Re: Not very tall ships

2014-09-10 Thread Christine Aguila
That’s a very pretty picture, Bob!  Like it very much!  Cheers, Christine


On Sep 8, 2014, at 4:05 PM, Bob W-PDML p...@web-options.com wrote:

 Greenwich has been horribly busy over the last few days, partly as a result 
 of Mark! and Lisa! visiting, partly as a result of the Tall Ships Festival. 
 
 The tall ships, what I saw of them, were rather disappointing, so mostly I 
 got away from Greenwich to avoid the non-Mark! crowds.
 
 I did take a handful of pictures, but I forgot that my camera was on manual 
 and I didn't set the exposure. I managed to rescue this one, for what it's 
 worth, with Lightroom's high contrast blue filter.
 
 http://www.web-options.com/TallShips.jpg
 
 B
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Re: Back in the USA after the London PDML meet

2014-09-10 Thread Mark Roberts
mike wilson m.9.wil...@ntlworld.com wrote:

Did you get to the museum?

Yes! The National Motorcycle Museum near Birmingham is amazing! I
spent hours there, took many photos and finally left when I reached
sensory overload. Really superb place. I'll get up a gallery of photos
before long...

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GESO - Mimesis

2014-09-10 Thread Bruce Walker
Images #1-6 from my Mimesis project, a continuing series. NSFW, but
just artistic nudity. The model is the amazing Fredau.

http://off-axis.brucemwalker.com/post/97065397892/mimesis-1-6-with-fredau

While it's digital composited art, I mostly stuck to techniques that
are plausible with double exposures. All components shot by me on the
K-3 with a mix of lenses: DA 35/2.8 Macro Ltd, DA* 16-50/2.8 SDM, DA*
50-135/2.8 SDM.

Comments welcome.

Enjoy!

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Re: PESO x 2 - Cyber Lolita

2014-09-10 Thread Bruce Walker
All in fun, Ann. :)

On Tue, Sep 2, 2014 at 9:42 PM, Ann Sanfedele ann...@nyc.rr.com wrote:
 She looks like a poke-mon creature...

 ann


 On 8/24/2014 11:39, Bruce Walker wrote:

 Images from a collaborative project with local Queen Street designer
 Emily Yoshizawa. She designs clothing and accessories with a Japanese
 and futuristic/steampunk bent.

 She usually photographs and retouches her own work, but decided to be
 the model this time, and asked for my assistance.

 http://off-axis.brucemwalker.com/image/95469662797
 http://off-axis.brucemwalker.com/image/95470306062

 K-3, DA* 55/1.4 (1st), DA 35/2.8 Macro (2nd), f:10, 1/125th, ISO 200

 Lighting: four bare flashes at staggered heights bounced into a white
 v-flat directly behind camera.

 Comments welcome.


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Re: OT - the Maier copyright mess gets more tangled

2014-09-10 Thread Darren Addy
Bruce, regarding your brother-in-law's situation, I have taken the
liberty of submitting a question:
http://ask.metafilter.com/268234/Inheritance-Tax-on-estimated-value-of-photo-negatives-left-behind-WUTT
It will be interesting to see if any expert answers are submitted. If
nothing else, one would think that there would be some sort of system
in place for such works to be donated to a library or alma mater so
that they could at least not be lost to history. Destroying them seems
to be a bit of a scorched earth policy. I have to believe that there
are Estate Planners that could suggest something more reasonable.

Regarding the lawyer inserting himself, I agree with what others have
expressed. The legal system will welcome, with open arms, the
opportunity to extract any wealth from the situation that they can. I
think an argument could be made that Vivian Maier's work had
essentially NO economic value until that value was created by the work
of Mr. Maloof (and others) in publicizing her work. The lawyer in
involved himself in tracking down the alleged closer relative is no
different than any other ambulance chaser lawyer, IMHO.

I think we need to be careful before we deify Mr. Maloof, however. He
is clearly a shrewd operator, given the way he has generated and
leveraged media attention (etc.) into a book, a movie, and print
sales, exhibits, etc. I was not aware, for example, that Vivian Maier
was still alive (but hospitalized, apparently) when her storage locker
stuff was sold. This page is interesting (and provides a lot of other
links related to Vivian Maier and her work)
http://faculty.wcas.northwestern.edu/~plbannos/VivianMaier.html

Never having gotten to see the Finding Vivian Maier movie, I just
purchased the DVD. I was also not aware of the BBC program The Vivian
Maier Mystery. That is an hour long program which is available to
watch on Amazon video (and maybe NetFlix?) Here is the IMDB page for
it: http://www.imdb.com/title/tt3252208/

FINALLY, a while back I referred to an article by Kevin Coffee on the
ethics for the journal Museum Management and Curatorship regarding
work like Vivian Maier's.
That article, entitled Misplaced: ethics and the photographs of
Vivian Maier can be found here:

The file 'VivianMaier_K_Coffee.pdf' (215 KB) is available for download at

http://dropbox.unl.edu/uploads/20140924/41a4684ff30b1ef8/VivianMaier_K_Coffee.pdf
 
for the next 14 days.
It will be removed after Wednesday, September 24, 2014.

On Tue, Sep 9, 2014 at 8:13 PM, Bruce Walker bruce.wal...@gmail.com wrote:
 My brother-in-law, a retired photojournalist (Newsweek, Time), has
 left specific instructions to destroy his negatives after his death so
 his family won't be hit by US inheritance taxes on the estimated
 market value of the collection. He sells through Getty and Polaris so
 this is a valid financial threat.

 Kinda sad, I think. He did a close up and personal pictorial project
 with a young Bob Dylan and Rotolo, his then girlfriend, living in New
 York, and these rare shots would be destroyed, along with thousands of
 others.


 On Tue, Sep 9, 2014 at 8:37 PM, Godfrey DiGiorgi godd...@me.com wrote:
 Indeed. It has taught me ... I now have explicit instructions in my will as 
 to what will happen with my photographs after I leave this mortal coil. Not 
 that I expect them to be valuable to anyone besides me, but I will not allow 
 vulpine lawyers to profit from my works. That's much worse than allowing 
 treasure finders like Maloof and the other owners to profit from their 
 discoveries. I'd much rather see the photos burned.

 The Virginia lawyer at the bottom of this latest turn of affairs is probably 
 another redneck Fundamentalist Republican ... The worst kind of scum skimmer.

 Godfrey


 On Sep 9, 2014, at 4:49 PM, Ann Sanfedele ann...@nyc.rr.com wrote:

 I'm not even reading all of that stuf and it makes me sad

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Photographers must learn not to be ashamed to have their photographs
look like photographs.
~ Alfred Stieglitz

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Re: PESO: Foggy Morning

2014-09-10 Thread Attila Boros
Very nice, especially the first one!

On Wed, Sep 10, 2014 at 2:20 AM, David Mann dmann...@gmail.com wrote:
 We had some fog this morning so I took the camera for a walk.

 http://gallery.multi.net.nz/photo/815/#peso

 http://gallery.multi.net.nz/photo/816/#peso

 Cheers,
 Dave


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Re: Muscle memory.

2014-09-10 Thread Igor PDML-StR


Watch this 1-minute clip:
https://www.youtube.com/watch?v=LP0g9d3lO4Q
It is called Force of Habit.

Cheers,

Igor


 Bill Sun, 07 Sep 2014 21:04:11 -0700 wrote:


On 07/09/2014 9:37 PM, P.J. Alling wrote:

   Having used the K20D for four+ years I still find myself pressing the
   +/- button when I want to press the green button and vice versa.  How
   long dose it take to get used to the button layout...


