instances amongst some collegues at
 university of florida
 
 http://www.chem.helsinki.fi/~toomas/photo/fungus/  an interesting page on
 lens fungus with images and a particularly interesting statement that may
 help you in your arguement:
 
 If you use your equipment in damp environments, let it dry as soon as you
 return into a drier room. Never leave your equipment in a closed
 (splashproof) camera bag when it need not be there. Leather lens cases are
 known to be especially bad, because leather is a natural product where fungi
 can grow before they proceed on to the lens
 
 The mere fact that the fungus can transfer from a leather lens case to a
 lens may suggest it's ability to move/transfer from lens to lens should
 lenses be stored together.
 
 
 Most of the pages/sites I spotted are good at explaining why fungus grows
 and how to stop it but not one of them actually stated that it does actually
 spread from lens to lens.
 
 Hope this helps.
 
 Cheers
 Dave
 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Stan Halpin
 Sent: Wednesday, March 20, 2002 8:12 PM
 To: PDML
 Subject: Fungus sanity check please . . .
 
 
 I recently bought a used lens on eBay. It arrived with slightly smeared
 glass. I cleaned the lens, front and back, and looked through and saw little
 squiggly lines 1mm or so in length a few places around the edge of the front
 element. Cleaned the front some more to be sure, and confirmed that the
 little squiggly fuzzy lines are on the back side of the front element.
 Fungus I said. Actually what I said first was something else that rhymes
 with hoover. As Wendy would say.
 
 So I email the seller and tell him I don't want fungus. Fine, he says, send
 it back. I could clean it, I says, but I could not be sure of sanitizing it,
 and I don't want the fungus to spread to my other lenses. How about a
 professional cleaning?
 
 The seller is willing to have me get an estimate for a professional CLA of
 the lens. But he is also ridiculing the notion that a lens which is all
 fungused up is in any way a danger to other lenses. Like, how would the
 fungus get out to 'infect' the other lenses!?!?
 
 Tell me I am not crazy! Tell me I am not repeating a myth, that fungus is
 contagious and destructive. Even better, give me the URL of an
 authoritative source on this topic.
 
 Thanks.
 
 Stan
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RE: A few questions....

2002-03-23 Thread Malcolm Smith

  1. Am I being unrealistic, in hoping that Pentax might produce
 a digital
  body, that I can use my 35mm lenses with? Has any manufacturer
 done this?

 Yes you are being unrealistic. Pentax would rather commit
 suicide than commit to potential customers.
 Nikon and Canon are both producing digital SLR's and are selling
 them as fast as they can crank them out.

I suspected that was the answer - a great shame - probably lots of sales in
it, but Pentax don't push their products too well.


 
  2. I need to replace my el-cheapo tripod. Bearing in mind I
 used it with a
  500mm lens quite often and will use it in the future with a
 67II I want
  quite a sturdy beast. I don't want to pay much more than £100,
 but I don't
  care if it is heavy!
  How my current flimsy effort lasted so long is a mystery!

 Monfrotto offers pretty good bang for the buck. The 028/029 leg/
 head combination is very sturdy, and quite tall. It might be a
 bit more expensive than £100 though. A tripod is a bad place to
 econimize.

OK, maybe I need to stretch my budget there. I have sailed close to the wind
for too long, and the potential cost of equipment being damaged + emotional
upset is best not to compromise on.


 
  3. I know of a charity auction coming up, where one of the
 boxes of bits
  contain camera bits and bobs. I can't view them - it is all
 unseen - a real
  lucky dip and I will bid on the basis that it is money to
 charity. Does
  anyone have any strong objections to me posting any non-Pentax
 items (?)
  here at cost + postage (assuming any of it is worth passing
 on) - I only use
  Pentax.

 Objections are irrelevant. The worst case is someone will get
 uppity, and we will have more bandwidth wasted by the objectors
 than the original post. It is considered better form to post the
 list to a web page, and inform the list about the URL. That way,
 anyone interested can go look, and those who aren't don't have
 to bother.

Well, in part thanks to Greywolf, I'm going to start on a website, so fair
enough. Thanks for your comments, I just want to pass items on which other
PDMLers might use - not a money issue (which you never suggested) I'll pass
it on, on cost + postage.

Malcolm
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RE: A few questions....

2002-03-23 Thread Malcolm Smith

Hi Dave,

Thanks for your comments.

I am starting to find out about digital photography, because it is going to
be the major player (one day). So other manufacturers have offered a body
which supports their lenses, hmm... a bit short sighted of Pentax.

For tripods the name Manfrotto comes up a lot - I will check that out,
great.

If my website plans don't develop (no pun intended) as quickly as I would
like, I will post an OT comment in front of the subject, and folk can delete
if they wish, without reading it.

Malcolm
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Re: Pentax digital SLR - Not now!

2002-03-23 Thread Len Paris

Think back about how many times you've heard someone here on the
PDML express a wish for a new model Pentax.
Well, at least we won't have to wait years for a new flagship
digital camera.

The whole key to buying digital cameras is to get one that fits
your needs and keep it until it doesn't fit your needs anymore.
There is absolutely no necessity to constantly upgrade, if doing
so does not fit your budget.

If you have really deep pockets, then you'll have a lot of fun
getting all of the latest gear just as fast as it comes out.

You certainly aren't going to stop technology from changing, so
you might just as well plot your best course through the changes
and enjoy the times.  As digital cameras get better and better,
film is going to get scarcer and more expensive.

Len
---
I collect rare photographs... I have two... One of Houdini
locking his keys in his car... the other is a rare picture of
Norman Rockwell beating up a child. - S.W.

- Original Message -
From: Paul F. Stregevsky [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, March 23, 2002 8:32 AM
Subject: RE: Pentax digital SLR - Not now!


 In fact, as films improve, our results get better and better.

 Meanwhile, everyone I know whose digicam is more than two
years old feels
 like a chump.

 JCO wrote:
 Best thing about them oldies is they aren't obsolete (yet)
even after 40
 years. I don't  think we'll be able to say that about ANY
digital SLR for a
 long time if ever. Can you imagine where digital cameras will
be in 10
 years from now let alone forty?


 Paul Franklin Stregevsky
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Re: Re: OT:?Starting to like this 6x6 stuff

2002-03-23 Thread Len Paris

Dave,

Please finish your sentence.  You like it to what?

Len
---
- Original Message - 
From: David Brooks [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, March 23, 2002 8:21 AM
Subject: Re: Re: OT:?Starting to like this 6x6 stuff


Tongue was in cheek Jeff,I like it to.

Dave
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RE: A few questions....

2002-03-23 Thread Malcolm Smith

 I think Pentax will demo a DSLR by the end of the year.

 Obviously they intend to do so, as shown by the demo of the MZ-D
 and the press release announcing it's withdrawal.

 I'd look for a 3 or 4 meg SLR at Photokina.

 BTW, I need one. I've seen decent 8x10's and passable 11x14's
 from the D30. I think the next generation will have the
 resolution, and the generation after that will have the
 sensitivity that I'm looking for.

 Lately I've had some none-wedding jobs where digital would be
 perfect, and I suspect at some point I'll have to take a close
 look at digital for weddings and portraits. I'm not
 at the point where I *have* to do it for weddings...but I suspect
 that day is coming.

Thanks, some really interesting points being made. I hope I can grasp this
new technology!

Malcolm
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Re: Pentax digital SLR - Not now!

2002-03-23 Thread ERNReed

In a message dated 23-Mar-02 8:53:16 AM Central Standard Time, 
[EMAIL PROTECTED] writes:


  half agree with this. Based on the number of pros who have switched over to
 DSLRs, for things other than news, and their comments, the current DSLR's 
 image
 quality is adequate for 99% of their work. This pertains to the true DSLRs 
 and
 not high end consumer digi cams.
 I fully concur that there aren't enough amateurs out there willing to buy 
 into
 DSLRs for it to be profitable for Pentax and Minolta. 
 

Most unfortunate -- as I really want one. I use a Fuji 6900 for my digital 
purposes, and it's very nice, but I'd love to have the extra lens speed 
available that's in certain of my Pentax lenses.

ERNR

My photographs hang on the virtual walls at
http://members.aol.com/ernreed
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Re: AF500FTZ and MZ-3

2002-03-23 Thread Bruce Dayton

Bernd,

The the Z-1p coupled with any FTZ flash can do that.  You just set the
flash fill compensation on the body to -1EV and that's it.

The MZ-S with the AF360FGZ can do the same thing.  No other bodies I
know of will do it automatically.  You have to do some manual work
yourself.  If you want to do lots of compensated flash fill, then the
Z-1p is the body for you.


Bruce Dayton



Friday, March 22, 2002, 11:53:20 PM, you wrote:

HBB Is the AF500FTZ flash together with a MZ-3 or Z-1 capable of TTL flash
HBB together with ambient light measuring and the flash set to -1 stop? E.g.
HBB measuring without flash f11 and 1/15 sec, exactly that is used with
HBB flash as fill-in but the flash downrated by 1 stop.

HBB Regards

HBB Bernd
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RE: A few questions....(re-sent - not seen this end)

2002-03-23 Thread Malcolm Smith

   1. Am I being unrealistic, in hoping that Pentax might produce
  a digital
   body, that I can use my 35mm lenses with? Has any manufacturer
  done this?
 
  Yes you are being unrealistic. Pentax would rather commit
  suicide than commit to potential customers.
  Nikon and Canon are both producing digital SLR's and are selling
  them as fast as they can crank them out.

 I suspected that was the answer - a great shame - probably lots
 of sales in it, but Pentax don't push their products too well.


  
   2. I need to replace my el-cheapo tripod. Bearing in mind I
  used it with a
   500mm lens quite often and will use it in the future with a
  67II I want
   quite a sturdy beast. I don't want to pay much more than £100,
  but I don't
   care if it is heavy!
   How my current flimsy effort lasted so long is a mystery!
 
  Monfrotto offers pretty good bang for the buck. The 028/029 leg/
  head combination is very sturdy, and quite tall. It might be a
  bit more expensive than £100 though. A tripod is a bad place to
  econimize.

 OK, maybe I need to stretch my budget there. I have sailed close
 to the wind for too long, and the potential cost of equipment
 being damaged + emotional upset is best not to compromise on.


  
   3. I know of a charity auction coming up, where one of the
  boxes of bits
   contain camera bits and bobs. I can't view them - it is all
  unseen - a real
   lucky dip and I will bid on the basis that it is money to
  charity. Does
   anyone have any strong objections to me posting any non-Pentax
  items (?)
   here at cost + postage (assuming any of it is worth passing
  on) - I only use
   Pentax.
 