You never do.

bill


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Re: OT - the Maier copyright mess gets more tangled

2014-09-10 Thread Bruce Walker
Thanks, Darren. You have raised enough doubts in my mind that I'm now
going to quiz my relative about it. Gently. :)

On Wed, Sep 10, 2014 at 11:51 AM, Darren Addy pixelsmi...@gmail.com wrote:
 Bruce, regarding your brother-in-law's situation, I have taken the
 liberty of submitting a question:
 http://ask.metafilter.com/268234/Inheritance-Tax-on-estimated-value-of-photo-negatives-left-behind-WUTT
 It will be interesting to see if any expert answers are submitted. If
 nothing else, one would think that there would be some sort of system
 in place for such works to be donated to a library or alma mater so
 that they could at least not be lost to history. Destroying them seems
 to be a bit of a scorched earth policy. I have to believe that there
 are Estate Planners that could suggest something more reasonable.

 Regarding the lawyer inserting himself, I agree with what others have
 expressed. The legal system will welcome, with open arms, the
 opportunity to extract any wealth from the situation that they can. I
 think an argument could be made that Vivian Maier's work had
 essentially NO economic value until that value was created by the work
 of Mr. Maloof (and others) in publicizing her work. The lawyer in
 involved himself in tracking down the alleged closer relative is no
 different than any other ambulance chaser lawyer, IMHO.

 I think we need to be careful before we deify Mr. Maloof, however. He
 is clearly a shrewd operator, given the way he has generated and
 leveraged media attention (etc.) into a book, a movie, and print
 sales, exhibits, etc. I was not aware, for example, that Vivian Maier
 was still alive (but hospitalized, apparently) when her storage locker
 stuff was sold. This page is interesting (and provides a lot of other
 links related to Vivian Maier and her work)
 http://faculty.wcas.northwestern.edu/~plbannos/VivianMaier.html

 Never having gotten to see the Finding Vivian Maier movie, I just
 purchased the DVD. I was also not aware of the BBC program The Vivian
 Maier Mystery. That is an hour long program which is available to
 watch on Amazon video (and maybe NetFlix?) Here is the IMDB page for
 it: http://www.imdb.com/title/tt3252208/

 FINALLY, a while back I referred to an article by Kevin Coffee on the
 ethics for the journal Museum Management and Curatorship regarding
 work like Vivian Maier's.
 That article, entitled Misplaced: ethics and the photographs of
 Vivian Maier can be found here:

 The file 'VivianMaier_K_Coffee.pdf' (215 KB) is available for download at
 
 http://dropbox.unl.edu/uploads/20140924/41a4684ff30b1ef8/VivianMaier_K_Coffee.pdf
  
 for the next 14 days.
 It will be removed after Wednesday, September 24, 2014.

 On Tue, Sep 9, 2014 at 8:13 PM, Bruce Walker bruce.wal...@gmail.com wrote:
 My brother-in-law, a retired photojournalist (Newsweek, Time), has
 left specific instructions to destroy his negatives after his death so
 his family won't be hit by US inheritance taxes on the estimated
 market value of the collection. He sells through Getty and Polaris so
 this is a valid financial threat.

 Kinda sad, I think. He did a close up and personal pictorial project
 with a young Bob Dylan and Rotolo, his then girlfriend, living in New
 York, and these rare shots would be destroyed, along with thousands of
 others.


 On Tue, Sep 9, 2014 at 8:37 PM, Godfrey DiGiorgi godd...@me.com wrote:
 Indeed. It has taught me ... I now have explicit instructions in my will as 
 to what will happen with my photographs after I leave this mortal coil. Not 
 that I expect them to be valuable to anyone besides me, but I will not 
 allow vulpine lawyers to profit from my works. That's much worse than 
 allowing treasure finders like Maloof and the other owners to profit from 
 their discoveries. I'd much rather see the photos burned.

 The Virginia lawyer at the bottom of this latest turn of affairs is 
 probably another redneck Fundamentalist Republican ... The worst kind of 
 scum skimmer.

 Godfrey


 On Sep 9, 2014, at 4:49 PM, Ann Sanfedele ann...@nyc.rr.com wrote:

 I'm not even reading all of that stuf and it makes me sad

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 ~ Alfred Stieglitz

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I don't understand

2014-09-10 Thread Collin Brendemuehl
When we were in Philly I saw far more mirrorless than DSLRs in use.
After getting home I was chatting with a local store owner who found that
odd since mirrorless sales are only a fraction of the market.  Maybe they
were all in one place at one time?
Then last weekend we were in Wisconsin and Illinois.  (Fresh curds ... yum.)
Had a good conversation with a pro who shoots for stock.
He uses (another brand) DSLR for action and a Sony mirrorless for general
use.  He likes the size/weight for carrying around, and the good lenses
don't hurt.

So I wonder ... is it just the form/shape that chases people away from these
cameras?


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Re: I don't understand

2014-09-10 Thread Stanley Halpin
I had a brief fling with an Olympus a couple of years ago. It was fine as a 
point-and-shoot, at least as good as my iPhone. The kit zoom lens was decent.
What I wanted, though, was to use it with viewfinder and to use it shooting in 
manual mode with other-brand lenses like Pentax and Leica (via adapter of 
course). The buttons/menus etc were not designed with manual shooting in mind. 
At least I could never figure them out. The viewfinder was too much of a 
downgrade from a good optical viewfinder. I sold it, use my iPhone or WG-3 as 
my point-and-shoot.

I don’t know that there is anything about mirrorless chasing me away (except 
maybe the small sensor), but I haven’t found much to attract me to them either.

stan

On Sep 10, 2014, at 12:50 PM, Collin Brendemuehl coll...@brendemuehl.net 
wrote:

 When we were in Philly I saw far more mirrorless than DSLRs in use.
 After getting home I was chatting with a local store owner who found that
 odd since mirrorless sales are only a fraction of the market.  Maybe they
 were all in one place at one time?
 Then last weekend we were in Wisconsin and Illinois.  (Fresh curds ... yum.)
 Had a good conversation with a pro who shoots for stock.
 He uses (another brand) DSLR for action and a Sony mirrorless for general
 use.  He likes the size/weight for carrying around, and the good lenses
 don't hurt.
 
 So I wonder ... is it just the form/shape that chases people away from these
 cameras?
 
 
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Re: I don't understand

2014-09-10 Thread Godfrey DiGiorgi
As you're probably aware, I've been working with the 'mirrorless' cameras since 
they first appeared on the market in late 2008. To write about all the 
advantages of going with these cameras over what I used to do with DSLR kits 
would take more time than I have available, but they are very compelling for my 
photography. 

An Olympus Pen digital is not a viable replacement for a quality DSLR (maybe 
for a consumer DSLR). An Olympus OM-D series camera (certainly the E-M1, maybe 
the E-M5 as well) or a Panasonic GH3 or GH4 definitely are. These cameras work 
very well although best with the lenses designed for them. My E-M1 is a far 
better camera than any of my Pentax DSLRs (I stopped shooting with Pentax after 
the K10D) with respect to haptics, features, and viewfinder ... And image 
qualities. 

IMO, although I've done it for years, you lose a lot with the smaller format 
when you adapt older SLR lenses simply because you're paying the weight/size 
penalty on the lenses which were designed for a larger format SLR, on which 
they image better. 

The Sony A7, on the other hand, gives you a Pentax MX sized body that works 
very nicely with nearly any SLR lenses via mount adapters. It has a very good 
viewfinder (nearly as good as the Olympus E-M1) and good controls/features. 
Where it's lacking compared to the mid- to upper-grade SLRs is in 
responsiveness (unlike the E-M1) and an overall somewhat clunky feel. It also 
works well with a carefully selected range of smaller, RF camera lenses which 
nets a much smaller, lighter overall kit to carry compared to nearly any DSLR 
system.

I don't know that anything is 'chasing me away' from DSLRs so much as these new 
cameras are drawing me to them. I will nearly always pick the smaller, lighter 
camera over the larger, heavier one, and the added versatility to use any lens 
I want from my Nikkor, Leica R, Leica M, and other makes floating about in the 
closet is a huge plus with the A7. The camera is a chameleon: Fit a Nikkor lens 
and the imaging looks just like my Nikon F. Fit a Leica R lens and the imaging 
looks just like with my Leica R8. Fit the right Leica M lens, and the imaging 
looks just like with my Leica M4-2. And the overall body package is in that 
sweet spot, for me, of the Pentax MX/Nikon FM2 that I always preferred. I pick 
the E-M1 if I want pro-DSLR grade responsiveness and access to the superb 
Olympus HG and SHG lenses. 

Godfrey


 On Sep 10, 2014, at 10:03 AM, Stanley Halpin s...@stans-photography.info 
 wrote:
 
 I had a brief fling with an Olympus a couple of years ago. It was fine as a 
 point-and-shoot, at least as good as my iPhone. The kit zoom lens was decent.
 What I wanted, though, was to use it with viewfinder and to use it shooting 
 in manual mode with other-brand lenses like Pentax and Leica (via adapter of 
 course). The buttons/menus etc were not designed with manual shooting in 
 mind. At least I could never figure them out. The viewfinder was too much of 
 a downgrade from a good optical viewfinder. I sold it, use my iPhone or WG-3 
 as my point-and-shoot.
 
 I don’t know that there is anything about mirrorless chasing me away (except 
 maybe the small sensor), but I haven’t found much to attract me to them either
 
 stan
 
 On Sep 10, 2014, at 12:50 PM, Collin Brendemuehl coll...@brendemuehl.net 
 wrote:
 
 When we were in Philly I saw far more mirrorless than DSLRs in use.
 After getting home I was chatting with a local store owner who found that
 odd since mirrorless sales are only a fraction of the market.  Maybe they
 were all in one place at one time?
 Then last weekend we were in Wisconsin and Illinois.  (Fresh curds ... yum.)
 Had a good conversation with a pro who shoots for stock.
 He uses (another brand) DSLR for action and a Sony mirrorless for general
 use.  He likes the size/weight for carrying around, and the good lenses
 don't hurt.
 
 So I wonder ... is it just the form/shape that chases people away from these
 cameras?
 

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Re: OT - the Maier copyright mess gets more tangled

2014-09-10 Thread Paul Stenquist
Of course I don’t know what your brother-in-law’s financial status might be, 
but if he’s leaving less than $800,000 there is no inheritance tax. I managed 
my mother’s estate when she passed, and estimating the value of things like 
photographs and negatives was left to my discretion. Unless there’s an obvious 
attempt to drive the total below that 800K figure, I doubt that there’s no need 
to fear the IRS. 
On Sep 9, 2014, at 9:13 PM, Bruce Walker bruce.wal...@gmail.com wrote:

 My brother-in-law, a retired photojournalist (Newsweek, Time), has
 left specific instructions to destroy his negatives after his death so
 his family won't be hit by US inheritance taxes on the estimated
 market value of the collection. He sells through Getty and Polaris so
 this is a valid financial threat.
 
 Kinda sad, I think. He did a close up and personal pictorial project
 with a young Bob Dylan and Rotolo, his then girlfriend, living in New
 York, and these rare shots would be destroyed, along with thousands of
 others.
 
 
 On Tue, Sep 9, 2014 at 8:37 PM, Godfrey DiGiorgi godd...@me.com wrote:
 Indeed. It has taught me ... I now have explicit instructions in my will as 
 to what will happen with my photographs after I leave this mortal coil. Not 
 that I expect them to be valuable to anyone besides me, but I will not allow 
 vulpine lawyers to profit from my works. That's much worse than allowing 
 treasure finders like Maloof and the other owners to profit from their 
 discoveries. I'd much rather see the photos burned.
 
 The Virginia lawyer at the bottom of this latest turn of affairs is probably 
 another redneck Fundamentalist Republican ... The worst kind of scum skimmer.
 
 Godfrey
 
 
 On Sep 9, 2014, at 4:49 PM, Ann Sanfedele ann...@nyc.rr.com wrote:
 
 I'm not even reading all of that stuf and it makes me sad
 
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Re: I don't understand

2014-09-10 Thread Bill

On 10/09/2014 10:50 AM, Collin Brendemuehl wrote:

When we were in Philly I saw far more mirrorless than DSLRs in use.
After getting home I was chatting with a local store owner who found that
odd since mirrorless sales are only a fraction of the market.  Maybe they
were all in one place at one time?
Then last weekend we were in Wisconsin and Illinois.  (Fresh curds ... yum.)
Had a good conversation with a pro who shoots for stock.
He uses (another brand) DSLR for action and a Sony mirrorless for general
use.  He likes the size/weight for carrying around, and the good lenses
don't hurt.

So I wonder ... is it just the form/shape that chases people away from these
cameras?


Pick up a Fuji X-T1 and use it for a couple of hours, and then try to go 
back to any full sized DSLR. Even the Pentaxes, which are relatively 
small by the standards of today feel oversized, overweight and kludgy by 
comparison.
The electronic viewfinders are not quite there yet, but I'm finding the 
Fuji has become my go to camera for almost everything in spite of that.


bill


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OT: this one's for Bill

2014-09-10 Thread Bob W-PDML
When you get bored with your helicoptercam:

http://www.bbc.co.uk/newsbeat/29140059

I think a moose would be appropriate.

B

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Re: OT - the Maier copyright mess gets more tangled

2014-09-10 Thread Paul Stenquist
…I doubt that there’s any need to fear the IRS…is what I meant to say.

On Sep 10, 2014, at 2:03 PM, Paul Stenquist pnstenqu...@comcast.net wrote:

 Of course I don’t know what your brother-in-law’s financial status might be, 
 but if he’s leaving less than $800,000 there is no inheritance tax. I managed 
 my mother’s estate when she passed, and estimating the value of things like 
 photographs and negatives was left to my discretion. Unless there’s an 
 obvious attempt to drive the total below that 800K figure, I doubt that 
 there’s no need to fear the IRS. 
 On Sep 9, 2014, at 9:13 PM, Bruce Walker bruce.wal...@gmail.com wrote:
 
 My brother-in-law, a retired photojournalist (Newsweek, Time), has
 left specific instructions to destroy his negatives after his death so
 his family won't be hit by US inheritance taxes on the estimated
 market value of the collection. He sells through Getty and Polaris so
 this is a valid financial threat.
 
 Kinda sad, I think. He did a close up and personal pictorial project
 with a young Bob Dylan and Rotolo, his then girlfriend, living in New
 York, and these rare shots would be destroyed, along with thousands of
 others.
 
 
 On Tue, Sep 9, 2014 at 8:37 PM, Godfrey DiGiorgi godd...@me.com wrote:
 Indeed. It has taught me ... I now have explicit instructions in my will as 
 to what will happen with my photographs after I leave this mortal coil. Not 
 that I expect them to be valuable to anyone besides me, but I will not 
 allow vulpine lawyers to profit from my works. That's much worse than 
 allowing treasure finders like Maloof and the other owners to profit from 
 their discoveries. I'd much rather see the photos burned.
 
 The Virginia lawyer at the bottom of this latest turn of affairs is 
 probably another redneck Fundamentalist Republican ... The worst kind of 
 scum skimmer.
 
 Godfrey
 
 
 On Sep 9, 2014, at 4:49 PM, Ann Sanfedele ann...@nyc.rr.com wrote:
 
 I'm not even reading all of that stuf and it makes me sad
 
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Re: OT: this one's for Bill

2014-09-10 Thread Paul Stenquist
At last, a replacement for the Canada goose!
On Sep 10, 2014, at 2:21 PM, Bob W-PDML p...@web-options.com wrote:

 When you get bored with your helicoptercam:
 
 http://www.bbc.co.uk/newsbeat/29140059
 
 I think a moose would be appropriate.
 