  Objections are irrelevant. The worst case is someone will get
  uppity, and we will have more bandwidth wasted by the objectors
  than the original post. It is considered better form to post the
  list to a web page, and inform the list about the URL. That way,
  anyone interested can go look, and those who aren't don't have
  to bother.

 Well, in part thanks to Greywolf, I'm going to start on a
 website, so fair enough. Thanks for your comments, I just want to
 pass items on which other PDMLers might use - not a money issue
 (which you never suggested) I'll pass it on, on cost + postage.

 Malcolm
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Re: KX MOT

2002-03-23 Thread Jim Apilado

I had a KX MOT.  Also a Spotmatic MD body and the motor.  That motor did
work on the KX.
Jim A.

 From: Frantisek Vlcek [EMAIL PROTECTED]
 Reply-To: [EMAIL PROTECTED]
 Date: Sat, 23 Mar 2002 12:04:09 +0100
 To: [EMAIL PROTECTED] [EMAIL PROTECTED]
 Subject: Re: KX MOT
 
 Saturday, March 23, 2002, 1:00:46 AM, vze2vg3x wrote:
 vvn For those who don't know, MOT means Motor Drive (optional). This
 vvn is the same drive available on the K2 MOT.
 
 Hi Paul,
 just to clarify, the K2 MOT is in fact K2 DMD, and uses specific
 Motordrive MD, which is incompatible with anything else (I have the
 camera but not the motordrive). OTOH, KX MOT should, according to
 an article on Dario's AOHC pages, work with the ordinary Motordrive
 II or which one (same on as SP MOT, spotmatics). Check the article
 for complete compatibility info.
 
 BTW, I would think that 100$ is pretty good price for KX MOT if in
 reasonably good (=working) condition. I got my K2DMD for slightly
 less.
 
 Good light,
 Frantisek Vlcek
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Re: Rikenon 50/1.4?

2002-03-23 Thread James Adams

I got an XR Rikenon 1:2 50 L and RKN MC Auto Zoom 1:3.5-4.5 f=35-70mm with
my Ricoh KR-10, and I like both of them.

As an example, I had to go to a wedding the following weekend, and as I had
no other K-mount lenses, I used these, and the results were really very good
My only problem arose from fitting a filter and hood to the zoom, causing
some vignetting at 35mm.
James
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E: PhotoExpo - so nothing new from Pentax?

2002-03-23 Thread Cotty

No, this is mostly a feature of Pal.

I think that's unfair. Pal is simply reporting what he has seen or heard 
through his various contacts and reading. It's something that we all 
might do. I'm not the slightest bit enticed by 67, but if I saw a 
website, Japanese or otherwise, that mentioned some new and interesting 
67 kit being rumoured, I would mention it to the list. There will always 
be rumours, can't make them vanish. It's up to the reader to interperate 
the information, and form their own opinions.

Cotty

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A few questions....

2002-03-23 Thread Cotty

1. Am I being unrealistic, in hoping that Pentax might produce a digital
body, that I can use my 35mm lenses with? Has any manufacturer done this?

Hi Malc,

I'll answer the above point to the best of my ability.

No. And no.

As Pal points out quite frequently, on the news of the demise of the 
'high end' MZ-D, Pentax said that they would be developing a 
less-costlier digital SLR camera that would be compatible with existing K 
mount lenses. There was no release date given. This is not speculation, 
this is fact: Pentax announced it.

Of course, this doesn't mean that Pentax will ever actually produce a 
K-mount DSLR, it just means that they intend to. They can change their 
mind for any reason at any time. I for one, am convinced that they will 
produce it. Not only am I convinced, I am sure that working models are 
being road-tested as you read this. I am also convinced that it will be 
released before Christmas 2002.

I won't go into the why's and wherefore's regarding whether it's a good 
thing or a bad thing. Other's are far better qualified, and have already 
put their points of view across, better than I could. Like you, I'm just 
a guy on the list who would buy one, and as such I can only say that I 
don't care whether or not it's a good thing or a bad thing. I will buy 
one - within limits.

It must not be any more expensive than the competition - I'm guessing 
Nikon D100 and Canon D60/30 territory. It must not be too far away in 
'spec' territory from this competition, either. Personally, if the K 
mount DSLR turns out to be a 2 MP £1199 job, I'm not interested. 2MP at 
any price and I'm not interested. 4 MP at £1699 and I'll bite. 4MP at 
£2299 and I won't. 6 MP at £1999 and I'll bite. 6 MP at £2699 and I won't.

I don't think it's unrealistic to hope that Pentax will bring out the 
successor to the MZ-D at all. In fact I would say that it's not only very 
realistic, but will happen, and within a few short months.

AFAIK, though I may be wring on this, the K mount design is licensed by 
Pentax, and certainly there is no other manufacturer who has produced a K 
mount DSLR body for sale publicly. Of course, that doesn't mean they 
don't exist ;-) If I were Pentax, and working on the MZ-Dn, I certainly 
wouldn't want Fuji or anyone else stealing my thunder...

Thood for fought.

Cotty

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Ricoh Multi-Program SLR w/lens and data back

2002-03-23 Thread James Adams

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=1340185736

Talking about Rikenon 50mm f2.0, this Ricoh Multi-Program SLR comes with
one. Any ideas about this camera?
Currently BIN = $51.50 with 1 day 4+ hours to run.
James
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RE: A few questions....

2002-03-23 Thread Malcolm Smith

Hi Cotty,

Thank you for your reply, which is most informative, but baffling at the
same time, as no one knows Pentax's future true plan of action. What will
happen, is guesswork, until they say, it will be released on...date..

If it happens, I will be a happy person...for a change.

The prices you mention are not conducive to my future health!

Malcolm

P.S. I think you are a subscriber to a weekly photo mag: could I discuss
page 13?
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Re: Pentax WILL produce a digital SLR!

2002-03-23 Thread Len Paris

I appreciate the verve, enthusiasm, and good intentions with
which you made that statement but 5 years ago was 1997 and
computers were a lot more powerful than you give them credit for
being.  Unless you have some good, recognized references for a
statement like that, you shouldn't make it.

Len
---

- Original Message -
From: Mark Erickson [EMAIL PROTECTED]
To: Pentax-Discuss [EMAIL PROTECTED]
Sent: Saturday, March 23, 2002 11:40 AM
Subject: Pentax WILL produce a digital SLR!


 Remember, today's $300 digital cameras have more memory and
processing power
 than a $3000 PC from 5 years ago!

 --Mark
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Re[2]: UK PDMLers

2002-03-23 Thread Bob Walkden

Hi Dan,

as lovely as she is, and as well informed about art as she is, I must point out
that the young girl in question is not my daughter, but the daughter
of some friends.

Cartoon I once saw: 2 art critics talking, one of them saying I know a lot
about Art, but I don't know what I like

Don't forget that when Impressionism was new people said the same
thing about it that you're saying about the rest of the content of
Tate Modern (and presumably the other major modern art museums around
the world). You may not like it, but that by itself doesn't mean it's
not art. Indeed, it's quite possible to have a work of art that nobody
on the planet, living or dead likes, but that wouldn't necessarily
disqualify it from being art. The Impressionists almost achieved this,
remember, and now they're all over biscuit tins and jigsaws in tourist
shops full of teddy bears dressed as policemen and Beefeaters. How long
before we see Tracy Emin's work on chocolate boxes? Modern art since
the rise of photography, and possibly since before then, has been about
breaking definitions of what is or isn't art, so it's almost bound to
be unpopular, at least to begin with. Even stuff that looks like poo
can still be art.

Incidentally, there's some excellent photography in Tate Modern.

---

 Bob  

mailto:[EMAIL PROTECTED]

Saturday, March 23, 2002, 2:56:23 PM, you wrote:

 I'm not very artistic myself, but I have visited most of the major art museums
 in the word. IMHO, except for one room of impressionists, what is in the Tate
 Modern simply is not art.  For the most part, Bob's daughter is correct.

 Bob Walkden wrote:

 Hi,

 everyone's a critic! I like Tate Modern, although if you're really
 cool these days it's de rigeuer to say you prefer Tate Britain.

 Last time I went to Tate Modern I was with a friend and her 6-year-old
 daughter. I asked the little girl what she thought of one of the
 exhibits. She replied It looks like poo.

 And it does.
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Pentax would rather commit suicide than commit to potential customers (WAS: Re: A few questions....)

2002-03-23 Thread Pl Jensen

William wrote:

 Yes you are being unrealistic. Pentax would rather commit
 suicide than commit to potential customers.


I don't think so. Having been around on this list since it's beginning I've noticed 
that Pentax have put out exactly those higher end products most of us asked for. The 
MZ-S is almost a blueprint of the MZ-1 we wanted: a metal bodied, small MZ-style 
camera. I can also remember my own and others whining about plasticky AF lenses and 
that we wanted compact, metal lenses back. JCO even said that the lenses need to have 
metal focus rings as well in order to make him happy; no rubber. Thats exactly what we 
got with the Lmited lenses. 

Pål 
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Re: Pentax digital SLR - Not now!

2002-03-23 Thread Pål Jensen

Agreed for the most part. However, there are two issues. 1) Pentax says that they will 
make a digital slr. 2) The digital slr market isn't here yet. Only 20 000 digital 
slr's hase been manufactured to date. Regardless of what some people think, the market 
is at present miniscule. This MIGHT change with the D100 and D60. Or it might not.
I do agree that Pentax mainly missed the boat the last ten years or so. However, 
Minolta who didn't miss the AF bandwagon is in hardly any better position than Pentax. 
In spite of having the worlds fasterst AF system the pundits don't buy it because the 
pros don't use it. Unfortunately, in the last 15 years slr's has become fashion/status 
statements and if you don't have the right name it really doesn't matter what you 
offer. Branding have been the buzz word the last decade in marketing.
I'm worried about Pentax due to Minoltas annoncement of Minolta SSM lenses. Minolta is 
probably a more dangerous competitor for Pentax than Nikon and Canon.

Pål

- Original Message - 
From: William Robb [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, March 23, 2002 4:16 PM
Subject: Re: Pentax digital SLR - Not now!


 - Original Message -
 From: Paul F. Stregevsky
 Subject: RE: Pentax digital SLR - Not now!
 
 
  In fact, as films improve, our results get better and better.
 
  Meanwhile, everyone I know whose digicam is more than two
 years old feels
  like a chump.
 