 B
 
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Re: OT - the Maier copyright mess gets more tangled

2014-09-10 Thread Paul Stenquist
I meant to say, “I doubt there’s any need to fear the IRS,” burt my brain got 
in the way of my fingers.


On Sep 10, 2014, at 2:03 PM, Paul Stenquist pnstenqu...@comcast.net wrote:

 Of course I don’t know what your brother-in-law’s financial status might be, 
 but if he’s leaving less than $800,000 there is no inheritance tax. I managed 
 my mother’s estate when she passed, and estimating the value of things like 
 photographs and negatives was left to my discretion. Unless there’s an 
 obvious attempt to drive the total below that 800K figure, I doubt that 
 there’s no need to fear the IRS. 
 On Sep 9, 2014, at 9:13 PM, Bruce Walker bruce.wal...@gmail.com wrote:
 
 My brother-in-law, a retired photojournalist (Newsweek, Time), has
 left specific instructions to destroy his negatives after his death so
 his family won't be hit by US inheritance taxes on the estimated
 market value of the collection. He sells through Getty and Polaris so
 this is a valid financial threat.
 
 Kinda sad, I think. He did a close up and personal pictorial project
 with a young Bob Dylan and Rotolo, his then girlfriend, living in New
 York, and these rare shots would be destroyed, along with thousands of
 others.
 
 
 On Tue, Sep 9, 2014 at 8:37 PM, Godfrey DiGiorgi godd...@me.com wrote:
 Indeed. It has taught me ... I now have explicit instructions in my will as 
 to what will happen with my photographs after I leave this mortal coil. Not 
 that I expect them to be valuable to anyone besides me, but I will not 
 allow vulpine lawyers to profit from my works. That's much worse than 
 allowing treasure finders like Maloof and the other owners to profit from 
 their discoveries. I'd much rather see the photos burned.
 
 The Virginia lawyer at the bottom of this latest turn of affairs is 
 probably another redneck Fundamentalist Republican ... The worst kind of 
 scum skimmer.
 
 Godfrey
 
 
 On Sep 9, 2014, at 4:49 PM, Ann Sanfedele ann...@nyc.rr.com wrote:
 
 I'm not even reading all of that stuf and it makes me sad
 
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Re: OT - the Maier copyright mess gets more tangled

2014-09-10 Thread John

On 9/9/2014 7:35 PM, Bill wrote:

On 09/09/2014 9:22 AM, P.J. Alling wrote:

Wouldn't you know a lawyer would take it upon himself to find an heir to
a fortune that no one knew existed and not exist if not for the hard
work of a third party. Why he had to find a person who had no idea that
they were even related to the original artist, (and who the Artist
probably didn't know either), who's first, and probably last reaction to
the trove of negatives would have been to dispose of the junk. All for
justice, no thought of the possible huge payday involved.

There are times that Justice is called for and then there are times that
Lawyers are fully deserving of the disgust that one feels turning over a
rock one finds something slimy and a bit repulsive.


I used to be angry at lawyers, but then I realized that politicians are
the enablers.

One presumes that Mr. Maloof owns the cellulose and silver that the
images reside in, since it sounds like he bought that hard property fair
and square. I expect he could tell the copyright owners to go pound
sand if they want his plastic and silver, even if he has to give over
all money he made from the work.
It sounds to me like as if Ms. Maier abandoned her property, and by
extension, her property rights. One wonders what the storage contract
looked like.
The situation is one where the law is an ass.

bill




Mr. Maloof hired a company of genealogists to track down Ms. Maier's
closest living relative  heir. That relative turned out to be a first
cousin living in Europe. Mr. Maloof purchased the copyrights to Ms.
Maier's images from that heir.

Now this lawyer sticks his oar in and says he has tracked down another
putative first cousin living in Europe  is suing Maloof on that
cousin's behalf.

Supposedly the new first cousin is a closer relative to Maier than the
old first cousin Maloof's search firm found. I don't understand how that
works, but clearly if the new first cousin has any claim at all it's
against the original first cousin.

Can you say CONTINGENCY FEE boys  girls? See also: SCUMBAG BOTTOM FEEDER.



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Re: OT - the Maier copyright mess gets more tangled

2014-09-10 Thread John
Or he could gift the negatives in trust to his family while he's still 
alive  avoid the estate taxes.


On 9/9/2014 9:13 PM, Bruce Walker wrote:

My brother-in-law, a retired photojournalist (Newsweek, Time), has
left specific instructions to destroy his negatives after his death so
his family won't be hit by US inheritance taxes on the estimated
market value of the collection. He sells through Getty and Polaris so
this is a valid financial threat.

Kinda sad, I think. He did a close up and personal pictorial project
with a young Bob Dylan and Rotolo, his then girlfriend, living in New
York, and these rare shots would be destroyed, along with thousands of
others.


On Tue, Sep 9, 2014 at 8:37 PM, Godfrey DiGiorgi godd...@me.com wrote:

Indeed. It has taught me ... I now have explicit instructions in my will as to 
what will happen with my photographs after I leave this mortal coil. Not that I 
expect them to be valuable to anyone besides me, but I will not allow vulpine 
lawyers to profit from my works. That's much worse than allowing treasure 
finders like Maloof and the other owners to profit from their discoveries. I'd 
much rather see the photos burned.

The Virginia lawyer at the bottom of this latest turn of affairs is probably 
another redneck Fundamentalist Republican ... The worst kind of scum skimmer.

Godfrey



On Sep 9, 2014, at 4:49 PM, Ann Sanfedele ann...@nyc.rr.com wrote:

I'm not even reading all of that stuf and it makes me sad


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Re: ACDSEE for Pentax 3.0 - problems

2014-09-10 Thread John
I've been using Irfanview for years, but I have never been able to get 
the RAW files module to work properly.


I downloaded the FastStone viewer as well and I am impressed. No more 
having to go into the other room to the computer I keep Photoshop on in 
order to look at .PEF  .DNG files.


On 9/9/2014 3:10 PM, Ann Sanfedele wrote:

I downloaded MArk's recommendation and it is fine for what I want.
I've already used it.

I do all my editing in Elements so don't need anything more...

Thanks to all for suggestions!

ann

On 9/9/2014 13:10, P.J. Alling wrote:

Irfanview rotates images automatically for any file that contains that
information, K20D and K-5II files show the proper orientation, *ist-D
and Ds files do not.  If you click on the thumbnail when using the
thumbnail viewer, it will automatically open the image in the main
Irfanview window, left and right arrow keys let you browse through the
folder in the main viewer.

You can do some editing in the viewer.  I believe that Doug Brewer even
used to  use it for raw processing, it doesn't offer a lot of control
but it can be used for that.

I also have a utility integrated with my desktop that allows PEF and DNG
files to be directly viewed in folders, I can't remember where I got it,
the link seems to have disappeared, third party since Pentax and
Microsoft don't support XP with the latest products.

   I don't know about the other two programs but one nice thing about
Irfanview is that you can customize the size of the thumbnails in the
thumbnail viewer.

On 9/9/2014 11:05 AM, Mark Roberts wrote:

Ann Sanfedele ann...@nyc.rr.com wrote:


Ok Guys -
I got three candidates here..
The key thing for me is...
see list of folders by their folder names
open a folder - view thumbnails
view the first one large, then hit the right arrow on my keyboard
to click through them one at a time with -keyboard- arrow
  - like a slide show but moving to next image on my command, not
timed.

I presume all three suggested run on XP?

I don't need it to do anything else, except possibly rotate the view.

It would be especially useful if I can view canon raw files as well
as DNGS, PEFS if possible.. but if it only does jpgs that is ok.

I'm pretty sure FastStone Image Viewer meets all your requirements.
I'm also pretty sure InfanView doesn't. I'm not certain how xnview is
with raw files.

FastStone is what Doug and I use at Grandfather Mountain for the
presentations. It's free but very good.








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Re: OT: this one's for Bill

2014-09-10 Thread P.J. Alling

Does anyone else think this is, well, kinda twisted?

On 9/10/2014 2:21 PM, Bob W-PDML wrote:

When you get bored with your helicoptercam:

http://www.bbc.co.uk/newsbeat/29140059

I think a moose would be appropriate.

B




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Re: OT - the Maier copyright mess gets more tangled

2014-09-10 Thread P.J. Alling
The IRS is made up of people who don't even know the laws they are 
supposed to enforce, no one does, actually, as the US tax code is so 
convoluted.  There is always reason to fear the IRS.


On 9/10/2014 2:39 PM, Paul Stenquist wrote:

…I doubt that there’s any need to fear the IRS…is what I meant to say.

On Sep 10, 2014, at 2:03 PM, Paul Stenquist pnstenqu...@comcast.net wrote:


Of course I don’t know what your brother-in-law’s financial status might be, 
but if he’s leaving less than $800,000 there is no inheritance tax. I managed 
my mother’s estate when she passed, and estimating the value of things like 
photographs and negatives was left to my discretion. Unless there’s an obvious 
attempt to drive the total below that 800K figure, I doubt that there’s no need 
to fear the IRS.
On Sep 9, 2014, at 9:13 PM, Bruce Walker bruce.wal...@gmail.com wrote:


My brother-in-law, a retired photojournalist (Newsweek, Time), has
left specific instructions to destroy his negatives after his death so
his family won't be hit by US inheritance taxes on the estimated
market value of the collection. He sells through Getty and Polaris so
this is a valid financial threat.

Kinda sad, I think. He did a close up and personal pictorial project
with a young Bob Dylan and Rotolo, his then girlfriend, living in New
York, and these rare shots would be destroyed, along with thousands of
others.


On Tue, Sep 9, 2014 at 8:37 PM, Godfrey DiGiorgi godd...@me.com wrote:

Indeed. It has taught me ... I now have explicit instructions in my will as to 
what will happen with my photographs after I leave this mortal coil. Not that I 
expect them to be valuable to anyone besides me, but I will not allow vulpine 
lawyers to profit from my works. That's much worse than allowing treasure 
finders like Maloof and the other owners to profit from their discoveries. I'd 
much rather see the photos burned.

The Virginia lawyer at the bottom of this latest turn of affairs is probably 
another redneck Fundamentalist Republican ... The worst kind of scum skimmer.

Godfrey



On Sep 9, 2014, at 4:49 PM, Ann Sanfedele ann...@nyc.rr.com wrote:

I'm not even reading all of that stuf and it makes me sad

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Re: Muscle memory.

2014-09-10 Thread John

That was funny!

On 9/10/2014 12:37 PM, Igor PDML-StR wrote:


Watch this 1-minute clip:
https://www.youtube.com/watch?v=LP0g9d3lO4Q
It is called Force of Habit.

Cheers,

Igor


  Bill Sun, 07 Sep 2014 21:04:11 -0700 wrote:


On 07/09/2014 9:37 PM, P.J. Alling wrote:

   Having used the K20D for four+ years I still find myself pressing the
   +/- button when I want to press the green button and vice versa.  How
   long dose it take to get used to the button layout...


You never do.

bill




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Re: OT - the Maier copyright mess gets more tangled

2014-09-10 Thread Bruce Walker
I completely understood you in the first message, because my own brain
got in the way. :)


On Wed, Sep 10, 2014 at 2:41 PM, Paul Stenquist pnstenqu...@comcast.net wrote:
 I meant to say, “I doubt there’s any need to fear the IRS,” burt my brain got 
 in the way of my fingers.


 On Sep 10, 2014, at 2:03 PM, Paul Stenquist pnstenqu...@comcast.net wrote:

 Of course I don’t know what your brother-in-law’s financial status might be, 
 but if he’s leaving less than $800,000 there is no inheritance tax. I 
 managed my mother’s estate when she passed, and estimating the value of 
 things like photographs and negatives was left to my discretion. Unless 
 there’s an obvious attempt to drive the total below that 800K figure, I 
 doubt that there’s no need to fear the IRS.
 On Sep 9, 2014, at 9:13 PM, Bruce Walker bruce.wal...@gmail.com wrote:

 My brother-in-law, a retired photojournalist (Newsweek, Time), has
 left specific instructions to destroy his negatives after his death so
 his family won't be hit by US inheritance taxes on the estimated
 market value of the collection. He sells through Getty and Polaris so
 this is a valid financial threat.

 Kinda sad, I think. He did a close up and personal pictorial project
 with a young Bob Dylan and Rotolo, his then girlfriend, living in New
 York, and these rare shots would be destroyed, along with thousands of
 others.


 On Tue, Sep 9, 2014 at 8:37 PM, Godfrey DiGiorgi godd...@me.com wrote:
 Indeed. It has taught me ... I now have explicit instructions in my will 
 as to what will happen with my photographs after I leave this mortal coil. 
 Not that I expect them to be valuable to anyone besides me, but I will not 
 allow vulpine lawyers to profit from my works. That's much worse than 
 allowing treasure finders like Maloof and the other owners to profit from 
 their discoveries. I'd much rather see the photos burned.

 The Virginia lawyer at the bottom of this latest turn of affairs is 
 probably another redneck Fundamentalist Republican ... The worst kind of 
 scum skimmer.

 Godfrey


 On Sep 9, 2014, at 4:49 PM, Ann Sanfedele ann...@nyc.rr.com wrote:

 I'm not even reading all of that stuf and it makes me sad

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100% reliable rumor 46MP Sony FF Sensor

2014-09-10 Thread Darren Addy
and new line of Sony cameras using them in January?

Reported...
http://www.sonyalpharumors.com/sr4-no-other-new-camera-from-sony-at-photokina-sr5-new-generation-sensor-and-cameras-release-in-january/

This is of interest, of course, since Pentax uses Sony sensors. 46 MP
is darn close to the 645z's 51MP, though the pixel pitch would be
quite different between the two. Would be interesting to see what the
performance difference between the two will be. I think it also goes
without saying that Nikon will probably be using this sensor, once
sufficient quanities are available. In any event. I'm sure that Sony
is going to give themselves a good lead time in the market before
making them available to others.

Wonder what the diffraction limit will be on those cameras?



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Re: Not very tall ships

2014-09-10 Thread mike wilson
If that's a rescue, I'm giving up photography this instant.

On 8 September 2014 22:05, Bob W-PDML p...@web-options.com wrote:
 Greenwich has been horribly busy over the last few days, partly as a result 
 of Mark! and Lisa! visiting, partly as a result of the Tall Ships Festival.

 The tall ships, what I saw of them, were rather disappointing, so mostly I 
 got away from Greenwich to avoid the non-Mark! crowds.

 I did take a handful of pictures, but I forgot that my camera was on manual 
 and I didn't set the exposure. I managed to rescue this one, for what it's 
 worth, with Lightroom's high contrast blue filter.

 http://www.web-options.com/TallShips.jpg

 B
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Re: Back in the USA after the London PDML meet

2014-09-10 Thread mike wilson
Have you been to Barber in Alabama?  I could be tempted with that one.

On 10 September 2014 13:43, Mark Roberts postmas...@robertstech.com wrote:
 mike wilson m.9.wil...@ntlworld.com wrote:

Did you get to the museum?

 Yes! The National Motorcycle Museum near Birmingham is amazing! I
 spent hours there, took many photos and finally left when I reached
 sensory overload. Really superb place. I'll get up a gallery of photos
 before long...

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Re: PESO: Foggy Morning

2014-09-10 Thread Bruce Walker
Both have a nice feel, 1st especially. Fog really is a photographers friend. :)

On Tue, Sep 9, 2014 at 7:20 PM, David Mann dmann...@gmail.com wrote:
 We had some fog this morning so I took the camera for a walk.

 http://gallery.multi.net.nz/photo/815/#peso

 http://gallery.multi.net.nz/photo/816/#peso

 Cheers,
 Dave


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Re: OT: this one's for Bill

2014-09-10 Thread Bill

On 10/09/2014 1:18 PM, P.J. Alling wrote:

Does anyone else think this is, well, kinda twisted?