 Yes but, they are chumps who have had the benefit of the
 equipment for two years. Equipment gets better. Thats a fact of
 life. I am sure there are people who bought into Pentax M-42
 cameras in 1973 who felt like chumps in 1975. The same with the
 Canon chumps who bought into FD cameras in 1985, or Minolta
 Chumps who bought in 1984.
 The point is, if Pentax stays out of this market niche long
 enough, they won't have a market to sell to when/ if they decide
 to get into it.
 Look what has happened to them over the past couple of decades
 for playing this game with the high end market. They turned
 Ostrich when the modern AF cameras came out, and they started to
 lose market share in a big way.
 Pentax used to be the camera of choice for SLR's for the serious
 photographer. Now they are a has been company that sells point
 and shoots. They are no longer recognized as being an industry
 leader by the people who they need to recognize them, which is
 the buying public.
 When J. Sixpack goes looking for a film camera now, he is
 looking at Nikons and Canons.
 When he goes out to buy a digital, he will be doing the same
 thing.
 Soon, it won't matter what Pentax puts on the shelf, it won't
 sell because no one will care.
 The worst case scenario is that they won't be able to put
 anything on dealers shelves because the dealers themselves don't
 have enough confidence in the brand's recognition to sell to
 give them shelf space.
 To an extent, it is already happening. Pentax no longer commands
 respect from the  camera stores in many places. I read that here
 all the time.
 As this situation evolves, the company will find itself in
 deeper doo-doo.
 Not putting a digital SLR onto the market very soon will be
 suicide for Pentax. The digital SLR market is here, now, and
 needs to be responded to.
 
 William Robb
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Re: A few questions....

2002-03-23 Thread Pl Jensen

William wrote:


 Yes you are being unrealistic. Pentax would rather commit
 suicide than commit to potential customers.

Pentax will make a digital slr and have stated so in press release.

 Nikon and Canon are both producing digital SLR's and are selling
 them as fast as they can crank them out.

Really? The combined total sales of Nikon and Canon digital slr's to date is less than 
a year production run of the MZ-S. 


Pål
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Re: New Pentax Models

2002-03-23 Thread Pat White

I'll take one of each, and maybe a camera or two!

Pat White
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Digital SLR

2002-03-23 Thread Robert Woerner

We don't need no stinkin' digital cameras!

On a more serious note.

I don't know much about digital; however, I'll offer my thoughts on it
anyway.

Take your pictures with high resolution tried and true film.

Have the negatives (or slides) scanned by your processor OR buy the best
scanner, computer and printer available NOW, scan the negatives yourself,
and you can blow any digital camera currently made out of the water.  I
believe it would be cheaper than buying any digital SLR currently
available.  Do folks out there not know this?
Digital is a big gotta have it now lie.

Changes in digital capability will likely come fast what with Foveon vs. CCD
and what not.  You will be sitting in the dust in a couple of years
resolution-wise as far as digital is concerned if you buy something today.
Film is good now and always will be.

Am I correct in my thinking and opinions?

Robert
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Re: Pentax WILL produce a digital SLR!

2002-03-23 Thread Bruce Rubenstein

The DSLRs that pros are buying aren't close to 7k. The ones based on pro
bodies are under 5K. The D60  D100 (based on midline consumer bodies) are
around 2k. What I've found interesting is that pro Canon shooters who would
never have considered using an Elan 7, have snapped up the D30 (same body) as
fast as Canon could make them.


--- Mark Erickson [EMAIL PROTECTED] wrote:
 I think the reason that Pentax cancelled the MZ-D was, among other things,
 that the high-end professional crowd is just not their market.  People who
 make their livings with their cameras buy _systems_ and invest a lot in
 lenses.  There are many Nikon and Canon system professionals out there, but
 few Pentax pros (at least in 35mm).  Ergo, no established market for a $7000
 pro-grade body.
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FONG

2002-03-23 Thread Collin Brendemuehl

Subject: Pentax 6 x 7 System
Date: Sat, 23 Mar 2002 18:30:53 GMT
From: Walter Griebeling [EMAIL PROTECTED]
Newsgroups: rec.photo.equipment.medium-format
Hi,

FOR SALE

Pentax 6 x 7 Camera System

Body (with mirror lock up)
AE Finder
Wooden Handgrip
105mm Standard Lens (old style)
135mm Macro Lens (old style)
165mm Telephoto Lens (new style)
45mm Wide Angle Lens (new style)
300mm Telephoto Lens (new style)
All Lenses (except) 105mm complete with original Hard Cases

Accessories
Magnifying Hood
Right Angle Viewer
Reverse Lens Adapter
Helicoid Extension Tube
2  Lens Hoods
All Accessories are complete with original Cases

Camera, Lenses and Accessories are all in mint condition

Other Accessories
Manfrotto close-up attachment for macro photography
Sunpak Ringlight for Pentax 6 x 7
1 Set of 3 Hoya Close-up filters
Assortment of other filters
Lunasix Lightmeter with tele (reflective adapter)

All the above items will have to be sold together as one lot.

Purchaser to pay for shipping.
Method of payment: Certified check or Money order
Currency: US $

Will throw in with purchase of the above camera system
Bonus: Courtney Studio Flash Units (2), 2 tripods, Boom Arm.
Numerous reflectors, Soft Box, etc. Mint Condition

FYI:
Am located in Canada
If interested send e-mail to [EMAIL PROTECTED]

Willing to negotiate


*
Get over it.
  Dr. Laura

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Re: Digital SLR

2002-03-23 Thread Bruce Rubenstein

You are just plain wrong. Go to http://www.dpreview.com/, poke around until you
can find the 2meg - 3meg sample jpg files taken with the DSLRs. Down load them.
open them up in a program where you can blow them up to 300 - 400%, and lood at
what you see. The images are way better than you can get with any under 2K
scanner.
If you don't believe your own eyes, go here:
http://www.photonews.com/forums/forums.html and see what working pros, who are
using digital have to say. There are pros wha have dropped MF film for DSLRs.
Just about all the folks saying that digital has a ways to go yet, turn out to
be spectators.


--- Robert Woerner [EMAIL PROTECTED] wrote:
 We don't need no stinkin' digital cameras!
 
 On a more serious note.
 
 I don't know much about digital; however, I'll offer my thoughts on it
 anyway.
 
 Take your pictures with high resolution tried and true film.
 
 Have the negatives (or slides) scanned by your processor OR buy the best
 scanner, computer and printer available NOW, scan the negatives yourself,
 and you can blow any digital camera currently made out of the water.  I
 believe it would be cheaper than buying any digital SLR currently
 available.  Do folks out there not know this?
 Digital is a big gotta have it now lie.
 
 Changes in digital capability will likely come fast what with Foveon vs. CCD
 and what not.  You will be sitting in the dust in a couple of years
 resolution-wise as far as digital is concerned if you buy something today.
 Film is good now and always will be.
 
 Am I correct in my thinking and opinions?
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Re: Digital SLR

2002-03-23 Thread Shel Belinkoff

Hi Robert ...

You don't know me, but I'm a die-hard, manual-focus, bw negative
shootin', process my own film kinda guy.  But ya know what?  There's
still a place for these funky digital cameras in my equipment cabinet. 
Why?  Because they're fast and easy to use, and I can send photos via
e-mail or post 'em to my web site and use 'em to sell my goods and
services without having to strain myself.  And I'm using an old, 640 x
480 resolution, Sony Mavica, which probably has the worst image quality
I've seen in a l-o-n-g time.  But by fiddling with the crummy images
just a bit in a FREE photo editing program (Irfan) the pictures are more
than acceptable and help me generate extra $$$ simple and easily.  And
the pictures help me stay in touch with family and friends easily as
well.

As for the quality of digital prints, well, I'd have to say that you're
a little behind the curve.  Granted a lot of PS digital cameras produce
mediocre results, as do, IMO, many of the digital SLRs ... but, when
moving to larger format, or higher resolution digital capture, the
results can be outstanding.  I've seen some very large digital photos at
several museums and galleries, and while the subject matter was of
little interest, the technical quality was superb.  But again, that's at
the very high end of the scale.



Robert Woerner wrote:

 I don't know much about digital; however, I'll offer my thoughts on it
 anyway.
 
 Take your pictures with high resolution tried and true film.
 
 Have the negatives (or slides) scanned by your processor OR buy the best
 scanner, computer and printer available NOW, scan the negatives yourself,
 and you can blow any digital camera currently made out of the water.  I
 believe it would be cheaper than buying any digital SLR currently
 available.  Do folks out there not know this?
 Digital is a big gotta have it now lie.
 
 Changes in digital capability will likely come fast what with Foveon vs. CCD
 and what not.  You will be sitting in the dust in a couple of years
 resolution-wise as far as digital is concerned if you buy something today.
 Film is good now and always will be.
 
 Am I correct in my thinking and opinions?

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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Re: Ricoh Multi-Program SLR w/lens and data back

2002-03-23 Thread Alan Chan

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=1340185736

Talking about Rikenon 50mm f2.0, this Ricoh Multi-Program SLR comes with
one. Any ideas about this camera?
Currently BIN = $51.50 with 1 day 4+ hours to run.

It's the XR-P with optional grip attached.

regards,
Alan Chan


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Re: Pentax WILL produce a digital SLR!

2002-03-23 Thread Mark Erickson

Len Wrote:

I appreciate the verve, enthusiasm, and good intentions with
which you made that statement but 5 years ago was 1997 and
computers were a lot more powerful than you give them credit for
being.  Unless you have some good, recognized references for a
statement like that, you shouldn't make it.

Len

A, I love a good challenge!

First, a disclaimer: comparing a 1997 Pentium II desktop computer to a
digital camera is sort of an apples-to-oranges comparison.  The camera won't
play Doom, doesn't run a web-browser, and can't balance your checkbook.  On
the other hand, the 1997 Pentium II can't fit in a pocket, take a picture,
then display it on your TV.  Also, it's hard to compare desktop memory to
digital camera memory because the're used for very different things, and
because big flash memories (like 256 MByte CompactFlash cards) didn't even
exist in 1997.

I was really making two points:

   o) Sleek little digital cameras hide a deceptively
  large amount of processing power.

   o) Moore's law gave us about a 10x increase in processing
  power over the last 5 years, and will continue to
  march on (at least for the next few years).

Ok, let's at least compare processing power:

I bopped over to the SPEC website (www.spec.org) to get the state of the PC
art in early 1997.  A quick search of the SPEC95 results showed that in
April 1997 Intel tested their PD440FX motherboard with Pentium II processors
ranging in clock rate from 233 to 300 MHz, all with 64 MBytes of RAM.
That's probably a pretty good snapshot of cutting-edge PC's from early 1997.