It would be even more twisted were it a moose, but yes, it's pretty creepy.
Pity he didn't keep a pet squirrel.

bill




On 9/10/2014 2:21 PM, Bob W-PDML wrote:

When you get bored with your helicoptercam:

http://www.bbc.co.uk/newsbeat/29140059

I think a moose would be appropriate.

B







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Re: PESO - The Happy Couple

2014-09-10 Thread Bruce Walker
Office attire has changed more than I expected since I stopped commuting.

:)


On Tue, Sep 9, 2014 at 11:16 PM, knarf knarftheria...@gmail.com wrote:
 I love taking transit:

 http://knarfdummyblog.blogspot.ca/2014/09/the-happy-couple.html?m=1

 Hope you enjoy. Comments welcome.

 Cheers,

 frank
 “Analysis kills spontaneity.” -- Henri-Frederic Amiel



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Re: PESO: Foggy Morning

2014-09-10 Thread Ken Waller

Fog really is a photographers friend. :)


I totally agree. Does anyone other than me have a hard time converting a 
Foggy RAW shot?

I find it takes alot more 'fiddling' than non foggy shots.

Any secrets?

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Bruce Walker bruce.wal...@gmail.com

Subject: Re: PESO: Foggy Morning


Both have a nice feel, 1st especially. Fog really is a photographers 
friend. :)


On Tue, Sep 9, 2014 at 7:20 PM, David Mann dmann...@gmail.com wrote:

We had some fog this morning so I took the camera for a walk.

http://gallery.multi.net.nz/photo/815/#peso

http://gallery.multi.net.nz/photo/816/#peso

Cheers,
Dave



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Re: I don't understand

2014-09-10 Thread Brian Walters

Quoting Godfrey DiGiorgi godd...@me.com:

As you're probably aware, I've been working with the 'mirrorless'  
cameras since they first appeared on the market in late 2008. To  
write about all the advantages of going with these cameras over what  
I used to do with DSLR kits would take more time than I have  
available, but they are very compelling for my photography.


An Olympus Pen digital is not a viable replacement for a quality  
DSLR (maybe for a consumer DSLR). An Olympus OM-D series camera  
(certainly the E-M1, maybe the E-M5 as well) or a Panasonic GH3 or  
GH4 definitely are.



I think I'd add the E-M10 to that as well.  My reading is that the M10  
loses nothing to the M5 except the 5-axis stabilisation and it has  
inherited a number of feature from the M1 that are missing on the M5.   
I've only had my M10 for a couple of weeks but I think this thing  
could walk and talk (if I could just find the menu setting to activate  
that feature).  I wish it were slightly larger as well, but I can  
live with the size.


I'm not about to get rid of my K-5 but I really think mirrorless is  
the future.



Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/




These cameras work very well although best with the lenses designed  
for them. My E-M1 is a far better camera than any of my Pentax DSLRs  
(I stopped shooting with Pentax after the K10D) with respect to  
haptics, features, and viewfinder ... And image qualities.


IMO, although I've done it for years, you lose a lot with the  
smaller format when you adapt older SLR lenses simply because you're  
paying the weight/size penalty on the lenses which were designed for  
a larger format SLR, on which they image better.


The Sony A7, on the other hand, gives you a Pentax MX sized body  
that works very nicely with nearly any SLR lenses via mount  
adapters. It has a very good viewfinder (nearly as good as the  
Olympus E-M1) and good controls/features. Where it's lacking  
compared to the mid- to upper-grade SLRs is in responsiveness  
(unlike the E-M1) and an overall somewhat clunky feel. It also works  
well with a carefully selected range of smaller, RF camera lenses  
which nets a much smaller, lighter overall kit to carry compared to  
nearly any DSLR system.


I don't know that anything is 'chasing me away' from DSLRs so much  
as these new cameras are drawing me to them. I will nearly always  
pick the smaller, lighter camera over the larger, heavier one, and  
the added versatility to use any lens I want from my Nikkor, Leica  
R, Leica M, and other makes floating about in the closet is a huge  
plus with the A7. The camera is a chameleon: Fit a Nikkor lens and  
the imaging looks just like my Nikon F. Fit a Leica R lens and the  
imaging looks just like with my Leica R8. Fit the right Leica M  
lens, and the imaging looks just like with my Leica M4-2. And the  
overall body package is in that sweet spot, for me, of the Pentax  
MX/Nikon FM2 that I always preferred. I pick the E-M1 if I want  
pro-DSLR grade responsiveness and access to the superb Olympus HG  
and SHG lenses.


Godfrey


On Sep 10, 2014, at 10:03 AM, Stanley Halpin  
s...@stans-photography.info wrote:


I had a brief fling with an Olympus a couple of years ago. It was  
fine as a point-and-shoot, at least as good as my iPhone. The kit  
zoom lens was decent.
What I wanted, though, was to use it with viewfinder and to use it  
shooting in manual mode with other-brand lenses like Pentax and  
Leica (via adapter of course). The buttons/menus etc were not  
designed with manual shooting in mind. At least I could never  
figure them out. The viewfinder was too much of a downgrade from a  
good optical viewfinder. I sold it, use my iPhone or WG-3 as my  
point-and-shoot.


I don’t know that there is anything about mirrorless chasing me  
away (except maybe the small sensor), but I haven’t found much to  
attract me to them either


stan

On Sep 10, 2014, at 12:50 PM, Collin Brendemuehl  
coll...@brendemuehl.net wrote:


When we were in Philly I saw far more mirrorless than DSLRs in use.
After getting home I was chatting with a local store owner who found that
odd since mirrorless sales are only a fraction of the market.  Maybe they
were all in one place at one time?
Then last weekend we were in Wisconsin and Illinois.  (Fresh curds  
... yum.)

Had a good conversation with a pro who shoots for stock.
He uses (another brand) DSLR for action and a Sony mirrorless for general
use.  He likes the size/weight for carrying around, and the good lenses
don't hurt.

So I wonder ... is it just the form/shape that chases people away  
from these

cameras?



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++
Brian 

Re: I don't understand

2014-09-10 Thread Godfrey DiGiorgi
Likely so. I haven't had any direct experience with the E-M10 model. I like the 
slightly bigger size of the E-M1 as well as its compatibility with my FT 
lenses, but overall it's in the same line. 

With bigger lenses like the ZD 11-22 or ZD 50-200, the E-M1's HLD-7 grip 
provides additional mass for good balance and grip, as well as a second battery 
to extend shooting options. 

Godfrey


 On Sep 10, 2014, at 2:50 PM, Brian Walters apathy...@lyons-ryan.org wrote:
 
 Quoting Godfrey DiGiorgi godd...@me.com:
 
 As you're probably aware, I've been working with the 'mirrorless' cameras 
 since they first appeared on the market in late 2008. To write about all the 
 advantages of going with these cameras over what I used to do with DSLR kits 
 would take more time than I have available, but they are very compelling for 
 my photography.
 
 An Olympus Pen digital is not a viable replacement for a quality DSLR (maybe 
 for a consumer DSLR). An Olympus OM-D series camera (certainly the E-M1, 
 maybe the E-M5 as well) or a Panasonic GH3 or GH4 definitely are.
 
 
 I think I'd add the E-M10 to that as well.  My reading is that the M10 loses 
 nothing to the M5 except the 5-axis stabilisation and it has inherited a 
 number of feature from the M1 that are missing on the M5.  I've only had my 
 M10 for a couple of weeks but I think this thing could walk and talk (if I 
 could just find the menu setting to activate that feature).  I wish it 
 were slightly larger as well, but I can live with the size.
 
 I'm not about to get rid of my K-5 but I really think mirrorless is the 
 future.

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Re: PESO - The Happy Couple

2014-09-10 Thread David J Brooks
good one

Dave

On Tue, Sep 9, 2014 at 11:16 PM, knarf knarftheria...@gmail.com wrote:
 I love taking transit:

 http://knarfdummyblog.blogspot.ca/2014/09/the-happy-couple.html?m=1

 Hope you enjoy. Comments welcome.

 Cheers,

 frank
 “Analysis kills spontaneity.” -- Henri-Frederic Amiel



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Re: OT: this one's for Bill

2014-09-10 Thread David J Brooks
On Wed, Sep 10, 2014 at 4:09 PM, Bill anotherdrunken...@gmail.com wrote:
 On 10/09/2014 1:18 PM, P.J. Alling wrote:

 Does anyone else think this is, well, kinda twisted?

 It would be even more twisted were it a moose, but yes, it's pretty creepy.
 Pity he didn't keep a pet squirrel.

Or a pet skunk for crop dusting

Dave

 bill



 On 9/10/2014 2:21 PM, Bob W-PDML wrote:

 When you get bored with your helicoptercam:

 http://www.bbc.co.uk/newsbeat/29140059

 I think a moose would be appropriate.

 B





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Re: PESO: Foggy Morning

2014-09-10 Thread David J Brooks
Love the first one

Dave

On Tue, Sep 9, 2014 at 7:20 PM, David Mann dmann...@gmail.com wrote:
 We had some fog this morning so I took the camera for a walk.

 http://gallery.multi.net.nz/photo/815/#peso

 http://gallery.multi.net.nz/photo/816/#peso

 Cheers,
 Dave


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Re: Muscle memory.

2014-09-10 Thread David J Brooks
On Mon, Sep 8, 2014 at 12:02 AM, Bill anotherdrunken...@gmail.com wrote:
 On 07/09/2014 9:37 PM, P.J. Alling wrote:

 Having used the K20D for four+ years I still find myself pressing the
 +/- button when I want to press the green button and vice versa.  How
 long dose it take to get used to the button layout...


 You never do.

Try switching back and forth from a K-5 to oh lets say the D200 or
D2H. Menus are all different.Buttons all different. Makes my teeth
spin some days.:-)

Dave

 bill


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Re: OT: this one's for Bill

2014-09-10 Thread Darren Addy
The kid has just invented the Ultimate Instrument for the Torture of
Cats. BRILLIANT!

On Wed, Sep 10, 2014 at 5:52 PM, David J Brooks pentko...@gmail.com wrote:
 On Wed, Sep 10, 2014 at 4:09 PM, Bill anotherdrunken...@gmail.com wrote:
 On 10/09/2014 1:18 PM, P.J. Alling wrote:

 Does anyone else think this is, well, kinda twisted?

 It would be even more twisted were it a moose, but yes, it's pretty creepy.
 Pity he didn't keep a pet squirrel.

 Or a pet skunk for crop dusting

 Dave

 bill



 On 9/10/2014 2:21 PM, Bob W-PDML wrote:

 When you get bored with your helicoptercam:

 http://www.bbc.co.uk/newsbeat/29140059

 I think a moose would be appropriate.

 B





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Re: PESO: Foggy Morning

2014-09-10 Thread Darren Addy
I like the first better also. I would have probably liked a longer
focal length even more. Fog rewards telephoto lenses.

On Wed, Sep 10, 2014 at 5:52 PM, David J Brooks pentko...@gmail.com wrote:
 Love the first one

 Dave

 On Tue, Sep 9, 2014 at 7:20 PM, David Mann dmann...@gmail.com wrote:
 We had some fog this morning so I took the camera for a walk.

 http://gallery.multi.net.nz/photo/815/#peso

 http://gallery.multi.net.nz/photo/816/#peso

 Cheers,
 Dave


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Re: 100% reliable rumor 46MP Sony FF Sensor

2014-09-10 Thread P.J. Alling
46mp in a 24x36mm sensor seems like they're pushing the ragged edge of 
physics.


On 9/10/2014 3:43 PM, Darren Addy wrote:

and new line of Sony cameras using them in January?

Reported...
http://www.sonyalpharumors.com/sr4-no-other-new-camera-from-sony-at-photokina-sr5-new-generation-sensor-and-cameras-release-in-january/

This is of interest, of course, since Pentax uses Sony sensors. 46 MP
is darn close to the 645z's 51MP, though the pixel pitch would be
quite different between the two. Would be interesting to see what the
performance difference between the two will be. I think it also goes
without saying that Nikon will probably be using this sensor, once
sufficient quanities are available. In any event. I'm sure that Sony
is going to give themselves a good lead time in the market before
making them available to others.

Wonder what the diffraction limit will be on those cameras?






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Re: I don't understand

2014-09-10 Thread P.J. Alling
Mirrorless cameras will displace DSLRs when it's less expensive to build 
a quality EVF than it is to build a Quality OVF.  That's hasn't happened 
yet and it may never happen, or it could happen tomorrow.  I've looked 
at both and I don't have a problem with EVFs as they stand now, but 
there are things that they just don't do as well as OVFs, they are 
however good enough for most situations and superior in others, but 
there 's no compelling reason for manufactures abandon OVFs and the 
systems they support.


On 9/10/2014 5:50 PM, Brian Walters wrote:

Quoting Godfrey DiGiorgi godd...@me.com:

As you're probably aware, I've been working with the 'mirrorless' 
cameras since they first appeared on the market in late 2008. To 
write about all the advantages of going with these cameras over what 
I used to do with DSLR kits would take more time than I have 
available, but they are very compelling for my photography.


An Olympus Pen digital is not a viable replacement for a quality DSLR 
(maybe for a consumer DSLR). An Olympus OM-D series camera (certainly 
the E-M1, maybe the E-M5 as well) or a Panasonic GH3 or GH4 
definitely are.



I think I'd add the E-M10 to that as well.  My reading is that the M10 
loses nothing to the M5 except the 5-axis stabilisation and it has 
inherited a number of feature from the M1 that are missing on the M5.  
I've only had my M10 for a couple of weeks but I think this thing 
could walk and talk (if I could just find the menu setting to activate 
that feature).  I wish it were slightly larger as well, but I can 
live with the size.


I'm not about to get rid of my K-5 but I really think mirrorless is 
the future.



Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/




These cameras work very well although best with the lenses designed 
for them. My E-M1 is a far better camera than any of my Pentax DSLRs 
(I stopped shooting with Pentax after the K10D) with respect to 
haptics, features, and viewfinder ... And image qualities.


IMO, although I've done it for years, you lose a lot with the smaller 
format when you adapt older SLR lenses simply because you're paying 
the weight/size penalty on the lenses which were designed for a 
larger format SLR, on which they image better.


The Sony A7, on the other hand, gives you a Pentax MX sized body that 
works very nicely with nearly any SLR lenses via mount adapters. It 
has a very good viewfinder (nearly as good as the Olympus E-M1) and 
good controls/features. Where it's lacking compared to the mid- to 
upper-grade SLRs is in responsiveness (unlike the E-M1) and an 
overall somewhat clunky feel. It also works well with a carefully 
selected range of smaller, RF camera lenses which nets a much 
smaller, lighter overall kit to carry compared to nearly any DSLR 
system.


I don't know that anything is 'chasing me away' from DSLRs so much as 
these new cameras are drawing me to them. I will nearly always pick 
the smaller, lighter camera over the larger, heavier one, and the 
added versatility to use any lens I want from my Nikkor, Leica R, 
Leica M, and other makes floating about in the closet is a huge plus 
with the A7. The camera is a chameleon: Fit a Nikkor lens and the 
imaging looks just like my Nikon F. Fit a Leica R lens and the 
imaging looks just like with my Leica R8. Fit the right Leica M lens, 
and the imaging looks just like with my Leica M4-2. And the overall 
body package is in that sweet spot, for me, of the Pentax MX/Nikon 
FM2 that I always preferred. I pick the E-M1 if I want pro-DSLR grade 
responsiveness and access to the superb Olympus HG and SHG lenses.