Per the Texas Instruments website, the HP Photosmart 315 (a $300 digital
camera using 2001 technology) is equipped with the TI TMS320DSC21 camera
processor.  The DSC21 has a C5000 fixed-point DSP core, an ARM7 32-bit RISC
processor core, and a bunch of other stuff including memory controller, USB
controller, etc., all in one chip.  TI doesn't have a product bulletin for
this processor on their website, but they do have a product bulletin for the
TMS320DSC24, a related product.  Here it is:

http://focus.ti.com/pdfs/vf/vidimg/dsc24_prodbull.pdf

The DSC24 bulletin states that the DSP subsystem is a 500 MIPS system, which
indicates that the DSC24 chip is clocked somewhere in the hundreds of MHz.
I can't find performance numbers for the DSC21, but I'm guessing they're
either equal or perhaps 1/2 that of the DSC24.

Both TI chips will run Nucleus, VxWorks, or Linux.  Based on my experience
coding signal processing algorithms for DSP's and general-purpose
microprocessors, I'd bet that the DSC24 will perform signal and image
processing tasks about as fast or maybe faster than a 300 MHz Pentium II.  A
lot of the speed issues depend on memory access times and throughput.
Typical still camera image processing algorithms include Bayer pattern
interpolation, sharpening algorithms, JPEG compression, PAL or NTSC video
coding, etc.

We can get into a debate about the details, but I think I'm pretty solid in
saying that the computational power of the TI still camera DSP's is at least
comparable to an early 1997 Pentium II box.

--Mark
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Re: Pentax WILL produce a digital SLR!

2002-03-23 Thread Mark Erickson

Bruce Wrote:
 The DSLRs that pros are buying aren't close to 7k. The ones
 based on pro bodies are under 5K. The D60  D100 (based on
 midline consumer bodies) are around 2k. What I've found
 interesting is that pro Canon shooters who would never have
 considered using an Elan 7, have snapped up the D30
 (same body) as fast as Canon could make them.

Didn't photojournalists used to buy big, fat Kodak DSLR's based on Nikon and
Canon bodies for tens of thousands of dollars? Seems like prices only really
dropped when Nikon put out the original D1 a couple of years ago.

I got the $7K figure from price rumors related to the never-introduced
Pentax full-frame digital SLR.  BTW, no fair quoting prices for the Canon
D60 and Nikon D100! They aren't even available yet!  :-)

--Mark
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FS: Pentax 1.4X-L Teleconverter

2002-03-23 Thread Paul F. Stregevsky

Now that I've sold my Pentax 500/4.5, I don't have a use for my Pentax 
1.4X-L teleconverter. Are you interested in buying it for your Tokina? John 
Mustarde has written that they work great together.

I bought it from KEH in January for $245. I see that they're still listing 
one for $245 and one for $265, so I can't really ask that. But I'd part 
with it for $215 + $10 insured shipping within USA, $18 to Canada, somewhat 
more elsewhere.


I belong to PayPal and BidPay and can accept credit cards.

Paul Franklin Stregevsky
13 Selby Court
Poolesville, Maryland 20837-2410
[EMAIL PROTECTED]
H (301) 349-5243
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Pentax production numbers?

2002-03-23 Thread Mark Erickson

Pål (and all),

Some of the pages on the Pentax Japan website (http://www.pentax.co.jp) show
initial production rates for new products in units per month.

Is that what you're quoting, or are there other numbers out there (perhaps
in Asahi corporate financial reports)?

--Mark


Pål wrote:
William wrote:
 Yes you are being unrealistic. Pentax would rather commit
 suicide than commit to potential customers.

Pentax will make a digital slr and have stated so in press release.

 Nikon and Canon are both producing digital SLR's and are selling
 them as fast as they can crank them out.

Really? The combined total sales of Nikon and Canon digital
slr's to date is less than a year production run of the MZ-S.

Pål
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Re: Digital SLR

2002-03-23 Thread Bruce Rubenstein

I wasn't refering to photojournalists. I was refering to commercial,
advertizing, editorial, event and wedding photographers. Try looking here:
http://www.photonews.com/forums/forums.html rather than perpetuating folk
tales.


--- Pål_Jensen [EMAIL PROTECTED] wrote:
 
 Digital isn't yet up there with 35mm film. I'm sure that day will come. The
 reason why photo journalists use digital is that it is convenient and because
 the quality demand in this area of professional photography is close to zero.
 This fact is quite ironic considering the marketing trade-off assosiated with
 photo journalist use.
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Re: A few questions....

2002-03-23 Thread William Robb

- Original Message -
From: Pål Jensen
Subject: Re: A few questions


 Malcolm wrote:

  2. I need to replace my el-cheapo tripod. Bearing in mind I
used it with a
  500mm lens quite often and will use it in the future with a
67II I want
  quite a sturdy beast. I don't want to pay much more than
£100, but I don't
  care if it is heavy!

 As always I recommend Berlebach tripods. www.berlebach.de

Seconded. I have a great love for my wood tripod. They don't
ring, they are much stronger, and they are much harder to
damage.
If you ding the leg of a metal tripod, you can run into some
problems with legs that no longer close, or in a worst case
scenario, a leg that can fold under a heavy lens/camera system.
If you damage a wood tripod leg, you get out the sandpaper and
varnish.
I keep forgetting about Berlebach tripods.

William Robb
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Re: Digital SLR

2002-03-23 Thread William Robb

- Original Message -
From: Robert Woerner
Subject: Digital SLR


 We don't need no stinkin' digital cameras!

Hmm Mafud seems to have returned.

 On a more serious note.

 I don't know much about digital; however, I'll offer my
thoughts on it
 anyway.

 Take your pictures with high resolution tried and true film.

 Have the negatives (or slides) scanned by your processor OR
buy the best
 scanner, computer and printer available NOW, scan the
negatives yourself,
 and you can blow any digital camera currently made out of the
water.  I
 believe it would be cheaper than buying any digital SLR
currently
 available.  Do folks out there not know this?
 Digital is a big gotta have it now lie.

 Changes in digital capability will likely come fast what with
Foveon vs. CCD
 and what not.  You will be sitting in the dust in a couple of
years
 resolution-wise as far as digital is concerned if you buy
something today.
 Film is good now and always will be.

 Am I correct in my thinking and opinions?

The point is not whether the buyer of todays technology will be
sitting in the dust or not. Were that the point, there would be
very few users of Pentax SLR cameras at all.
The point is that companies that want to have a place in this
market need to get cameras out there now. Not next year, or in a
few years.
Pentax at least needs a prosumer digital very soon to be taken
seriously by the marketplace.

William Robb
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Re: OT:?Starting to like this 6x6 stuff

2002-03-23 Thread Steven Brendemuehl

6X6 is cool!
Rolllei's are the best!
steve

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Tamron 300f2.8

2002-03-23 Thread Christian Skofteland

I've been watching this auction for a couple of days.  somebody sniped me
after I had the high bid 30 seconds to go!  I hope it was someone on the
list.

What a bargain!

http://cgi.ebay.com/ws/eBayISAPI.dll?MfcISAPICommand=ViewItemitem=134042814
1

In the end I won this sigma 300/4 APO Macro
http://cgi.ebay.com/ws/eBayISAPI.dll?MfcISAPICommand=ViewItemitem=134043200
1

Christian Skofteland
[EMAIL PROTECTED]
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Re: Pentax digital SLR - Not now!

2002-03-23 Thread frank theriault

Hi, Pal,

I'm not sure what your point is.

Pentax' older gear satisfies my needs, at a fraction of the price of newer equipment.  
As long as such high quality used gear is out there, I have no
intention of buying new.  Is there something wrong with that?  Or have I missed your 
point?

It doesn't particularly make me feel good, bad or otherwise.  It's just the way it is.

regards,
frank

Pål Jensen wrote:

 Tom wrote:

  From this list, it would seem that Pentax need make no more cameras what so
  ever. All of us only want the old used ones, we seem to think the new ones
  are junk.

 I've noticed this strange phenomena too. However, it comes from people who has no 
intention of buying a new product. I guess it makes them feel good.

 Pål
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--
The optimist thinks this is the best of all possible worlds. The pessimist fears it 
is true. -J. Robert
Oppenheimer
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Re: Pentax digital SLR - Not now!

2002-03-23 Thread William Robb

- Original Message -
From: frank theriault
Subject: Re: Pentax digital SLR - Not now!


 Hi, Pal,

 I'm not sure what your point is.

 Pentax' older gear satisfies my needs, at a fraction of the
price of newer equipment.  As long as such high quality used
gear is out there, I have no
 intention of buying new.  Is there something wrong with that?
Or have I missed your point?

The point is that Pentax doesn't generate new revenue from those
who buy used equipment.
There is a catch 22 though. If they don't come out with
equipment to entice new purchases, they don't generate revenue
to bring new equipment to market. If they don't generate revenue
from new equipment sales, they can't afford to bring new
equipment to market.

William Robb
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Need help on Portable Lighting Setup

2002-03-23 Thread Steve Pearson

I'm looking to do some friends' (as well as possibly
some semi-pro) jobs/portraits in the near future. I
would like input from anyone who has a portable
lighting system. What type of equipment do you have,
how much will it cost me, etc. I'm leaning towards a
slave system. I'm not sure if that's the right way to
go. I'm just starting my research into this equipment.
My current equipment is Pentax Super Program manual
focus:

100 mm 2.8 lens
135 mm 2.8
AF200T
Vivitar 283

Can I get good results by simply using the Vivitar
283, bounced into an umbrella?  I've been thinking
about a newer, bigger, better Pentax flash (280, 400,
550, etc.).  Would this be a good combo to bounce from
the camera?  And still use the 283  the AF200T?

What about a cheap  portable back drop-any
recommendations there?

What about a flash meter-any
suggestions/recommendations for brand, model, price,
etc.?


Any ideas  suggestions would be greatly appreciated! 
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FS: 150//2.8 for 6x7 Pentax

2002-03-23 Thread Paul Stenquist

I'm going to have to part with one of my 6x7 lenses. I picked up the
165/4 leaf shutter, so the SMC Takumar 150/2.8 has become somewhat
redundant. It pains me a bit to let this go, since it's quite fast and
has produced some very sharp images, but I have to economize a little.It
has some bright spots on the focus ring; the glass appears to be perfect
to my eye. A normal amount of minor dust can be seen under certain
lighting conditions. The lens comes with both original caps and the
original metal, rectangular hood. I bought the lens from KEN three
months ago. It was rated excellent and priced at $295. I purchased the
hood separately for $40. I will sell both for $250. I'll ship free to
any location in the US. Shippiung to other countries wil be actual cost
minus $10. If you'd like to see a picture I shot with the lens, you'll
find one at http://home.earthlink.net/~pnstenquist/_uimages/amyl2.jpg
This was shot through a net filter. You can see another unfiltered shot
at
http://www.portfolios.com/zoom.wga?User_number=stenquistimagecount=16
If no one is interested, I'll put the lens up on ebay late tomorrow.
Paul Stenquist
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Re: Pentax digital SLR - Not now!

2002-03-23 Thread Paul Stenquist

Isn't the Optios a 3+ megapixel camera? Looks pretty nice from what I've
seen.
Paul

Shel Belinkoff wrote:

 Bill, your comments ring ever so true.

 I'm looking for a digital camera (!) with certain specs and features for
 a specific long-term project.  My first thought was to see what Pentax
 offered.  Just the Optios and a little toy model.  So, not only have
 they lost my business for the camera, but for whatever accessories I may
 choose to buy as well.  And, down the line, should I choose to upgrade,
 the chances are real good that I wouldn't even consider Pentax, because
 by that time there may be an investment in another company's digital
 products.

 What's even more disappointing is that I'm not looking for a DSLR, but a
 good prosumer model in the 3MP - 4MP range.  The advanced amateur
 market is one that Pentax does pretty well with their film cameras, but
 their digital offerings are quite poor wrt features and the number of
 models offered. So, I'm looking at Canon, Nikon, and Olympus - all
 companies with a broad range of digital cameras to fit just about every
 budget and need.

 As a 35+ year user of Pentax gear, this is very disappointing indeed.
 Not even having a Pentax to consider is ridiculous.

 William Robb wrote:

  The point is, if Pentax stays out of this market niche long
  enough, they won't have a market to sell to when/ if they decide
  to get into it.
  Look what has happened to them over the past couple of decades
  for playing this game with the high end market. They turned
  Ostrich when the modern AF cameras came out, and they started to
  lose market share in a big way.
  Pentax used to be the camera of choice for SLR's for the serious
  photographer. Now they are a has been company that sells point
  and shoots. They are no longer recognized as being an industry
  leader by the people who they need to recognize them, which is
  the buying public.
  When J. Sixpack goes looking for a film camera now, he is
  looking at Nikons and Canons.
  When he goes out to buy a digital, he will be doing the same
  thing.
  Soon, it won't matter what Pentax puts on the shelf, it won't
  sell because no one will care.
  The worst case scenario is that they won't be able to put
  anything on dealers shelves because the dealers themselves don't
  have enough confidence in the brand's recognition to sell to
  give them shelf space.
  To an extent, it is already happening. Pentax no longer commands
  respect from the  camera stores in many places. I read that here
  all the time.
  As this situation evolves, the company will find itself in
  deeper doo-doo.
  Not putting a digital SLR onto the market very soon will be
  suicide for Pentax. The digital SLR market is here, now, and
  needs to be responded to.

 --
 Shel Belinkoff
 mailto:[EMAIL PROTECTED]
 http://home.earthlink.net/~belinkoff/
 http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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Gotta stay out of camera stores....

2002-03-23 Thread Paul Stenquist

It was sunny and in the upper 40s (F) today, so I went out and did some
street shooting with the 6x7 and the 55/4. On the way back I stopped at
Nathan's Cameras, a shop that some of you know. He sells only used
equipment and has quite a variety: a number of Leicas, Hasselblads, and
other high end stuff. He also has five or six LX sitting on the shelf.
(Mark Cassino bought his LX at Nathans for a rather substantial amount,
and, if memory serves me correct, ended up spending a lot more servicing
it.) But I digress.
 I actually went there to see if he had an enlarger part I'd like to
have, although I kind of knew he wouldn't. I suppose I really just
wanted to handle some nice glass. So after he told me he didn't have the
enlarger part, I asked him if he had any Pentax 67 stuff. He said, I
have a few things. Such as, said I.  Oh, I have a 165/4 leaf shutter
lens, he said. Can I see it, said I. So he pulled what appeared to be
a new box down from the shelf. I opened it. The lens was still in the
plastic bag. All the styrofoam was in place. In other words, it appeared
to be new. I don't think it's ever been used, he said. So at this
point, I just know I can't afford it. Nathan has a lot of nice stuff,
but it's all pretty spendy. $750, I'm thinking. But just for grins, I
say, how much. $395. says he. At that point I think my jaw dropped
and my eyes glazed over. He says,  A no brainer, isn't it? And I nod
and pull out my wallet.
Paul
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Re: Digital SLR

2002-03-23 Thread Paul Stenquist

We are all in awe of Bruce and the professional perspective he so generously
brings to our list.
Paul

Robert Woerner wrote:

 Oh, you're so wonderful.  Please tell us all about your first hand
 experience with digital.

  Because by being a bystander, and not a participant, you have no first
 hand
  knowledge and making a judgement based on conjecture. For an opinion like
 that,
  I might as well go ask my cat.
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Re: Pentax digital SLR - Not now!

2002-03-23 Thread Shel Belinkoff

Yes, the Optio 330 is a 3mp camera, but it doesn't offer the features
that I want.  For example, one feature that's important is the ability
for the camera to take an accessory wide angle lens.  The Optio doesn't
allow that, so I'm stuck with 37mm at the wide end.  There's no TIFF
format, and close focusing, or macro mode, doesn't come as close as some
other cameras.  

Yes, it's a pretty good camera in some respects, but that's essentially
all Pentax offers - the Optio in three flavors, vanilla, chocolate, and
strawberry.

Paul Stenquist wrote:
 
 Isn't the Optios a 3+ megapixel camera? 
 Looks pretty nice from what I've seen.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
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Re: Digital SLR

2002-03-23 Thread Collin Brendemuehl

I think it's a mistake to consider that digital SLRs
need to affect the 35mm market in order to use that
format's lenses in producing one.

It's the medium format market they are affecting.
Go to any used professional equipment store and you'll
see a growing number of RB  Blad units, with continually
falling prices.  It's happening because of Digital.
The 35mm market is affected by the PS digitals, and
Pentax is already in that market.

I wouldn't be at all surprized to see Pentax' initial
digital release to be in the medium format arena --
the market that they consider the real professional
market.  That would be consistent with their last two
decades treatment of professional photography.

Collin

*
Get over it.
  Dr. Laura

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Re: Digital SLR

2002-03-23 Thread Robert Woerner

Two questions.

Did the LX result in pros acceptance of Pentax in the marketplace?

How many digital SLRs have been produced at this point in time?

Robert

P.S. Who is Mafud?
- Original Message - 
From: William Robb [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, March 23, 2002 7:12 PM
Subject: Re: Digital SLR


 - Original Message -
 From: Robert Woerner
 Subject: Digital SLR
 
 
  We don't need no stinkin' digital cameras!
 
 Hmm Mafud seems to have returned.
 
  On a more serious note.
 
  I don't know much about digital; however, I'll offer my
 thoughts on it
  anyway.
 
  Take your pictures with high resolution tried and true film.
 
  Have the negatives (or slides) scanned by your processor OR
 buy the best
  scanner, computer and printer available NOW, scan the
 negatives yourself,
  and you can blow any digital camera currently made out of the
 water.  I
  believe it would be cheaper than buying any digital SLR
 currently
  available.  Do folks out there not know this?
  Digital is a big gotta have it now lie.
 
  Changes in digital capability will likely come fast what with
 Foveon vs. CCD
  and what not.  You will be sitting in the dust in a couple of
 years
  resolution-wise as far as digital is concerned if you buy
 something today.
  Film is good now and always will be.
 
  Am I correct in my thinking and opinions?
 
 The point is not whether the buyer of todays technology will be
 sitting in the dust or not. Were that the point, there would be
 very few users of Pentax SLR cameras at all.
 The point is that companies that want to have a place in this
 market need to get cameras out there now. Not next year, or in a
 few years.
 Pentax at least needs a prosumer digital very soon to be taken
 seriously by the marketplace.
 
 William Robb
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Re: Digital SLR

2002-03-23 Thread Robert Woerner

Too bad this is a dream, huh?  :(

http://www.dpreview.com/news/0009/00091402pentaxdigitalslr.asp

Robert
- Original Message -
From: Bruce Rubenstein [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, March 23, 2002 4:32 PM
Subject: Re: Digital SLR


 You are just plain wrong. Go to http://www.dpreview.com/, poke around
until you
 can find the 2meg - 3meg sample jpg files taken with the DSLRs. Down load
them.
 open them up in a program where you can blow them up to 300 - 400%, and
lood at
 what you see. The images are way better than you can get with any under 2K
 scanner.
 If you don't believe your own eyes, go here:
 http://www.photonews.com/forums/forums.html and see what working pros, who
are
 using digital have to say. There are pros wha have dropped MF film for
DSLRs.
 Just about all the folks saying that digital has a ways to go yet, turn
out to
 be spectators.


 --- Robert Woerner [EMAIL PROTECTED] wrote:
  We don't need no stinkin' digital cameras!
 
  On a more serious note.
 
  I don't know much about digital; however, I'll offer my thoughts on it
  anyway.
 
  Take your pictures with high resolution tried and true film.
 
  Have the negatives (or slides) scanned by your processor OR buy the best
  scanner, computer and printer available NOW, scan the negatives
yourself,
  and you can blow any digital camera currently made out of the water.  I
  believe it would be cheaper than buying any digital SLR currently
  available.  Do folks out there not know this?
  Digital is a big gotta have it now lie.
 
  Changes in digital capability will likely come fast what with Foveon vs.
CCD
  and what not.  You will be sitting in the dust in a couple of years
  resolution-wise as far as digital is concerned if you buy something
today.
  Film is good now and always will be.
 
  Am I correct in my thinking and opinions?
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Re: Pentax production numbers?

2002-03-23 Thread Wojtek Zlobicki

For those like myself for whom Japanese is not their forte, you can read a
good part of what is on this website by using AltaVista's translation engine
located at http://babelfish.altavista.com .


- Original Message -
From: Mark Erickson [EMAIL PROTECTED]
To: Pentax-Discuss [EMAIL PROTECTED]
Sent: Saturday, March 23, 2002 5:19 PM
Subject: Pentax production numbers?


 Pål (and all),

 Some of the pages on the Pentax Japan website (http://www.pentax.co.jp)
show
 initial production rates for new products in units per month.

 Is that what you're quoting, or are there other numbers out there (perhaps
 in Asahi corporate financial reports)?

 --Mark


 Pål wrote:
 William wrote:
  Yes you are being unrealistic. Pentax would rather commit
  suicide than commit to potential customers.
 
 Pentax will make a digital slr and have stated so in press release.
 
  Nikon and Canon are both producing digital SLR's and are selling
  them as fast as they can crank them out.
 