Godfrey


On Sep 10, 2014, at 10:03 AM, Stanley Halpin 
s...@stans-photography.info wrote:


I had a brief fling with an Olympus a couple of years ago. It was 
fine as a point-and-shoot, at least as good as my iPhone. The kit 
zoom lens was decent.
What I wanted, though, was to use it with viewfinder and to use it 
shooting in manual mode with other-brand lenses like Pentax and 
Leica (via adapter of course). The buttons/menus etc were not 
designed with manual shooting in mind. At least I could never figure 
them out. The viewfinder was too much of a downgrade from a good 
optical viewfinder. I sold it, use my iPhone or WG-3 as my 
point-and-shoot.


I don’t know that there is anything about mirrorless chasing me away 
(except maybe the small sensor), but I haven’t found much to attract 
me to them either


stan

On Sep 10, 2014, at 12:50 PM, Collin Brendemuehl 
coll...@brendemuehl.net wrote:


When we were in Philly I saw far more mirrorless than DSLRs in use.
After getting home I was chatting with a local store owner who 
found that
odd since mirrorless sales are only a fraction of the market.  
Maybe they

were all in one place at one time?
Then last weekend we were in Wisconsin and Illinois.  (Fresh curds 
... yum.)

Had a good conversation with a pro who shoots for 

Re: OT: this one's for Bill

2014-09-10 Thread P.J. Alling

On 9/10/2014 4:09 PM, Bill wrote:

On 10/09/2014 1:18 PM, P.J. Alling wrote:

Does anyone else think this is, well, kinda twisted?
It would be even more twisted were it a moose, but yes, it's pretty 
creepy.

Pity he didn't keep a pet squirrel.

bill


That would only work if it's name was Rocky...






On 9/10/2014 2:21 PM, Bob W-PDML wrote:

When you get bored with your helicoptercam:

http://www.bbc.co.uk/newsbeat/29140059

I think a moose would be appropriate.

B










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Re: PESO: Foggy Morning

2014-09-10 Thread P.J. Alling
That kind of depends on the nature of the fog and the effect you're 
trying to achieve.


On 9/10/2014 4:51 PM, Ken Waller wrote:

Fog really is a photographers friend. :)


I totally agree. Does anyone other than me have a hard time converting 
a Foggy RAW shot?

I find it takes alot more 'fiddling' than non foggy shots.

Any secrets?

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - From: Bruce Walker 
bruce.wal...@gmail.com

Subject: Re: PESO: Foggy Morning


Both have a nice feel, 1st especially. Fog really is a photographers 
friend. :)


On Tue, Sep 9, 2014 at 7:20 PM, David Mann dmann...@gmail.com wrote:

We had some fog this morning so I took the camera for a walk.

http://gallery.multi.net.nz/photo/815/#peso

http://gallery.multi.net.nz/photo/816/#peso

Cheers,
Dave






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PESO Mini Cooper

2014-09-10 Thread Philip Northeast

A real Mini Cooper on teh race track

https://www.flickr.com/photos/27281712@N08/15016470680/


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Re: PESO Mini Cooper

2014-09-10 Thread John Francis
On Thu, Sep 11, 2014 at 10:07:13AM +1000, Philip Northeast wrote:
 A real Mini Cooper on teh race track
 
 https://www.flickr.com/photos/27281712@N08/15016470680/

Well, mostly on the track, anyway :-)


I don't think the gratuitous insult was called for, though.
I've driven both the original and the new Mini (including
getting an old Mini with less wheels in contact with the
pavement than the one you depict here), and I know which
I think is the better car.


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Re: PESO: Foggy Morning

2014-09-10 Thread David Mann
On Sep 11, 2014, at 8:51 am, Ken Waller kwal...@peoplepc.com wrote:

 Fog really is a photographers friend. :)
 
 I totally agree. Does anyone other than me have a hard time converting a 
 Foggy RAW shot?
 I find it takes alot more 'fiddling' than non foggy shots.
 
 Any secrets?

No secrets from me, I found exposure far more difficult than conversion.  Then 
a fairly simple tweak of curves in Photoshop.  Luckily I'd taken a few photos 
beforehand so had (approximately) the right compensation already dialled in.  
For that first shot I had to move quickly to be in the right place when the 
walker was where I wanted them.

In reply to Darren, I only had the 16-45 with me and I'm pretty sure that one 
was at 45mm.

I'm not surprised that everyone seems to prefer the first one.  Part of the 
intent of the second was to show the full row of trees and how they vary in 
height along the path but the effect doesn't seem as strong in the photo.  
Maybe it's because I normally see them from the other side.  I think they were 
all planted at about the same time so I've no idea why they've grown like that.

Cheers,
Dave


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PESO -- Step Falls

2014-09-10 Thread P.J. Alling

A bit abstract, it's not so easy to see what's happening here, but...

https://dl.dropboxusercontent.com/u/1604247/PESO/PESO%20---%20stepfalls.html

Equipment: Pentax K-5II w/SMC Pentax FA 43mm f1.9 Limited.

As usual comments are welcome but may be totally ignored.

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Re: PESO -- Step Falls

2014-09-10 Thread Jack Davis
Maybe giving it more time...?

Jack

- Original Message -
From: P.J. Alling webstertwenty...@gmail.com
To: PDML pdml@pdml.net
Sent: Wednesday, September 10, 2014 6:47:03 PM
Subject: PESO -- Step Falls

A bit abstract, it's not so easy to see what's happening here, but...

https://dl.dropboxusercontent.com/u/1604247/PESO/PESO%20---%20stepfalls.html

Equipment: Pentax K-5II w/SMC Pentax FA 43mm f1.9 Limited.

As usual comments are welcome but may be totally ignored.

-- 
I don't want to achieve immortality through my work; I want to achieve 
immortality through not dying.
-- Woody Allen


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Re: PESO -- Step Falls

2014-09-10 Thread P.J. Alling
I thought it was going to be more interesting because it was from a 
different perspective, but I'm afraid it's just confusing.


On 9/10/2014 11:03 PM, Jack Davis wrote:

Maybe giving it more time...?

Jack

- Original Message -
From: P.J. Alling webstertwenty...@gmail.com
To: PDML pdml@pdml.net
Sent: Wednesday, September 10, 2014 6:47:03 PM
Subject: PESO -- Step Falls

A bit abstract, it's not so easy to see what's happening here, but...

https://dl.dropboxusercontent.com/u/1604247/PESO/PESO%20---%20stepfalls.html

Equipment: Pentax K-5II w/SMC Pentax FA 43mm f1.9 Limited.

As usual comments are welcome but may be totally ignored.




--
I don't want to achieve immortality through my work; I want to achieve 
immortality through not dying.
-- Woody Allen


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Re: PESO Mini Cooper

2014-09-10 Thread knarf
I used to love watching Minis at the production races at Mosport, Ontario 
before the F1 and CanAm races in the 70s.

Huge crowds would gather at Moss Corner (the hairpin) and the higher the inside 
rear tire got the louder we'd cheer. If the inside front lifted it became an 
uproar. Once one rolled over and the crowd went berserk. The racer was right 
into it though: jumped out of his crumpled machine waving both hands over his 
head at the delirious crowd.

Jolly good fun.

Lovely photo. 

Cheers,

frank

On 10 September, 2014 8:07:13 PM EDT, Philip Northeast 
rnort...@bigpond.net.au wrote:
A real Mini Cooper on teh race track

https://www.flickr.com/photos/27281712@N08/15016470680/

“Analysis kills spontaneity.” -- Henri-Frederic Amiel



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