 Really? The combined total sales of Nikon and Canon digital
 slr's to date is less than a year production run of the MZ-S.
 
 Pål
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Re: Pentax digital SLR - Not now!

2002-03-23 Thread Paul Stenquist

I gotta go along with your perspective here and I'm pleased to have it. . I
haven't paid much attention to the digital world. Although I scan most of m
color images and print them digitally. That's as far as I'm going for now.
   Interestingly enough, many of the photographers who shoot cars for our
company use digital setups on 45 bodies that generate files of around 60
megabytes. I generate 250 megabyte files from my 6x7 scans. On a 13 x19
print, the difference shows. The studio guys acknowledge that film is still
better, but they also kow that the clients like the immediate turnaround of
digital. (If they so choose the agency and client folk can watch the scan
take shape on a monitor in the studio.
 That's where it's at for commrece, but not for art.
Paul

Shel Belinkoff wrote:

 Yes, the Optio 330 is a 3mp camera, but it doesn't offer the features
 that I want.  For example, one feature that's important is the ability
 for the camera to take an accessory wide angle lens.  The Optio doesn't
 allow that, so I'm stuck with 37mm at the wide end.  There's no TIFF
 format, and close focusing, or macro mode, doesn't come as close as some
 other cameras.

 Yes, it's a pretty good camera in some respects, but that's essentially
 all Pentax offers - the Optio in three flavors, vanilla, chocolate, and
 strawberry.

 Paul Stenquist wrote:
 
  Isn't the Optios a 3+ megapixel camera?
  Looks pretty nice from what I've seen.

 --
 Shel Belinkoff
 mailto:[EMAIL PROTECTED]
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Re: Need help on Portable Lighting Setup

2002-03-23 Thread T Rittenhouse

Well, to start with I would get a peanut slave for the Vivitar, a couple of
umbrellas, and light stands. I would set the 200 T in an umbrella up next to
the  camera and fire it with a sync cord. The Vivitar I would put in the
other umbrella and set up about 45 degrees to the side. Considering the
relative power I would set both umbrellas about the same distance, say 5
feet from the subject(s).

Now you could rush out and buy a flash meter, but what I would do is waste a
roll of cheap 100 speed slide film. Take one shot at each f-stop on the
lens, keeping notes of which frame was which f-stop. Use the strobes on
manual. Get the film processed and examine the slides for the best exposure.
Note the f-stop. Multiply it by 5. That is your guide number for this setup.

Next check if the lighting ratio is about what you want. Adjust the distance
of the key light, the Vivitar, to adjust if necessary. If the lighting is
too flat move the key closer, if it is to contrasty move it farther out. I
suggest 3.5 feet, or 7 feet as that is a one f-stop adjustment. Now waste
another roll of slide film. Pick the best exposure. Multiply by 3.5 or 7
which ever distance you moved your key to. That is your guide number for
this setup.

Actually since you already know your f-stop within a stop or so I would do
both distances on this roll and have the guide numbers for three setups.
This will probably have you ready to shoot the family.

As you can see what you are doing is experimenting in a controlled manor to
find out what the settings you need to use are. You will not only quickly
learn them, you also will learn a lot about lighting in a very short time.
Read a couple of books on portrait lighting. If your local library don't
have any they probably can get them on interlibrary loan for you. Play
around with the lights you have until you understand what you are doing.

If you get good you might want to invest in a couple of studio strobes, you
could continue to use your existing strobe as background and hair lights
respectively. Happy shooting.

Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto



- Original Message -
From: Steve Pearson [EMAIL PROTECTED]
To: Pentax Mail List [EMAIL PROTECTED]
Sent: Saturday, March 23, 2002 8:36 PM
Subject: Need help on Portable Lighting Setup


 I'm looking to do some friends' (as well as possibly
 some semi-pro) jobs/portraits in the near future. I
 would like input from anyone who has a portable
 lighting system. What type of equipment do you have,
 how much will it cost me, etc. I'm leaning towards a
 slave system. I'm not sure if that's the right way to
 go. I'm just starting my research into this equipment.
 My current equipment is Pentax Super Program manual
 focus:

 100 mm 2.8 lens
 135 mm 2.8
 AF200T
 Vivitar 283

 Can I get good results by simply using the Vivitar
 283, bounced into an umbrella?  I've been thinking
 about a newer, bigger, better Pentax flash (280, 400,
 550, etc.).  Would this be a good combo to bounce from
 the camera?  And still use the 283  the AF200T?

 What about a cheap  portable back drop-any
 recommendations there?

 What about a flash meter-any
 suggestions/recommendations for brand, model, price,
 etc.?


 Any ideas  suggestions would be greatly appreciated!
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Re: Digital SLR

2002-03-23 Thread Paul Stenquist

It was supposed to be priced at 7K. For me, it might as well have been
vaporware. I think Pentax figured that out. When they can build one for 2k, we
will come. They can, and they will
Paul

Robert Woerner wrote:

 Too bad this is a dream, huh?  :(

 http://www.dpreview.com/news/0009/00091402pentaxdigitalslr.asp

 Robert
 - Original Message -
 From: Bruce Rubenstein [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Saturday, March 23, 2002 4:32 PM
 Subject: Re: Digital SLR

  You are just plain wrong. Go to http://www.dpreview.com/, poke around
 until you
  can find the 2meg - 3meg sample jpg files taken with the DSLRs. Down load
 them.
  open them up in a program where you can blow them up to 300 - 400%, and
 lood at
  what you see. The images are way better than you can get with any under 2K
  scanner.
  If you don't believe your own eyes, go here:
  http://www.photonews.com/forums/forums.html and see what working pros, who
 are
  using digital have to say. There are pros wha have dropped MF film for
 DSLRs.
  Just about all the folks saying that digital has a ways to go yet, turn
 out to
  be spectators.
 
 
  --- Robert Woerner [EMAIL PROTECTED] wrote:
   We don't need no stinkin' digital cameras!
  
   On a more serious note.
  
   I don't know much about digital; however, I'll offer my thoughts on it
   anyway.
  
   Take your pictures with high resolution tried and true film.
  
   Have the negatives (or slides) scanned by your processor OR buy the best
   scanner, computer and printer available NOW, scan the negatives
 yourself,
   and you can blow any digital camera currently made out of the water.  I
   believe it would be cheaper than buying any digital SLR currently
   available.  Do folks out there not know this?
   Digital is a big gotta have it now lie.
  
   Changes in digital capability will likely come fast what with Foveon vs.
 CCD
   and what not.  You will be sitting in the dust in a couple of years
   resolution-wise as far as digital is concerned if you buy something
 today.
   Film is good now and always will be.
  
   Am I correct in my thinking and opinions?
  Yahoo! Movies - coverage of the 74th Academy Awards®
  http://movies.yahoo.com/
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  go to http://www.pdml.net and follow the directions. Don't forget to
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Re: Digital SLR

2002-03-23 Thread T Rittenhouse

Vaporware. A non-working mock up. Did they actually make some that worked?
Who knows? All we know for sure is they said they are not going to market
it. Now they say they will bring out a plain jane stripped down model. Me? I
wouldn't hold my breath.

Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto



- Original Message -
From: Robert Woerner [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, March 23, 2002 10:12 PM
Subject: Re: Digital SLR


 Too bad this is a dream, huh?  :(

 http://www.dpreview.com/news/0009/00091402pentaxdigitalslr.asp

 Robert
 - Original Message -
 From: Bruce Rubenstein [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Saturday, March 23, 2002 4:32 PM
 Subject: Re: Digital SLR


  You are just plain wrong. Go to http://www.dpreview.com/, poke around
 until you
  can find the 2meg - 3meg sample jpg files taken with the DSLRs. Down
load
 them.
  open them up in a program where you can blow them up to 300 - 400%, and
 lood at
  what you see. The images are way better than you can get with any under
2K
  scanner.
  If you don't believe your own eyes, go here:
  http://www.photonews.com/forums/forums.html and see what working pros,
who
 are
  using digital have to say. There are pros wha have dropped MF film for
 DSLRs.
  Just about all the folks saying that digital has a ways to go yet, turn
 out to
  be spectators.
 
 
  --- Robert Woerner [EMAIL PROTECTED] wrote:
   We don't need no stinkin' digital cameras!
  
   On a more serious note.
  
   I don't know much about digital; however, I'll offer my thoughts on it
   anyway.
  
   Take your pictures with high resolution tried and true film.
  
   Have the negatives (or slides) scanned by your processor OR buy the
best
   scanner, computer and printer available NOW, scan the negatives
 yourself,
   and you can blow any digital camera currently made out of the water.
I
   believe it would be cheaper than buying any digital SLR currently
   available.  Do folks out there not know this?
   Digital is a big gotta have it now lie.
  
   Changes in digital capability will likely come fast what with Foveon
vs.
 CCD
   and what not.  You will be sitting in the dust in a couple of years
   resolution-wise as far as digital is concerned if you buy something
 today.
   Film is good now and always will be.
  
   Am I correct in my thinking and opinions?
  Yahoo! Movies - coverage of the 74th Academy Awards®
  http://movies.yahoo.com/
  -
  This message is from the Pentax-Discuss Mail List.  To unsubscribe,
  go to http://www.pdml.net and follow the directions. Don't forget to
  visit the Pentax Users' Gallery at http://pug.komkon.org .
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Re: Rikenon 50/1.4?

2002-03-23 Thread Mark Cassino

At 04:48 PM 3/23/02 +0100, Lasse Karlsson wrote:

Mark Cassino wrote:
  BTW - I could swear I read somewhere that the Rikenon 50mm f2.0 was
the
  sharpest lens ever made for 35mm slrs - but for the life of me I have
not
  been able to locate where I read that. I bought one on ebay (they are
  pretty cheap) but haven't gotten around to testing it.


A very distant bell started ringing as I read the above.
I think, although I am not 100 per cent sure, that a few years back I
reported that a photo mag (probably Swedish) had tested a Rikenon 50
f2.0 to be the sharpest 50mm lens they had ever tested (MTF).
If I find this article again I'll get back to you.

LOL! I spent hours searching the web trying ti figure out where I read 
that. Well, at least I know it came from a reliable source!  If you do find 
the reference let me know.

(Is there any way you can search for messages to the old PDML, while run
on the Pentax-server?)

Doug can correct me if I'm wrong, but I think that is all gone now.

- MCC
- - - - - - - - - -
Mark Cassino
Kalamazoo, MI
[EMAIL PROTECTED]
- - - - - - - - - -
Photos:
http://www.markcassino.com
- - - - - - - - - - 
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Re: Pentax digital SLR - Not now!

2002-03-23 Thread Shel Belinkoff

My need is for some commercial and personal work, where quality is not
too critical, but some features are important.  Frankly, I've not paid
much attention to it either, and am surprised at what I'm finding.

Even on supposedly higher-end cameras, image quality is pretty poor. 
Chromatic aberration is rampant, and really bad color fringing seems not
to be the exception.  We'd never accept that kind of crap from our 35mm
cameras.  Noise, color rendition, lack of sharpness, and detail do not
compare to 35mm cameras and film.  Check out dpreview.com and be amazed.

I've been reading some digital photography magazines, trying to get a
handle on what's out there.  I've only read three so far, and guess
what?  Not a single review that I read discussed or showed image
quality, but there was plenty of discussion about features.

What I'm getting at is that the quality is only so-so, although good
enough for many shooters in many situations, but not good enough for the
kind of prints some of us like to see.  There's a lot of neat features
on many cameras, which are important to many users, but not to you and
me.  I don't need my camera to play movies, do voice-overs, and whistle
Dixie.  I'd gladly pass on those features for a good 3mp camera with a
28mm lens that produced sharp images.

OTOH, I brought in a few hundred $$$ today with some shots made with the
awful old Sony Mavica that I have.  That goes to show how important
quality is in some situations g.

Paul Stenquist wrote:
 
 I gotta go along with your perspective here and I'm pleased to have it. . I
 haven't paid much attention to the digital world. Although I scan most of m
 color images and print them digitally. That's as far as I'm going for now.
Interestingly enough, many of the photographers who shoot cars for our
 company use digital setups on 45 bodies that generate files of around 60
 megabytes. I generate 250 megabyte files from my 6x7 scans. On a 13 x19
 print, the difference shows. The studio guys acknowledge that film is still
 better, but they also kow that the clients like the immediate turnaround of
 digital. (If they so choose the agency and client folk can watch the scan
 take shape on a monitor in the studio.
  That's where it's at for commrece, but not for art.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
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Re: Digital SLR

2002-03-23 Thread T Rittenhouse

Once again if you can't afford it and don't need it doesn't mean nobody can
afford it, nor need it. You are saying exactly what I said most of the
people on this list were saying.

When the MZ-D was anounched there was no competiion for it on the market now
there is. In digital a year is a full generation, that means that already
the competion is moving up. By Photokina which will be exactly two years
from Pentax showing the MZ-D, everybody will have 6mp slr digitals, except
Pentax of course.

Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto



- Original Message -
From: Paul Stenquist [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, March 23, 2002 10:35 PM
Subject: Re: Digital SLR


 It was supposed to be priced at 7K. For me, it might as well have been
 vaporware. I think Pentax figured that out. When they can build one for
2k, we
 will come. They can, and they will
 Paul

 Robert Woerner wrote:

  Too bad this is a dream, huh?  :(
 
  http://www.dpreview.com/news/0009/00091402pentaxdigitalslr.asp
 
  Robert
  - Original Message -
  From: Bruce Rubenstein [EMAIL PROTECTED]
  To: [EMAIL PROTECTED]
  Sent: Saturday, March 23, 2002 4:32 PM
  Subject: Re: Digital SLR
 
   You are just plain wrong. Go to http://www.dpreview.com/, poke around
  until you
   can find the 2meg - 3meg sample jpg files taken with the DSLRs. Down
load
  them.
   open them up in a program where you can blow them up to 300 - 400%,
and
  lood at
   what you see. The images are way better than you can get with any
under 2K
   scanner.
   If you don't believe your own eyes, go here:
   http://www.photonews.com/forums/forums.html and see what working pros,
who
  are
   using digital have to say. There are pros wha have dropped MF film for
  DSLRs.
   Just about all the folks saying that digital has a ways to go yet,
turn
  out to
   be spectators.
  
  
   --- Robert Woerner [EMAIL PROTECTED] wrote:
We don't need no stinkin' digital cameras!
   
On a more serious note.
   
I don't know much about digital; however, I'll offer my thoughts on
it
anyway.
   
Take your pictures with high resolution tried and true film.
   
Have the negatives (or slides) scanned by your processor OR buy the
best
scanner, computer and printer available NOW, scan the negatives
  yourself,
and you can blow any digital camera currently made out of the water.
I
believe it would be cheaper than buying any digital SLR currently
available.  Do folks out there not know this?
Digital is a big gotta have it now lie.
   
Changes in digital capability will likely come fast what with Foveon
vs.
  CCD
and what not.  You will be sitting in the dust in a couple of years
resolution-wise as far as digital is concerned if you buy something
  today.
Film is good now and always will be.
   
Am I correct in my thinking and opinions?
   Yahoo! Movies - coverage of the 74th Academy Awards®
   http://movies.yahoo.com/
   -
   This message is from the Pentax-Discuss Mail List.  To unsubscribe,
   go to http://www.pdml.net and follow the directions. Don't forget to
   visit the Pentax Users' Gallery at http://pug.komkon.org .
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K 135 f3.5

2002-03-23 Thread Robert Woerner

Hey Paul (Stregevsky),

I got the K 135 f3.5 you found for me at ritzcam out of Phoenix.  I paid $89
and it is a beaut.  No wear or dust/scratches.  I'll let you know what I
think about it when I get some pics shot and developed.

Thanks for the tip.

Robert
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Re: M35/f2.0 STak 35mm f2

2002-03-23 Thread Bill D. Casselberry

 Aaron wrote:
 
 I was thinking of this, but as my gear is manual focus oriented, I think
 I'd like to stay with a lens with a good MF feel, and also I'm looking
 for something small.
 
I'd trade ya my small version SuperTak 35mm f2 for your
big awkward one if ya like.


-
Bill D. Casselberry ; Photography on the Oregon Coast

http://www.orednet.org/~bcasselb
[EMAIL PROTECTED]
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Re: Digital SLR

2002-03-23 Thread Bruce Rubenstein

A dream is all it ever was, and probably will be for $7,000.


--- Robert Woerner [EMAIL PROTECTED] wrote:
 Too bad this is a dream, huh?  :(
 
 http://www.dpreview.com/news/0009/00091402pentaxdigitalslr.asp
 
 Robert
Yahoo! Movies - coverage of the 74th Academy Awards®
http://movies.yahoo.com/
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Re: Pentax digital SLR - Not now!

2002-03-23 Thread Bruce Rubenstein

I assume that you've been looking at the $1000 digicams. The whole camera costs
about what just the sensor does in the SDLRs. You don't see that junk in the
DSLR files dpreview has on their site. Not all 3mp cameras are the same.
Judging a camera by just its pixel count is like judging a car based only on
its advertized peak HP.


--- Shel Belinkoff [EMAIL PROTECTED] wrote:
 My need is for some commercial and personal work, where quality is not
 too critical, but some features are important.  Frankly, I've not paid
 much attention to it either, and am surprised at what I'm finding.
 
 Even on supposedly higher-end cameras, image quality is pretty poor. 
 Chromatic aberration is rampant, and really bad color fringing seems not
 to be the exception.  We'd never accept that kind of crap from our 35mm
 cameras.  Noise, color rendition, lack of sharpness, and detail do not
 compare to 35mm cameras and film.  Check out dpreview.com and be amazed.
Yahoo! Movies - coverage of the 74th Academy Awards®
http://movies.yahoo.com/
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Re: Digital SLR

2002-03-23 Thread William Robb

- Original Message -
From: Robert Woerner
Sent: Saturday, March 23, 2002 9:04 PM
Subject: Re: Digital SLR


 Two questions.

 Did the LX result in pros acceptance of Pentax in the
marketplace?

Speaking personally, yes. The LX moved me from Nikon to Pentax.

 How many digital SLRs have been produced at this point in
time?

I think Pål said 20,000 earlier today. I accept that number.

Who is Mafud?

You don't want to know.


William Robb
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Quest for a camera bag

2002-03-23 Thread William Robb

So, I ended up with a thing called a Lowe Pro Photo Trekker AW
today. It holds the 6x7 and the 7 lenses that I own, plus the
geegaws that I carry around to make my photographic life even
more miserable. It seems to be a well made thing. It is almost
comfortable, I will have to spend some time seeing if I can make
it conform to my body, or if I will have to conform to it. I
hope I can make it work for me. I couldn't find a shoulder bag
that would work for me, but this backpack has a shoulder strap,
so it can be carried much like a shoulder bag, anyway.
I can carry it fully laden, which is a bonus,
I will try it out over the next week, and decide if I want to
keep it or not.
Thanks again to all who advised me on this.

William Robb
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Re: Need help on Portable Lighting Setup

2002-03-23 Thread Bruce Dayton

Steve,

I'll give you my 2 cents worth.  For diffusing the light, Lumiquest
makes a softbox that velcros on to your flash.  It does a reasonable
job and can be used even when the flash is in the hotshoe of your
camera.  Cost is about $25.  Use a couple of wein optical slaves, hook
one flash up to your camera through 5p cord and two hotshoe adapter
F's.  So one flash is hooked to the camera through the 5p stuff and
has a softbox on it, one flash is used for fill with slave trigger and
softbox and a third can be used for background fill with an optical
slave.  Use them on manual mode and adjust light output by moving the
lights if they don't have multiple power settings.  You may need to
invest in a lightstand or two.

It would be most ideal to use a flash meter, but if not, you could
burn a couple of rolls of slide film testing at different f stops to
see how things looked.


Bruce Dayton



Saturday, March 23, 2002, 5:36:17 PM, you wrote:

SP I'm looking to do some friends' (as well as possibly
SP some semi-pro) jobs/portraits in the near future. I
SP would like input from anyone who has a portable
SP lighting system. What type of equipment do you have,
SP how much will it cost me, etc. I'm leaning towards a
SP slave system. I'm not sure if that's the right way to
SP go. I'm just starting my research into this equipment.
SP My current equipment is Pentax Super Program manual
SP focus:

SP 100 mm 2.8 lens
SP 135 mm 2.8
SP AF200T
SP Vivitar 283

SP Can I get good results by simply using the Vivitar
SP 283, bounced into an umbrella?  I've been thinking
SP about a newer, bigger, better Pentax flash (280, 400,
SP 550, etc.).  Would this be a good combo to bounce from
SP the camera?  And still use the 283  the AF200T?

SP What about a cheap  portable back drop-any
SP recommendations there?

SP What about a flash meter-any
SP suggestions/recommendations for brand, model, price,
SP etc.?


SP Any ideas  suggestions would be greatly appreciated! 
SP Yahoo! Movies - coverage of the 74th Academy Awards®
SP http://movies.yahoo.com/
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Re: Pentax WILL produce a digital SLR!

2002-03-23 Thread dave o'brien

On Sat, 23 Mar 2002, Len Paris wrote:

 I appreciate the verve, enthusiasm, and good intentions with
 which you made that statement but 5 years ago was 1997 and
 computers were a lot more powerful than you give them credit for
 being.  Unless you have some good, recognized references for a
 statement like that, you shouldn't make it.

Five years ago, in 1997, a well specified computer would have been a
Pentium II 350 with 128MB of RAM, about 10Gb hard disk and a hardware
accelerated video card powering a 17 monitor.  

I know this, because I still have the well specified computer I bought in
1997 and I'm using it right now as a mail-server and web-server.

Now maybe his statement would have been true if he'd said ten years ago, 
when a powerful machine would've been a 486 with 32Mb.

dave
-- 
dave o'brien - http://www.diaspoir.net
A lie is an abomination unto the Lord and a very present help in time of
trouble.
-- Adlai Stevenson
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Re: Quest for a camera bag

2002-03-23 Thread T Rittenhouse

You will regret that you did not take my advice. GRIN

Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto



- Original Message - 
From: William Robb [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, March 23, 2002 11:44 PM
Subject: Quest for a camera bag


 So, I ended up with a thing called a Lowe Pro Photo Trekker AW
 today. It holds the 6x7 and the 7 lenses that I own, plus the
 geegaws that I carry around to make my photographic life even
 more miserable. It seems to be a well made thing. It is almost
 comfortable, I will have to spend some time seeing if I can make
 it conform to my body, or if I will have to conform to it. I
 hope I can make it work for me. I couldn't find a shoulder bag
 that would work for me, but this backpack has a shoulder strap,
 so it can be carried much like a shoulder bag, anyway.
 I can carry it fully laden, which is a bonus,
 I will try it out over the next week, and decide if I want to
 keep it or not.
 Thanks again to all who advised me on this.
 
 William Robb
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 go to http://www.pdml.net and follow the directions. Don't forget to
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Re: Pentax digital SLR - Not now!

2002-03-23 Thread Shel Belinkoff

I'm not judging the camera by pixel count, I'm judging by the results I
saw, and I specifically did not mention 6mp DSLR cameras.  They use
different lenses, to begin with - they use the same or similar lenses
that are used on 35mm SLR cameras.



Bruce Rubenstein wrote:
 
 I assume that you've been looking at the $1000 digicams. The whole camera costs
 about what just the sensor does in the SDLRs. You don't see that junk in the
 DSLR files dpreview has on their site. Not all 3mp cameras are the same.
 Judging a camera by just its pixel count is like judging a car based only on
 its advertized peak HP.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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OH....MY....GOD

2002-03-23 Thread tom

I set up the tripod, attached th 645n. Grabbed the AF500FTZ out of the bag, attached a 
long 5p and a Quantum. Attached the 5p to the camera and handed the flash and 
battery to my assistant.

I turn around for 2 seconds...and hear my rig crash to the ground. She had just sort 
of walked off with the flash in her hand. Yes, the one attached to the camera.

It fell nose first, and the FA 45-85/4.5 took the brunt. It appears to be toast. The 
filter ring is completely bent, and I can't turn the focusing ring.

Wah.

tv
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Re: OH....MY....GOD

2002-03-23 Thread Shel Belinkoff

Oh, Man!  That's a sorry shame. 

tom wrote:
 
 I set up the tripod, attached th 645n. 
 Grabbed the AF500FTZ out of the bag, attached 
 a long 5p and a Quantum. Attached the 5p to 
 the camera and handed the flash and
 battery to my assistant.
 
 I turn around for 2 seconds...and hear 
 my rig crash to the ground. She had just 
 sort of walked off with the flash in her hand. 
 Yes, the one attached to the camera.
 
 It fell nose first, and the FA 45-85/4.5 took 
 the brunt. It appears to be toast. The filter 
 ring is completely bent, and I can't turn the 
 focusing ring.
 
 Wah.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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RE: A few questions....

2002-03-23 Thread Malcolm Smith

 As always I recommend Berlebach tripods. www.berlebach.de

 Pål
 -
Pål,

Thanks for the link, interesting to note only two tripod manufacturers
recommended! I won't look at anything else as I prefer recommendation.

Malcolm
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F5.6 and Be There

2002-03-23 Thread Shel Belinkoff

Yesterday my new focusing scope arrived ... a lovely, almost new, Micro
Sight with 25X magnification.

Just a while ago I grabbed a roll of TX that was sitting around, loaded
a frame into the Beseler 23C-II with the dichro head, and raised it to
fill a full sheet of 11x14 paper using the 80mm/4.0 Componon-S.

First thing is that the difference between the 25X Micro Sight and the
10X Peak is amazing, not just in terms of bigger grain clumps to focus
on, but the Micro Sight sure appeared to provide a brighter image
through the eyepiece.

The lens was set wide open, and stopping down to 5.6 showed a very
marked improvement in contrast and sharpness.  Moving to F/8.0 didn't
show much of a change, but beyond that it was clear that contrast was
falling off, and the grain clumps looked a little softer.

Moving the focuser around under the projected image sharpness and
contrast seemed about equal at the frame edge and center of the image,
although I didn't get way into the corners.

Using the larger magnification scope seems like it may be very helpful
in determining the ideal apertures for the enlarging lens.  When I get a
little more time, and don't feel so tired, I'll do the same with all my
lenses on both enlargers.  Might be enlightening.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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Re: OH....MY....GOD

2002-03-23 Thread Kevin Waterson

On Sun, 24 Mar 2002 01:52:16 -0500
tom [EMAIL PROTECTED] wrote:


 It fell nose first, and the FA 45-85/4.5 took the brunt. It appears to be toast. The 
filter ring is completely bent, and I can't turn the focusing ring.

Ouch!, bad! how is the body?

Kevin
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RE: OH....MY....GOD

2002-03-23 Thread David Chang-Sang

Oh sh*t !!

Sorry to hear.. :(

that royally sucks... big time :(

Dave

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of tom
Sent: Sunday, March 24, 2002 1:52 AM
To: [EMAIL PROTECTED]
Subject: OHMYGOD


I set up the tripod, attached th 645n. Grabbed the AF500FTZ out of the bag,
attached a long 5p and a Quantum. Attached the 5p to the camera and handed
the flash and
battery to my assistant.

I turn around for 2 seconds...and hear my rig crash to the ground. She had
just sort of walked off with the flash in her hand. Yes, the one attached to
the camera.

It fell nose first, and the FA 45-85/4.5 took the brunt. It appears to be
toast. The filter ring is completely bent, and I can't turn the focusing
ring.

Wah.

tv
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Re: OH....MY....GOD

2002-03-23 Thread Brendan

OUCH

--- tom [EMAIL PROTECTED] wrote:
 I set up the tripod, attached th 645n. Grabbed the
 AF500FTZ out of the bag, attached a long 5p and a
 Quantum. Attached the 5p to the camera and handed
 the flash and 
 battery to my assistant.
 
 I turn around for 2 seconds...and hear my rig crash
 to the ground. She had just sort of walked off with
 the flash in her hand. Yes, the one attached to the
 camera.
 
 It fell nose first, and the FA 45-85/4.5 took the
 brunt. It appears to be toast. The filter ring is
 completely bent, and I can't turn the focusing ring.
 
 Wah.
 
 tv
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 To unsubscribe,
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 http://pug.komkon.org .
 


__ 
File your taxes online! http://taxes.yahoo.ca
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Re: OH....MY....GOD

2002-03-23 Thread Bruce Dayton

That's gotta hurt!  Sorry man.


Bruce Dayton



Saturday, March 23, 2002, 10:52:16 PM, you wrote:

t I set up the tripod, attached th 645n. Grabbed the AF500FTZ out of the bag, 
attached a long 5p and a Quantum. Attached the 5p to the camera and handed the flash 
and 
t battery to my assistant.

t I turn around for 2 seconds...and hear my rig crash to the ground. She had just 
sort of walked off with the flash in her hand. Yes, the one attached to the camera.

t It fell nose first, and the FA 45-85/4.5 took the brunt. It appears to be toast. 
The filter ring is completely bent, and I can't turn the focusing ring.

t Wah.

t tv
t -
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t go to http://www.pdml.net and follow the directions. Don't forget to
t visit the Pentax Users' Gallery at http://pug.komkon.org .
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Re: OH....MY....GOD

2002-03-23 Thread Mike

Everyone is asking about the equipment.
What I want to know is - when does the assistant get out of the hospital?


-=Mike=-
In the Pacific Northwet


- Original Message -
From: tom [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, March 23, 2002 10:52 PM
Subject: OHMYGOD


| I set up the tripod, attached th 645n. Grabbed the AF500FTZ out of the
bag, attached a long 5p and a Quantum. Attached the 5p to the camera and
handed the flash and
| battery to my assistant.
|
| I turn around for 2 seconds...and hear my rig crash to the ground. She had
just sort of walked off with the flash in her hand. Yes, the one attached to
the camera.
|
| It fell nose first, and the FA 45-85/4.5 took the brunt. It appears to be
toast. The filter ring is completely bent, and I can't turn the focusing
ring.
|
| Wah.
|
| tv
| -
| This message is from the Pentax-Discuss Mail List.  To unsubscribe,
| go to http://www.pdml.net and follow the directions. Don't forget to
| visit the Pentax Users' Gallery at http://pug.komkon.org .
|
|
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Re: pentax-discuss-digest V1 #2387

2002-03-23 Thread Camdir

I've been watching this auction for a couple of days.  somebody sniped me
after I had the high bid 30 seconds to go!  I hope it was someone on the
list.

What a bargain!

Christian. You are such a nice-guy. If it were me, I'd be grinding my teeth and saying 
I hope they burn in hell.

Kind regards

Peter
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Re: Digital SLR

2002-03-23 Thread Jeff Tsai

The one area which Pentax might still be able to carve out a niche for 
their DSLRs is in the ergonomics/usability area though...

I picked up Sigma's pro digital offering and was shocked at how poorly 
the camera felt in my hands, not to mention how all the controls were 
laid out.  Forget the advantages of the new Foveon technology or 
whatever they call it; if it don't fit, I ain't gonna use it!

Cheers.

On Sunday, March 24, 2002, at 02:24 PM, pentax-discuss-digest wrote:

 When the MZ-D was anounched there was no competiion for it on the 
 market now
 there is. In digital a year is a full generation, that means that 
 already
 the competion is moving up. By Photokina which will be exactly two years
 from Pentax showing the MZ-D, everybody will have 6mp slr digitals, 
 except
 Pentax of course.
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